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Latest reviews

Craft Music's taste in sizzling hot party music is absolutely confirmed as razor sharp with this third instalment of edits and re-rubs with a twist. Far from vanilla re-arrangements, these re-versions get fruity with the source material and on Good For Dance there's a particular emphasis on acid. First up Scruscru & Aman Po-Kaifu get right down and dirty with Nigerian classic 'Salem' by The Funkees, whipping up a veritable storm with 'Acid Salam'. Next up Skitcut gets into a serious stomp laden with wriggling 303 action on 'Zaletaet Na Acid', and Funkyjaws has some fun weaving slamming claps and nimble bleeps into the brassy source material for 'Acid Circus'. Eddie C rounds things off with a proper rubbery acid tweaker which slips in smooth on 'Dysk Dzokej On Acid'. Classy stuff, and whole heaps of fun for those who love acid, those who love disco, and those who love both.
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Despite the universal imposition of lockdown, DJ Harvey's Mercury Rising nights have made a lasting impression on one particular Ibizan hideaway - the world-renowned rock n' roll themed hotel, Pikes, a favourite of Ibiza titans Fatboy Slim and Patrick Topping. To keep the spark of this monthly party alive, Harvey launched his 'Mercury Rising' compilations, putting only the best of Ibiza's balearic talents on display. The third and final volume is now finally in our mitts, and what an impressive array: odysseys of aquatic, twanging sound come courtesy of choice cuts by local mainstays Kraak & Smaak, Project Sandro and MODE.
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Nils Frahm - Old Friends New Friends
LP
$36.28
Trying to keep up with Nils Frahm's discography is nothing short of dizzying. We struggle to think of anyone who can put out so many long form albums without letting the quality suffer a little, yet the German composer seems to be incapable of doing anything other than the finest quality work, laying claim to a back catalogue of piano tracks which can be sad, reflective, poignant, innovative, captivating, or euphoric, and always impossible to forget. He's done so much, in fact, that he's still unearthing parts of his oeuvre people haven't really heard before. As is the case here. Old New Friends is as fitting a title as they get, with everything here first recorded between 2009 and this year, representing what the artist describes as "an anatomy of all my ways of thinking musically and playing." Simply put, if you like even just a little of what you've heard before, this is essential.
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U makes his 7" debut for Where To Now, and offers a great example of why the MPC machine should never be limited to MPC-sounding beats. It's a versatile instrument in the right hands, and there's no question in our minds that the producer in question here has the right hands. Offering three snapshots of a mind evidently packed with far-reaching, varied ideas, the musicality is surprising considering the process and the concepts at play utterly breathtaking. From '2 Good 4 Me''s manipulated-yet-deep drum patterns, reversing in and out in a playful way while being cast in the dim light of a rainy, moody overhead arrangement, to the stepping, shuffle-inducing 'Almost Man', and its jazz-infused, candlelit vocal sections, this is quite possibly the most sophisticated electronic music you'll hear in some time.
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Calvin "Popcorn" Ward is one of those legendary musical figures form time gone by. He put out just one album and a couple of Eps, but they were good enough to secure him an enduring elegy with funk and soul fans. His Prime Choice album came on Shanell in 1983 and the one copy currently for sale on second-hand sites is over 630 quid. Thankfully Mad About has assembled this heavyweight reissue. Sentimental soul, analogue disco and lo-fi funk all characterise each tune, as does Calvin's own vocals which range from upbeat and positive to heartbroken and raw. A real gem.
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Wow, just, wow. There are retrospective compilations, and then there are retrospective compilations. Then there are expertly curated overviews of careers like Gene Clark's, one of the most enigmatic, shapeshifting, and intriguing songwriters in the (modern) history of songwriting. Collected is a fantastic effort at celebrating the life work of this 20th Century master, from The Byrds to country collaborations with Doug Dillard and The Gosdin Brothers. However, avid fans will relish in the fact that even this 43-track epic album can't really fit everything in, which is only indicative of how much he made, and how much of what he made was great. A folk, Americana, journeyman legend if ever we could call anyone that, this is a time capsule comprising genuinely precious landmark songs everyone should be familiar with.
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Fuga Ronto - Greatest Treasure
LP
$29.09
A relatively new duo consisting of Zurich musicians Schweizer and Shiller, Fuga Ronto's original music is the epitome of what new music heads know as 'balearic chuggers' - or 'bluggers', as we like to call them. With elements of synthfunk, dub and new wave, standouts from this sweat-glazed, beachside-worthy mini-album include 'Falling Star' and 'Wobble In The Pool', throwing all manner of domestic samples and adventure film quotes into the mix for good measure. Nailing fusions between song and film - resulting in the sonic equivalent to an exotic voodoo voyage - each track title reads like the name of a forgotten B-movie. Now you can snaffle up the first press of this slap-bassing, multilingual dance project on limited black vinyl.
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There's a pleasing "going back to his roots" feel about this release from Bristol luminary Rob Smith AKA RSD. Unlike much of the material he's released under the alias, which draws on dub, hip-hop and dubstep for inspiration, this seven-inch recalls the early days of the "Bristol sound", where Smith and Ray Mighty were responsible for producing tons of classic street soul-informed fare. Denise Morgan delivers a superbly soulful, glassy-eyed rendition of Al Green's 'Let's Stay Together' atop an attractive, turn-of-the-90s style street soul beat rich in classic hip-hop breaks, fluid piano and stirring synth strings. The accompanying 'Let's Dub Together' version, a more stripped-back and sub-heavy affair rich in reverb-laden vocal snippets, is equally as inspired.
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