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DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

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Latest reviews

It's been a hot minute since Al Kent dropped some of his sweet and soulful dancefloor instinct on us, but he's back in style on his reanimated Million Dollar Disco label. "Pick Me Up (Say Goodbye)" takes Gladys Knight & The Pips' tender "Neither One Of Us (Wants To Say Goodbye)" and gives it a supremely pitched dancefloor injection. Upping the tempo and rolling out an organic disco beat, Knight's vocal gets a whole new backdrop without losing the emotional heft of the track. A truly heart-melting cut for that sentimental, cut loose, late end of the party.
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Under the Guts guise, instrumental hip-hop beat-maker turned tropical soul enthusiast Fabrice Franck Henri has become one of Heavenly Sweetness' most reliable artists. "Philantropiques" is Henri's first album for three years and could well be his most expansive and adventurous to date. The set's 14 tracks are as colourful and musically rich as you'd expect, with the storied producer and a range of vocal collaborators conjuring up tracks that draw influence from a myriad of Central American, Caribbean, South American and African styles. The results are uniformly excellent, with highlights including the tropical shuffle of "Mucagiami (feat Vum Vum)", the sun-kissed French Caribbean funk of "Daddy Sweet (feat Pat Kalla)", the Afro-Tropical rush of "Kenk Corner" and the synth-powered brilliance of "Shake It and Rise Up".
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Kings Of The Rollers - Kings Of The Rollers
CD
$9.43
Last year, D&B heavyweights Serum, Voltage and Bladerunner joined forces to deliver two rave inspired EPs of heavyweight club jams under the Kings Of The Rollers alias. Here the experienced trio offers up its eponymous debut album, an unashamedly heavyweight affair packed to the rafters with punchy rollers, mind-mangling tech-step tear-outs and gargantuan future D&B anthems. It's a little more varied than their DJ-friendly EPs, with the pandemonium-inducing smashers being joined by a variety of vocal numbers (see the Inja-sporting "M-O-V-E", grandiose "The Sky Is Falling" featuring Lydia Plain and thrillingly weighty MC Bassman hook-up "Rockers") and occasional forays into jazzier and more melodious territory. Yet for all the subtle variety and surprise diversions, it's the sheer club-ready heaviness of the whole thing that really sets the pulse racing.
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London's contemporary jazz scene is so strong right now that there's not a week that passes without the release of a killer new album from one of its leading protagonists. The latest comes from Ezra Collective, which finally delivers its' debut album following a string of inspired live performances and a handful of must-have singles. Kicking off with a breezy chunk of hip-hop-jazz, "You Can't Steal My Joy" sees the hyped five-piece confidently bounce between intense, spiraling epics ("Why You Mad?"), reggae-influenced aural sunshine ("Red Whine"), polyrhythmic Afro-jazz ("Quest For Coin"), bespoke soul (Jorja Smith hook-up "Reason In Disguise"), live boom-bap hip-hop (Loyle Carner collaboration "What Am I To Do"), bustling Afro-Cuban jazz ("Chris & Jane"), picturesque piano pieces ("Philosopher II") and much more besides. As debuts go, it's mighty impressive.
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Various - Birth Of A Nation Inevitable Records: An Independent Liverpool 1979-1986
CD
$16.70
At the turn of the '80s, Liverpool was a hive of independent punk and post-punk activity. The scene spawned a number of now celebrated bands, artists and record labels, most notably Zoo Records and Inevitable Records. This expansive 3-disc set brilliantly celebrates the latter label's output during 1979 and '86, serving up CDs that variously focus on early singles (CD1), mid '80s 45s (CD2) and Peel Session recordings (CD3). Highlights are plentiful throughout, from the post-punk heaviness of early Pete Wylie band Wah! Heat and the punky intensity of the late Pete Burns vehicle Nightmares In Wax, to energetic and inspired throw-downs from such forgotten outfits as Faction, Box Of Toys and Freeze Frame. Eagle-eyed readers will also note the presence of several formative outings from future hit-makers Dead Or Alive and China Crisis.
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Cotonete / Di Melo - AEIOU
12"
$11.84
First released last summer, Cotonete and Roberto Di Melo's "AEIOU" is a deliciously warm and woozy chunk of jazz-funk/revivalist Latin disco fusion that sounds like it was recorded in 1978 rather than 2018. This time round, Dimitri From Paris is at the controls, offering up two arguably superior "Special Disco Mixes" that not only boasts more audio clarity around key instrumental parts (particularly the horns, walking bassline and previously buried Clavinet lines) but also add some fizzing new electrofunk synths. As a result, the A-side vocal version sounds like a disco scene anthem in waiting, while the high-octane flipside dub is percussive, sweaty and full throttle in the best possible way.
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Marc Hype / Dj Suspect / Various - This Is DJs Choice Vol 3
CD
$16.70
In 2008, German label Unique asked crate-digging party starters Soulinus and Pun to put together the first volume in their "This is DJs Choice" compilation series. Only one further instalment - with tracks selected by Keb Darge and Lucinda Slim - appeared before the series was shelved. Happily, Unique has decided to re-launch it, with Marc Hype and DJ Suspect in charge of the track list. They've done a bang up job, all told, offering up a sizzling, 15-track selection that giddily sprints between steel band reggae (Hollie Cook), soul-jazz (Melvin Sparks), heavy funk (Smith & The Honey Badgers, Osaka Monoaurail), boogie (Skyy), Afro-latin heaviness (Marc Gregor) and head-nodding hip-hop (Sons Of Time, Benjamin & The Dreamdancers).
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Altin Gun - Gece
CD
$10.24
Last year, Amsterdam-based Turkish band Altin Gun delivered one of the most potent - and arguably overlooked - debut albums of the year, "On". 12 months on they return with album number two, "Gece", an inspired fusion of heavyweight Turkish psychedelia, funk, freak-folk and intergalactic rock. While the songs and recordings are brand new, the band's choice of instrumentation - vintage Moog synths, gnarled funk-rock guitars, skittish drums and fuzzy bass guitar - and 1960s style production gives the whole thing a deliciously retro feel. It's a recipe that guarantees thrills and spills, with "Yolcu", "Sofor Bey", "Derdimi Dokersem" and spacey "Gesi Baglari" among the many highlights.
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