Studio Equipment charts

Notes: Live or in the studio, the ZED60-14FX is a compact, portable mixer that is ideal for small bands.

This mixer is a guitarist's dream. Two of the 8 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards.

The ZED60-14FX comes with a configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is also equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs and 16 stunning FX.

Most important of all, the ZED60-14FX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS:
1) Main Mix Left + Right (Post master Level)

2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)

3) Record Bus Left + Right (Separate stereo bus to Main Mix)

RETURN OPTIONS:
1) To Playback input (through jack socket break contacts)

2) To Stereo 2 channel (through jack socket break contacts)

ZED60-14FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED60-14FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

ZED60-14FX's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 7 & 8 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain "Boost" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character.

Notes: The STAY Slim 2 tier keyboard stand is a lightweight (just 2.9kg) aluminium keyboard stand ideal for practice, studio and performance use. This model with curved arms on the top tier enables a peripheral such as smaller synth, laptop or mixer to be placed safely above the main keyboard. The stand is quick to put up and packs away quickly into the neat zip carry case that is included. Despite being so lightweight the keyboard can carry a 61 note keyboard of up to 10kg on each pair of arms. The tripod foot design raises the stand off the ground and provides a very stable plus gives room for sustain and other effects pedals to be placed exactly where you want them. In addition, the stands keyboard arms are height adjustable (top level max height is 1100mm) and the top deck arms are set at a 10 degree angle for ease of playing. Cables can be neatly run down the stand using the proved stretch clips.

- Maximum load capacity: 20 kg (10kg per tier)
- Automotive paint
- Ultra fast assembling
- Product net weight: starting at 2.8 kg
- Tote bag included

Notes: Row Power is a clean, regulated, and protected power solution for eurorack systems. Row Power 35 provides 35W of power, suited for any typical eurorack row (84HP to 168HP):

+12V @ 1.4A
-12V @ 1.25A
+5V @ 1.0A

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Daisy-chain multiple Row Powers to use a single power brick for multiple rows (typically 3-5 rows per power brick). Each row will be independently regulated and protected for ultra-low cross-talk between rows. Rows can also be hot-swapped (plugged/unplugged without powering the whole system down).

Notes: Outs enables your modular system to output both professional and prosumer compliant audio, and send it to external amplifiers, mixers, recording devices, or DAW interfaces. Using the L+R Level knob, it scales modular-level voltages down to the level required to drive external gear at either the +4dBu balanced professional line-level standard or the -10 dbV unbalanced standard.

Headphone monitoring is also provided via a low noise built-in headphone amp (with its own independent level control), capable of driving a wide range of impedances - from studio grade headphones to portable style earbuds.

To use Outs, simply connect the final output of your patch to the 1/8" inputs (where the built-in activity LEDs light up to indicate the presence and intensity of the input signal). The left input is normalled to the right, so you can create a stereo signal from a mono source. Or if you have an Intellijel Mixup, you can remove a jumper from its rear panel, and connect it to the Outs module using the 3-pin link cable included with the Mixup.

Notes: Triplatt is a three-channel active/buffered attenuverter and summing mixer. Each channel has a knob, which can function as a unipolar attenuator or a bipolar attenuverter, depending on the setting of its corresponding two-position polarity switch.

Each input is normalled to a built-in precision +5V DC voltage source. With nothing plugged into the jacks, each knob controls a voltage range of 0 to +5 V or -5 to +5 V depending on the position of the channel polarity switch. Outputs A and B are also capable of a range of 0-10 / -10 to +10 when using the special function switches.

Each output is normalled to mix into the output of the channel below, making it possible to do sub mixes in groups of two or three.

In addition, each channel has a "special function" switch to alter its input voltage in a specific way. Channel A has a 2x voltage multiplier switch, allowing you to double the voltage sent into Channel A. Channel B has a +5V switch, allowing you to add 5V to whatever voltage is sent into Channel B. Channel C has a mute switch, allowing you to completely turn off the signal being sent into Channel C.

Notes: The new, 2nd generation Audio Jacks Board comes pre-installed in every Intellijel 7U case manufactured since early 2019. Because this board is more fully featured than the previous generation, it's available as a stand-alone component for anyone who wishes to update an older 7U case.

You can tell which board you have by looking at the connectors. The new Audio Jacks Board has a large shrouded header flanked by two smaller shrouded headers, flanked by two link connectors at either end. Older boards have only one connector along the bottom edge.

The board holds four Neutrik TRS jacks, each of which can be configured as either an input or an output depending on the modules you connect. This allows you maximum flexibility when configuring your case - whether you wish to use the audio jacks as outputs, inputs, sends & returns; or some combination of these.

The jacks carry different audio signals depending on what you connect to the Audio Jacks Board. Please refer to the manual for more details on the many options available.

Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter

Notes: Clouds, the granular synthesis module from Mutable Instruments, was discontinued in 2017. Supercell brings back Clouds in a more accessible 34 hp form factor, offering an improved user interface and several additional features:

- Each of the Blend parameters (Feedback, Panning, Mix, and Space) have dedicated knobs with their own CV inputs and inverting attenuators (attenuverters).

- The inputs and outputs now have mute switches, stereo VCAs, and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- A stereo output gain control has been added, providing an additional +6 dB of gain to compensate for low output levels when using certain parameter combinations.

- The complex process of changing the sampling time and managing presets has been simplified with dedicated switches and status LEDs.

- Extensive modulation options for all parameters including direct patching of external CV, distribution of one CV to all parameters via the AUX input, or an internal smooth random CV that is normalized to any unpatched inputs when AUX is also unpatched. The attenuverters control the modulation depth in all three cases. As of firmware v1.01 the internal modulation rate can be adjusted within a range of 1 to 100 Hz.

- The inputs and outputs now include stereo VCAs and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- Pitch is now controlled by two separate inputs: the V/Oct input is exponential and the Pitch input is linear. When both inputs are used, their voltages are summed.

- A manual Trig switch (for capturing individual grains) has been added, in addition to the Trig input that was present on Clouds.

All other features of the original Clouds remain intact, including access to the alternate modes. Thanks to Olivier Gillet for making the original Clouds hardware and firmware available under open-source licenses. Third-party firmware such as Parasites (by Matthias Puech) and Beat Repeat (by Julius Kammerl) will be supported in future firmware updates after the initial release of the module.

Notes: For a more precise control and enhancement of your sound, XU models of the MG Series come equipped with a suite of Yamaha's renowned SPX effects. Featuring high-resolution Chorus, Flanger, Distortions, Reverb and Delay, all with editable parameters, these are the same multieffects processors used on Yamaha's high-end mixing consoles, giving you the tools you need to elevate your mixes to a higher plane.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Yamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a "signature" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.

Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound.

The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first.

With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clippingthat can seriously affect your mix.

Notes: 12-channel version of the MG mixer series packs a lot of functionality into a small footprint. Class A pre-amps, three-band EQ and neat, ergonomic design. Great value.

For a more precise control and enhancement of your sound, XU models of the MG Series come equipped with a suite of Yamaha's renowned SPX effects. Featuring high-resolution Chorus, Flanger, Distortions, Reverb and Delay, all with editable parameters, these are the same multieffects processors used on Yamaha's high-end mixing consoles, giving you the tools you need to elevate your mixes to a higher plane.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

D-PRE (Discrete Class-A Mic Preamps): This is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to "fix" your mix.

High Quality Sound Op-amp: The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.

Switchable Phantom Power & PAD Switch: With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clippingthat can seriously affect your mix.

When was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha's high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.

Notes: Ultra-simple 16-step Eurorack CV sequencer with randomisation option and storage for up to 16 patterns. Straight to the point business, all in just 4HP of rack space.

Supplier notes:
Small, easy-to-program sequencers are a bit of a rarity. Vox Digitalis is our answer to this issue. With intuitive displays and simple controls, VD is perfect for all your pitch CV needs. Set your sequence length, dial in each note, randomize, save and load 16 sequences -- VD does all the stuff the big sequencers do, just in 4HP.

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: Custom wrench for 3.5mm jacks, designed for Bananuts or other slotted round 3.5mm nuts.

Notes: Engineered in the UK specifically for the Native Instruments Kontrol M32 Controller. Custom moulded to fit the contours of the unit whilst leaving USB connections in place, the Native Instruments Kontrol M32 can sit ready for operation. Super durable polycarbonate shell protects delicate keys during transportation and slides straight into a flight case or bag for maximum protection. Don't go losing your keys.

Light Edition: still made from super durable polycarbonate but reaching you at a more affordable price.

Notes: The tools we use to compose and produce music are dear to our hearts. Dust, liquid and accidental impact have taken many a good analogue synth down over the years - this is where Decksaver steps in. Precision trimmed for a perfect fit whilst accommodating cables, the Grandmother can sit ready for operation. Slides straight into a flight or soft case for maximum protection during transportation. This cover is designed with 50mm clearance for patch cables, meaning you can leave your cables in place when travelling or protecting your modular setup in the studio. Shields delicate controls and internal components from damage at home, on the road and on stage.

Notes: The tools we use to compose and produce music are dear to our hearts. Dust, liquid and accidental impact have taken many a good synth down over the years - this is where Decksaver steps in. Precision trimmed for a perfect fit whilst accommodating cables, the Deluge can sit ready for operation. Our Deluge cover features Soft-Fit technology, providing extra protection to vulnerable wooden cheek panels that often adorn synthesizers. Slides straight into a travel bag for maximum protection during transportation. Shields delicate controls and internal components from damage at home, on the road and on stage.

Notes: Elevate your vocal processing game with the Roland Aira VT-4 and keep it protected with the Decksaver cover. The VT-4 is a versatile vocal effects processor that allows you to create unique vocal sounds and performances. With the Decksaver cover, you can ensure the longevity of your VT-4 while safeguarding it from dust, spills, and accidental impacts.

Precision engineered in the UK, the Decksaver cover is custom molded to fit the Roland Aira VT-4 perfectly. Its super durable polycarbonate construction provides a tough and transparent shield, preserving the pristine condition of your VT-4. The cover acts as a reliable barrier, shielding the sensitive controls, knobs, and connectors from potential damage.

The Roland Aira VT-4 is designed to push the boundaries of vocal processing, allowing you to explore a wide range of effects and creative possibilities. With the Decksaver cover, you can focus on experimenting with your vocal performance without worrying about the safety of your VT-4. The cover's hard-wearing qualities and rigorous testing ensure that it offers robust protection, making it an essential investment to safeguard your valuable vocal effects processor.

The Decksaver cover is not only designed for protection but also for convenience. It is precision trimmed to fit the VT-4 perfectly, allowing for easy installation and removal. The cover accommodates cable connections, so you can keep your setup intact even when the cover is in place. This feature saves you time and effort during setup, ensuring a smooth workflow and allowing you to dive into your vocal processing creativity effortlessly.

Transporting your Roland Aira VT-4 is made hassle-free with the Decksaver cover. Its slim and compact design allows it to slide easily into a backpack, gig bag, or equipment case, providing maximum protection during transit. Whether you're taking your VT-4 to a live performance, a studio session, or a vocal workshop, the Decksaver cover ensures that your device arrives unscathed, ready to deliver its exceptional vocal effects.

The Decksaver cover is trusted by professionals worldwide for its reliable protection and impeccable quality. Its transparent design allows you to showcase the sleek aesthetics of the Roland Aira VT-4, while providing peace of mind that your device is shielded from potential harm.

Invest in the Decksaver cover for your Roland Aira VT-4 and enjoy the confidence of knowing that your vocal effects processor is well-protected. With its precision fit, durable construction, and unwavering defense, the Decksaver cover ensures that your VT-4 remains a reliable tool in your vocal processing arsenal. Embrace the creative possibilities of the Roland Aira VT-4 and push the boundaries of vocal manipulation, knowing that your device is in safe hands with the Decksaver cover.

Key features:

Patented smoked/clear transparency, unique to Decksaver.
Protects against dust, liquid and impacts.
Shields vulnerable faders, switches and knobs during transportation.
Low profile design enables compatibility with most flight cases and travel bags.

Dimensions:

Weight 0.5 kg
Length 18 cm
Width 13.4 cm
Height 3.1 cm

Notes: The Yamaha MG Series of mixers feature a design and construction that will handle the standard wear and tear of the active musician. Featuring the steel chassis that is impact resistant and powder coated, this mixer will take any bumps and scratches without it getting damaged or looking old. The sleek design does not compromise any part of the finished product.

A state of the art design allows for convection cooling, meaning your power unit will not overheat your unit after continuous use. Separating the power supply from the analog circuitry inside the mixer allows for near silent background noise, allowing for a serious and high quality output sound. As well as this, the knob placement has been put above the chassis of the console, thus not damaging circuitry underneath should the device ever be dropped or mishandled.

The MG06 includes a number of features that make it stand out above the rest of compact mixers on the market. It has phantom power on the first two channel's class A preamps for any condenser microphones as well as a mono/stereo select button for instant control and flexibility. These two channels also include a 2 band EQ and a high pass filter, allowing a lot of frequency control on such a small mixer.

As well as this, two stereo channels for jack devices make up channels 3 through to 6. Outputs are aplenty on the MG06, featuring stereo jack and XLR outputs, as well as a phones output for monitoring purposes.

Notes: Lavalier GO is a professional-grade wearable microphone designed for use in a wide range of applications. The 3.5mm TRS connector is designed to pair perfectly with the RODE Wireless GO and most recording devices with a 3.5mm TRS microphone input.

Lavalier GO is designed to perform excellently in any broadcast application. Featuring a discreet 4.5mm omnidirectional microphone, it delivers crystal clear audio in all environments and is incredibly forgiving when it comes to placement on talent, allowing for greater flexibility in fast-paced situations.

A foam pop shield is supplied to minimise wind noise and vocal plosives (hard 'b', 't' and 'p' sounds), as well as a durable mounting clip with in-built cable management for quick and easy rigging. It also features a hard-wearing Kevlarr reinforced cable, designed to withstand the rigours of any shoot.

Notes: Incredibly powerful two-channel filter module capable of much more than just filtering. State-variable digital filters with built-in VCAs designed to overdrive beautifully. Sounds great.

Supplier's notes:
BIONIC LESTER MARK III is a 2-channel 2-pole state-variable digital filter with an unusual amount of good sonic character. The filter mode is continuously variable under manual or CV control, smoothly fading from lowpass to bandpass to highpass to notch to allpass with a single motion. The resonance stops just short of self-oscillation. A digital VCA controls the amplitude and the distortion of the input signal pre-filter. The filters have independent inputs and outputs, and an additional Mix output with balance control. The filter design was initially inspired by the best of late-1990s "virtual analog" filters and has gone far beyond.

The audio input controls have dual behavior. When the control (or CV input) is turned from zero position to the center, it operates as a simple gain control for that input. When turned past the center position towards the maximum, the signal will begin to soft-clip, adding hard clipping as the maximum is approached. This smooth and subtle distortion adds violence to otherwise unremarkable input material, generating additional harmonic content for the filter to process. The digital VCA that controls the gain and distortion functions is aware of the input signal's zero crossing, eliminating "clicking" noises when the gain is modulated.

Each filter section has three CV inputs. The first is a high-speed input hardwired to the filter's cutoff frequency, appropriate for snappy envelopes and slow moving voltages alike. The other two inputs (one with attenuverter control) are freely assignable to any of the filter parameters (cutoff, resonance, mode, gain), storable in a preset. The Mark III preset system stores eight fully programmed panel setups, instantly recalling everything under the harshest demands of performance. The Morph mode allows smooth fading between all of these presets.

Activate Filter B's LINK control for patch-free routing of the filter's control or audio signal. You can achieve dual-peak resonance, cable-free series routing, cascaded 4-pole filtering (with two stages of distortion), and full stereo using only one set of filter controls. The input normalization, LINK settings, and parallel mix output further reduce cable clutter while rapidly patching an elaborate signal flow.

The controls are arranged for maximum tweakability and minimum cable interference, with metal-shaft potentiometers attached to the panel on the large knobs. The Mark III OLED display displays the cutoff frequency in Hertz, resonance amount, and filter type morph. The CV inputs process all input voltages between -10 to +10 volts. Panel size is 15HP.

Notes: Voltera is an expander for the Metron trigger and gate sequencer, adding 4 bipolar voltage tracks. Up to 16 Volteras can be connected to a Metron, providing up to 64 CV outputs.

With independent voltage ranges and quantisation settings per track, Voltera allows simultaneous real-time control of 4 different parameters, so you can set the track to the parameter you are sequencing.

When used in conjunction with Voltera, it is possible to easily sequence melodies and parameters with the Metron.

Features

4 bipolar voltage outputs in 4HP
Integrated user interface with Metron
Quantised and unquantised voltages
Up to 16 Voltera modules can be connected simultaneously to a Metron
Independent voltage ranges for each output
Analogue programming
Digital accuracy
Fast haptic operation
Power consumption: 60mA at +12V and 15mA at -12V

Depth: 43mm

HP : 4

Notes: RODELink LAV is a professional-grade wearable microphone designed for use in a wide range of applications. The locking TRS connector is designed to pair perfectly with the RODELink range of wireless microphones and most recorders with a 3.5mm locking microphone input.

The RODELink LAV is perfect for anyone in need of a high-quality lavalier microphone with a rock-solid locking connector. It features a discreet 4.5mm omnidirectional microphone, which picks up sound from all directions, making it very forgiving when it comes to placement on talent.

A foam pop shield is supplied to minimise wind noise and vocal plosives (hard 'b', 't' and 'p' sounds), as well as a durable mounting clip with in-built cable management for quick and easy rigging. It also features a hard-wearing Kevlarr reinforced cable, designed to withstand the rigours of any...

Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9r Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:
PRECISION: Pays homage to the iconic Fender P Bassr
LONGHORN: Emulates the Danelectror 6-string bass, ideal for baritone type tones
FRETLESS: Features both electric and standup fretless basses.
SYNTH: A tribute to the classic Taurusr Synthesizer
VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
BOWED: Classic bowed bass
SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
3:03: A polyphonic salute to the sought after Roland TB-303r vintage bass synth
FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

Note: All third party trademarks referenced by EHX remain the property of their respective owners. Unless specifically identified as such, EHX's use of third party trademarks does not indicate any relationship, sponsorship, or endorsement between it and the owners of these trademarks. Any references by EHX to third party trademarks is to identify the corresponding third party goods and/or services and shall be considered nominative fair use under the trademark law.

Pays homage to nine of the best bass sounds ever
Tracks impeccably and works on guitar without mods, special pickups or MIDI implementation
Independent Effect and Dry volume knobs let you precisely control your mix at the Effects output
Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs
Dry output jack outputs the input signal at unity gain
Compact, rugged, easy to use
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Selectable Buffered Bypass
Audio
Mono
Power Supply
9.6VDC-200mA power adapter included
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
100mA
Year Released
2019

Notes: Enjoy private dance lessons anytime - an ultra-miniature music player that you wear in your ear.

SyncDancing is an ultra-miniature music player for ballroom dance practice that you wear in your ear like an earphone. In addition to metronome functionality, it has 20 built-in standard ballroom dance songs, so you can practice at any time while listening your favourite dance songs. This one unit provides everything you need for improving your dancing skills, sharpening your sense of rhythm, and becoming familiar with dance songs. You can practice by yourself, or synchronize the tempo via infrared so that two people can each wear a unit and practice together.

Practice dancing while listening to the rhythm or song directly in your ear:

SyncDancing is a unique style of music player and metronome that you use by wearing it directly in your ear. Since the speaker unit fits directly in your ear, you can practice dancing with the correct rhythm while hearing the music directly in your ear. Because you can concentrate on the sound without being distracted by nearby sounds, this is ideal for personal practice at home as well as for practice in a large dance studio or hall. SyncDancing is extremely small and lightweight, so you can dance without any distraction.

The keys to improving your ballroom dance skills are to acquire steps and technique, nurture your sense of rhythm, and become able to express yourself by dancing to the music. With SyncDancing, you can experience rhythms and music anytime and anywhere for effective practicing.

Twenty standard ballroom dance songs are built-in:

A total of twenty standard songs for ballroom dances such as waltz, tango, rhumba, and cha-cha-cha are built-in, and you can play them back while switching between the metronome and the song (*). Each of the internal songs was created by a professional arranger who actually produces music CDs for ballroom dance. The tone generator section also takes advantage of KORG's many years of experience in developing synthesizer technology, packing a high-quality sound engine into the smallest possible size. Since these songs play back as SMF, you can freely change their tempo. With SyncDancing, you can enjoy serious dance practice with CD-quality songs.

Infrared tempo synchronization, ideal for practicing as a couple:

SyncDancing supports not only individual practice but also practicing dance as a couple. Simply click two SyncDancing units together and press the sync button to synchronize the tempo and timing via infrared (*1). Even while wearing the unit directly in your ear, both partners can practice while hearing exactly the same tempo.

The timing (delay) from the moment of synchronization until playback begins can be set in a range of 0--90 seconds (*2). This gives you flexibility to meet the needs of various situations. For example you can specify a shorter delay if you're synchronizing the units and then immediately starting a lesson, or use a longer delay if you need time to get into your position in a large hall.

Built-in voice count is useful for lessons:

SyncDancing's metronome sound (tone) provides not only the standard "beep beep beep" electronic tone but also a voice count of "one, two, three." You can practice with confidence while hearing the correct count.

A wide variety of beats and rhythms:

The tempo setting range is a generous 30--252 bpm, and you can choose from a variety of beats and rhythms when using the metronome. You can set the beat in the range of 0--9 beats, and choose the rhythm from quarter notes, duplets, triplets, triplets with the inner beat omitted, triplets with the third beat omitted, quadruplets, quadruplets with the middle beats omitted, and quadruplets with the third and fourth beats omitted. This covers your practicing needs for a broad range of songs.

Use the jog switch to set the tempo intuitively:

The SyncDancing features a jog switch on the side of the body, allowing you to easily change the settings without removing the unit from your ear. Using the jog switch you can select not just the tempo setting, but also the song or volume. This provides a compact yet highly intuitive method of operation. The mode select / power button, sync / mute button, and an LCD display that shows the tempo and other information are located on the inside of the body.

Comfortably and securely fits a variety of ear:

The SyncDancing utilizes two distinctive mechanisms to ensure a stable fit in any ear, large or small. The first is an Ear Fitter that extends from below the speaker. Its angle can be finely adjusted by rotating the speaker itself, allowing to fit the various shapes of ear hole. The second is an Ear Clip that opens or closes to fasten on the earlobe. The clip ensures a solid hold that will not be dislodged even by vigorous dancing when in use.

Ear pad and carrying case included.

Notes: The Mod 11 is packed with 11 different modulation effects that range from classic to exotic plus advanced functionality all in a compact pedal. It gives you access to powerful yet intuitive "hidden" parameters accessible through its Secondary Knob Mode which let you take even greater control over its effects.

The Mod 11's modulation effects are:

1. TREM: Tremolo modulates your signal's volume. Selectable modes allow your playing envelope to control modulation rate or depth.
2. HARM: Harmonic tremolo. The signal is split into high and low frequency bands and modulated between the two. Selectable modes allow your playing envelope to control modulation rate or depth.
3. VIBR: Vibrato modulates your instrument's pitch. Selectable modes allow your playing envelope to control modulation rate or depth.
4. UNI: pays homage to the classic Univiber. Includes "Chorus" and "Vibrato" modes plus added overdrive
5. CHORUS: Warbling, doubling, chorus effect like the EHX Small Clone. Extra modes include tri-chorus and bass chorus effects
6. ROTARY: Rotary speaker cabinet simulation. Extra functionality includes overdrive plus envelope control over rotation speed
7. FLANGE: Flanging with modes for both additive and subtractive flanger. Multiple LFO shapes, including envelope follower
8. TZF: Through Zero Flanger. A flanger effect that crosses through the "zero point" of the sweep where the modulated delayed signal meets back with the dry signal. Modes for both additive and subtractive flanger, plus barber-pole flanger
9. PHASE: Choose from 4, 6, or 8 stage phaser. Multiple LFO shapes including envelope follower
10. PITCH: Modulated pitch shifter. Select your main pitch shift and modulate around it. Extra functionality includes a dry blend and stepped pitch modes
11. FILT: Modulated filter effects like those on classic analogue synths. Low Pass, High Pass and Band Pass. Multiple LFO shapes available including a Q-Tron style envelope follower

The Mod 11's Momentary Mode lets you seamlessly switch in and out of effects mode for quick accents. It also features Tap Tempo controllable via the built-in footswitch or an external one. The Mod 11 is modulation with warp drive!
11 modulation types with multiple modes for each
Intuitive "hidden" parameters accessible through its Secondary Knob Mode
Tap Tempo via the built-in footswitch or an external one
Momentary Mode to switch effects in or out
Comes with a standard EHX EHX 9.6DC200mA power supply
Compact and rugged
Power adapter included

Specifications:
Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 150mA
Year Released: 2019

Notes: Module A-150-1 (Dual VCS) contains two separate voltage-controlled switches.

Each switch has a control voltage input, a common Out / Input, and two In / Outputs. The switches are bi-directional: they can work in both directions, so can connect one input to either of two outputs, or either of two inputs to one output. Voltages in the range -8V...+8V at the O/I resp. I/O sockets can be processed by the module.

Two LEDs show which in / output is active (i.e. which is connected to the common out / input).

Notes: Module A-160-5 is a voltage controlled clock multiplier. The incoming clock signal (socket Clock In) is multiplied by a factor that depends upon the control voltage on socket CV In (0...+5V) and the position of the Mode switch. The multiplied clock signal is available at the socket Clock Out. According to the position of the Mode switch different clock multiplying factors are assigned to the control voltage. With 0V CV no clock output is generated. This state is indicated by "all LEDs off". With increasing CV integer factors (left position of the mode switch), power of two factors (middle position) or a mix of both (right position) are obtained. Nine LEDs are used to show the currently selected multiplying factor. In addition two LEDs are used to display the incoming and outgoing clock signal.

A manual control is used to adjust the clock multiplication factor manually without the need of an external control voltage. The voltage generated by this control ("Manual") is normalled to the CV In socket. As long as no plug is inserted into the CV In socket the clock multiplication factor is adjusted by means of the manual control knob and displayed by the LEDs. For dynamic applications (like the ratcheting function described below) the manually generated CV is overwritten by the external CV which has to be fed into the CV In socket.

The module can be used for all kind of clock multiplying applications. One important example is the generation of so-called ratcheting sequences. The band Tangerine Dream is famous for this kind of sequences. A normal sequencer generates only one gate signal per step. A ratcheting sequence may have also more than one gate pulses per step. This function can be obtained by using the A-160-5: one CV output of the sequencer is used to define the number of gate pulses per step. If the control of the step in question is fully CCW the generated CV is 0V and no gate signal is generated (mute of the step). When the control of the step in question is turned clockwise one, two or more gate pulses are generated depending upon the position of the mode switch and the voltage generated by the CV at this step.

Technical note: Due to the nature of clock multiplying it takes a few input clock pulses until the clock output is stable. One has to average a few input clock pulses to generate the multiplied clock output signal. Even when the input clock frequency changes it will take a few cycles until the output clock signal is correct as the module cannot foresee the future of the clock input signal. The generated clock output signal is derived from the last few cycles of the clock input signal. Consequently the module should be driven only by a clock signal with constant or slowly changing frequency.

Notes: Module A-160 is a frequency divider for clock/trigger/gate signals, designed to be a source of lower frequencies, particularly for rhythm uses. The Trigger input will take clock signals from, e.g. an LFO, MIDI sync, or the gate from a MIDI-CV interface.

At the outputs, you have access to the sub-divided clock signals, from half the clock frequency down to 1/64. The low/high levels of the output signals are 0V and about +10V.

The A-160 also has a reset input. Whenever a reset signal is sensed, all outputs are set to zero, until the reset voltage disappears.

The Clock Divider can be used in combination with the A-161 Clock Sequencer to produce stepped sequences with a length of from one to eight events.

Notes: The Voltage Controlled Amplifier or "VCA" is one of the most essential and useful building blocks in a synthesis patch. The DUAL VCA 1U packs two high quality, DC coupled, linear VCAs into a very compact 1U package.

The two VCAs can be used completely independently or in tandem via the handy signal normalling. The DC coupling means that the VCA can be used for the amplitude control of both control voltages (CV) and audio signals.

Some application/use examples:

- Dual, independent VCA for dynamic level control of two different audio or cv sources
- Stereo VCA (use the CV normalling where CV A normals to CV B) for processing stereo sources or CV pairs.
- CV/Audio summing (when Out A is not patched, it normals to sum with OUT B, CV A and B control the independent levels)
- Voltage/signal doubling (use input A only and the doubled voltage will appear at OUT B when a CV of +5V applied to CV A)

Notes: Duatt is a dual-channel active/buffered attenuverter and summing mixer. Each channel has a knob, which can function as a unipolar attenuator or a bipolar attenuverter, depending on the setting of its corresponding two-position polarity switch. It's a versatile and super handy utility module that will find its way into almost any patch you make!

Each input is normalled to a built-in +5V DC voltage source. With nothing plugged into the jacks, each knob controls a voltage range of 0 to +5 V or -5 to +5 V depending on the position of the channel polarity switch.

Channel A's output is normalled into the output of channel B for mixing duties, and channel A has a 2x voltage multiplier switch, allowing you to double the voltage sent into Channel A.

Notes: Expander module for the Tetrapad, Intellijel's multi-dimensional performance touch controller. Adds huge functionality, allowing you to sequence parameters and create complex modulation.

Supllier notes:
Tete is the long awaited and highly anticipated expander for the Tetrapad.

Some of the key features:

Three primary modes: VOLTAGES, NOTES and COMBO.

VOLTAGES mode:

Up to 16 voltage storage locations (grid) with 8 voltages stored at each location.

You have the choice to record and playback your recall of these locations in a looper style (just play freely and spend arbitrary amount of time at any location) or as a clocked sequence (SH-101 style). Additionally you can traverse the matrix using the X and Y CV inputs to get Cartesian style sequencing.

There is also variable slew that allows you to morph/glide between the values.

NOTES mode:

You can create sequences or loops in chord, scales or keyboard mode. The isomorphic keyboard grid can vary from 4 notes to 12 notes max. There are real-time performance looping, transposition and inversion capabilities via the CV inputs and dedicated loop button. In sequencer mode each step can be a tie, rest, or gate with size 25/50/75%. Basically we have created a way to very quickly and intuitively make chord sequences that are very musical and easy to manipulate. It is difficult to summarize in words but we will be sure to create some videos to demonstrate how easy and fun this is to play with. It definitely represents something unique in the landscape of Eurorack sequencers.

COMBO mode:

In this mode you can loop record your performance on any combination of the following functions:

fader, bipolar fader, drum hit, switch or LFO. Kind of like Elektron style parameter locking but all of the motions is recorded continuously instead of just in slices. Instantly turn a simple patch into a highly animated and complex beast.

With all of the above mentioned loop recording modes you can very easily overdub since the Tetrapad detects pressure/pressing. In combo mode you can erase individual channels.

All modes allow for internal or external clocking and configurable syncing.

All of the modes have special XYZ CV modulation assignments and make use of the dedicated CV outputs.

For example, in Looper mode one of the CV outputs generates a continuous ramp that represents the position in the loop. This can be used with devices like the Planar 2 in Interpolation mode to sync the recorded patterns together no matter what tempo.

Notes: The Allen & Heath ZED-14 is a fantastic entry-level mixer for small bands, solo performers or AV applications. Its comprehensive feature set, compact size and fine lines combine to make it one of the best small mixers around. Provided with 6 mic or line inputs, 4 stereo inputs with EQ, there are an incredible 157 controls on the front panel of the ZED-14.

This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It'll be equally happy running your gig on stage, recording live or mixing down in your studio at home.

USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS
1) To Stereo 3 channel

ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ- with optimised slope (or Q factor) for equalising individual instruments.

Based on the proven pre-amps from the hugely successful PA series, ZED-14 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

Notes: The Allen & Heath ZED-24 has an incredibly advanced feature. It has 23 independent sources to the mix, 10 independent outputs and 4 aux sends. Configurable USB audio input/output makes it easy to capture stereo recordings, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, the ZED-24 mixer is so packed full of great features that you'd think it would cost much, much more.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on the ZED-24 is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED-24, select the USB routing on the mixer and the device on your computer and that's it.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

Send options:
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

Return options:
1) To Stereo 3 channel

ZED-24 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

Based on the proven pre-amps from the hugely successful PA series, ZED-24 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

Notes: Exciting home studio interface from one of the leading names in high-end studio tech. 2-in, 2-out design with high quality pre-amps and a 'Legacy 4K' option to add analogue flavour. Full review coming soon.

*** New Loopback feature - May 2023 ***

Loopback allows you to take the output audio stream from your SSL 2 or SSL 2+ and record it back into the DAW (or another application). This can be really useful for music makers, podcasters and streamers.

To take advantage of the new loopback feature of the SSL 2/2+ you will need to update your SSL2/2+ using the SSL USB Audio Firmware updater.

Supplier's notes:
Solid State Logic studio tools have been at the heart of music production for over 40 years, helping world famous artists, producers and studios to create so many of the records you've come to know and love. Now, with SSL 2+, you get all that hit-making know-how in your own personal studio.

With beautifully SSL-designed analogue microphone preamps and immaculate 24/192kHz conversion for studio-quality recording, pristine monitoring paths and high-performance headphone amps for crystal-clear playback and an intuitive front-panel low-latency monitor mix control, you're always ready to capture the next great performance.

The 'Legacy 4K' mode - inspired by classic SSL consoles, gives you the ability to add extra analogue character and sparkle to your sources when needed.

To top it all off, the included 'SSL Production Pack' software bundle, which includes some of SSL's own studio-grade Native plug-ins and a carefully selected range of DAWs, samples, loops and virtual instruments from industry leaders, gives you an incredible arsenal of tools for creating your next hit.

2X Class-Leading Mic Preamps (130.5dB EIN / 62dB of Gain)
Pro-Studio Quality Neutrik Connectors and Alps pots
2X High Current Headphone Amp with independent monitor mix
24-bit / 192 kHz AKM Converters
Legacy 4K Analogue Enhancement - Inspired by SSL4000 series console
MIDI I/O
Additional un-balanced Outputs for DJ Mixers
SSL Production Pack - Exclusive software bundle
Advanced Workflow Technology utilised in ergonomics, layout and metering

Notes: Serious mastering-grade kit. Stereo interface with high-end converters and headphone amp circuit for pristine sound quality. Proper clarity for critical listening.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's notes:
The RME ADI-2 Pro FS is a two channel 24-bit / 768kHz AD/DA converter and USB 2 Digital Audio Converter, audio interface and high-end headphone amp with new jitter rejection SteadyClock FS technology.

The RME ADI-2 Pro FS is the most flexible converter available with balanced and unbalanced I/O, two headphone outputs, DSP-based signal processing and RME's latest Steady Clock FS jitter rejection technology. It offers Class Compliant USB compatibility, sample rates up to 768kHz as well as DSD record and Direct DSD playback.

It boasts a raft of analogue and digital I/O, including two servo-balanced analogue XLR/TRS Jack inputs, two separate balanced and unbalanced outputs on XLR and TS as well as two headphone outputs. Digital I/O include optical ADAT, Optical and coaxial SPDIF and AES accessible via a breakout cable.

Furthermore, its Class Compliant UAC 2 USB 2.0 port offers iOS compatibility and is necessary for firmware updates. It can also work as a 6-in / 8-out audio on Mac OSX and Windows via WDM and ASIO.

Using the latest in A-to-D technology the ADI-2 Pro FS offers best possible sound with highest signal-to-noise ratio, super low THD and noise. It supports sample rates up to 786kHz PCM and DSD recording in dual mono design, with 3dB improved signal to noise ratio. Two digital-to-analogue converters are used for the separate stereo outputs. The latest Integrated Sample Rate converter takes care of clocking issues between S/PDIF and AES thanks to RME's latest SteadyClock FS technology.

A high-resolution display shows controls for the ADI-2 Pro FS unique features including DSP effects like 5-band parametric EQ, binaural crossfeed, adjustable loudness filter, selectable AD/DA filters and four analogue reference levels. Furthermore, M/S processing is provided with stereo width control as well as phase loop. The display also shows RME's famous Spectral Analyser and 30-band bi-quad filtered analysis tool.

Notes: Big version of A&H's entry-level Zed series mixer. Originally intended for live applications but works very well as a studio mixer for hardware setups. A lot of mixer for your money.

Supplier's notes:
The Allen & Heath ZED-22FX mixer is ideal for groups who need to travel light. Featuring configurable USB audio input/output makes it easy to capture stereo recordings.

The ZED-22FX easily accommodates vocals, drums, guitar, bass and keys whilst also providing a dedicated FX bus and 16 internal time-delay effects, giving the whole mix extra ambience.

The ZED-22FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point, this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

Based on the proven pre-amps from the hugely successful PA series, ZED-22FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

Notes: ZED-18 has an incredibly advanced feature-set for a mixer at this level - it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS
1) To Stereo 3 channel

ZED-18 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

Based on the proven pre-amps from the hugely successful PA series, ZED-18 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

Notes: 24-channel flagship version of Korg's hybrid mixer, combining analogue and digital features designed by mixer royalty Greg Mackie and Peter Watts. Supremely flexible with great sound.

Supplier notes:
A mixer should not only sound good. It should be very easy to use.

Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition - paired with the power of high-quality digital where it counts.

Use a SoundLink and you discover all the typical Greg Mackie features that are unique to SoundLInk; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years.

When you listen to the "White Album", Rhianna's "Rated R" and "Loud", "Goodbye Yellow Brick Road" and literally hundreds of other familiar albums, you're listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.

It is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable.

Some musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink's Musician's Phone feature provides one-knob boost of the complete left/right mix into the musician's individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two musician's "more me" monitor mixes.

Instead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg's multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate "WARM" version - a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that's another SoundLink exclusive in a mixer in this price range.

Digital processing and effects are frustrating if they're buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink's Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can't handle.

Notes: Feature-packed interface and control surface bundled into one box, allowing you to get audio in and out of your software while also taking control via a long channel fader, transport controls and more

Supplier notes:
When you're a solo artist, you have to be more than just creative to realize your visioniyou must also be a producer and an audio engineer. The ioStation 24c audio interface and production controller provides the tools needed for all of these diverse roles in a compact, ergonomic desktop design that will fit into any home studio. Record your audio through two pristine XMAX mic preamps and high-definition 24-bit, 192 kHz analog-to-digital converters. Navigate your recordings with easy-to-use transport controls. Edit your production and automate parameters in your favorite DAW with the powerful Session Navigator and mix it all with a 100 mm touch-sensitive motorized fader. Whether you're a musician producing your latest album or just getting started with your first podcast, the ioStation 24c gives you all the tools you need to record and mix with the ease of hands-on, tactile control- all in a single device that doesn't clutter your creative space.

Audiophile-grade digital converters and transparent preamps create a superior recording and listening experience. The ioStation 24c audio interface features two of PreSonusr' acclaimed XMAX Class A analog microphone preamps that deliver incredibly high headroom, deep lows, shared smooth highs, and a rich overall sound- you'll hear every breath, transient, and detail in your recordings. High-quality converters provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally. The result is clear, consistent audio that makes mixing easier and creating a polished sound faster.

Rather than forcing you to reinvent your mixing method, the ioStation 24 augments the way you currently mix. You will still use your faithful keyboard and mouse for things they do well, while the ioStation 24c handles what you really want to get your fingers on: your mix. This is DAW control the way you always hoped it could be!

Streamlined workflow and support for the Mackie Control and HUI protocols make it fast and easy to control Pro Tools, Logic Pro X, Cubase, Ableton Live, and more. No driver installation is necessary; just plug in your ioStation 24c and take command of your mix. Deep integration with the included PreSonus Studio Oner Artist will let you mix at lightning speed.

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the ioStation 24c audio interface works with virtually all macOSr and Windowsrx recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools or hemmed in by track limitations. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content and upgrades without even opening your browser- you'll build the version of Studio One that's right for you. By combining a flexible single-window user interface with a modern, beat-based production workflow, Studio One's drag-and-drop approach doesn't dictate how you work or what you work on; you do.

The ioStation 24c's unique Session Navigator is your caffeine-fueled assistant engineer, providing easy access to eight mission-critical functions for maximum flexibility. Use the large encoder button and companion buttons to edit and mix with greater efficiency and speed. Scroll through your timeline using the encoder or work measure-by-measure with the arrow buttons; zoom in and out on the timeline with the encoder and make your tracks larger or smaller with the arrow buttons; navigate and drop markers; and maintain constant control of your main level. Once you start using the Session Navigator, you'll wonder how you mixed without it.

Whether you're just getting into audio production or looking to streamline your recording rig, the ioStation 24c audio interface and production controller will give you clear, clean, ultra-high-def sound with professional mixing tools in a compact, space-saving design. While it's a perfect companion for any recording software, the ioStation 24c and included Studio One Artist provide you with a complete, affordable recording solution that will make you sound great.

This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies i these are real-deal workhorses that you'll rely on for countless mixes.

Notes: With sleek design and studio-quality sound, these advanced monitors are the latest development of the classic series from Mackie; and have never been better. Whether studio-recording, referential listening or gaming, the easy setup with studio-standard sound of the CR4-X are an essential competent to the optimised listening experience. Rear panel inputs include balanced 14" TRS, 1/8" Stereo, and RCA. The box includes high-quality cables to enable a quick, easy, and reliable setup. The new and improved CR4-X carries its upgraded signature sound, a fresh new look with brushed metal front panel, plug-in and play setup, and professional audio components to ensure the absolute optimised sonic performance. 50 watts of clean sound, 4" polypropylene-coated woofer, and specially designed waveguides provide unparalleled clarity at all listening levels.

Notes: The perfect upgrade for your desktop speakers, CR Series monitors deliver the performance you expect from a Mackie studio monitor. Ideal for home studios, multimedia content creation, AV post-production, gaming, broadcast and more, CR Series monitors offer studio-quality sound in a compact, well-designed package that's equally at home in a high-end project room or your bookshelf.

CR monitors deliver a combination of high-quality components and professional build quality typically only found on more expensive studio monitors. But, they are affordable and ultra-compact. Switch from video editing to music listening in no time flat. Edit a video, then watch a video. You are a multi-tasker who appreciates great sound. Whether you are looking for great studio speakers or want to upgrade your gaming audio, CR helps you in all aspects of your multimedia creation and enjoyment.

Notes: CR8S-XBT

8" powered studio subwoofer

The CR8S-XBT subwoofer brings a tight, clean bass to your studio monitoring or home listening setup. This subwoofer is designed to meet the demands of modern musicians and content creators while offering Bluetooth connectivity for easy streaming

Feel the bass

Ready to upgrade your listening experience? With the Mackie CR8S-XBT subwoofer, you won't just hear the bass-you'll feel it too. The CR8S-XBT houses an 8" polypropylene-coated woofer within an all-wood sealed enclosure. The result? You get powerful bass reinforcement that delivers the bottom end you've been dreaming of.

Product features
Premium 8" Woofer and Wood Cabinet
Sleek, Brushed Metal Grille with Outlined Design Flexible I/O-1/4" TRS, RCA and Bluetooth
Included CRDV Desktop Volume Remote

Studio-quality sound

How else are you going to hear those deep 808s when you're mixing or listening to music? Adding the CX8S-XBT to your setup brings powerful low-end to your studio or home audio system. You'll know it when you feel it.

Sleek cosmetics

Sounding great is only half the battle-your multimedia monitors should reflect your style too. The sharp aesthetic of CR8S-XBT monitors looks great in the studio, the bedroom or any home listening setup. Be bold and make it loud without sacrificing style.

Bluetooth streaming

Effortlessly pair any Bluetooth-enabled device for easy streaming. We'll let you in on a secret. Paired with the CR8S-XBT, you can transform a set of regular CR-X monitors into Bluetooth monitors that you can pair with any compatible device. Has your dream come true yet?

Control it

All the control you need is always within reach. We include a CRDV desktop remote to give you control over the input and output levels of your subwoofer and stereo speakers. You'll never have to get up from your chair to adjust volume ever again.

Flexible inputs and outputs

In addition to Bluetooth connectivity, you can connect your subwoofer using TRS or RCA cables. This makes it easy to use your subwoofer in a studio or a home listening setup-the choice is all yours.

Wattage: 200W
Driver Size: 8"
Bluetooth: Yes

Notes: Part of Sonicware's Liven groovebox series, the 8bit Warps draws on retro 80s chiptune vibes to create a mini instrument with huge character and surprising range.

*** Update: New features of the version 3.0 firmware September 2023 ***

Added 6 effect types:
- Distortion
- Phaser
- Tremolo
- Ring Modulator
- Auto Wah
- Reverse Delay

Added the Sound Locking features

A sequence can be duplicated to double the length

Looping of chain playback is now possible

New preset 29 drum sounds that can be easily made drum patterns with the sound locking feature

And several bug fixes and improvements

Supplier's Notes:
The LIVEN 8bit warps combines an 8-bit waveform memory synthesizer with a step sequencer.

Carefully selected preset waveforms and editable user waveforms along with high-quality filters and effects can be used freely to create a wide spectrum of sounds. The LIVEN 8bit warps can generate classic retro game sounds of course, but its unique 8-bit sound can also be used in a range of music genres, including EDM, hip-hop, techno and rock.

Powerful functions for live electronic music performance include 16 physical control knobs, parameter locking for each sequencer step, a looper, and SYNC IN/OUT and MIDI IN/OUT connectors to make synchronized performance with other equipment easy.

All these powerful functions are in a device that weighs only 790 g. Play it anywhere at any time.

Size : 11.7 inch (W) x 6.92 inch (D) x 1.89 inch (H), 297mm (W) x 176mm (D) x 48mm (H)

Weight : 1.74lb., 790g

Accessories: Warranty

Power supply: AA batteries x 6, or 9V DC output AC adapter (1A or higher, EIAJ3 standard inner diameter 1.7mm outer diameter 4.75mm, center +)

Notes: Arturia's 88-key controller is designed for those who place the emphasis on keyboard quality and feel. Piano-style hammer action makes it a nice choice for serious players.

Supplier notes:
Creating music in the digital world can be difficult. So many options, so many new things to learn. KeyLab Essential lets you focus on what's important.

8 pads, 9 rotaries, 9 faders, and an expressive keyboard, but so, so much more. Music is at the heart of this controller. Every aspect of KeyLab Essential has been carefully chosen to give you the best possible experience when creating and performing. KeyLab Essential makes navigating inside your recording software a breeze thanks to the dedicated DAW Command Center, and makes browsing your presets an exciting and inspiring experience.

Spend less time with a keyboard and mouse, and more time creating, performing, and playing.

The KeyLab 88 is a professional-grade 88-note MIDI keyboard controller designed with the working musician in mind. Featuring a new hammer-action keybed from Fatar and deep integration with our award winning Analog Lab software, the KeyLab 88 is unique with its robust, solid metal construction and classic wooden side panels.

An extensive array of controls, a stylish yet amazingly lightweight design, and brilliant integration with laptops and tablets: KeyLab 88 is perfect for modern keyboard players, pianists, demanding stage performers, and professional producers who will not compromise on quality. KeyLab 88 sets a new standard in professional controller keyboards.

As a professional hybrid synthesizer, KeyLab 88 offers the immediacy of a hardware synthesizer combined with the flexibility of a software-based solution.

Thanks to the top quality, hammer-action Fatar keybed, the KeyLab 88 is the ideal companion for demanding performers.