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Latest reviews

This has appeared with little or no pre-hype, so we're not quite sure of the story behind it. What we can tell you is that it offers up two rare versions of the ultimate golden era hip-hop party record, House Of Pain's 1992 anthem "Jump Around". On the A-side you'll find the "Multi Track Original Rap Version", which appears to be the first recorded version, featuring the band's now familiar lyrics over DJ Muggs' killer beat (which, according to lore, he original offered to both Cyprus Hill and Ice Cube first). His superb "Original Multi-Track Instrumental", which has never before seen the light of day, takes price of place on side B.
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A new album from Sam Shepherd AKA Floating Points is always cause for celebration, but even by his standards "Crush" is rather special. Largely eschewing the ambient jazz soundscape shuffle of 2017's "Reflections - Mojave Desert", it sees the Shepherd showcase his musical dexterity in stunning fashion via cuts that wrap shimmering neo-classical strings around what sound like modular electronics and rhythms that variously touch on broken beat, off-kilter experimental D&B and Autechre-style IDM. Of course there are ambient and experimental soundscapes showcased, but it's the fact that the album contains a swathe of formidably dancefloor-focused cuts in the style that first made him standout that pleases us most. Highlights include recent single "LesAlpx", the dreamy "Anasickmodular" and the "People's Potential" style deep house intricacy of "Last Bloom".
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And Rea - Placid Blue EP (reissue)
12"
$12.16
The first pressing of Andrea La Pietra's fourth annual EP sold out in record time, so Melliflow has moved quickly to provide us with a repress. Listening back six weeks after it first appeared in stores, it's easy to see why it has become a must-have EP. Throughout, La Pietra cannily sidesteps conventions, mixing and matching elements of deep house, tech-house, two-step, broken beat, jazz-funk and electro, opting for colourful synthesizer motifs, off-kilter funk-fuelled beats, weighty analogue bass and electronic sounds capable of both soothing the senses and putting smiles on weary faces. Such is the high quality threshold that picking out highlights is hard, though we're particularly enjoying the bouncy, early Orbital influenced "In Full Effect", the warm and sunny "She Glanced Up" and the bustling "Deflection".
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Last year Skee Mask put the Ilian Skee Series on hold in order to release the brilliant "Compro" album on parent label Ilian Tape. Here he presents the second undeniably dancefloor-focused ISS EP of the year - a robust and forthright floor-tracker full of what the Munich-based composer calls "unstoppable fruity brain benders". It's certainly a vibrant collection of cuts capable of setting the pulse racing, with highlights including the mind-mangling analogue electro/techno/breakbeat fusion of opener "Juug", the deep two-step techno skip of "RZZ", and the IDM influenced shuffle of "Slow Music". Arguably best of all though is the teak-tough analogue electro wonkiness of "Play Ha".
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Leroy Burgess / Saving Coco - Work It Out
12"
$14.58
For the last 18 months disco and boogie legend Leroy Burgess - owner of the most distinctive voice in the game - has been touring Europe with a band of Lyon-based musicians known as Saving Coco. It makes sense, then, that he would eventually go into the studio with them to record some new material. The results are impressive. The jaunty, Clavinet-heavy brilliance of "Work It Out" is reminiscent of some of Burgess' best boogie-era work with The Fantastic Aleems and fittingly comes accompanied by a Dub mix rich in piano and synth solos. "Til I Found You" is a slap bass-propelled exercise in good grooves and even better vocals. It, too, is backed by a stripped back but musically expansive Dub mix.
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Kangding Ray - Azores
12"
$10.27
David Letellier is in fine form on his latest outing under the Kangding Ray alias. While still inventive and left-of-centre in tone, the four tracks showcased on "Azores" are far less experimental in tone than some of his releases. Of course, there's still a trip into angular, introspective and quietly melodious IDM - see the title track - but for the most part the EP is focused firmly on the dancefloor. Opener "22 Halo" offers a perfect balance between broken techno rhythms and shimmering futurist electronics, "Polygon" is a panicked, intense and mind-altering club thumper and "De Tomaso Pantera" is a wild tribal techno ride through metallic motifs and droning, didgeridoo-style hooks.
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Burnt Friedman - Potential For Havoc
12"
$10.27
When it comes to dub-fuelled, mind-altering insanity, few are capable of setting the pulse racing quite like German veteran Bernd "Burnt" Friedman. For proof, check this essential new EP. By his standards, it's particularly wild, utilizing psychedelic electronics, exotic and occasionally droning Indian sounds, weighty bass and ambidextrous rhythms that variously doff a camp to grime, dubstep and the polyrhythms of Africa. Our picks are intoxicating and fragrant opener "Broken Royal Shank" - Asian dancehall via Coburg - and the trance-inducing dub techno hypnotism of "Contrarian", though closing cut "Cabin In The Sky" is pretty darn tasty, too.
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Default Records has returned with its second release after compiling a roster of artists who are committed to establishing presence in the scene by pushing boundaries and pursuing excellence. Camelia starts us off on the A side with *Transferring*, which presents itself in a light and airy atmosphere. Its playful percussive notes are juxtaposed against its hypnotic groove making for a warm and easy listen. Macarie follows with *Flu*, a vibrant and dance-inducing sludge of gritty, piercing elements that seamlessly blooms into an emotional melody that is driven by its tantalizing rhythm. Label boss Exander shows the heavier side of his creative spectrum on the B side with *Odyssey*. The fullness of this cut accompanied by its intriguing and directive vocal is only enhanced by its delicate features and attention to detail. Closing out the compilation is Lulla's *Distort Time* which reveals all its insides with a symphony of glitchy bleeps and blops all reinforced by a cadence of drums and groove that stirs it into an electric soup.
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