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Latest reviews

More from Joey Negro's "Remixed With Love" series, in which the veteran producer puts his own spin on classic disco cuts using the original multi-track master tapes. The headline attraction on his latest batch of reworks is undoubtedly the two takes on Tamiko Jones' intergalactic disco-funk jam "Can't Live Without Your Love". There's a fine, full vocal "Space Disco Mix" and a "Super Dub" that strips the vocal back to delay-laden phrases bobbing in a sea of echoing guitars, spacey synth flourishes and killer grooves. Elsewhere, the Z Records boss delivers a beat-free "Reprise" of the Trammps' "Come Together" that makes much of their group vocals and tasty organ motifs, before turning Patti LaBelle's "Music Is My Way Of Life" into a timbales-heavy drum track.
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Throw your hands in the air and let out a throaty cheer: Dutch IDM and electro specialists 030303 have finally offered up another volume in their superb compilation series. Like its' three predecessors, "Various IV" is packed to the rafters with high-grade gear, from the cheery Italo disco/instrumental synth-pop goodness of Splitradix's "Navs' 202" and the hard-wired acid-meets-ambient techno sleaziness of Holovr's "Star Flip", to the acid-electro bustle of The Exaltics' "What If We Could", the pulsating intergalactic chug of Nacho M. Meyer's "Planeta" and the trippy chords and mind-altering brain-dance rhythms of Dirty Data's "Hairy Muff".
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By the time you reach the muffled, eccentric opening bars of "Tenderness", just past halfway on "Anak Ko", Jay Som's remit is clear. The Los Angeles singer-songwriter has left her shoes, or rather shoegaze, behind. This time she's walking barefoot through a lo-fi musical tapestry, baring soles and heartbreak while musing on the importance of self-value. Highlights are plentiful throughout, from the head-noddingly agreeable "Nighttime Drive" to the jerking, grunge-y "Peace Out", it's equal parts gorgeous and effortlessly- not to mention breathily- cool, sexy and surprising. Perhaps what's most reassuring, though, is that there's every chance this could all come across as affected and a little too self-aware. Nothing could be further from the truth from what we can hear- an honest work representing the next step in the evolution of a truly exciting American indie talent.
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Tropical Fuck Storm - Braindrops
CD
$11.51
You know the crew mean business, or at least mean not to give a flying guitar what you think, when they call themselves Tropical Fuck Storm. Perhaps what's most surprising, then, is the troupe's second album proves beyond doubt that despite the name, their music is accomplished and, while challenging at times, instantly enjoyable. The fact that Gareth Liddiard and Fiona Kitschin are also members of The Drones should tell you everything there is to know here. TFS is as logical a progression into an artsy, unpolished and unapologetic unknown as could ever be possible when you consider these guys are disinterested in playing anything by numbers. Logic is perhaps not the operative word, then. Like the unkept character propping up your local bar who suddenly reveals themselves to be a borderline-musical genius, respectfully avoiding the cliche of addressing individual tracks is the least we can do.
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Black Moon - Buck Em Down (reissue)
7"
$9.98
Official classic hip hop reissue from Black Moon using that Donald Byrd Wind Parade looped sample to great effect
It has been three years since we had an album from the mighty New Model Army. Plenty has changed about the world since- much of it not for the better. Reassuringly, though, this is equally if not more powerful an outing than its predecessor. In many ways, it's one of their strongest in some time, making intentions clear from the off with the loud, layered and textured tension builder "Passing Through" recalling acclaimed early albums. The outfit apparently quipped that for all their differences they share commonality in a love of bleak, cold, rugged landscapes typified by snow, rock and water. These influences can be clearly heard here. Even in quieter moments, such as "Hard Way", things couldn't feel more removed from a warm fire and comfortable room. It's a wild, almost primitive soundtrack to an adventure across a new yet familiar wilderness, with Justin Sullivan's vocals and compositions as a guide.
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Laurent Garnier - French Connection (reissue)
LP
$11.77
For the first time since 1997, Laurent Garnier's earliest studio productions are available on wax. "French Connection" harks back to 1991, a time when Garnier spent a lot of his time travelling between Paris and Manchester. It was in the latter city that he met Mix Master Doody AKA Dream Frequency's Ian Bland, an experienced producer and studio engineer who co-produced the EP's six cuts. Musically, "French Connection" has stood the test of time better than a lot of dancefloor-focused music from the period. There's something wonderfully naive and glassy-eyed about its endearing mixture of heavy techno rhythms, post-Chicago house beats and loved-up, hardcore-era elements (piano riffs, female vocal samples, and so on). Crucially, all six cuts would slip easily into many contemporary house and techno sets.
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Second time around for Hans Zimmer and Benjamin Wallfisch's acclaimed soundtrack to Denis Villeneuve's 2017 flick "Blade Runner 2049". Like the film itself, Zimmer and Wallfisch's soundtrack is very much a sequel to Vangelis' 1982 original, with spacey, poignant and bittersweet orchestral compositions sitting side by side with more electronic, synthesizer-driven pieces that match the dark, futuristic mood of the movie. There are plenty of nods towards the musical themes explored first time around, with the climactic "Blade Runner" sounding like a 21st century update of the Greek composer's lauded original title music.
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