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Latest reviews

Ashley Beedle and Ray Mang aka The Boogie Twins have reworked and edited one of Paul "Trouble" Anderson's biggest signature tracks. Beedle claimed witnessing Anderson at work at his Electric Ballroom residency back in the day was a major influence, where the late selector would move through boogie, electro, hip-hop and disco, particularly the low slung groove of Trouble On The Land's "A Love That Is Real" that's featured on this 12". The pair get to work, offering a special dubbed-out edit of this rare groove classic which remains a much-loved staple of today's club scene and an example of Anderson's exceptional ear for music. This is a charity record and a tribute to Anderson, with all profits directed to Macmillan Cancer UK.
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There's no shortage of great electro around at the moment, but lest we forget Carl Finlow has been dishing out some of the finest for decades now. In many ways 20/20 Vision is his spiritual home too, so it's great to see him imparting his skills for a fresh long player of razor sharp body poppers loaded with robo-funk. From charging opener "Apparatus" to freaky wriggler "Carbon Deposits", restrained creeper "Components" to punchy melodic workout "Ampere", there's a lot to enjoy and so much musical detail to absorb across this record. As if we'd expect any less from Mr. Finlow.
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Thundercat - It Is What It Is
CD
$10.73
Thundercat's last album, 2017's "Drunk", is undeniably one of the greatest full-lengths of the past few years - a dizzyingly varied and mind-altering affair that mixed and matched styles to create thrilling new fusions of past and present sounds. He's at it again on this delayed follow-up "It Is What It Is", which was co-produced by Flying Lotus and includes an impressive cast-list of guests and collaborators (think Kamasi Washington, Ty Dolla Sign, Steve Arrington, BADBADNOTGOOD, Lil B and Louis Cole for starters). Musically it's impossible to pigeonhole - think rubbery 80s funk meets spiritual jazz meets reggae meets hip-hop meets experimental beats meets... you get the idea - and that makes for inspiring listening. Whether it's quite as good as "Drunk" is debatable, but it's certainly superb.
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The second single to be taken from the forthcoming album by The Lovely Eggs, 'I Am A Moron', finally sees the light of day, confirming that the long player, when it gets here, is likely to be a pithy and rather cutting take on the world as it is today, or at least society as we have now made it. An all-consuming, unrelenting system that will eventually eat itself up. It ends with a belch, not a whimper or a roar, then. One of the most unique aspects of the Eggs is their staunch independence, refusing to adhere to the rules of management, labels, publicists and so forth. This has always been reflected in their sounds, and on 'Still Second Rate' things are no different. You can easily hear muscular psychedelia, alt pop and avant-electronic-punk elements, but the combination of those things is entirely fresh, and unarguably vital.
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Minimal Wave is proud to present The Sound of Indifference, a rare cassette released in 1981 by Aural Indifference. Aural Indifference was a post-punk studio collective from Sydney, Australia. The two principal members were Brian Spencer Hall (the M Squared in house producer) and Kevin Purdy. The cassette album, The Sound of Indifference, was released in 1981, featuring tracks such as "Theme", "Park, and "Man Am I Progressive". Their sound ranges from minimal synth, to post-punk to quirky guitar-driven electronic folk music, some of it resembling John Maus. "Theme" appeared as the closing track on The Minimal Wave Tapes: Volume Two compilation and "Park" appeared on The Bedroom Tapes compilation. Here for the first time, we are offering a reissue of the original cassette, remastered from the master tapes and complete with original artwork, limited to 300 copies.
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It's not often you can legitimately call a record brave. Most of the time, when we use that word it's to describe wildly experimental sonics, cutting edge arrangements and never-heard-before noises. Anna Burch doesn't quite fit those descriptions, not that her unarguably 90s-influenced, Gen X survivalist rock tones don't impress. Nevertheless, she's taking the biggest risk of all on 'If You're Dreaming'; turning to face herself head on, and analyse what she sees. There's catchiness, and a stoner-ish, downtrodden or at least lackadaisical air to the way in which she approaches guitar scuzz and this immediately jumps out and grabs the ears. However, that slightly retro leaning approach to arrangements is contrasted by a very 21st Century take on life's great lessons, losses and triumphs - guiding themes behind much of the songwriting.
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Born Ruffians - Juice
CD
$10.99
Album number six from the Ruffians certainly means business. Honest and painfully on-point in terms of overarching themes, its sonically highly polished and - while not a concept record - incredibly well conceived as a coherent whole. A rock 'n' roll offering that grabs your body to make it move while boring into your mind and soul to make you think and feel. Word on the street is this was some three years in the making, and it certainly feels like an un-rushed process will have led to this package. Tracks kick and punch in all the right places, but they never forget the need for balance, peaks and troughs. It's more than likely that you'll walk away from this with the scale of the anthems cemented to the mind, though, rather than the more tender moments. After all, it's a masterclass in major key melodies, and a striking example of the powerful effect those have on listeners.
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Pigs Pigs Pigs Pigs Pigs Pigs Pigs - Viscerals
CD
$9.72
Whether you opt to use the abbreviation - Pigsx7 - or say the band name in full, one thing is certainly abundantly clear about the swine-inspired sludge-rockers from Newcastle, UK. They make very loud and very powerful 'proper' rock music, make no apologies about it, and have been pretty damn consistent since they first squealed onto the scene with riffs blazing. 'Viscerals' does not break from that remit. Having managed to simultaneously win over die hard heavy metal types and BBC 6 Music listeners alike, they deliver this as their latest offering to the music hungry populace, and it's pretty much business as usual. Exceptional guitar innovation, propulsive rhythms and commanding atmospheres, with the only real change being the track lengths - with these arguably their most succinct to date, but as overwhelming as anything that has come before.
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