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Latest reviews

With a drowsy, loved-up trademark sound that sits somewhere between the beach, bedroom and the dancefloor, Canada's Yu Su is a great fit for Music From Memory offshoot Second Circle. The resultant EP is arguably her strongest to date. She begins by enlisting the help of Michelle Helene Mackenzie, who provides a drowsy spoken word vocal on the ultra-deep and starry brilliance of "Little Birds, Moonbath". Fellow Vancouver residents Pender Street Steppers lend a hand on the deep and picturesque shuffle of "Tipu's Tiger", while "Of Yesterday (Instrumental)" sees Yu Su wrap meandering synth solos atop hazy chords and gentle tribal drums. Elsewhere, "The Ultimate Which Manages The World" is dubbed-out and effortlessly Balearic, while "Words Without Sound" offers up more intricate hand percussion and some sparse electronic elements.
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First released back in 1997, breakbeat-driven techno jam "Love" remains one of Luke Slater's most rush-inducing moments. Here the classic has been given a new lease of life via a swathe of fresh reworks. Fittingly, Slater provides cuts under two of his more familiar alternate aliases: an ultra-dreamy, glassy-eyed breakbeat take as The 7th Plain and a thrusting intergalactic techno revision as Planetary Assault Systems. The other revisions are all superb, too. Burial serves up an ultra-deep, super-dusty 4/4 interpretation full of his usual crackling samples, Lucy re-imagines it as a bouncy techno slammer, Marcel Dettmann gives it a clanking, metallic techno feel and Silent Servant offers up some carnival-ready drums and rising symphonic strings.
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The Ricky Corey Collective - Who Do You Love?
12"
$11.65
NDATL continues with a special remake of 80' classic "Who Do Love?" just in time for the spring, the brainchild of blind Cape Verdean keyboardist Ricky Corey who label boss Kai Alce met in the early 2000's Since then they have created such hits as "Feeding" featured on Alce's first NDATL's release and numerous other collaborations. On this project we sought out the legendary talents of Chez Damier & NDATL artist Kayenne to deliver a fresh new take on an already classic boogie tune, with their combined vocals the collective created something for the millenium! If that wasn't enough NDATL calls upon Josh Milan of Blaze fame & now his own Honeycomb imprint to give us crazy unexpected remixed boogie vibe, including an amazing 16min plus Dub/Instrumental that will be sure set the dancefloor on fire & clearly have us all singing "Who Do You Love?".
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Born and raised in Austin, TX, Chris McDowell, most well known for his other moniker Solar Shield, he has released 2 records via label and DJ Collective, Austin Boogie Crew. His first 45 release, "Reesis" sold out within a couple weeks and has been repressed multiple times. His second self-titled 12" record is on it's way to being out of print. His latest project Very Rich is a fun blend of techno and modern boogie. As a virtuoso who is well versed on almost any instrument McDowell utilizes live instrumentation & sequencers to give his sound a unique and organic feel. Sure to move a packed house in any club.
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Like Young Marco and Christiaan Macdonald's "Welcome To Paradise" compilations, this collection from crate-digging DJ Nick V offers a whirlwind trip through the golden years of Italian house in the early 1990s. The vibe is, though, decidedly different; while Nick V does doff a cap to the swirling, "Sueno Latino"-inspired "dream house" sound - see Subway Ground Master's impeccable "Queensway" and the seductive, sunset-friendly deepness of Optik's "Music, Harmony & Rhythm" - much of the compilation focuses on the warm, breezy, colourful and piano-laden "Italo-house" style that drew greater influence from contemporaneous U.S house and New Jersey garage. Highlights are plentiful, from the organ-laden, Jovonn style bump of "Really" by Underground Ghosts, to the growling bass and intense drums of Syncopate's "Why? (Underground)".
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Linkwood - System
LP
$22.25
Second time around for Linkwood's delicious debut album, "System", which re-appears on vinyl a decade after it first hit record stores. The set has aged really well, with the Edinburgh producer's forays into Kraftwerkian electro ("Robot Parade", "Pumpernickel"), vocal nu-boogie (the Reggie Watts-voiced "Tears") and kaleidoscopic electrofunk ("Falling") sounding particularly on-trend. Of course, there's plenty more to set the pulse racing elsewhere across the EP, from the bustling, Chicago deep house jack of "Electricity", to the rhythmic ambient bliss of loved-up closing cut "Nectarine". It is, then, an album that's not only stood the test of time, but also boasts some genuinely stunning, club-ready moments.
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Stefan Ringer - FWM 002
12"
$10.59
FWM Entertainment has kept that same energy in its second release by label head, Stefan Ringer. The A side track "SO" is instantly exciting! The chorded turned arpeggiated melody and rhythm section take over your body and the song invokes different feelings and emotions as it progresses; this is a song you will definitely want to have for this summer and beyond. Over on the B side, "Afrotine" brings a more tropical broken beat type of flavor. The percussive yet chromatic sound of the kalimba is almost hypnotizing. Sunshine, cool breezes, and smiles come to mind when hearing this one. The B2, "Time" is a slowed down vocal groove that slaps! The melody floats effortlessly along the beat with the bass line following closely behind, complimenting the changes throughout. Overall this one is a keeper and a great follow-up to the acclaimed FWM001.
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Although largely unknown outside of underground electro circles, Mark Kastner AKA Galaxian consistently serves up some of the most on-point experimental and club-focused electronic music around. It's a bold claim, for sure, but one that's backed up by the high quality tracks showcased on the Scottish producer's first EP for Natural Sciences. A-track "Golden Armageddon", for example, is a thrilling, nine-minute electro ride that brilliantly alternates between sweeping, cinematic style melodic movements and fizzing, acid-fired sections that are more intense than a late night beating from a far-right thug. Elsewhere, "Ride The Spiral" joins the dots between Drexciya, early UK bleep and weirdo IDM, while dystopian closing cut "Psychic Purification" is a Rephlex style "braindance" monster.
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