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Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

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Latest reviews

Henry Hyde is back for his fourth outing on his own NorthSouth label, but this time marks a shift as he holds court over the full run of the wax with a selection of refined floor tweakers draped in illustrious swathes of synths. Things kick off in dazzling style with the bright white chords and crafty fills of "I Heard You Like To Squelch" before the snappy electro flair of "My Function" keeps the uplifting vibe but swaps out the rhythm. "Slick Rick" is a freaky minimal cut with some wobbly bass wielded with deadly precision, and then the record rounds off on the shuffling micro funk of "Second Face".
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Kevin Parker is a real enigma of a musician. The brains behind the rightly celebrated and ever-surprising Tame Impala, he's never one for delivering quite what you expect, while still understanding that one of the most important things in music is striking a balance between the familiarity disciples need, and the expressive exploration that can prick the ears of the previously uninitiated. Album number four, "The Slow Rush", certainly adopts a different outlook to previous undertakings. It also more than lives up to its name. It's smooth, tripped out (perhaps not so surprising on the latter front) and strikingly void of those highs that seem to offer the aural equivalent to some opiate-amphetamine blend. But we don't miss out. Instead, we're given permutations of soul, prog rock and acid house, perhaps making for the most expansive record this guy has been responsible for.
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Secord time around for "wild west" funakteer Daytoner's "Apache Street" seven-inch, which has been in high demand since it first hit record stores in 2018. As the title suggests, both cut-and-paste workouts borrow heavily from the Incredible Bongo Band's "Apache", one of the foundation stones of hip-hop culture. The title track is a fine example of a mash-up that works, with Daytoner layering the horn stabs and vocals from Lou Rawls' "Dead End Street" over the famous "Apache" break. That break is prominent on side B, this time underpinning cheery horns, pianos, bass and guitars from the Skatalites' Ska classic "Beardman Ska". It's a simple idea expertly executed.
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In the early years of the label, Claremont 56 delivered a slew of crate digging compilations. Now boss man Paul 'Mudd' Murphy has decided to flip the script by launching a brand new series dedicated to new and unheard music from the label's vaults. There's plenty to get excited about on volume one, with the set offering a mixture of fine dancefloor workouts (the killer disco dub of HF International's superb cover of Hall & Oates "I Can't Go For That" and the krautrock thrust of Fursatt's "Leerlauf") and more languid downtempo jams (see the Balearic bliss offered up by Statues, Hear & Now and Abby Spells). There's also a previously unheard collaboration between the late, great husband-and-wide team Holgar Czukay and U-She that's worth the admission price on its own.
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Second time around for David "Move D" Moufang and Benjamin Brunn's first full-length collaboration, a set of unsurprisingly deep, minimalistic house, techno and ambient workouts that first appeared in record stores way back in 2006. It's one of those albums that's arguably best listened to while flat on your back in an intoxicated state, despite the presence of such hypnotic, early morning club workouts as "On The Magic Bus" and the dreamy and delightful "O". You see, the majority of the album's eight tracks are spaced-out in the extreme and all the more alluring for it, as Moufang and Brunn expertly showcase their ability to create impeccable slices of hushed, otherworldly electronic minimalism.
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Previously performing as The Greatest Hoax, Washington, D.C.-based composer T.R. Jordan debuts a new album of contemporary classical and ambient music with Past Inside the Present. Entitled Just for You, Jordan presents an album focused on the evolution of personal relationships and the paths they take. Produced and mixed by Rafael Anton Irisarri (The Sight Below, Ghostly International) and mastered by Taylor Deupree (12K Mastering). Recollections Suite, the companion cassette, is a long form classical piece featuring a string quartet led by cellist Mark Bridges (High Planes/Loscil, Kranky Ltd).
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Bluematter - LORELTD 004
12"
$11.03
Already big weapons in Dead Man's Chest sets, Bluematter unleash their second EP together following last year's powerful emergence on E-Beamz. The joined forces of Jozef K and Thomas Ragsdale, Bluematter sees the two experimental artists join forces to make some seriously interesting contemporary jungle from ominous heavy pressure rave dynamics ("Bunker") to meditative ambience ("Crystal") by way of deep dreaming Good Looking-flavoured tackle ("Zeus") Nothing to be blue about here, no sir.
Proper XR2i business right here as Fiesta Soundsystem makes his debut on Warehouse Rave with five more examples of his baity badness. Full strength rawness ranging from jungle to UKG from start to finish, highlights include the ghostly near-beatless space and dubby subversions of "GST Separate", the eerie sweeping pads and chords of "Hypersition" and the dark garage naughtiness of "Mentasm Dub". Play 'em like you stole 'em...

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