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Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

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Latest reviews

Ashley Beedle and Ray Mang aka The Boogie Twins have reworked and edited one of Paul "Trouble" Anderson's biggest signature tracks. Beedle claimed witnessing Anderson at work at his Electric Ballroom residency back in the day was a major influence, where the late selector would move through boogie, electro, hip-hop and disco, particularly the low slung groove of Trouble On The Land's "A Love That Is Real" that's featured on this 12". The pair get to work, offering a special dubbed-out edit of this rare groove classic which remains a much-loved staple of today's club scene and an example of Anderson's exceptional ear for music. This is a charity record and a tribute to Anderson, with all profits directed to Macmillan Cancer UK.
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There's no shortage of great electro around at the moment, but lest we forget Carl Finlow has been dishing out some of the finest for decades now. In many ways 20/20 Vision is his spiritual home too, so it's great to see him imparting his skills for a fresh long player of razor sharp body poppers loaded with robo-funk. From charging opener "Apparatus" to freaky wriggler "Carbon Deposits", restrained creeper "Components" to punchy melodic workout "Ampere", there's a lot to enjoy and so much musical detail to absorb across this record. As if we'd expect any less from Mr. Finlow.
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Peel Dream Magazine - Agitprop Alterna
CD
$11.55
It's not without good reason that people have been likening Peel Dream Magazine to My Bloody Valentine, Stereolab and Yo La Tengo. Helmed by Joe Stevens, one of New York's finest contemporary players, the outfit makes music that's tender but savage, powerful but delicate and packed with beautiful discordance hiding its sumptuous melodies. 'Agitprop Alterna' is their second full-length release and it certainly adds fuel to the argument that people need to take this lot very seriously. In addition to the aforementioned, here it nods to Velvet Underground (notice the tripped out, opiate-hazed interludes throughout the album) and krautrock-leaning art pop. The record drones, drives, grooves and perplexes on its course, but most of all it unarguably impresses. Or at least that's what we've got to say on the matter.
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"Annual Flowers in Color" is an absolutely gorgeous, perfectly weathered, subtly strange record. It's exactly the thing you're thinking of when you think "I want to hear really killer polysynths and tape delay" but it's also much more, glistening with distended reflections of Steve Roach and Stapleton, ringing with simultaneous sublimated echoes of the dorkiest and most expensive French mellotron prog and the most incandescent cheap heat from the $2 exotica bin, and dripping with the "as above, so below" that characterizes synthesizer records at their best. It's both a welcoming point of entry for the uninitiated and a sticky, seductive cut deep enough to envelop any heads seeking a way station on the search for the apocryphal second volume of Cosmos Farm Sessions.
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The third trip out on Nuances De Nuit brings together another killer selection of ear-snagging club cuts that appeal to the deep-digging community. Kolter's "Don't Kill My Groove" has already been drawing plenty of favourable attention from the likes of Moxie with its deft breaks and electro-funk stylings. T. Jacques' "Control" is a peppy tech house jam with a sleek garage bump that should go down a treat with serious heads and passing trade alike. The real treat here though is Metro's "Here For The Love", a seriously in-demand jam from 1994 finally getting the repress treatment to take it out of the hands of the sharks. Vitess completes the package with "133cc", a dynamic wiggler with enough tripped out elements to take out a tank.
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The Vision / Andreya Triana - Heaven (remixes)
12"
$10.78
As debuts go, the first outing from Ben Westbeech and KON as The Vision is mighty impressive. With the assistance of UK soul star Andreya Triana, they've conjured up a thrilling debut cut that sits somewhere between gospel, disco and sultry soulful house. The superbly warm and groovy original version - all bold piano riffs, jazzy horn solos, crunchy guitars, rolling drums and sublime lead vocals - is undoubtedly the standout, though the accompanying remixes are also rather good. Mousse T's boogie-flavoured house remix is a great alternative house mix with a deeper and more obviously electronic flavour, while the two Nightmares On Wax rubs are chunkier, sweatier and even warmer with plenty of D-Train style synth squiggles and ear-catching musical flourishes. In a word: ace.
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