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Latest reviews

Aroop Roy launches the Vive La Musique label with this effervescent blast of sunkissed Zouk music from the mid 80s. Maurice Agad, the writer responsible for "Tabala Mouv," was traced to the Caribbean island of Martinique, and it only helps feed into the exotic atmosphere surrounding the music. In its original form "Tabala Mouv" is a plush, richly produced groover laden with slap bass, strings, keys, horns and a wonderful meandering vocal. Roy beefs the track up with a rework that subtly edges a few modern touches into the mix, while Truccy offers up a simple edit of the track in its purest form.
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The current owners of iconic disco label Salsoul have previously been criticized for some of their remix choices - most notably Marquis Hawkes' revisions of classic Logg tunes - but we can't envisage many finding fault with this superb compilation. It features revisions of classic and little-known cuts from DJs and producers associated with Italy's Sounds Familiar crew. Highlights include a killer cover of Candido classic "Thousand Finger Man" by GE-OLOGY (here titled "ReFingered With Love"), a superb re-edit of The Strangers' P-funk cut "Stimulation" by Twice and Volvov, a dusty, Theo Parrish's Ugly Edits style tweak of "Salsoul Rainbow" by Kai Alce, and a typically on-point rearrangement by Mark Grusane of Civil Attack's little-known boogie floorfiller "On The Phone".
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Aubrey - Slope 46 EP
12"
$10.59
Assemble Music welcomes Uk legend Aubrey with a four tracker including two previously unreleased cuts from 1997 and two new ones!
These days, Mulatu Astatke is widely considered to be the "Godfather of Ethiopian jazz". Yet when he recorded the two-part "Afro-Latin Soul" album in 1966, he'd just left music college in Boston. As this fine reissue proves, Astatke was years ahead of the game. While rooted in American jazz from the period, all tracks draw heavily on Cuban jazz, in particular, as well as Ethiopian musical traditions. In truth, the latter aspect doesn't come through quite as strongly as you'd perhaps expect, though some of the album's highlights draw more heavily on the percussive polyrhythms of Africa. Regardless, this is a superb set of forward-thinking global jazz that delivers high quality entertainment from start to finish.
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Various - Cocoon Compilation R
CD
$9.76
In the sprawling press release accompanying the latest Cocoon compilation - "R", their umpteenth CD to be named after a letter of the alphabet - there's a lot about blurring the boundaries between different genres of techno, and little concrete info. The basics, though, are pretty simple: like its' predecessor, the club-focused set boasts 12 cuts selected by boss man Sven Vath. There's plenty to enjoy from start to finish, from the stylish, '80s new wave pop-meets-Euro-techno vibes of International Anything's "The Future Is Here", and the driving tribal drums and sweeping, alien-sounding chords of Inigo Kennedy's "Black Light", to the moody Dutch techno freakiness of Ambivalent and Alden Tyrell's "War Island", and the sparkling electronics, positive vibes and skewed drum machine hits of John Heckle's superb "Fantasy".
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On this second album from his Ancient Moons project, Damian Lazarus has decided to switch focus. Whereas the outfit's debut album, Message From The Other World, combined global music influences with Lazarus's usual tech-house rhythms and a touch of psychedelia, Heart of Sky is much more heavily influenced by the Crosstown Rebels' chief's rarely discussed soul boy roots. Of course, the beats and basslines still largely stick to the powder house script, it's just that this time they come accompanied by starry-eyed soul vocals, 1960s dream pop influences, bold piano flourishes, gospel choruses and, on rare occasions, smoky trip-hop aesthetics. As a result, it's undoubtedly a much more "human" album, and one with far more crossover potential than its predecessor.
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Dj Q / Various - Fabriclive 99
CD
$10.04
Thanks to a career spent spearheading the post UK-garage "bassline" and "UK funky" movements, DJ Q's status as one of British bass music's innovators is assured. As a result, the DJ/producer's belated first contribution to the FabricLive mix has the air of a victory parade or lap of honour. Over half of the dizzying 32 tracks on offer are unreleased exclusives from his own archive of personal productions, with the rest made up of killer cuts from friends and associates, all bar one of which have never before seen the light of day. Unsurprisingly, the resultant mix hangs together brilliantly, offering up a thrill-a-minute ride packed with skipping, hip-swinging drums, sweet cut-up soul vocals, wobbly electronics and sub-bass so weighty your guts will start dancing to their own hyperactive tune.
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There's a loose concept surrounding the latest double EP-come-compilation from Nina Kraviz's TRIP label. Fundamentally this is a collection that mixes "essential gems" from the label's catalogue with a wealth of previously unreleased material. Kraviz's own "Opa", a fiendishly leftfield techno assault that's as skewed and out-there as they come, is undoubtedly amongst the highlights, but it's not alone. Check, in particular, the hectic, mind-altering braindance business of Biogen's "Hexagraphic", the speaker-busting loop techno intensity of "Grasshunter" by Exos, and the utter insanity of Bjarki's "3-1 Tap Lush", whose bizarre and tipsy manipulated non-verbal vocal sounds are capable of inducing travel sickness even in seasoned travelers.
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