Back in stock: All genres

Notes: The Befaco Synth Duster is a super soft brush to keep your modular synth and audio equipment far away from dust.

Notes: Blank panel, 8HP, constructed from anodised aluminium, silver.

Notes: The Theremini is a reimagination of one of the oldest electronic musical instruments, and Bob Moog's first love - the Theremin. Its design fuses the experience of playing an instrument you don't actually touch, with a powerful sound engine derived from Moog's award winning synthesizer, Animoog. The Theremini guarantees immediate success to anyone at any skill level or physical ability, while also providing new ways to experiment with music, education, and gestural control.

Assistive pitch correction allows each player to adjust the instrument's level of playing difficulty. When activated the Theremini will play every note in a selected scale perfectly, making it impossible to play a wrong note. As the assistive pitch correction is decreased, more expressive control of pitch and vibrato becomes possible. When deactivated, the Theremini will perform as a traditional Theremin and there is absolutely no pitch correction.

A built-in tuner supplies real-time visual feedback of each note as it is played, as well as its proximity to perfection. This is useful for correcting a user's playing position, and for educating younger players about pitch and scales.

The Presets section of the Theremini allows you to select from 32 wave or wavetable-based presets, store a selected scale, set and recall a specified playing range, and specify settings for the included stereo delay and more.

Recessed in the top of the Theremini is a compact speaker perfect for private rehearsal and quick setup anywhere. Silent rehearsal is also possible via the front panel headphone jack. Simply plug in ear-buds or headphones and the built-in speaker becomes silent.

For live performance and gestural control, the rear panel of the Theremini features stereo line level audio outputs, a Pitch CV output with selectable range, and a mini USB jack for MIDI connectivity to the free Theremini Mac / Windows software editor and Theremini iPad editor.

Specifications

Pitch detection: Heterodyning analogue oscillator
Synthesis engine: Animoog-derived wavetable
Presets: 32
Display: 128 x 64 pixel backlit LCD
Internal speaker: 2-inch, full-range
Headphone jack: 1/8" (3.5mm) TRS headphone jack
Audio outputs: 1/4"TS Mono/Stereo; Line Level

Notes: Really versatile little MIDI controller designed to add hands-on control to software and even hardware. 16 push-button rotary encoders plus function buttons and OLED display.

Supplier's notes:
This all-rounder has 16 gridless push-encoders, 7 function buttons and a large OLED-display. Encoders are switchable to 16 groups that allow controlling a total of 256 control parameters per setup. The display shows the current values of all controls or editable encoder/group/setup names. Various kinds of MIDI commands are possible, like program change, pitch bend, aftertouch, NRPN, and control change in relative and absolute mode with different acceleration amounts. All these properties are easily and efficiently programmable on the device, allowing personalized customisation for each separate control.

The encoders can work as high resolution 14bit controllers too (NRPN, control change or pitch bend). This makes them suitable for sensitive parameters like resonating filter cutoffs, etc.

Use the internal 16 setups to save your individual settings. Backup and restore of all settings by SysEx dumps are possible too.

The factory settings are perfect to control music and video software products out of the box. Thus, any additional device programming isn't necessary for many applications.

The little box is also a great extension for your Ableton Live setup. There you can control all the continuous parameters like track volumes, rack macros, send amounts, and track pannings. A special control surface script for Ableton Live, including all necessary mappings, is enclosed in the package.

Working with this amazing power box will prove to you that it is a trustworthy, reliable, and invaluable asset to your productions.

Notes: Melody synthesizer and sequencer with parameter locks, punch-in effects, arpeggio and chord play styles.

Pocket operators are cleverly designed on a single circuit board. By placing all vital and sensitive components under the LCD display there's no need for an outer case. By saving this cost, high quality components could be used to guarantee the best possible sound and very low power consumption. The space under the display also doubles as a speaker box.

Experience a fresh new way to create music using your thumbs. With its pocket size, its animated graphics, real synthesizer engines, sync, punch-in effects, built-in speaker, alarm clock and impossibly low price, making electronic music has never been this much fun!

Notes: It's all about the things you connect to the The Field Kit! To get you started, Koma Elektronik have decided to offer an Expansion Pack with a bunch of different sources that you can use and connect to create your own signature sounds.

The Expansion Pack contains:

- 2 x Contact Microphones: Use these contact microphones to pick up vibration or sound, they are an amazing versatile input source
- 1 x Electro-Magnetic Pickup: This guy is good at picking up changes in magnetic fields, you can use it to amplify a string like a guitar pickup or amplify a spinning motor
- 1 x Solenoid push-pull motor: Use the solenoid to hit things, together with the DC Interface the solenoid can make anything rhythmical and percussive
- 1 x DC motor: The Motor can be used to rotate things or as a noisy oscillator together with the Electro-Magnetic Pickup
- 1 x small speaker: Use the speaker to listen to the main mix or as a sound source and to feedback sounds
- 3 x patch cables Always handy to have around to patch up different parts of your Field Kit... and a bunch of little objects to play with (little springs, marbles)

The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!

Notes: This new device is a powerful new CV controlled effects unit for your electronic music setup and pairs extremely well with the KOMA Field Kit.

- Looper
- Frequency Shifter
- Sample Rate Reducer/Bitcrusher
- Digital Delay
- Analogue Spring Reverb
- 4 Channel VCA Mixer
- 4 Step Mini Sequencer
- Envelope Generator

All of this, combined with the new 4 Channel CV Interface which allows you to route four CV signals throughout the device, means an incredible control over sound and timbre and a great addition to your mobile performance rig.

The Field Kit FX is built up from 7 separate functional blocks all focused on mangling and changing incoming audio and CV signals. They are designed to operate together as a coherent addition to our Field Kit Electroacoustic Workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.

Notes: Befaco's new Output Module is designed to be the master output for your modular system, providing an extra Cue Input to monitor any signal.

Left IN is routed to both channels when no Right signal is present. Both Outputs are TRS balanced.

A Headphones out is available. You can route Headphone OUT to the main out or an independent signal with CUE switch. Like this you can either pre-listen your sounds with the CUE Input or listen to your main out without disturbing your neighbours!

Level LEDs are available to monitor levels of each signal on the module.

Notes: The MBase11 can do only one thing, but it does it right, and it does this even better than in the past.

The MBase11 is the logical follower of the MBase01 and offers even better performance, more versatility and an even phatter sound. It generates analog bass drums, from extremely powerful to soft and covers the whole range from 909-style to 808-fashioned. And also, the LFO has 8 different waveforms including true sine that can be used to create very different envelopes. The resulting sounds are not simply kicks, this turns out to be a bass drum synthesizer.

The MBase11 has a compression parameter to vary the thickness of decaying sound. It offers a variable gate time to to create very different sounding attacks. It also has a metalise parameter to have hundreds of variations on the attack noise.

For more intuitive editing, JoMox have added an analog potentiometer that works alternatively to the parameter editing when scrolling the data wheel is too hard.

The MBase11 purposefully sounds a bit different to the XBASE 999/888, making it a great sounding expansion for our other drum products and other analog percussion.

The kick sets in very precisely and the attack sounds very snappy at all kinds of sound variations.

The MBase11 can also be used as a real bass with some limitations. If decay is cranked up it is long enough for tones and the pitch can be played on the keyboard in semitones over three octaves.

The kick drum can be triggered by an external analog trigger input. This is especially useful for live drummers who want to thicken up their live drum kit. The trigger input works with regular piezo pickups or audio signals.

Last but not least: one of the most convincing arguments for the MBase11 is the price: This is an inexpensive tool that helps you to create great kick sounds, without the time-consuming searching associated with mostly not satisfying samples. You save time and energy while reaching the sound quality you always imagined.

Tweak the sound you need. Everything is real.

Notes: The UDG Ultimate DIGI Backpack Black/Orange Inside is specially designed to cater for the laptop-based generation DJ affording them maximum functionality with performance orientated style.

Fits: Pioneer DJM-S5, DDJ-XP2, DDJ-200, Akai MPC Live II, NI Maschine MK3/ Jam, Numark Scratch, PT01 Scratch, or similar size controllers.

Ultimate DIGI Backpack specially designed for the laptop DJ. Constructed from high quality water resistant Nylon, it contains a cleverly designed side entry compartment for a laptop up to 15.4" without having the hassle of going through the main body of the bag. The bag main compartment can hold an extra laptop and it can also hold a Native Instruments MASCHINE MK2 size MIDI controller. There is a detachable interface pouch and on top of the bag there is a padded, quick access headphone pocket. There are 5 zipped compartments to securely store USB sticks, SD cards, wires and cables, AC power adapters, compact camera's, MP3 player, and other accessories.

Specifications

Colour: Black, Orange inside
Weight: 1,80 kg / 3.96 lbs
Outer Dimensions (W x H x D): 43.0 x 31.0 x 28.0 cm | 16.9 x 12.2 x 11.0 inch
Inner Dimensions (W x H x D): 42.0 x 30.0 x 13.0 cm | 16.5 x 11.8 x 5.1 inch
Material: Water Resistant Nylon 450D
Protection: Various padding used

Extras

Front compartment with organization panel and detachable pouch for audio interface
5 exterior pockets for personal essentials, including one with earbud pass-through for Mp3 players
S-curved shoulder straps for ultimate comfort.

Fits:

Up to 15.4" laptop, LP's
Pioneer DJM-S5, DDJ-XP2, DDJ-200, DDJ-XP1, DDJ-SP1, DDJ-WeGO 3/ 4, Toraiz Squid
NI Maschine MK3/ Jam/ MK2
Denon DJ MC2000, SC2000
Akai MPC Live/ II, MPD226, MPD232, MPD32, MPD26, MPK Mini MK II, MPC Element, MPC 500, APC 20, APC Key 25
Ableton Push/ 2
Allen & Heath Xone 23/ C, Xone 43C
Novation Launch Control XL, LaunchPad Pro, Circuit, Twitch, Numark Scratch, Omni Control, Stealth Control, Party Mix, iDJ Live II, Mixtrack Edge
Reloop Beatmix, Digital Jockey III/ II, Mixage IE, Neon
Roland Aira MX-1, TR-707, MC-202, TR-8, TR-8S
Korg MicroKey 25
M-Audio Oxygen 25, Trigger Finger Pro,
Arturia Drumbrute
Gemini FirstMix Pro, Slate2, Slate4, CDJ-700,
Hercules P32 DJ Controller, Universal DJ, DJ Consule 4-MX, DJ Control Air S, DJ Control Wave, DJ Control Instinct
Livid CNTRL:R
Stanton DJC.4
Vestax Spin 2, VCI-300/MK2, VCI-100/MK2
Audio interface or MP3/MP4 player, books and magazines

Notes: More knobs than you can shake a stick at. Add hands-on control to pretty much any MIDI-equipped hardware or software. Upgraded version of the classic PC44, featuring a whopping 72 rotary pots and 12 buttons.

Supplier's notes:
PC12 as successor of the PC44 is a universal controller for all kinds of MIDI controllable hardware and software.

You can combine two or more NEW MODULE devices to create a large system. The connections are on the right side to allow a back to back placing of two or more devices. Connect two NEW MODULES by a special extension port.

Furthermore, there are 4 MIDI-ports and one USB-port with various routing possibilities.

It is packed in a metal case with the same dimensions like the famous ELEKTRON devices so it's a great extension for these devices. But you can use the pot controller also with your DAW like a classical 12-track-mixer.

The device has 72 standard pots and 12 buttons in a 12-track-layout, various kinds of MIDI commands like control change, note on/off, pitchbend, aftertouch and program change are possible. You can program every MIDI command for every separate control on the device very fast and easily.

Of course you can assign the pots and keys to any of these commands by learning incoming MIDI commands, which is the same procedure you know from your software/DAW. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instrument, effect and DAW. Use the internal 30 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

Some special setups are preconfigured for use with ELEKTRON RYTM and ABLETON LIVE.

Check out this amazing power box and you will get a reliable mate...

Notes: 100 of Befaco's unique screws designed specifically for Eurorack. These M2.5 screws can be secured by hand, all common screwdrivers and Allen Key. These are great for saving time when rearranging your synth.

Each Knurlie comes with a fitted plastic washer to prevent rack rash.

Notes: *** NO POWER SUPPLY INCLUDED - USES GENERIC 12VAC ADAPTER ***

Basically, the Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb - this makes for happy-fun-time finger-modulation of the reverb on whatever audio that's going through it. On top of this there's an analog multimode filter that can be used to attenuate or exaggerate certain frequencies in the sound, this is real handy while playing the springs as you can - for instance - cut all the highs and just make thunderous doomy sounds or do the opposite; cut all the lows and make that ear piercing high frequency special love. Also, it incorporates an LFO that's internally routable to the filter and that also has some external routing-stuff. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back for even more hillarious moments. The Moisturizer is a mono unit.

The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more.

The Ekdahl Moisturizer contains exactly:
Preamp (up to 10 times gain)
Reverb
Reverb / Preamp wet/dry crossfader (Knob & CV/EP controllable)
State variable filter with
Lowpass/Bandpass/Highpass seamless crossover (Knob, CV/EP & LFO controllable)
Cutoff (Knob, CV/EP & LFO controllable)
Resonance (WITHOUT resonance limiter)
LFO with
Speed control (Knob & CV/EP controllable)
Square / Triangle crossover
External output with output amplitude knob
Filter / No filter wet/dry crossfader (Knob & CV/EP controllable)

The preamp section is designed for a max of 10 times gain, this to accomodate for low level output instruments such as guitars etc. The reverb tank has normal reverb signal gain on it, meaning that if you hit the springs hard they'll distort like crap which is real nice, if you hit them softly the sound won't be distorted.

The filter in the Ekdahl Moisturizer is abrasive, the fact that it doesn't have any resonance limiting makes it possible to get the filter to sound *really* bubbly & metallic (way more then any filter i've ever heard), but it's also of course capable of sounding completely "normal" - it all depends on the amount of resonance and/or gain. The fact that you can seamlessly fade inbetween lowpass, bandpass or highpass filter (or lowpass+bandpass and highpass+bandpass) makes the unit pretty damn versatile and by using the wet/dry filter/no filter crossfader there's some neat shit that can be done too. Now it should be said that due to the fact that there's no resonance limiter, if using very high gain, with high resonance and turning the cutoff frequency very high the filter might cut out - not to worry, just turn the cutoff back a bit and the filter pops in again. This happens because the filter gets overloaded and can be avoided with a resonance limiter, however if i had one of those all the super-awesome bounce would be gone and it'd sound like all the other filter out there.

The Ekdahl moisturizer has six CV/Expression pedal related jacks on the back, one of them is a LFO output so you can control other shit with The Moisturizer's LFO. All the other jacks are inputs and takes either CV or Expression pedal, they are: Reverb Mixture, VCF Cutoff, VCF Filter Mode (LP/BP/HP), Filter Mixture and LFO Speed.

Notes: A versatile alternative to conventional rack-mounted patch bays, the Minibay 1/4-inch connections round the back, which can be patched on the front panel via 1/8-inch cables. Compact and effective.

Supplier's Notes:
MINIBAY is a compact 40-point audio patch bay, designed to integrate neatly into a studio desktop space. It utilises 1/4" stereo sockets to connect with external gear and 1/8" mono (Eurorack) sockets for routing signals. There are also two built-in passive mixers with dedicated patch-points located on the main panel.

Intuitive

While the ins and outs can be configured to suit your needs, the general idea is to have instruments on Row A, mixer channels on Row B, and effects hooked into the FX rows.

Reach up to the effects; reach down to the mixer.

Convenient

MINIBAY can be neatly positioned next to a mixer (or just about anywhere) for quick and easy access and reference while working.

Patch-points are spaced to allow for comfortable grip and leverage when handling cables (even for fat fingers :)

Connecting to Gear

Insert Cables

In most cases, connections to instruments, effects and the mixer are made with standard insert cables (1xTRS to 2xTS).

This system allows two mono connections for each 1/4" socket on the back panel, and is how MINIBAY is able to pack so much for its size.

TRS Cables

TRS cables can be used to make stereo or balanced connections. When this is done, each channel or polarity is patched separately on the front panel.

Rows A and B

For Rows A and B, each 1/4" socket on the back panel is wired to two adjacent 1/8" sockets on the main panel.

FX Rows

Each 1/4" FX socket on the back panel is wired to the two corresponding 1/8" FX sockets on the main panel. One insert cable can therefore be used to connect to the input and output on an effects unit (or two cables for a stereo unit).

Normalling

Connections between patch points on Rows A and B can be individually normalled using the dip switches located on the interior of the main patch panel. Simply take out the screws on MINIBAY's steel enclosure to open it up and access these.

A normalled connection is one where the signal flows without the need for patch cables. In a fully normalled connection (as used in MINIBAY), the connection is broken if a cable is inserted at any point in the signal flow.

Notes: The DigiTechr Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your toes.

General Specifications
Input1/4" Unbalanced (Tip-Sleeve)
Output1/4" Unbalanced (Tip-Sleeve)
ControlsAmount, Momentary On/Off
A/D/A Converter24-bit
Sampling Rate44.1 kHz
Power SupplyPS0913DC-01 (US, JA); PS0913DC-02 (EU, AU, UK)
Drop Tune Range1-7 Semitones Down, Octave Down, Octave Down + Dry
Dimensions
Length4.75"
Width2.875"
Height1.75"
Weight0.36 lbs.

Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer.

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
6 HP wide

Notes: Easily one of the best looper pedals on the market. Huge power from this six-track effect, allowing you to perform in new and creative ways. Great clear sound and user-friendly design.

Supplier notes:
6 Track, Stereo Looper Pedal with Touch Enabled Screen, Hands Free Mixing, and Simultaneous Parallel and Sequential Looping

The Aeros Loop Studio includes 3 hours of mono recording time (1.5 stereo), upgradeable to 48 hours when using SD card

This pedal includes 2 x 1/4" (6.35mm) inputs, 2 x 1/4" (6.35mm) outputs, expression pedal support, MIDI in/out, 1/4" (6.35mm) stereo aux input, and 1/4" (6.35mm) stereo aux output.

Built in wifi and bluetooth for over the air updates, the Aeros Loop Studio offers a revolutionary looping experience

Featuring the ability to create 36 unique loops per song, the Aeros Loop Studio goes beyond what's expected of a looper pedal. Add unlimited overdubs for each loop, and record up to 48 hours (when using an SD card).

Blurring the lines between traditional loopers and audio workstations, the Aeros Loop Studio allows you to mix your tracks live during a performance using the built-in scroll wheel, and gives the ability to save and export songs. This will let you share your best loops with your fans.

With its 4.3" touch-enabled screen and color coded cues and waveforms, the Aeros looper will never leave you wondering where you are in the loop.

Additionally, the Aeros Loop Studio packs tons of power into a small form factor. Coming in at just 7.8"? x 5.6" (198 x 142 mm), the Aeros lets you add a 6 track, stereo looper to any pedalboard.

Of course, the Aeros had to be fully compatible with Singiular Sound's drummer pedal: The BeatBuddy. Using the two together is a plug and play experience.

This new looper also features bluetooth and wifi, enabling us to add exciting new features with over the air updates. Simply put, there's no other pedal that can match the Aeros Loop Studio.

SPECIFICATIONS
Quantize your tracks in any time signature or play in freeform mode.

6 parallel tracks and 6 song parts for a total of 36 distinct loops per song and in an industry first, but also, simultaneous parallel and sequential looping.

Unlimited overdubs enable you to create layers and depth in your loops without worrying about restrictions.

Save your loops with the USB port or an SD card.

3 hours mono, 1.5 hours stereo recording time (20 minutes per song) using internal storage and up to 48 hours storage when using an SD card.

32-bit floating point processing, 24-bit recording, professional DACs, <1ms latency, and 20hz - 20kHz range for studio quality recordings.

Digital dry through bypass.

In addition, wifi compatibility for over the air updates and exciting, yet to be announced features.

Bluetooth for reasons.

Four built-in footswitches with our comfort+ switch tops (perfect for playing barefoot or in socks).

There is a built-in scroll wheel for hands-free mixing during a performance.

MIDI in/out ports for syncing seamlessly with the BeatBuddy, other drum machines, effects, and more.

Additionally, it is compatible with any external expression pedal.

I/O: two 1/4" (6.35 mm) inputs, two 1/4" (6.35 mm) outputs, one 1/4" (6.35 mm) stereo aux input, one 1/4" (6.35 mm) stereo aux output.

9v (center negative), 360mA power supply included.

4.3" (109 mm) touch-enabled display.

Small form factor: 7.8" x 5.6" x 2.2" (198 x 142 x 56 mm).

Lightweight: 2lbs 4oz (936 g).

Aluminum construction with chip resistant black coating.

Requires Male to Male MIDI Cable for connecting to the MIDI Maestro and Male to Male MIDI Cable as well as MIDI Breakout Cable for connecting to the BeatBuddy

Notes: Mix up to four stereo channels in just 4hp, or chain multiple modules together to add channels. Inputs are normalled for mono operation. Simple, compact and high quality at a reasonable price.

Supplier's Notes:
4xSt.Mixer is 4 HP quad stereo mixer.

Right inputs are normalled to Left inputs for easy mono operation

Several 4xSt.Mixers can be chained together or with other HN stereo modules via sockets on the back side

65 mA +12V
50 mA -12V
35 mm deep

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Audio cables.

This USB 2.0 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Audio Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Audio Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official. For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Notes: Inamp is a dual pre-amp in just 4 HPs. Featuring 6,3 Jacks inputs as well as Minijacks.

Both inputs are summed so you can use them at the same time as an input mixer.

The unit is designed to amplify up to x20 the input signal, allowing to amplify most of the music machines out there (Domestic line levels) as well as some guitars (Humbucker-like pickups and so).

The first channel is normalled to second one in series, so it's possible to have two stages of amplification or two separate ones.

Notes: Creatively inspiring business from Xaoc as usual. The Erfurt is a digital phase accumulator, digital oscillator, binary counter or clock/audio frequency divider. Versatile stuff.

Supplier's Notes:
Xaoc Devices Erfurt is a digital module that may be used as an 8-output clock and audio frequency divider, a bi-directional binary counter, or a component of the Leibniz binary system, i.e. a programmable digital oscillator.

Erfurt features an 8-bit register which holds its current state: an 8-bit number representing digital values from 0 to 255. The state is available at the front panel via eight binary (5V gate) outputs and reflected by the 8 status LEDs. There are three clock inputs: one incrementing the state at each impulse, one decrementing, and one resetting the state to zero. The state may also be changed manually with two buttons.

When operating alone, the state of Erfurt changes by 1 at each impulse from the clock inputs, so that it counts from 0 to 255 in a cycle (modulo 256). This yields the signal frequency divided by 2, 4, 8, etc. up to 128, available at individual bit outputs. Depending on which clock input is used, the clock patterns correspond to the so called mathematical or musical divisions of the rhythm.

With two different clocks patched to the inputs, the counter alternately increases and decreases its state, and ultimately it counts with a rate proportional to the frequency difference between the clocks. A third clock patched to the Reset input may be used to shorten the sequence thus making the cycle incomplete for even more rhythmic diversity.

When there is a Leibniz data source connected at the back (even as simple as Lipsk), the state increases or decreases in larger steps, depending on the data present at the Leibniz bus (eg. the value programmed by the Lipsk buttons). The counter overflows quicker, and produces more complex patterns.

The state of the counter may be used as a phase input to a digital wave table. Connected to other Leibniz modules, Erfurt may play various roles, eg. it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc. Since Erfurt is based on CMOS logic (no CPU!), it can be clocked at very high frequencies (exceeding audio rate), therefore some selection switches are provided for clock pre-scaling.

Dimensions:
6 HP

Current Draw:
25 mA +12V
30 mA -12V
0 mA 5V

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Audio cables.

This USB 2.0 cable with a streamlined design helps DJ’s and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Audio Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Audio Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official. For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Notes: MX12 as successor of the UC44 is a universal controller for all kinds of MIDI controllable hardware and software.

You can combine NEW MODULE devices to a large system. The connections are on the right side to allow a back to back placing of two or more devices. Connect two NEW MODULES by a special extension port.

Furthermore, there are 4 MIDI-ports and one USB-port with various routing possibilities.

It is packed in a metal case with the same dimensions like the famous ELEKTRON devices so it's a great extension for these devices. But you can use the mix controller also with your DAW like a classical 12-track-mixer.

The device has 24 standard pots, 12 Faders and 24 buttons in a 12-track-layout, various kinds of MIDI commands like control change, note on/off, pitchbend, aftertouch and program change are possible. You can program every MIDI command for every separate control on the device very fast and easily.

Of course you can assign the pots and keys to any of these commands by learning incoming MIDI commands, which is the same procedure you know from your software/DAW. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instrument, effect and DAW. Use the internal 30 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

Some special setups are preconfigured for use with ELEKTRON RYTM and ABLETON LIVE.

Check out this amazing power box and you will get a reliable mate...

Notes: Inspired by the legendary UDG ProducerBag, the UDG Ultimate ProducerBag Large has been created to cater for those electronic musicians who crave more space for their performance equipment.

Fits: Pioneer DJM-S5, Toraiz SP-16, Denon DJ Prime Go, Novation AFX, Akai MPC Live II, Reloop Elite, Rane Seventy, Seventy-Two, NI Maschine Jam, and various pedalboards

The UDG ProducerBag Large offers increased space for performers using laptops up to 18.4" and larger MIDI Controllers. Constructed from high quality fabrics, the backpack style UDG ProducerBag Large features padded walls with an adjustable divider to create an internal partition to suit your own requirements. Available in black, the bag offers both comfortable transportation and padded protection for your valuable items.

Specifications

Colour: Black, Orange inside
Weight: 3,25 kg / 7.15 lbs
Outer Dimensions (W x H x D): 56.0 x 45.0 x 18.0 cm | 22.0 x 17.0 x 7.1 inch
Inner Dimensions (W x H x D): 46.5 x 32.0 x 15.0 cm | 18.3 x 12.6 x 5.9 inch
Material: Water Resistant Nylon 420D
Protection: Padded MIDI Controller compartment
Bottom guards fabrics protect from scuffing and abration.

Extras

6 pockets for Accessories and smaller gears
Top carry handles
Ergonomic detachable shoulder strap
Integrated combination lock.

Fits:

Up to 18.4" laptop
Pioneer DJM-S5, Toraiz SP-16, DJS-1000, DJM-750MK2
NI Traktor Kontrol S2 MK2, Maschine Jam/ MK3/ MK2, Traktor Z2
Denon DJ Prime Go, MC6000 MK2, MC3000
Numark iDJ Live II, Mixtrack II / Pro II
Rane Seventy, Seventy-Two
Akai MPC Live II, APC 40 MK2, MPD232, MPD26, MPD32
Reloop Elite, Beatpad/2, Beatmix, Digital Jockey-3, Jockey 3 Remix, Terminal Mix 2
Novation AFX, 25SL MK2, Launchkey 25, Nocturn 25
Hercules DJConsole RMX2, DJControl Jogvision, DJ Control Air+ S
M-Audio Oxygen 25, Trigger Finger Pro, Xponent
Stanton SCS.4DJ, DJC.4
Livid OHM 64
Vestax VCI-380/400/400DJ,
Arturia Drumbrute, Keylab 25
Various pedalboards

Notes: Updated expander module for the Moskwa II sequencer. The Ostankino adds additional connectivity to the Moskwa II, allowing CV control of most parameters, plus extra outputs.

Supplier's Notes:
Ostankino II expander adds CV inputs for many Moskwa II functions, as well as a transpose input, clock out and individual gate/bit outputs for each step.

Notes: Module A-192-2 contains two independent CV/Gate-to-Midi/USB interfaces. For each of the two sub-units these inputs are available:

- Gate Input (min. +5V)
- CVN Input (defines the Midi note number), 1V/octave standard, range 0...+10V (i.e. 10 octaves)
- CVV Input (defines the velocity value assigned to the Midi note message), can be used alternatively for Midi volume (CC#7), range 0...+5V
- CVC Input (free assignable to any Midi control change number), range 0...+5V

For both sub-units a common CV Transpose input is available (1V/octave, range 0...+10V). The voltage applied to this input is added internally to CVN before the Midi note number is generated. It can be used e.g. to transpose two sequences simultaneously by one voltage.

How it works:

Whenever the rising edge of the Gate input is recognized a Midi note on message is generated. The note number corresponds to the sum of the voltages applied to the CVN input and the common CV Transpose Input that is present at the rising edge of the gate signal.

Notes: Lipsk facilitates the inversion of the individual bits produced by Drezno (or any other module connected to its input header at the back), and delivers the resulting code to its output header. Bit inversion can be manually controlled by pressing any of combination of its eight illuminated buttons, or it can be automated by patching gate signals into its gate input sockets. An active (5V) gate flips the state of the respective bit. If the button is active (bit already flipped), then the gate flips the bit again yielding double inversion (no inversion). The corresponding LEDs show the combined effect of both manual and gate actions. The bit processing logic is hardware-based, so there is virtually no latency, allowing the binary signals to be manipulated at extreme rates.

Notes: Next-gen version of the popular iRig Pro Duo offers versatile recording options in a compact, portable package. Two mic/line inputs with phantom power, stereo line outputs, headphone out and MIDI in/out.

Supplier's notes:
IK Multimedia introduces the iRigr Pro Duo I/O, an enhanced, ultra-compact 2-channel audio/MIDI interface that enables high-quality recording on the go with iPhone, iPad, Android devices and Mac/PC. Designed for musicians, podcasters and other content creators, it can accommodate a variety of input sources including microphones, MIDI controllers, line-level and high-impedance instruments such as guitars, basses and keyboards, and more. It can also be used as a MIDI interface.

A sequel to IK's acclaimed iRig Pro Duo, the new iRig Pro Duo I/O features updated mic preamps with increased gain, as well as the addition of a USB-C cable to work with all of today's latest devices and new, dedicated PC drivers to ensure optimal performance on laptops and Surface tablets. In addition, refined volume controls with level indicators for more convenient workflow and a new rubberised finish to better stand up to the road, offer the same standard of quality customers have enjoyed from IK's award-winning iRig Pro I/O single-channel interface.

Recording capabilities
Two analogue combo inputs (1/4" / XLR) are provided for connecting and simultaneously recording any combination of dynamic and condenser microphones and instruments (line level or Hi-Z). They are complemented by Class-A preamps, adjustable gain and 48V phantom power. Each channel has its own input gain control for dialling in the perfect amount of input signal for a particular recording.

iRig Pro Duo I/O can also be used as a MIDI interface via MIDI input and output connectors and included breakout cables. Additional connections include two balanced 14" outputs and headphone output.

A direct monitor switch provides latency-free monitoring of direct incoming signal for use with video or streaming apps, or lets users monitor the processed signal returning from their device when recording music or using audio processing apps.

Out-of-the-box performance
iRig Pro Duo I/O runs on USB bus power or 2 AA batteries (or an optional PSU), and includes Lightning, USB-A and USB-C cables to work with any device right out of the box.

Although compatible with any app designed for high-quality digital audio input for recording or creation, iRig Pro Duo I/O comes with free access to over $/€500 of IK software, apps, and in-app material, making it an all-in-one package with everything needed to record, edit, and share great music, podcasts, interviews and more.

About the iRig series
Celebrating its 10th anniversary in 2020, IK's iRig series of interfaces helped define the mobile music-making category. With products designed for guitarists, vocalists, broadcasters and social media journalists, the series makes high quality audio recording accessible to everyone at an affordable price.

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: Pigtronix Infinity 2 is a stereo looping pedal with two independent loops and a streamlined user interface that has been designed to provide an intuitive musical workflow, right out of the box.

The Infinity 2 enables musicians to seamlessly switch between parts, even during initial recording or while overdubbing. This Verse / Chorus type of workflow is further expanded by the ability to delete the loop that is not currently playing - freeing up an open slot for a new loop to be created, without interrupting playback.

Nearly all actions taken by the Infinity 2 occur at the loop boundary. This allows the musician to cue an overdub, switch between loops or stop precisely at the end of a loop, without having to worry about hitting the footswitch at precisely the correct time. Simply tell the machine what to do and it will occur at the end of the current loop. This is the general rule of thumb for all commands, with a few exceptions such as instant stop and fade out, which take place immediately when activated.

A small push-button switch, located above the left footswitch, allows the user to change the functionality of this footswitch to perform various Stop, Stutter and Octave Shift effects. A TRS remote jack allows these special features to be triggered by an external switch. Undo / Redo functionality can also be assigned to the left footswitch, allowing the musician to remove previous overdubs and add them back as desired.

In addition to a dedicated knob for loop Volume, the Infinity 2 also features a Decay knob that causes loop audio to fade out progressively during overdub. With the Decay knob set fully clockwise, the layers pile up at full volume. With the Decay knob set fully counter-clockwise, each overdub lasts for only one loop cycle. With the Decay knob set anywhere in-between those extremes, overdubbing on the Infinity 2 creates constantly evolving loop textures that can be instantly snapped back to a previous state using the Undo function.

The Infinity 2's full-range, high-headroom audio inputs will accept mono or stereo instruments as well as line-level signals. The dual outputs of the Infinity 2 can be routed for stereo output with pass-through and loop audio mixed together, or they can be configured for discrete Wet / Dry operationiwhere the loop audio is summed to one output, and pass-through audio is sent to the other.

Infinity 2 combines the high-fidelity audio and ultra-low-latency looping engine of the original award-winning Pigtronix Infinity Looper, with a much smaller form factor and a user interface specifically designed to make looping fun and musical for everyone.

Notes: You're a visionary videographer, an intrepid journalist, a dedicated podcaster. And when you're out in the field, you want to be able to record high-quality audio for your projects with the hands-free convenience of a lavalier microphone, and you want to do it without breaking the bank.

That's where iRig Mic Lav comes in, it's an ultra-affordable and compact professional-quality mobile lavalier microphone for iPhone, iPad, iPod touch and Android.

iRig Mic Lav is chainable. That means it can double your recording power by letting you easily chain up to two iRig Mic Lav's to the same device. Each iRig Mic Lav captures high-quality audio thanks to its omnidirectional condenser capsule and foam pop shield. And recording convenience is taken to the next level thanks to its on-board headphone monitoring output, secure mounting clip, generous cable length and durable roadworthy design. And best of all, you can have all these premium features at a price as small as the device itself.

iRig Mic Lav gives you the power to record great sounding audio anytime and anywhere. Designed to meet the exacting demands of broadcast professionals, its omnidirectional condenser capsule lets you capture a 30Hz - 16kHz frequency range of crystal-clear audio from all directions. It comes with a foam pop filter to eliminate vocal plosives, wind noises and other unwanted sounds. And like all good lavalier microphones, it comes with a durable mounting clip that you can easy mount on a t-shirt, lapel or other material for dependable and secure hands-free recording. Just clip it on, and you'll be ready to go.

Capturing great audio in the field requires more than just superior microphone technology. To get the best sound, you have to be able to monitor your source as its being recorded. Not all lavalier microphones come with on-board monitoring, but iRig Mic Lav does. In fact, among major brands, it's the first mobile lavalier microphone to offer this feature.

It comes with a combo 1/8" TRRS port that can be used to output audio to your favourite pair of headphones. Just set the toggle switch next to the port to "monitor" and plug in your headphones, and you'll be on your way to recording effortlessly amazing audio.

There's a saying that goes something like, "two heads are better than one."

The same can be said for microphones - when you're out in the field, sometimes you need to record more than one person.

iRig Mic Lav lets you chain and record with up to two iRig Mic Lav's on the same device thanks to the same dual-purpose 1/8" TRRS port used for headphone monitoring.

Simply set the toggle switch to "input," and then plug a second iRig Mic Lav in to record with two microphones.

To monitor a dual iRig Mic Lav setup, you just need to set the switch on the second iRig Mic Lav's jack to "monitor," and then you'll be able to plug in your headphones.

You never know what mobile device you'll have accessible while you're out conducting that next heated interview or spontaneous Youtube video. This can be a problem if a microphone is specifically made for one type of device. Fortunately, you'll never have that problem when iRig Mic Lav is in your pocket. It outputs its sound via an analog 1/8" TRRS output jack, and it captures the same high-quality audio no matter whether it's plugged into an iPhone or an Android device with a compatible TRRS input jack compliant with the CTIA/AHJ wiring standard.

In other words, with iRig Mic Lav you can make quality recordings anytime, anywhere and on any mobile device.

Pair iRig Mic Lav with VocaLive or EZ Voice and an iLoud portable speaker, and you'll have the perfect "hands-free" portable PA system that you can easily fit in a briefcase or backpack for trade shows, small group gatherings and other mobile presentations.

With iRig Mic Lav, you're ready to record right out of the box thanks to its powerful suite of included apps. You get iRig Recorder FREE for iPhone, iPad and iPod touch and Android, a straightforward audio capture app that is great for everything from recording journalistic interviews to making podcasts while on the go (and everything in between).

VocaLive is an expandable, powerful effects processor and multi-track recording app that's perfect for adding a creative touch to audio. EZ Voice for iPhone, iPad and Android is a streamlined and easy-to-use app loaded with vocal effects that make it easy to practice and record over any song stored in your device's music library.

Notes: Mantis have taken years of experience with Eurorack to create a low-cost case that makes the Eurorack modular synthesizer look, work, and feel like a professional instrument. Mantis is an instrument that is at home on stage, touring, or in the center of the studio.

Mantis has two rows of 104HP for you to rack your modules. It comes fully powered and assembled, just drop in your modules and play.

Using its sophisticated leg mechanism, you can set it to three different positions: 0, 45, and 90 degrees.

Power Power and more Power! With Mantis, say bye-bye to the tedious, never-ending calculation of current consumption for the i12V power. Mantis comes with a juicy Zeus power supply that delivers plenty of power both now and for the future.

Mantis deep black coloru gives you another option to customize your Eurorack look and matches perfectly with black Tiptop Audio modules.

Mantis comes with real Z-Rails made according to Eurorack enclosure standards. No sliding nuts or wrong spacing! It also has keyed power connectors to help protect your modules from damage from plugging the power in in reverse.

Weighing only 3kg/6.5lb, Mantis is so light, traveling has never been so relaxed.

Dual Mantis Studio Brackets

Using the optional bracket accessory Mantis can be doubled up to 416HP! Multiply your Mantis and watch your studio setup grow.

Notes: The only module named after a Swedish botanist? Possibly. Relentless synth innovator Dave Rossum pushes the boundaries again with a state-variable stereo filter offering through-zero frequency modulation. Sounds complicated. Sounds good.

Supplier notes:
Following in the tradition of Evolution and Morpheus, LINNAEUS represents yet another Dave Rossum innovation in filter technology.

LINNAEUS is a stereo state-variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter's natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a "one-knob-per-parameter" interface, LINNAEUS inspires sonic creativity that invites (and rewards) real-time interaction.

LINNAEUS's cutoff/resonant frequency is exponentially voltage controllable from sub-audio to ultrasonic frequencies, while its resonant gain (Q) is exponentially voltage controllable from 0dB to greater than 60dB.

LINNAEUS's channel output response characteristics are independently and continuously variable from Lowpass, through Bandpass, Highpass and Notch, to Low and High Shelving characteristics. Voltage control of the response characteristics are independently selectable for each of the two channels.

The linear thru-zero modulation is provided by an integrated modulation oscillator and/or an External Linear FM modulation input.

The voltage-controllable modulation oscillator can track the filter's exponential frequency or operate independently. The modulation oscillator's output waveform is continuously variable from Off through Sine, Triangle, and Sawtooth, to Square. The modulation oscillator output is summed with the external linear FM input and applied to the modulation index VCA, which controls the linear thru-zero modulation index from zero to 8X. The modulation index is, of course, also voltage controllable.

Notes: The ultimate real analog synth for everyone.

UNO Synth is the ultimate portable, monophonic, true analog synthesizer and IK Multimedia's entry in the hardware synthesiser world.

IK Multimedia combined two decades of experience in software and hardware development with the expertise of Italian boutique synth-maker Soundmachines and IK's synth guru, Erik Norlander (one of the brains behind acclaimed synths like the Alesis Andromeda). The result is a no-compromise instrument with massive analog sound that's also easy to use with hands-on programmability and advanced features at an unbeatable price.

The days of compromise are over. Now everyone can own a real analog synth with professional sound.

And UNO Synth is proudly made in IK's own Italian manufacturing facility to ensure the highest quality standards. Like the majority of IK hardware products, UNO Synth is built using a combination of IK's state-of-the-art, automated mounting machines and test systems and fine, renowned Italian craftsmanship.

Seasoned synth professionals and beginners alike will love UNO Synth's high-quality, pure analog audio path and its ultra-compact form factor. With both classic and modern synth sounds instantly at hand, UNO will put a smile on the face of synth fans of every musical genre. All this in a synth module that can be easily carried anywhere.

Electronic music lovers or first-time synth users will get instant satisfaction from this affordable, easy-to-use instrument even if they are new to analog synths or synth programming. Thanks to its onboard presets and easy-to-play keyboard with selectable scales and arpeggiator, UNO Synth is the perfect gateway into the synthesizer world.

The highly flexible synthesis engine not only excels in producing the rich, warm, punchy, deep bass sounds that are the core of a high-quality monophonic synth, it's also perfectly designed to bring a wide sonic palette of leads, drones, arps, sequences, sweeps and effects.

While UNO Synth is monophonic nature, its two independent oscillators can be tuned differently to also generate interesting pad-like interval sounds as well as octaves. Pulse width modulation of each oscillator provides the ability for a single oscillator to sound like two while the second oscillator can be tuned to an octave or interval for advanced modular-style timbres from the greatest classic synths.

Ease-of-use with powerful programming:

UNO Synth comes with 100 grab-and-go presets (80 fully rewritable), making it ready to play right out of the box. Each preset not only includes the sound programming, it also includes an associated arpeggio and sequence for even greater musical expression and portable sonic power.

This makes it easy for everyone to find the perfect sound, and beginners and professional producers alike will have great inspirational starting points to make working with the UNO Synth faster, more productive and more enjoyable.

Ultra-portable, battery-powered, to make music everywhere:

UNO Synth's ultra-compact dimensions make it among the smallest monophonic synth available. With its light weight (only 400g) and its battery-power supply (4xAA included) or USB power-supply (for battery power banks), UNO Synth gives musicians of all kinds the freedom to make music everywhere without being tied to a location! Fully untethered, it's the ideal analog synth to carry around all the time.

Use it standalone, live with your keyboard or with your DAW:

Electronic music lovers or DJs can make music with UNO Synth whenever and wherever the inspiration strikes. The built-in audio input also allows for daisy chaining other external audio device (like drum machines) so they can be used together with UNO Synth without the need for an additional mixer, keeping the set up at minimum for the greatest portability.

Notes: The new MS Series studio reference monitor stands from Ultimate Support offer unparalleled innovation and strength for professional, project, and home studios alike. The MS-80 is a desktop monitor stand that features non-slip, high-density acoustic foam and an angle-adjustable base that allows the end user to fine tune the sweet spot. The MS-90 is a column monitor stand that offers internal cable management channels and 6000 Series aluminum construction while the MS-100 is essentially a combination of the two!

From top to bottom, all three MS Series stands feature sonic isolation and decoupling components. The MS-90 delivers four non-marring sound decoupling pads that stabilize monitors of varying sizes. The MS-100 and MS-90 feature two rubber couplers between the column and the top/bottom plates and spike decoupling designs under the top and bottom base plates. Add the MS-90 to your studio and discover what you've been missing in your mix!

The MS-100 and MS-90 offer three internal channels that run the length of the column. So your studio remains clear of untidy cables, two channels are designed for audio and power respectively. For additional stability, the larger third channel can be filled with shot or sand.

The MS Series studio monitor stands are made from the highest quality materials, such as Series 6000 aluminum, and backed by award-winning design that marries both form and fashion. The modern studio owner will love the contemporary look while the veteran engineer will appreciate the solid build and versatility.

Depending on the needs of your studio, the MS-90 is available in two studio standard heights: 45" and 36". Both are identical in construction and features except for height. Choose the height that's best for your studio design!

Notes: The Keith McMillen Instruments CV Cable Kit is designed for converting MIDI messages to control voltages. The kit makes it possible to connect a QuNexus USB MIDI controller to external hardware that accepts a CV voltage such as an analog synthesizer. The kit consists of one right angle 1/8" stereo to 1/4" stereo interconnect cable, one 1/8" stereo to 1/4" mono interconnect cable, one 1/8" TRRS to dual 1/8" stereo interconnect cable, and two 1/8" stereo to dual 1/8" mono interconnect cables.

In the box:
- Keith McMillen Instruments CV Cable Kit
- Right Angle 1/8" Stereo to 1/4" Stereo Interconnect Cable
- 1/8" Stereo to 1/4" Mono Interconnect Cable
- 1/8" TRRS to Dual 1/8" Stereo Interconnect Cable
- 2 x 1/8" Stereo to Dual 1/8" Mono Interconnect Cables
- Limited 1-Year Warranty

Notes: Inspired by the early 80s Synton Syrinx, the SER-2020 is a semi-modular monster, featuring an excellent formant filter section, unique Touch 'N Bend Control and MPE-compatible MIDI interface.

Supplier's Notes:
The SER-2020 is a monophonic semi-modular analog synthesizer with an formant filter section, designed to use as standalone synthesizer or in combination with Eurorack modules. Inspired by the Synton Syrinx *(1) added the flexibility of an MS-20. Its filter design features a combination of a 24dB/octave VC Low Pass Filter, and two independent Resonant VC Peak Filters for precise and dynamic sound shaping. The sound is ranging from solid bass sounds to articulated formant effects. Other features on the SER-2020 are the Touch 'N Bend Control together with the MPE (MIDI Polyphonic Expression) capabilities makes the SER-2020 a special instrument which response to its player. The flexible routing makes the SER-2020 a versatile machine for sound effects.

Key Specifications:
2 VCO's (CEM3340 based)
1 Sub-Oscillator
Ring Modulator
Noise Generator
Audio Mixer
Multi-Mode Sync & Sync D-Tune
3 VCF's (CEM3350 based)
2 ADSR's
2 LFO's with Reset & Shaper Modes
Auto-Glide
Multiple Triggering
Touch 'N Bend Pad
Bend Assign
Sample and Hold
Semi Modular Setup - CV inputs and outputs
Signal and Headphone output.
MIDI interface
USB MIDI interface
MPE compatible - Sensitive for; Strike (note-on velocity), Press (aftertouch), Glide (pitch bend), Slide (brightness) and Lift (note-of velocity).

The SER-2020 consist of two VCO's and one sub-oscillator, driven by VCO 1. Both VCO's deliver a triangle, sawtooth, square wave and pulse signal, which can be selected. A rich spectrum can be obtained with Pulse Width Modulation of VCO 1 and VCO 2. The LFO 1 and 2 signals can be feed to the pulse width modulation section introducing phase shift effects and Doppler frequency shifts. Since the both VCO's have a separate LFO for PWM, chorus-like effects can be obtained by controlling both pulses with different LFO speeds. VCO 2 can be synchronized to VCO 1 in different modes. Synchronization is applied when two or more VCO's have to produce exactly the same pitches, without phase shift or beat effects. When VCO 2 is detuned from VCO 1 another effect occurs, which will result in quite dramatic tone colors.
Each VCO has an individual output, also the noise generator and sub-oscillator has individual outputs.

The most important sections of this synthesizer is the filter. The SER-2020 features a very extensive filtering system, which consists of the standard 24 dB/octave low pass filter and two independent band pass filters, which together form the Voltage Controlled Formant filter.
Both band pass filters have a frequency control and a resonance control for setting the selective amplification in the pass band. The bandpass filters are equipped with a control voltage mixer for LFO, ADSR and key range voltages. The LFO control can be used for the external modulation input.
The low pass filter is an standard 24 dB/octave roll-off. It has a frequency control and a modulated CV mixer from several sources like LFO, ADSR and the key range. The LFO control can be used for the external modulation input. Also the resonance of the low pass filter can be controlled.

The SER-2020 has two ADSR generators, of which one is used to control the internal VCA, and the other one to control the filter section. The control signal can be inverted by means of the ADSR controls in the filter section, so that the filters can be swept in opposite directions.
ADSR 1 and 2 have a positive and negative (inverted) direct output available on the patch panel.

The SER-2020 has two independent Low Frequency Oscillators (LFO's) of which the rate can be controlled, and for LFO 2 also the wave shape.

LFO 1 generates a triangle wave which exclusively is routed to the pulse width modulation control input of VCO2. LFO 1 also generates a square wave and a pulse wave. The square wave is available as direct output on the patch panel. The pulse wave of LFO 1 is internally routed to the sample and hold generator as clock source.

LFO 2 is more versatile and can be used for the modulation of the VCO's and the filters. Moreover LFO 2 can be used as a one shot generator which means that a signal is generated much alike an Attack/Release generated function. Except for the LFO 2 rate control with the preset knob, it also can be controlled dynamically with the pad.

Several sections in the synthesizer can be controlled with the bend pad, by pressing it with the left hand index and middle finger. The pressure sensitivity for the VCO, VCF and VCA can be adjusted. The touch 'N bend pad also reacts on the MIDI modulation control and the MIDI brightness (CC#74) control for MPE compatibility.
Also the speed of the rise/decay mode of the LFO 2 is possible. Pressing the UP pad will result in a shorter cycle, and pressing the DN pad in a longer cycle.

Notes: The Dual Stereo Gate (DXG) music synthesizer module is a Dual Stereo Low Pass Gate and Mixer. It follows in the footsteps of the QMMG, Optomix, RxMx, DynaMix, and LxD. Unlike its predecessors, the DXG is specifically oriented around mixing stereo signals, making it an important addition to any system containing modules like XPO, QPAS, Morphagene, Mimeophon, and other stereo modules by Make Noise or others.

Unique to the DXG is a new low pass gate circuit that does not use vactrols. This circuit is 100% analogue and its response was arrived at after many months tailoring it to meet or exceed the expectations that have been set by all the vactrol low pass gates that Make Noise has created over the years.

In the past, Make Noise produced the Dynamix module and Dynamics circuit in the 0-COAST, both of which are vactrolless LPGs; however, the DXG is a completely new approach which better implements the gentle single pole filtering of a low pass gate, while also emulating the slow decay and memory of the vactrol based low pass gate. This new circuit makes possible the consistency of response necessary for versatile stereo use, while also keeping the module small and affordable so that it can be a key part of just about any modular system.

As on all of Make Noise's low pass gates, the DXG's Control parameter is used to set both the amplitude and the frequency content of the sound that passes through it. The control parameter tends to open faster than it closes, imparting a subtle decay phase onto any envelope shape that is used to modulate it.

Unlike previous low pass gates made by Make Noise, all the DXG's inputs and outputs are stereo. Each set of inputs is normalled so that the left input can be used for a mono signal, sending a copy to both left and right outputs. The Auxiliary inputs are also a stereo pair with mono normalization. These normalizations allow for the DXG to be used as a simple three channel stereo mixer, with one or two of the channels additionally being used for dynamics control and note event generation. The Aux inputs can be used to chain together larger decentralized mixes using additional DXG modules, or X-PAN, Optomix, modDemix etc.

Features

- Make Noise's first Stereo Low Pass Gate

- Vactrol-free design for classic Low Pass Gate sounds, but with the balance and consistency needed for true Stereo

- Fully Stereo i/o for easy integration into a Stereo-equipped modular synthesizer

- All Left inputs normalled for easy use with Mono signals

- STRIKE Input allows use of Gate signal to trigger Low Pass Gate circuit, creating "plucking" or "pinging" sound from any Gate

- Summing stage with Stereo AUXiliary IN allows for chaining of multiple units, creating larger mixes

- Part of a decentralized mix console integrated throughout the system along with X-PAN, Optomix, XOH, etc.

- Pairs well with XPO, QPAS, Morphagene, Mimeophon, Spectraphon etc.

Width: 8hp
Power:
74mA @ +12V
86mA @ -12V
Module Depth (incl power cable): 43mm

Notes: Digital 12-bit oscillators meet analogue filters in this creative little synth module. Six-voice polyphony, preset storage and MIDI control make for a compelling instrument with its own distinctive sound.

Supplier's Notes:
The Tooro is Fred's Lab's new 6-voice 4-part hybrid "digilog" polysynth.

Including the latest discoveries in mixed electronics, the original FL A847 analog filters, this is the perfect module for demanding sound designers and every musician seeking distinctive tones with a strong personality, in a very compact form factor.

Each voice offers 2 complex digital oscillators with waveform morphing, 2-operator linear phase modulation and self-sync features plus a noise source, a ring modulator, the unique FL A847 lowpass filter accompanied by a digital shaper, 2 advanced LFOs and 2 ADSR envelopes.

A modulation matrix with 8 slots allow the animation of most of synthesis parameters.

A master stereo digital FX offering various modulated delays is also included.

Tooro is shipped with a printed version of the QuickStart Guide (in English) and a 1 meter black USB cable.

Technical aspects:

All Fred's Lab instruments are produced and manually assembled locally in Germany.

The Tooro is a polyphonic and multitimbral synthesizer module with 6 voices, 4 parts, per voice analog filters and a stereo signal path.

Sound Engine

Per voice

Oscillators:
Two 12bit digital oscillators with:
waveform morphing
additional sine modulator (for linear through zero phase modulation)
auto-sync feature - hardsync

Filter:
A single FL A847 12dB/Octave low-pass filter with auto-oscillation and saturation features.

Shaper:
A selection of digital filters algorithms from Fred's Lab.

Noise:
A regular white noise source.

Ring modulator:
An audio rate multiplication of osc1 output by osc2 output.

Envelopes:
Two ADSR envelopes with hold stage and multiple triggering options.

LFOs:
Two complex LFOs with various waveforms and their own AD envelope.

DCA:
A digitally controlled attenuator with volume and panning control.
Per part
MIDI channel selection, overall part volume and panning.

A syncable arpeggiator with multiple modes is included.
Global
Multi-FX
A 12bit digital multi-FX module with various modulated delays.

Instrument:
Memory
The Tooro can store:
100 sound presets
10 multis

Connectivity:
2 line-level unbalanced 6.35mm jacks (mix left & right)
2 instrument-level 3.5mm jacks for separate voice outputs (for voice 1-4 only)
1 DIN5 MIDI-IN
1 DIN5 MIDI-OUT (OUT + smart THRU)
1 USB 1.1 B compatible port (for power and MIDI over USB)
1 power switch

UI:
4 high-quality metal encoders
14 tactile switches
dual digit 7-segment hexadecimal display
12 leds

Mechanics:
aluminum industrial enclosure
quality rubber feet
170 x 120 x 45 mm
550 grams

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Audio cables.

This USB 2.0 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Audio Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Audio Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official. For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications:

Colour: Black
Material: PVC + Metal
Protection: Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
High-quality multi-shielded PVC USB cable

Extras
Includes UDG Velcro strap for easy storage
High-speed Audio Optimized USB 2.0 A-Male to B-Male cable
Ergonomic UDG Design
Various colors makes them easy to identify
Fits: Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: STMix is a four-channel stereo mixer in 28hp and 1U format. It can work independently or as an expansion of Befaco's Hexmix module via the six-pin connector located in the back. The module is designed under the Intellijel 1U format.

Features

Four channels stereo inputs with volume control.
AC Coupled inputs to improve audio performance.
Output clipping LED indicators.
Connector at the back to interface with the Hexmix module.
1U Intellijel format

Specs:

Current needs: +12V: 30mA, -12V: 30mA
Width: 28 HP
Depth: 20mm (including power connector)
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Notes: Connect more with the world- The original iRig Stream offered groundbreaking features that made it an overnight must-have for millions of creators. Now iRig Stream Pro takes your podcasting and streaming to an all-new level.

This 24-bit, 96 kHz audio interface for iPhone, iPad, Android and Mac/PC offers an XLR mic preamp, stereo RCA, TRRS and device inputs (loopback) - plus advanced routing, convenient controls and total portability.

It's everything you need for professional quality streaming, right in the palm of your hand.

Mix and stream up to 4 audio sources- iRig Stream Pro makes it easy to connect all your audio sources and route them to a streaming or recording app. Connect your favorite studio microphone or guitar via the XLR / 1/4" combo jack, mix in DJ decks or a keyboard via the stereo RCA inputs, then connect your earbuds to listen back and for a bonus mic/line input. You can even route in the output of your smartphone, tablet or laptop and sing or jam along.

XLR / 1/4" combo input

This input offers a pristine mic preamp with true +48V phantom power to connect studio microphones with stunning sound, switching to Hi-Z for your favorite guitar or bass.

RCA stereo input

Connect a mixer, DJ decks, keyboards and more with this low-noise stereo input.

3.5mm TRRS input/headphone output

A unique headphone/microphone jack is wired just like your smartphone so you can listen and talk over the stereo input simultaneously. It works with most headphones with a built-in mic and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre 2, giving you a wide range of options for any situation.

Device Loopback

This option routes the audio output of your digital device (iPhone, iPad, Android, Mac or PC) back into iRig Stream Pro to be mixed in with the other audio signals. This is perfect to jam or sing along with backing tracks, or process audio on one app and stream to another, all on a single device.

Each input has its own independent volume control and is then mixed down to your choice of stereo or 4 channels to stream, process or record into all your favourite apps.

Stereo or multichannel? You get both!

iRig Stream Pro offers 2 modes: stereo or multichannel. By default, iRig Stream Pro operates in stereo mode and pre-mixes multiple sources of audio (RCA stereo inputs (+ Loopback), XLR / 1/4" combo input and TRRS microphone) down to a stereo track, which is sent to your choice of streaming apps like Instagram, Facebook, Twitch, etc.

Switching to multichannel mode, the combo and TRRS inputs are routed to channels 3 and 4 respectively giving you 4 channels of audio to send to recording apps such as GarageBand or your favourite DAW.

Specs

Type: 2 in/2out or 4 in/2out
Conversion: 24-bit A/D, 24-bit D/A
Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
Power: USB bus powered. 48V operations with iOS devices require battery or DC IN. When connected to an external PSU (iRig PSU 3A, not included), iRig Stream Pro charges the connected iOS lightning device.
Metering: 3x LEDs for overall streaming signal. Peak meter for Mic/Inst input.
Device Connection: mini-DIN
Dimensions: 123 mm/4.84" x 67 mm/2.63" x 40 mm/1.57"
Weight: 146g
Line input
Connector: 2x RCA (unbal.) Left/Right
Nominal Input Level: -10 dBV
Head Room: 10 dB - Level @ max
Input Impedance: 16.5k Ohms
Frequency Response: from 20 Hz to 20 kHz (-1.5 dB)

Microphone Input: balanced, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground
Microphone Input Level: from 3.8 mV RMS to 388 mV RMS
Microphone Input Impedance: approx 2 kOhms
Analog Gain Range: 40 dB
Phantom Power: +48 V i 4 V
Frequency Response:
from 20 Hz to 20 kHz (-1 dB) Gain @ min
from 20 Hz to 20 kHz (-3 dB) Gain @ max

Instrument Input: unbalanced, Hi-Z, TS 1/4" Jack, Tip: signal / Shield: ground
Instrument Input Level: from 70 mV RMS to 1.8 V RMS
Instrument Input Impedance: 1M Ohms
Analog Gain Range: 28 dB
Frequency Response: from 20 Hz to 20 kHz (-1 dB) Gain @ min, from 20 Hz to 20 kHz (-3 dB) Gain @ max

Headset/Phones
Connector: 1/8" TRRS jack (CTIA wiring standard)
Supply voltage: > 2,5 V
Microphone gain: Adjustable with numbered thumbwheel
Frequency Response: 20 Hz - 20 kHz
Headphone Level control: numbered thumbwheel

Battery Life
Phantom power On with iOS device: up to 20 hours (Alkaline batteries), with mic input connected to 3.1 mA phantom powered load
Note: all measurements made with Stream Level knob at 0dB.

Package includes
iRig Stream Pro interface
Lightning to mini-DIN connection cable with charging features (60cm/23.62")
USB C-Type to mini-DIN connection cable (60cm/23.62")
USB A-Type to mini-DIN connection cable (60cm/23.62")
2x 1.5V AA battery
Velcro strip

Notes: A true legend of modular synthesis, Make Noise's Maths is arguably the definitive Eurorack function generator. Based on analogue computing circuits, Maths draws on Buchla-style techniques to offer countless ways of generating and processing modulation signals.

Supplier's Notes:
The MATHS music synthesizer module is an analogue computer designed for musical purposes. Amongst other things, it will allow you to:

Features

Generate a variety of linear, logarithmic, or exponential triggered or continuous functions

Integrate an incoming signal

With no signal applied, generate a variety of linear, logarithmic, or exponential functions

Add, subtract and OR up to 4 signals

Generate analogue signals from digital information (Gate / Clock)

Generate digital information (Gate / Clock) from analog signals

Delay digital (Gate / Clock) information

If the above list reads like science rather than music, here is the translation:

Voltage Controlled Envelope or LFO as slow as 25 minutes and as fast as 1khz

Apply Lag, Slew or Portamento to control voltages

Change the depth of modulation and modulate backwards!

Combine up to 4 control signals to create more complex modulations

Musical Events such as Ramping up or Down in Tempo, on command

Initiating Musical events upon sensing motion in the system

Musical note division and / or Flam

Perfect for modulating the DPO and just about anything else

Specifications
Width: 20hp
Max Depth
(incl. power cable): 32mm

Power:
60mA@ +12V
50mA @ -12V

Notes: Audio split cable to connect your synthesiser to a DJ mixer or record player to speakers. 3.5 mm stereo (TRS) mini jack to 2 x RCA.

Stereo mini jack to RCA split cable
Shielded, narrow profile, specially designed for Teenage Engineering devices
Length: 1200 mm

Notes: Use this cable to connect your Bluebox to a data source and a power source at the same time. This will allow you to stream audio over USB. The cable has a USB B male connection on one end and two USB B female connections on the other end: red for power and black for data.

Stream Audio Over USB with Bluebox

If you bought a Bluebox for desktop before September 2023, this handy adapter will make it easier to connect your device to a computer. New firmware allows you to send audio from the bluebox to the computer and back.

The adapter splits the power from the USB signal to help avoid noise from your computer. It also enables you to power the device separately in case your computer or hub is not suitable for the demanding power requirements of the Bluebox.

Connect the male end to the USB Power port on your Bluebox. Then connect your bluebox USB B power cable to the red female jack, and a USB B data cable to the black female jack and you are ready to stream audio.

Specs

Length: 3.25", 8.25 cm

Weight: 1.2 oz, 34 grams
Dimensions: 6.5 × 2.5 × 0.75 in

Notes: Octava is an all-analog octave fuzz / frequency doubler featuring an on-board low pass Filter control that allows you to achieve singing octave up tones anywhere on the neck, without adjusting your guitar's tone control. A front-end Drive and gushing Fuzz circuit add signal power and easily convert Octava to shoegazey fuzz pedal capable of producing devastating, full-wave rectified distortion. Use the Blend knob to mix the octave up effect on top of your dialed-in drive.

Knob-by-knob

Volume: Sets the overall output volume.
Blend: Mixes in the octave-up effect.
Filter: A low-pass filter tone knob. Sets the cutoff frequency of the low pass filter on the input of the Octave circuit.
Drive: Mixes in warm front-end overdrive by increasing the gain of the J-FET preamp stage.
Fuzz: Activates the fuzz circuit.

All analogue, still versatile

Built with the theory of "do one thing and do it well" paired with the flexibility of more diverse effects units, the Octava transitions seamlessly between a singing octave-up to an overflowing fuzz, and every blended tone between.

The Octavia ribbons

Parallel ribbons made up of complex patternwork wave ever-so-slightly in the blackness of space. It is from this mysterious place Octava was harvested. Pretty much sounded like a badass octave fuzz.

Specifications

Electronics

Voltage: 9-18VDC
Current draw: 100mA
Input impedance: 2.2M
Output impedance: 150 ohms

Body

Length: 1.5"
Width: 3.75"
Height: 1.75"
Weight: 0.5 lbs

Notes: The ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED-12FX is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it.

USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS
1) To Stereo 3 channel

MUSIQ
ZED-12FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED-12FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

Based on the proven pre-amps from the hugely successful PA series, ZED-12FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a
higher input impedance.

Notes: Cable Ties - 100Pcs

Strong plastic cable ties available in black or white and in a variety of sizes.

Material: Nylon
Temperature range: 40 to 85 degrees
Max. load: 181lbs