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Latest reviews

Hugo Capablanca has been measured in his approach to releasing music of his own. While his label continues to grow in stature, fresh Capablanca material doesn't come along every day, and this salvo on Disco Catorce is a welcome fix. Lipeli's "Paper Sound Dub" of "Lap Dance" is a killer restrained roller that leans towards heavily percussive disco and bug-eyed 70s sound FX. "Track 2" finds Capablanca getting heavy with the signal processing, creating a right racket in the process. Alessandro Adriani's remix of "Dance Less" is a lean, menacing workout of wave-laced techno, and then YPY freaks the end of the record out with the "Exp Ver" mix of "Top Less".
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Markus Guentner's story continues where his last album, 'Theia' left off with another set of epic atmospheres and brave new worlds. This time Markus enlists the skills of harpist; Tom Moth, cellist; Julia Kent and fellow ambient storyteller; bvdub to complete the journey. From fiery remnants, a universal rhythm emerged. An ebb and flow of force and fate, creating worlds within worlds, forever connected by an infinite empire. Markus Guentner's 2015 album, 'Theia' took us back to the mythological impact that birthed the Earth's moon. The creation of the galaxy as we know it today was being born and more specifically, the eventual rise of the human species followed. This is where Empire takes its cue, continuing the story and portraying the connection and many interactions between the Earth, the Universe and the mystifying forces amongst them. Be it physical, scientific or mythological, Empire draws on the ebb and flow relationship the Earth has with the deeper, unknown space around us. Markus dives into sometimes sinister, but always majestic territories with his unique manipulation of looping drones, textures and gradual atmospheres. The album and its planned progression, combine back-and-forth chapters between Markus' own productions and collaborations, representing the different perspectives between the unknown worlds. Beginning 'Offworld', in a dark and distant, swirling ambient chasm, Empire then moves into manipulating shards of light, with Canadian cellist Julia Kent adding a stirring yet poignant element to the growing void. Icelandic for "hiding", 'Fura' finds us back in the emptiness, but this time with a sense of hope as fluorescent molecules - future stars - gather and birth new worlds. A return to terra firma, and slow-motion grass moves all around you - a future mirage depicting a new vision of beauty that's yet to be formed, brought to you alongside fellow master of emotive ambient, bvdub. The dream is cut short and you then find yourself in the void of 'Nun' - the God of Egyptian Mythology - as echoes of man and cities once alive, are drowned out by an ever-present mysterious force and a subtle, alien static. All is not dark however, as harpist Tom Moth (Florence and the Machine) brings a shimmering, angelic shine, as you witness the growing energy and birth of the sun - the leader, life, and power amongst the Empire. Its birth; the 'New World Order', closing with a slow churning, atmospheric piece that is both complex and elemental, gracious and sinister, dark, yet in many ways hopeful for all that remains.This is the Empire as we know it today. Empire will be available on marbled transparent orange and black vinyl (including digital download) and digital formats on June 11th 2018.
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100% Pure Poison - Windy C Collection
7"
$16.21
1974's Coming Right At You, the sole album from 100% Pure Poison, has long been a sought-after jazz-funk gem. Soul Brother has previously reissued the rare (and increasingly expensive) LP, though this double 7" marks the first time most of these tracks have been available on wax since 2001. Check first opener (and title track) "Windy C", a superb chunk of lolloping, laidback jazz-funk that sits somewhere between Bob James and Cymande, before turning your attention to the slow-burn soulful delights of string-laden torch song "Puppet On A Chain". Over on the second 7", "No More City, No More Country" is a more hard-spun Blaxploitation funk affair, while "Hole In My Shoe" is a horn-fired slab of J.B's style funk-soul fusion.
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Having spent much of the last decade fiddling around with Teutonic techno and quite clinical ambient sounds, Alex Paterson and Thomas Fehlmann have decided to go back to their roots with an album created in the same collaborative way as early classics Adventures Beyond The Ultraworld and U.F.Orb. For those raised on these early 90s gems, this is an enticing proposition (particularly since old mucker Youth features prominently throughout). There are far more vocal cuts than you might expect, but also plenty of sample-heavy workouts that effortlessly join the dots between dub, hip-hop and ambient. When all involved truly hit the mark - as on "Other Blue Worlds", a kind of sequel to "Blue Room" featuring Jah Wobble - No Sounds Out of Bounds really flies.
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Tony Higgins / Mike Peden / Various - J Jazz: Deep Modern Jazz From Japan 1969-1984
LP
$27.75
BBE latest "deep dive" into a widely underappreciated style focuses on a particularly fertile period in the history of Japan's "contemporary jazz" scene. Curated by renowned Japanese jazz diggers Tony Higgins and Mike Peden, J-Jazz focuses on material recorded and released between 1969 and '84, a period the label says represents a "golden age" for jazz in Japan. Predictably, the compilation is both a serious history lesson and hugely enjoyable to listen to, featuring a mixture of U.S-influenced jazz-funk, fusion, post-modal and deep, spiritual improvisations. Naturally, all of the material has never been released outside of Japan before, with the vast majority of tracks being either ludicrously rare or sought-after. Simply essential, all told.
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** REPRESS ALERT ** On Francis Harris' second album, the Scissor and Thread label founder continued to grapple with the subjects of memory, loss and profound grief similarly explored on his debut Leland (dedicated to his recently passed father) in 2012. This follow up was in tribute to his mother, who sadly passed the following year - with Harris revisiting deeply personal territory. Danish vocalist Gry Bagoien, trumpeter Greg Paulus (of No Regular Play) and cellist Emil Abramyan returned to provide truly inspiring passages throughout this album. Harris even contributed to the sessions himself, with some guitar and piano work. Across the 10 song opus, Harris works organic and synthetic elements into his compositional framework, relying less on percussive elements to define his moods, whilst solidifying his signature blend of house, modern classical, shoegaze and noise.
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For a brief period in the early 1980s, Colored Music - the duo of Atsuo Fujimoto and Ichiko Hashimoto - burned brightly. They released one critically acclaimed album on Japanese avant-pop label Better Days before vanishing into obscurity. Individual Beauty draws together previously unheard of alternate versions of the duo's eponymous 1981 EP, unreleased tracks and a handful of archival solo productions. It's an eclectic and hugely enjoyable affair, with the Japanese duo flitting between experimental ambient soundscapes, heavy no-wave proto-techno ("Heartbeat (Unreleased Version)"), mutant funk ("We Are Only Dancing"), head-in-the-clouds hypnotism ("Ambient Discotheque") and more raucous, post-punk disco insanity (the decidedly crunchy "De To Ri Mi").
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Hampshire / Foat - Nightshade: Library Music Vol 1
LP
$20.06
Greg Foat and Warren Hampshire are two the UK's most interesting minds when it comes to contemporary jazz experimentation, and their recent partnership for Athens Of The North feels like exactly the right thing at exactly the right moment. With both artists capable of producing many alternate forms of jazz and additive rhythm, Nightshade: Library Music Vol.1, feels like one of their more introspective pieces of work to date, and allows both of them to stretch their aesthetic to its very limits, focusing more on the subconscious atmosphere created by the instruments rather than cheap thrills based on beats and 'dance'. This is a connoisseur's album, and we're glad that this kind of gear is still landing on our shelves. Bless.
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