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Latest reviews

While he's offered up the occasional remix, William "Burial" Bevan has been rather quiet of late. In fact, this two-tracker marks his first original material for almost two years. Lead cut "Claustro" is an unexpectedly up-tempo dancefloor affair - a sweet and sticky chunk of future-garage that sees Bevan wrap sugary female vocal snippets, spacey chords and bubbly analogue electronics around snappy two-step beats - drenched in vinyl crackle and tape hiss - and a rock solid bassline. It will raise a few eyebrows given his previous work but nevertheless sounds like a summer anthem in waiting. Bevan returns to familiar territory on flipside cut "State Forest", a ghostly, field recording-laden ambient excursion where pedal steel style motifs slowly rise above opaque electronics.
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Max Wuerden's latest full-length excursion is apparently entitled "Format" because the digital download and vinyl versions are completely different (I.E he tailored the tracks to each format). We've not listened to the digital edition, but this vinyl version is, at times, breathtakingly good. While each of the nine tracks is beat-free and undeniably ambient in nature, there's still plenty of subtle variety to be found throughout. Compare, for example, the pulsing beauty of "Desiccate", where what sound like processed clarinet lines slowly rise above sunrise-ready chord sequences, and the clandestine creepiness of "Format", a paranoid and claustrophobic affair that creaks under the weight of its own post-apocalyptic intent. Other highlights include the hypnotic, stretched-out analogue electronics of "Wirkungsgrad" and the becalmed musical waters of "Exothermic Reaction".
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Sam - Fury's Laughter EP
12"
$12.11
Having recently rounded off his Prolific Trilogy 009 series with a third and final collection of deep and groovy club cuts, Samuel Andre Madsen returns to action via a tightly wound two-tracker full of funk-fuelled grooves and rush-inducing moments. There's something wonderfully loose-limbed about flipside "Alright", a post two-step club cut rich in foreboding acid bass, looped spoken word samples, acid flashes and twisted tech-house electronics. It's good but nowhere near as life affirming as lead cut "Fury's Laughter", an acid bass-propelled peak-time stomper blessed with the most wide-eyed and spine-tingling breakdown we've heard this month. The clips alone are giving us chills, which is always a good sign.
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While their obscure disco and Balearic re-edits tend towards the warm and groovy, Psychemagik's original productions have been getting increasingly tough and druggy in tone. "Rattlesnake", a hypnotic chunk of club-ready psychedelic disco rich in wonky electronics, trippy riffs, mind-altering bass and locked-in drums, may well be their most intoxicating and hallucinatory track to date. The duo's out-there original mix is made even weirder - and arguably more alluring - by Magda on her "Blotter Traxion Remix", which sounds like a tripping hippie trying to simultaneously mix electro, tech-house and techno. Vyvyan provides the other rework, wrapping doom-laden electronics and fizzing acid lines around crispy disco drums.
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Pepe Bradock - Not Complicated
12"
$11.85
Pepe Bradock's recent album "What A Mess!" might have been a cut-and-paste collage of weirdo track fragments, occasional rhythms and spaced-out ambient aesthetics, but the veteran Parisian producer is still capable of crafting killer dancefloor cuts when he feels like it. This weirdo deep house two-tracker proves as much, with A-side "Peeped Booths" offering a near perfect fusion of hypnotic bass, locked-in grooves, ultra-deep riffs, angular electronic noises and strange vocal samples that have been manipulated within an inch of their lives. It's more than a bit good. "Klezmorim Telepathique" sees Bradock raise the tempo and intensity via a bumpin' fusion of panicked electronic motifs, paranoid bass and fizzing synthesizer flashes.
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Having built up a rock solid reputation via a handful of fine rework EPs on his own Orange Tree Edits imprint, Jimmy Rouge has been snapped up by Aaron Dae and JKriv's Razor-N-Tape imprint. He's in fine form on this label debut: A-side "So Long" is a quirky but undeniably peak-time-ready affair, with hazy, dewy-eyed vocal snippets and bold, Moog style synthesizer motifs rising above dusty, full-throttle drums and a warm, metronomic bassline. He moves further towards shirts-off disco territory on flipside "Movin'", a thickset and energy-packed affair whose mind-altering, delay-laden vocal snippets will appeal to all those who enjoy the output of the Idjut Boys and DJ Harvey.
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Faugust - Parallel Rave Fantasies
12"
$10.01
UK techno producer Sigha returns to his experimental project Faugust for the first time since the Devotions (1984 - 2006) EP on the short lived Avian sub label Mira five years ago. Unlike its predecessor, "Parallel Rave Fantasies" resurrects his long-dormant Our Circula Sound imprint and dives into new sonic territory, incorporating more IDM and generative music. Check the mind-mangling and glitchy "Cold Harbour", the demented digitized soundscape of "Process Aesthetics" and the brutalist, body bashing industrial of closer "Definition".
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By now we should know what to expect from Tropical Records, namely beefed-up, house style re-edits of disco and boogie tracks that tend towards the hot, sticky and humid. Sartorial kicks things off this time round via the swirling, Latin style disco-bounce of "Warping" - all low-slung bass, new house beats, big orchestration and snaking sax solos - before Moodena straightens out and tools up a hybrid jazz-funk/disco jam that boasts some seriously exotic guitar solos and jammed-out electric piano parts. Simon Kennedy's contribution, "Back To Soul", is a bumpy and bouncy take on a fine disco soul classic, while Hotmood's "Everybody" is a sweaty, house style revision of a P-funk flavoured boogie number.
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