Back catalogue: All genres

Review: The now ten year old 'Acid Test 09' sees a special tenth Anniversary Edition repress with a new vocal mix of the track 'Test 3'. The original EP, released in 2014, saw acid nomad Tin Man team up with techno dreamweaver Donato Dozzy for three slices of deep acid and dubby, bleepy ambient; this special anniversary version adds a surprise new vocal mix on the A2, with either Dozzy or Tin Man himself gracing the beats with a set of carefree, moony phonic impressions, lyrically concerning the object of his affections looking oh so good on the dancefloor. We already know and love the rest; it's up to you to put the new addition to the test.

Review: 2023 was a knockout year for Portuguese artist Temudo, taking in techno totems like Blueprint, Klockworks and Hayes in pursuit of his driving, sharply-focused sound. Now he lands on Italian label Sublunar with more of that refined, precision engineered gear for the wormhole crew. 'U Where My Second Choice' is a taut, edgy workout with a nagging synth hook, but 'Asset 2' ratchets down to a pure, heady locomotion which will take you tunnelling deep into the night. '2029' has a restrained funk which will work the body good and proper, and 'Affection' simmers down to a minimal palette peppered with pointed blips moving in expertly sequenced formations - smart techno at its finest.

Review: Following his impressive debut on Submersive's VA Osmotic Particles in 2021, Toki Fuko returns with his inaugural solo release on the label. His Hues of Movement EP comprises three original tracks and remixes by Anthony Linell and Artefakt, all of which embody Submersive's ethos of deep, hypnotic techno. Fuko impresses as always with his well crafted soundscapes blending electrical pulses with catchy drum sequences. Linell's Train remix fuses his style with Fuko's to make for a dub-influenced journey while Artefakt's 'Warble' remix takes things into darker worlds filled with unrelenting tension.

Review: Global Underground is one of the longest-running DJ mix series and it has always been one of the best. Plenty of big-names over the years have made their mark, often more than once, and now it is the turn of the famously long-playing New York titan Danny Tenaglia to show us what he's made of. He brings his signature grooves and a hint of Latin flavour to proceedings on this, a third and final installment of his trilogy for the series. It is mostly contemporary names serving up new school sounds but all delivered with Danny's cultured and old school DJ mentality.

Review: When you look back at the first PlayStation several landmark releases spring to mind - Resident Evil, Tekken 2, Crash Bandicoot - the list could go on much longer and should definitely include Wipeout and Wipeout 2097. Both were renowned for combining high pace, futuristic visuals with contemporary electronic club music from some of the biggest producers and acts at the time. Less remembered, in Europe at least, is the Ape Escape series, an intense party-platform title which arguably has the greatest dance music game score of all time. Comprising six tracks from that saga, this compilation of Soichi Terada's soundtracks emphasises that bold point. Opening on the crisp, punchy techno drive of 'Specters Factory', we find ourselves in suitably spooky jungle ('Haunted House'), rumbling dnb ('Spectors Castle') and roughneck hardcore bass ('Coasters'), among other made up genres. A collection which resembles Terada's amazing 1996 album, Sumo Jungle and makes a case for the Japanese enigma as one of dance music's most underrated geniuses.

Review: The creative partnership between Tiga & Hudson Mohawke expresses a mutual love of "hardcore romance," a liminal state where the bounds between euphoria, melancholy and the raw power of friendship disintegrate completely. Recorded in Los Angeles from 2019-2023, these commonalities ebbed and flowed through various recording sessions, culminating in their debut album - L'Ecstacy - the sounds in which "all come from the same place, the same musical universe," in Hudson Mohawke's own words. Referencing the album's locus of bouncy elasticity and cinematic gloss - "we're building a particular kind of zone where it all fits together. A place lost in time." With guest appearances by luminaries like Abra, Channel Tres, and Jesse Boykins III, as well as album artwork by Wolfgang Tillmans, the result is delivered with "no apology, no cynicism, no irony, no winking."

Review: Tobias Freund has become one of the most well-respected techno artists in the last 15 years, releasing on a successiom of important labels like Ostgut Ton, Logistic, Mule Musiq and Wagon Repair, to name but a few. His newest release is a full length called Das Neue Elektronische Volkslied and is released on the very hot Danza Tribale, offering an array of strong underground tracks that explore various styles under the techno umbrella. There are hard, dramatic percussion stormers like 'Rated-R' or 'Nuclear Device'. There are powerful and intense builders like 'Perceiver' or ' Rise Of The Robots'. Then you have mysteriously eerie and dark minimal tracks like 'The Continent Of Reason' or 'A Wise Precaution'. Overall, the record is full of commanding high powered darker techno that demands your attention.

Review: After a surprise sojourn last year as Sato, an alias he used to explore ambient and dub techno territory, Satoshi Tomiie has reverted to his given name for solo album number five - a thin return given he made his 12" debut way back in 1989. The New York-based Japanese great is in fine form from the start, effortlessly sashaying between hypnotic deep tech-house (the eyes-closed, early morning excellence of 'You Are Here'), spaced-out dub-house ('Number 1'), chunky-but-dubby deep house of the kind that his friend Francois K would love ('Magic Hour'), acid-flecked minimalism ('Blast'), vintage-sounding dub techno ('A52', 'Meditation in an Emergency'), locked-in soundscape house (the shuffling and yearning 'Phase Space') and sub-heavy ambient dub ('Fast Track').