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Latest reviews

The final sampler taken from Ben Sims' 'Tribology' mix comp features former Berghain resident and IMF label-boss Marcel Fengler drop stomping machine funk and Alienata deliver ethereal electro while James Ruskin and Psyk unleash two very different takes on mesmerising, peak time workouts respectively.
Greg Beato - Dade EP
12"
$13.31
Former L.I.E.S. and Apron regular Greg Beato struck out on his own in 2017, establishing the Ni Un Pero label as an outlet for his work. He's not released all that much since, though last month's "Cum In Peace" two-tracker suggested there was more to come. At five tracks deep, the "Dade EP" is the producer's most action-packed release for some time. There's plenty to enjoy throughout, from the ricocheting percussion, jaunty electro bass and spacey electronics of opener "Tres" and the deep lo-fi techno shimmer of "Cero", to the restless percussion, alien electronics and clanking industrial drums of EP highlight "Hasta". Wonky closer "El Fin", a kind of deep space electro/lo-fi P-funk fusion cut, is also inspired.
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Kluentah - ZMNT 001
12"
$8.34
Kluentah, one half of Fallbeil, has brought gutter-dwelling electronics to labels like V I S, New York Haunted, Return To Disorder, Mannequin and Sisters before now, so there's no doubt in the clout this particular nightcrawler possesses. On this latest release for new label Zement the mood is as sinister as you would hope, leading in with the sleazy electro noir of "The Return" before slipping into the mucky industrial thump of "Higher Level." "Enter Mars" is a snarling acid stomper engineered to nail you to the spot in the toughest of ways, and "Circle Of Power" ends proceedings on an ominous, tracky note for the post-apocalyptic party people to get all end-of-days to.
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Alexis Georgopoulos / Jefre Cantu Ledesma - Foreign Affairs (Woo & Felicia Atkinson mixes)
7"
$9.91
Alexis Georgopoulos and Jefre Cantu-Ledesma's Fragments Of A Season was one of the highlights of Emotional Response's output in 2017, centred around blissful, Balearic instrumentation that shone a spotlight on the considerable talents of these accomplished artists. Now the label is revisiting the material with a couple of finely selected versions, the first coming from Emotional regulars Woo, who dutifully inject "Marine" with their effervescent, otherworldly expressions and create a glistening masterpiece in the process. Felicia Atkinson then tackles "AA Cleo" and sends it out onto the horizon in a haze of reverb romanticism, muffled percussive rumbles and murmuring vocals.
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Duval Timothy - 2 Sim
12"
$9.38
The second release on Carrying Colour finds Duval Timothy exploring his cultural heritage through the unique dual sim card carrying culture people of mixed heritage or multiple residence can relate to. Centred on interviews with friends, family members and strangers on the street in Sierra Leone, Timothy stitches together a tapestry of field recordings and solo musical pieces that tell a story all too often unheard. It's a highly personal record that truly takes you into the heart of the subject matter in the most evocative of ways. Timothy's soulful piano excerpts are what bind everything together, not least on the subtly drum boosted "All Things".
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Lil' Mark - Pyscotropic EP
12"
$8.86
Can anyone nail a slender, cheeky groove like Lil'Mark? Judging by his track record on Classic, Apollo and more, we'd argue surely not, and this EP on Nicetraxuk is further fuel for the fire. "Inevtiable" kicks things off with a catchy, bouncy bassline and tightly shuffled drums that tell you you're in vintage Lil'Mark territory, while "Be Afraid" gets into a slightly spookier headspace without losing that infectious funk. "F_ It" has all kinds of playful rubbery horn sounds pinging around the minimal beat, and then "Itaapella" gives you the heavily processed vocals from the track to get creative with.
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Odd - Tapes Of Old 3
12"
$8.34
Having just recently dropped some fresh wares on the Waxing Gibbous 12", London-based production duo OdD return their attention to their Tapes Of Old label and the pursuit or archival material from the vaults. Quite how far back these dusted down gems reach is unclear, but it hardly matters - what's important is whether they bang, and these tracks certainly do that. "Oops" is a pumped up and muscular roller that places all the emphasis on percussion with a tech house tendency. "Abhorrent" is a more introverted affair that explores intricate threads of synth expression in between a dubbed out set of drums, and then "I'm Complete" finishes the record off with a cool, calm and collected trip through the minimal undergrowth.
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