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This Week: Studio Equipment
Items 1 to 10 of 10 on page 1 of 1
Citronic SCM3 Multi Pattern Studio Condenser Microphone
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 2 in stock $67.46
Cat: 630249 Rel: 24 Oct 16
Studio condenser microphone with large gold sputtered diaphragm
Notes: Citronic SCM3, Studio condenser microphone with 34mm gold sputtered diaphragm housed in a precision engineered alloy body with plated steel mesh. Operated from phantom power with a high grade FET preamp to provide an accurate, full range response for a wide range of acoustic sources.

- Supplied with pouch and shock mount
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Decksaver Akai MPC Touch Cover (smoked clear)
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 1 in stock $36.52
Cat: 630036 Rel: 24 Oct 16
Protective equipment cover specifically designed to fit the Akai MPC Touch
Notes: Custom engineered for the Akai MPC Touch. Our super durable polycarbonate shell protects your controller from damaging elements such as smoke, dust, liquids and impact. Precision trimmed for perfect fit whilst accommodating cables, the MPC Touch can sit ready for operation. Slides straight into a flight case or controller bag, ideal for transportation. Shields delicate faders, controls and internal components from damage at home, on the road or in the club.
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Decksaver Elektron Analog Keys Cover (smoked clear)
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 1 in stock $45.65
Cat: 630038 Rel: 24 Oct 16
Protective equipment cover specifically designed to fit the Elektron Analog Keys
Notes: The tools we use to compose and produce music are dear to our hearts. The studio elements of dust, smoke and liquid have taken many a good analogue synth down over the years. This is where Decksaver steps in. Precision trimmed for a perfect fit whilst accommodating cables, your Analog Keys can sit ready for operation. Slides straight into a flight or soft case for maximum protection during transportation. Shields delicate controls and internal components from damage at home, on the road and on stage.
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Keith McMillen CV Cable Kit
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 1 in stock $23.32
Keith McMillen CV Cable Kit (audio cable kit)
Cat: 628535 Rel: 24 Oct 16
Collection of cables & adapters for converting MIDI data to control voltages - for use with QuNexus MIDI controller
Notes: The Keith McMillen Instruments CV Cable Kit is designed for converting MIDI messages to control voltages. The kit makes it possible to connect a QuNexus USB MIDI controller to external hardware that accepts a CV voltage such as an analog synthesizer. The kit consists of one right angle 1/8" stereo to 1/4" stereo interconnect cable, one 1/8" stereo to 1/4" mono interconnect cable, one 1/8" TRRS to dual 1/8" stereo interconnect cable, and two 1/8" stereo to dual 1/8" mono interconnect cables.

In the box:
- Keith McMillen Instruments CV Cable Kit
- Right Angle 1/8" Stereo to 1/4" Stereo Interconnect Cable
- 1/8" Stereo to 1/4" Mono Interconnect Cable
- 1/8" TRRS to Dual 1/8" Stereo Interconnect Cable
- 2 x 1/8" Stereo to Dual 1/8" Mono Interconnect Cables
- Limited 1-Year Warranty
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RME Fireface UFX+ Thunderbolt & USB3 Audio MIDI Interface
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 1 in stock $2,305.77
Cat: 620461 Rel: 10 Oct 16
188-Channel, 24-Bit/192kHz high-end USB & Thunderbolt audio interface
Notes: 20th Anniversary Flagship Interface:
The Fireface UFX+ becomes the centre of any multitrack studio because it is able to handle up to 94 channels I/O with ease. With unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME's famous low latency hardware and driver designs, the Fireface UFX+ raises the bar to new heights.
Packed with features not found on its older sibling, including MADI I/O (188 channels of I/O, 128 channels more than the Fireface UFX), a more powerful DSP, USB 3.0, Thunderbolt technology, and a new optional remote control firmly places the RME Fireface UFX+ as the new reference in multitrack recording, mixing and monitoring.

You name it, you connect it:
Its flexibility in connectivity and expansion is unrivalled - Analog, ADAT, MADI, AES, SPDIF. USB 2, USB 3 and Thunderbolt technology are standard on the Fireface UFX+. The UFX+ has an impressive channel count: 12 analog + 16 ADAT + 2 AES + 64 MADI = 94 channels input plus output = 188 channels in total. Thunderbolt technology gives the Fireface UFX+ real PCI Express audio 0performance under Mac and Windows, with lowest latency, lowest system overhead and lowest CPU load. The Fireface UFX+ is fully Thunderbolt technology compatible under Windows, including hot-plugging.
All new AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range serves even the most critical recording situation and source trouble-free.
New low impedance Hi-Power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power as well as volume on any phones, high or low impedance.

Comprehensive MADI Connectivity:
The Fireface UFX+ opens the doors to a host of RME and 3rd party digital and analog I/O solutions. Expanding your analog channel count, the ability to route/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series.
To further enhance MADI flexibility, the Fireface UFX+ boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I/O (12 analog plus 16 ADAT plus AES), the MADI I/O is still available via RME's integrated hardware mixer TotalMix FX. Word Clock I/O (BNC) can be switched to MADI I/O (coaxial), and a special split mode even supports the use of both MADI I/Os simultaneously, with 32 channel each on optical and coaxial.

Improved DURec (Direct USB Recording):
DURec, which is available on the front of the Fireface UFX+, now offers second generation hardware with improved USB functionality and compatibility, providing greater reliability even with slower or multi-partitioned USB thumb drives.
The maximum number of recordable channels has been raised to 76, meaning all 12 analog inputs plus 64 MADI channels can be recorded simultaneously. An internal Realtime Clock (RTC) delivers time-stamped files, and playback now includes several advanced player functions previously unavailable.

ARC USB Remote Control - Plug'n Play Plus:
The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.
The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX+. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX+.

TotalMix FX:
Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind.
With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete.
TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.

TotalMix FX for iPad App:
TotalMix FX for iPad adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad.
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Decksaver Pioneer Toraiz SP16 Cover (smoked clear)
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 2 in stock $39.56
Cat: 630035 Rel: 24 Oct 16
Protective equipment cover specifically designed to fit the Pioneer Toraiz SP16
Notes: Designed and engineered specifically to fit the contours of the Toraiz SP-16. Super durable polycarbonate shell offers protection from dust, spillages and accidental impact. Each Decksaver is trimmed precisely to fit, leaving cables in place. Slides straight into a flight case or controller bag, perfect for transportation. Shields delicate faders and controls from damage on the road, at home or in the club.
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ALM PE1 Dual Band Parametric EQ Module
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 6 in stock $80.14
Cat: 628651 Rel: 24 Oct 16
Dual band parametric EQ & simple two channel mixer
Notes: Two control sections provide a sweepable cut or boost to a selectable upper and lower frequency band. The module has two ac-coupled audio inputs, one of which has an attenuation control for basic mixing, and a single audio output.

The 'PE-1' is inspired by the EQ circuits used in early 'Portastudio' type 4 track tape mixers. Warm up a digital source, fine control a live performance, extend a mixer, tweak a feedback loop - there are many uses for this great sounding EQ.

- Provides +/-12db of boost and cut across 2 selected frequency bands
- Dual input with single attenuation control
- Reverse polarity protection.
- Skiff friendly
- Designed and made in the UK
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Pittsburgh Modular Lifeforms Percussion Sequencer Module
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 1 in stock $332.72
Cat: 626225 Rel: 24 Oct 16
Four channel programmable drum controller
Notes: Welcome to the Eurorack Drum Machine:
The Pittsburgh Modular Lifeforms Percussion Sequencer is a seriously featured, 4 channel eurorack beat programmer with a classic drum machine style interface. The familiar interface allows for quick mastery of all the features leaving the focus on the music. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. Easily create new patterns using the live performance or step recording modes, then add one of the powerful pattern effects to each channel to take the sequence to a new level. Designed to integrate into any size eurorack system, simply patch 4 audio signals through the integrated high quality VCAs to create a set of unique percussion voices. Eurorack drum programming has come to life.

Anything is a Drum:
Traditionally, patching up a modular drum kit was constrained by the amount of envelope and VCA modules in a system, restricting the number and complexity of percussion voices in most systems. Another option was to use dedicated drum modules that offer a limited sonic palate and few modulation options. The Lifeforms Percussion Sequencer breaks through these barriers by including a percussion tuned analog envelope and VCA on each channel. Patching anything from a basic sine wave to heavily modulated and processed noise sources through the Lifeforms Percussion Sequencer will quickly create a distinctive drum kit that takes full sonic advantage of the unique synthesis options available in any system.

The Mind of a Modern Drum Machine:
At the heart of the module is a 4 channel, 32 step beat sequencer designed for live performance. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. Create and store up to 32 sequences using live performance or step mode recording with pattern lengths varying from 1 to 32 steps. Patterns can be copy and pasted to easily create multiple versions of a beat. The sequencer is driven by an internal tap tempo or external clock source. A dedicated clock in/out jack syncs the sequencer with other modules.

Four Integrated Analog Envelopes and VCAs:
Instead of limiting the drums to a few onboard voices or lo-fi samples, the Lifeforms Percussion Sequencer uses an analog envelope and VCA built into each channel to shape any audio source into a percussive instrument. The envelopes are designed with a razor sharp attack and variable decay/release allowing for maximum control over the output of each channel. The envelopes can also be used externally. A short envelope creates a trigger while longer envelopes can be used as a modulation source for oscillators, filters, or anything at all.

6 Adjustable Pattern Effects:
The Lifeforms Percussion Sequencer includes 6 unique pattern effects to expand the musical possibilities of traditional grid style beat programming. Effects include everything from swing and beat shifters to glitch and generative algorithms designed to manipulate the sequencer pattern. Each channel can run a unique instance of one pattern effect at a time. A master pattern effect channel is also available that affects all 4 channels of the sequencer. The combination of the channel effect and the master effect allows for up to two effects at a time on each channel. Each effect has one parameter that can be adjusted to dial in the perfect response.

- Shift Effect
Delays the trigger output of a channel by small divisions of the tempo. Use this effect to create half-step or stutter-step drum triggers. Effect knob controls the amount of channel shift. The range of shift is 1/8th to 7/8ths of a beat.

- Glitch Effect
Probability based glitch effect that creates chaotic gates based on a cascading chance algorithm. The resulting patterns are always in sync with some division of the clock, allowing for stuttering but not disjointed patterns. The probability is set using the effect knob. The range of the glitch effect is minimal to absolute chaos.

- Density Effect
Sets the number and timing of triggers created for each active step. The result can be anything from a doubling of the trigger to a rolling effect. The effect knob controls the trigger density.

- Morph Effect
Create evolving patterns. The morph effect is a probability based algorithm that modifies an existing pattern by adding or removing active steps. The effect knob sets the probability that the pattern will morph.

- Swing Effect
A classic drum machine effect meant to mimic the feel of a real drummer by shifting the timing of every other step. The effect knob controls the amount of swing.

- Add/Drop Effect
Temporarily add or drop steps from a pattern. The results are similar to the morph effect but changes to the pattern are not compounded as the pattern plays allowing the resulting pattern to stay anchored to the original sequence. The effect knob sets the probability that a step will be modified.
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Rode RODELink Newsshooter Kit Wireless Microphone System
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 2 in stock $407.80
Cat: 589403 Rel: 24 Oct 16
Digital wireless system for news gathering and reporting
Notes: RODELink represents the next generation of digital wireless systems. Using a series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres* (over 100 yards).

The RODELink Newsshooter Kit provides everything you need to start shooting video wirelessly with XLR microphones, including a camera-mounted receiver and an XLR transmitter. The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection.

The unit can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions. The transmitter (TX-XLR) easily connects to handheld presentation microphones as well as shotgun microphones, with a 3.5mm input and headphone output.

*Transmitter & receiver only, microphone not included
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TC Electronic RH450 Compact Bass Head (B-STOCK)
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 1 in stock $573.15
Cat: 630327 Rel: 24 Oct 16
B-STOCK: Box opened, product unused & in perfect condition
Notes: ***B-STOCK: Box opened, product unused & in perfect condition***

There was one reason to make RH450: making bass better. There's a dedicated bass team at TC, guys that gig, record, rehearse, live and breathe bass. So when they got a chance to finally do an amp, they built 'the best amp possible' from the ground up. The result is a compact, powerful amp with a set of features so advanced we like to think of them as Bass Amp 2.0.

Ultimate Tone Tools:
- Use the 4-band semi-parametric EQ to sculpt your basic tone. Then apply SpectraComp and/or TubeTone for the finishing touch.
- Traditional compressors tend to be controlled by the lower strings only, but with multi-band compression, you get even 'per string' compression.
- TubeTone emulates not only a tube preamp, but also the power amp section of a classic tube amp. Shockingly convincing!

Tune Up:
- Why no one has ever done this before is simply beyond us. Adding an onboard chromaitic tuner makes life so much easier for everyone!
- The tuner is always on, and you can check your tuning state at any point. And when you need to tune up between songs, the built-in tuner will get you back and playing in seconds. Crowds just hate to wait!

- Different situations call for different tones. Be it a change of bass, a different song/style or a different venue, you need your amp to be instantly flexible and adapt to your needs.
- You can store up to 3 different presets so you can handle whatever music might throw at you. Also, the optional RC4 footswitch allows you to instantly control your presets.

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