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Latest reviews

Secord time around for "wild west" funakteer Daytoner's "Apache Street" seven-inch, which has been in high demand since it first hit record stores in 2018. As the title suggests, both cut-and-paste workouts borrow heavily from the Incredible Bongo Band's "Apache", one of the foundation stones of hip-hop culture. The title track is a fine example of a mash-up that works, with Daytoner layering the horn stabs and vocals from Lou Rawls' "Dead End Street" over the famous "Apache" break. That break is prominent on side B, this time underpinning cheery horns, pianos, bass and guitars from the Skatalites' Ska classic "Beardman Ska". It's a simple idea expertly executed.
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Scuzzy, sludgy, creeping, muscular and delicate-enough to feel there could be a break in its bones at any moment. King Krule returns with a third album that once again tears skin open to reveal the heartfelt emotions within its lo-fi, muttered, pseudo-rock tones. Referencing Sleaford Mods on heavy opiates wouldn't be too far from the mark at times, although we're not here to simply use touchstones - Archy Marshall deserves better than that. Despite almost everything on "Man Alive!" being so quiet, it packs an incredible level of noise. Subtle licks, strange details and a deceptive depth would be one way to describe the whole package. Grunge tones ("Supermarche"), lo-fi blues pop (""Don't Let The Dragon) Draag On") are just some of the nuances it's possible to pick upon, making for a wholly original work that captivates, relaxes and uneases in equal measure.
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Various - Napoli Segreta Vol 2
LP
$20.78
Two years ago New Guinea joined forces with Early Sounds Recordings to offer up a killer compilation of rare 1970s and early 80s disco, jazz-funk and electrofunk recordings from Napoli, the Italian city they call home. Such was the success of the set that they've decided to offer up this equally impressive sequel. Amongst the mostly ultra-obscure, little-known cuts you'll find a wealth of highlights, from the high-octane disco stomp of Tonica & Dominante's "Babilonia", the spacey boogie business that is Ara Macao's super-sweet "Reflection", the languid AOR-funk of Maria Kelly's "Dimme" and the low-slung jazz-funk brilliance of Tony Iglio's "Luci Di New York".
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zake's first solo album of 2020 will be released by Canadian ambient label, Polar Seas Recordings. There are three physical options. Each LP version [transparent blue/green/yellow] is limited to 100 units each. "Carolina was produced during a four day excursion in several secluded areas in Cherokee and Spartanburg counties, S. Carolina. The primary emphasis in each composition is field recordings captured in the quiet hills of rural Chesnee, solemn wooded areas of Gaffney, and hidden creeks in the outskirts of Spartanburg. Carolina is a fitting title to these arrangements as its definition translates to 'song of happiness or joy' from a French origin. These arrangements represent the joy, solitude and reverence I experienced in these beautiful parts of S. Carolina." -- zake
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The world has found itself in a significant hurry. We have also found ourselves in the most distracted period of time in history; finding it tremendously difficult to remain in a moment of stillness, quietude, or allow time for self-reflection. Conversely, our vast universe continues its expansion into infinite development; a climate of deafening silence in a boundless four-dimensional continuum. It remains mesmerizing with a quiet allure that freely suspends in space-time; a true account of the beautiful unknown that sparks hope, reverence, and an awesome realization of impenetrable mystery. "Stasis Sounds For Long-Distance Space Travel" is audibly rich in its delivery with an array of tranquil billows and patient tones. It is a journey and soundtrack that commences at Earth's thermosphere, gently moving towards the untraveled parts of space, lushly floating on forever. These arrangements represent a group of celestial transmissions that are delicate in nature and intended for the listener to embrace moments of stillness, quietude and reflection, of which are on a trajectory of extinction at a place we call Earth.
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Given the length of his career and the hushed tones he's spoken of within the underground techno community, it's perhaps surprising that Lawrence has never released music on Giegling before. Here he joins the much-admired label following a couple of years spent putting out music on Mule. He expertly sets the tone via the soft-touch cymbals, hypnotic kick-drums and bleeping melodies of "Moonlight", before upping the intensity a little on the sparse, bass-heavy minimal techno throb of "Bonfire". Lawrence once again reaches for the echo-laden computer bleeps on the undeniably trippy, early morning hypnotism of "Intereference", while "Bonfire (Reprise)" is a spaced-out DJ tool built around extended ambient passages, restless sub-bass and loose-limbed broken techno drums.
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Secretsundaze are proud to unleash the first release of a new re-edit series. The duo of James Priestley & Giles Smith offer up their own version of something close to their hearts whilst inviting some of their favourite artists to present a re-work of their choice. For the first in the series, Secretsundaze head into deep, cosmic, spiritual territory reworking a version of Ghana Nila. Emanating from a Californian ashram towards the end of 2000s and never released on vinyl before, this heavily percussive, jazz organ, powerful choir and lead vocal number gets a subtle, positive, respectful and uplifting rework with just enough oomph for the floor. NYC's Ge-ology steps up to re-flip to Herbie Mann album only track with a late-70s infectious uptempo party starting disco groover. Killing heavy flute soloing, sick strings and good times vocals get the Geo extended intro and DJ-friendly workout, as only he knows how. Originally a 4 minute album track this is a loving rework aimed purely to Stomp your Feet!
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Bluehour - Devotion
12"
$11.34
After extending his reach and releasing music from new artists, Blue Hour returns to the label with his highly anticipated latest solo EP 'Devotion'. The record is, as described by the artist 'a personal homage to my early influences in dance music, frequently visited venues or events and shared experiences with close friends'. Written throughout the summer of 2019 while isolated in nature, Blue Hour identifies a common theme and sound palette to translate these ideas across 4 tracks that explore Leftfield, Techno/Trance, Hardcore, and Ambient with UK club culture at its core.
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