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Latest reviews

Best Records present another deep cover jam Balearic diggers will rejoice at being able to lay their hands on. Blue Night was the brainchild of Peter Miconi, who created "Turn Me Loose" in 1983. All the elements are present here, from the aching blue-eyed soul vocals to rich guitar solos and an irrepressible funk bedded down in the groove, here stretching out for a full 14 minutes of pure sunkissed bliss. On the flip, SIRS takes a careful run at the original that simply reframes the elements with a more pronounced rhythm section - this is someone who knows exactly what the track needs and declines to change anything for the sake of it. Classy stuff, as you would expect from a reissue on Best Records.
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There's much to admire about Andrew Wilson and John Tanner's second collaborative full-length, which sees them build on the fluid and atmospheric ambient of 2016 debut "69". Utilizing a relatively small array of instruments - mainly piano, acoustic guitar and a few choice synthesizers - the pair serves up ear-catching soundscapes wrapped in atmospheric field recordings and just the right amount of processed effects. For the most part their compositions are summery and seductive, emphasizing unfussy combinations of melodic refrains and positive chord progressions. There are, though, one or two more experimental cuts, with the tipsy, slow-motion shuffle of "Idle" and spaced-out "Safe Bird" standing out.
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The Patchouli Brothers - Part One
12"
$10.17
Previously seen (and heard) on Whiskey Disco, Barefoot Beats and Basic Fingers, Toronto twosome The Patchouli Brothers have crossed the Atlantic and set up home on G.A.M.M. As the title suggests, this is the first in a series of re-edit EPs for the storied Swedish imprint. First up is "All Good Things", a fine re-arrangement of an obscure disco gem that comes loaded with sweeping strings, soulful vocals, killer grooves, Chic style guitar riffs and just the right amount of spacey synthesizer action. Over on the flip, they work their magic on a bustling cut that sits somewhere between the sumptuousness of Philadelphia International releases and eighties disco-funk.
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The Owl - Sly Lovin EP
12"
$8.87
After taking a year out (presumably to rotate his head 360- degrees and hoot at the moon), wide-eyed re-editor The Owl returns to action with another essential collection of reworks. Check first the hot-stepping James Brown style funk strut of "On It" - all rubbery but thrusting grooves and guttural grunts - before switching to the slick and rising disco goodness of "Boogie". There's something of a switch on the flip, where he works his magic on the low-slung disco tune that Paul Johnson sampled for his classic house cut "Get Get Down". Best of all, though, is the filter-sporting disco-house bagginess of "Sly Lovin", which rounds off the EP in fine style.
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Luke Vibert / Robin Ball - X To C
12"
$8.87
Robin Ball's Memory Box builds on the success of early releases with a big new outing that features two of his own tracks and one from the legendary Luke Vibert. Memory Box is a party that has hosted Derrick Carer, Trevino and A Guy Called Gerald among others, and is a place to hear proper acid house. Ball himself is a master of the genre and most often released on his own Groovepressure label, having been making music since his teens. Now his latest labour of love is once again reaffirming his status as a vital voice in the UK scene. Luke Vibert has a rich history that makes him a key part of the UK's dance counterculture over the last 30 years. His always animated music is wild and inventive and comes on greats like Mo Wax, Warp and Planet Mu. Here he offers 'X to C', a wild melange of warped synth tones, grizzled basslines & acid flashes. It will twist and turn the dance floor inside out. Robin Ball's excellent 'Gripper' is a corrugated bit of electric house music that never sits still. Pensive pads in the background are offset by a busy lead synth line and old school stabs that make it a perfectly timeless, energetic fusion of moods and grooves. Lastly, Ball serves up 'The Edge,' a brilliantly brash cut with stepping acid sequences, raw drum work and warped bass that distills decades of UK music into one essential track. These are three devastating club cuts that expertly draw on the past, present and future of acid.
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Funkyjaws - Afrojaws EP
12"
$8.87
Musical blog and house party "Craft Music" from Saint Petersburg launches a new label. For the first release they've invited talented musician Funkyjaws from Grodno. His music has been releaseed by labels such as Kolour LTD, Shadeleaf Music, Pusic (Austria) and others.
Fixate / Double99 - Ripgroove (Fixate remix)
12"
$8.87
We can exclusively announce that Ice Cream Records have signed the bootleg mix of Ripgroove by Fixate, which went viral when Sherelle dropped it during her Boiler Room set to a HUGE reaction. With over 3.5 million views across social media and counting Almost 22 years to the day since the original was released on Ice Cream Records and now part of the legendary Double 99 Double Pack Watch this space.
John Dimas - : Sp@c3 T@lk :
12"
$8.87
John Dimas is surely one of the freshest operators in the minimal house scene - his One Against Time album on Elephant Moon last year being a crowning glory in his storied career to date. Now he's back on the EP tip with this high grade hit of floor-focused funk, making his first appearance on scene-leading label Half Baked. "5putn1k" keeps the beats tough and bouncy, peppered with plenty of playful zips and wiggles for the peak time party people. "@L5d" takes a deeper, spaced-out approach, while "5p@c3 T@lk" nudges back towards a full-fat tech-house sound. "@rkyn" seals the deal with a crafty 2-step configuration for the subliminal set to get hypnagogic to.
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