The iLok is a special USB device that holds your licenses for iLok-enabled software. Software publishers use the iLok to provide secure protection for their software. When you run their iLok-enabled software, it looks for the software license on your attached iLok.
The Third Generation iLok:
Smaller, faster, and with even greater capacity, the new iLok is here! The Third Generation iLok is fully compatible with software created for the second generation iLok. With its smaller form factor and metal body, it is more robust and less prone to casual damage.
- It's portable - you can authorize your software anywhere it is installed. At home, work, or at a remote location, you can keep your software licenses with you, not on your computer.
- It's convenient and cross-platform - Store your Mac and Windows iLok-enabled software licenses all on a single iLok. A Third Generation iLok can hold over 1500 licenses.
- Worry Free - Your licenses are on the safest, most secure solution: the iLok. With Zero Downtime protection available, you've got 24/7 peace of mind.
Managing your licenses has never been so easy. Using the iLok License Manager application, you can:
- View what is on your iLok(s)
- Download new licenses from participating software publishers
- Manage your licenses, including moving them between iLoks within your account and from your iLoks back to your account
- Transfer licenses to other iLok.com accounts
What do I need in order to use my iLok?
In order to use an iLok, you'll need at least 3 things:
- Your iLok
- A license for the iLok-protected software you want to run (you'll need to have the publisher place this license in your account or send you an Activation code)
- The software that is iLok protected (usually a download from the Publisher's or retailer's website, we do not host those on this site)
Your iLok will need special License Support software in order to talk to the protected software. Your protected software most likely installed this special software, but you can always get the latest version of this software by installing the iLok License Manager.
Everything about the DR-05 is designed to get the best quality recordings of your music. A new pair of built-in microphones withstands up to 125dB SPL - the volume of a jet plane from 200 feet away - yet still have the sensitivity to capture every detail of a performance. You can add your own microphone or line-level source through the 1/8" stereo input, including plug-in power for microphones that need it.
Internally, the DR-05's digital and analog circuit boards are built separately to increase noise performance, with a low-impedance design to further decrease hiss. A separate power supply is sent to the A/D and D/A converter for even better audio performance. The result is clean sound quality - over 92dB signal to noise ratio, under 0.05% total harmonic distortion and 20Hz to 40kHz response (-1/+3dB) at 96kHz/24-bit resolution.
The layout of the DR-05 has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button press away. Dig deeper to find features like limiting, low cut filtering, a built-in chromatic tuner and more.
One new feature that makes the DR-05 easy to operate is the new Peak Reduction feature. This setting automatically sets your recording level by listening to the input and adjusting for the best level. Unlike Auto Gain settings, this one only goes down to prevent accidental distortion after a period of low level like a break. Peak Recording works in rehearsal mode or in record, so if the performance is louder than the soundcheck you're still safe. Used with the built-in limiter, it's unlikely you'll distort your career-making live recording.
Other classic TASCAM features are included, like Variable Speed Audition to loop and slow down music without changing the pitch - perfect for transcribing or learning new music. A Level Align function can be switched on for playback, to smooth out any sudden volume jumps, and a built-in speaker is also provided. The two AA batteries are enough to power the recorder for 17 1/2 hours, even while recording at CD quality.
For musicians and recordists at any stage of their career, there's no easier way to get great-sounding recordings than Tascam's DR-05.
The "DR-05" is equipped with omnidirectional stereo condenser microphones that can not only record sounds directly in front of the microphones but also record ambient sound from all directions. This is great for capturing the excitement from the audience such as at live events, producing realistic recordings. The recording format is compatible with 24bit/96kHz, which is higher than CD quality.
Proven high sound pressure design that is perfect for loud recordings such as bands or passing trains. It can be used for recoding quiet sound sources such as lectures or for loud sound sources such as rock bands.
The peak reduction function automatically lowers the level when a peak sound is detected and continues recording. The level can be set automatically according to the sound source, so it is easy for anyone to set the optimal level.
The "DR-05" has a total of three different input signal level adjustment functions including a peak reduction function.
The overdubbing function allows for overdub recording while playing a recorded file. This can allow you to record other parts of a musical production such as a guitar solo over a recording made at a rehearsal studio later at home. Overdubbing creates a new file, leaving the original file unaffected, making it easy to rerecord.
Reverb can be added for music demo recordings and overdub recordings to add a more natural resonance. Reverb can also be used during playback, making it possible to express the 'live' feeling at a hall by adding reverb to created music.
Records and pauses automatically. If the input signal level falls below the nominal level for more than 5 seconds during recording, it automatically switches to standby. If the input sound level rises above the nominal level again, recording restarts as a new file. This is useful when you do not want to record unnecessary portions such as lecture intermissions.
If the input signal level falls below the nominal level for more than 5 seconds during recording, it sets a mark when it rises above the nominal level again. This is useful when you want to search for a song position after a recording such as for live recordings. Marks can be used by BWF compatible software.
Unlike granular sample players, Clouds is focused on the realtime granularization of incoming audio signals, and the acquisition of textures from them.
Classic controls such as grain position, size, and pitch are provided. Clouds can superimpose many grains simultaneously (at least 40, depending on the CPU used by its other features) and thus create thick textures. Control over texture density, independently of grain size, is thus provided. An external trigger input allows grains to be seeded in sync with LFOs or rhythmic generators.
To provide a richer variety of timbres, Clouds allows the shape of the grain's envelope to be morphed - from sharp rectangular edges to a smooth bell curve. In addition, a diffusion network can further dissolve the edges of grains into blurry textures.
Finally, to cover various applications of granular synthesis without the need for additional modules, Clouds' comes with four "blending" settings for mixing and re-routing its output signal: dry/wet balance, random panning amount, feedback amount, and reverberation amount. Voltage control over one of those four parameters is possible.
Clouds' delay memory ranges from 1s to 8s depending on audio quality settings.
Other surprises have been packed in Clouds, including alternative looping delay and pitch-shift/time-stretch modes... and a very strange spectral buffer freeze/glitch.
*For audio demos, please visit - http://mutable-instruments.net/modules/clouds/demos
Authentic 303 Sound and Behaviour via Roland's ACB Technology:
You know when you hear a TB-303 - a hypnotic, tribal sound that works best in dark, crowded rooms with big sound systems. Using the same ACB (Analog Circuit Behaviour) technology from the acclaimed AIRA series, the TB-03 accurately emulates the expressive, slippery sound of its older brother, and even adds a few surprises. Saw and square waveforms are available, along with all of the rotary control knobs that help shape the 303's unique character, including tuning, cut-off, resonance, envelop mod, decay, and accent.
New Features Not Found in the Original:
The TB-03 includes several enhancements over the original TB-303. Firstly, the four-digit LED display makes programming easier and more detailed, since you now have a visual representation of the value being edited. Then there are a variety of overdrive, delay, and reverb effects that dramatically change the mood and tone of the TB-03, going from smooth to spiky to squealing. Programming patterns is also easier thanks to newly added functions that include step write, shuffle, and fine tempo control. Finally, the inclusion of MIDI and USB ports mean that the TB-03 can send and receive control information and connect easily to computer-based DAWs.
Classic TB Sequencer with Enhanced Functions:
If you're familiar with the TB-303's programming method, then you'll feel right at home with the TB-03. The original Pitch and Time write modes are included, along with an all-new Step mode. Pattern programming is also enhanced by the LED display, which shows the current step in the sequence as well as showing fine tempo values (such as 125.5 BPM). The internal sequencer can be triggered externally via the trigger input, and you can even switch between write and play modes without stopping pattern playback, opening up new possibilities for live performance.
Connect with External gear:
The TB-03 includes MIDI IN/OUT ports and USB, allowing control information to be exchanged with other instruments and devices. This turns the TB-03 into a versatile controller, especially as you can use the CV/Gate output to control external analog gear and modular synthesizers. This level of control works both ways, thanks to the trigger input that lets external gear drive the TB-03's internal sequencer. Once connected to a PC or Mac, both audio and MIDI data can be sent through the USB port.
Battery or USB Bus Power:
Some of the best music is made away from the studio, so the Roland Boutique series runs on 4 x AA batteries, ready for when inspiration strikes. Alternatively, the TB-03 can run on USB bus power.
USB Audio Interface for Direct Recording to Your DAW:
Via its USB port, the TB-03 functions as a high-quality 24-bit/96 kHz audio interface, providing a simple and reliable way of recording directly to your DAW application. You can keep your favourite settings and sequencer patterns safe too via the USB data backup function.
While the 0-COAST utilizes classic modular synthesis techniques, it's designed to operate with or without the use of patch cables. The necessary connections have been made from circuit to circuit so it operates as an expressive, musical MonoSynth. Using only the MIDI controller of your choice you could apply new timbres to your existing musical forms!
Using the included Patch Cables you could get more scientific, experimenting with new ways to wire up the circuits. You might even forgo MIDI altogether, disappearing into a cloud of analog FM induced Sidebands and harmonics scattered around a single fundamental drone that has nothing to do with any form of music you've ever known.
Excellent quality patch cables for use with Eurorack modules.
Made by AdInfinitum.
The OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound - with its true voltage-controlled oscillators, 2-pole filter, and amplifiers - and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.
Vintage SEM Tone:
The OB-6 sound engine is inspired by Tom's original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path.
The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom's original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.
X-Mod and Poly Step Sequencing:
Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.
Easy to Program:
The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear.
Easy to Play:
This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio.
*For audio demos, please visit - https://soundcloud.com/davesmithinstruments
The volca series has consistently brought renewed attention to classic groove machines and historical synthesis. It now has a new focus. This time, it's the most important sound in dance music: the kick.
The volca kick is an analog kick generator that's made for sound design. An analog circuit based on the powerful resonant sound of the original MS-20 filter, it lets you create a wide range of kick sounds only possible through analog circuitry, ranging from solid kick drums to crisp kick basses. The 16-step sequencer, a distinctive feature of the volca, now has a new Touch FX feature that lets you control an effect instantly, giving you even more live performance potential. Experience the stunning power of an analog kick that cannot be obtained from a plug-in or a sample.
Analog kick sounds generated by MS-20 filter oscillation:
The volca kick generates powerfully present kick sounds using a completely analog circuit. To create those sounds, it uses not a typical sine wave, but the sound of an oscillating filter from the original MS-20. The powerful Rev.1 filter of the MS-20 self-oscillates when resonance is increased to the maximum, and this is used to produce powerful kick sounds with complex overtones.
Simple and effective parameters are provided, allowing you to freely design a wide range of kick sounds to your taste. Start the sound design process by using MS-20 RESONATOR (PITCH/BEND/TIME) to control the sense of pitch that generates the "body resonance" of the kick sound. Then use PULSE COLOUR/LEVEL to adjust the clip components to control the sense of attack, and AMP ATTACK/DECAY to intuitively control the decay of the sound. From tight kicks to fat, slow-decaying kicks, and pitched kick bass, it's possible to create kick sounds that are appropriate for every type of dance music.
Aggressively control the sound using DRIVE and TONE:
In addition to the analog kick generator circuit based on the MS-20 filter, there's an analog drive that includes multiple stages of distortion. The distortion level and type can be varied by a single knob, increasing the variety and power of the kick sounds. You can use the tone control to transform the character of the sound by adjusting the high-frequency range.
Powerful kick bass that rules the beat:
The volca kick is not just a kick drum machine. You can use the 16-key touch-panel keyboard to perform dynamic kick bass, and take advantage of the volca kick's powerful analog circuitry to generate the sub bass sound that's indispensable to dance music styles such as grime or trap.
Since the volca kick covers a wide pitch range from low- to mid-frequencies, your sequences can include a variety of sounds including low tom, high tom, and sound effects.
16-step sequencer allows automation of all parameters:
The volca kick features a 16-step sequencer that gives you plenty of improvisatory freedom. You can use it to quickly lay out a kick drum pattern, and it also supports realtime recording, which is an ideal way to perform kick bass phrases. And the pattern chain function lets you connect multiple sequence patterns for successive playback, making it possible to construct large-scale developments of 32, 64, or even 256 steps by joining up to 16 sequences.
The volca kick's motion sequence function records your knob movements, letting you add time-varying change to the sound. This is great way to polish your loops, and also lets you generate highly original live performances. Up to 16 sequence patterns and sounds can be stored in internal memory.
TOUCH FX controls realtime sequence effects with for instant cuts, breaks and fills:
The new Touch FX function further strengthens the performance potential of the volca kick. You can instantly trigger a sequence effect simply by touching a step key, transforming your realtime performance in kaleidoscopic ways.
Sequence effects include the roll function that plays a sound repeatedly, the octave function that raises the pitch by one or two octaves, and the sustain function that immediately maximizes the amp decay. These are great ways to create punchy and powerful breaks.
Playback can be synchronized with another unit:
The volca kick provides a sync connector that can be easily connected to many of KORG's other synths and groove machines. Connect to other volca units, minilogue, electribe or SQ-1, and experience a session with synchronized sequencer playback. The MIDI IN jack lets you use the volca kick as a sound module for DAW and MIDI controller.
Designed for the performing musician or the conventional composer, APC Key 25 is the first Ableton Live controller from Akai Professional that is equipped with a high-performance keyboard. Uniting the power of a clip-launching panel with a keyboard interface, APC Key 25 couples real-time control of Ableton Live with traditional composition tools: create melodies, compose bass lines, and play chords with 25 synth-action mini keys. Plus, dedicated buttons for Octave Up, Octave Down, and Sustain expand the expressive capabilities of the keyboard, enabling you to tap into the full melodic range and perform with classic piano-style sustain.
APC Key 25 features a 5x8 multicolor clip-launching grid that's built for dexterous exploration: launch clips and create or perform your song from the ground up using 40 responsive triggers. Tri-color lighting provides visual feedback and displays three clip statuses - loaded, playing, and recording - so you can intelligently perform without looking at your computer. Plus, you can use the Shift button and directional arrows to manipulate the scope of the 5x8 grid.
APC Key 25 comes equipped with eight control knobs that are laid out next to the clip-launching grid for easy tweaking. Users can change knob functionality with the dedicated buttons for volume, pan, sends, and device control: fade clips in and out of the mix; pan instruments to the left, right, or center; raise the level of reverb or other effects to create fluid transitions; open and close filters for lush sweeps; and much more. Additionally, each knob is completely assignable for flexible mixing and mapping options.
APC Key 25 comes pre-mapped to Live for an instant performance and production setup. When APC Key 25 is plugged into your computer, its hardware controls correspond 1 to 1 with Ableton Live's interface - no additional configuring is required. For APC veterans, all of APC Key 25's controls can be re-assigned on the fly for customized setups that change with your performance or production style. Plus, APC Key 25 can also be used as a general MIDI controller to manipulate other software applications such as virtual instruments, plugins, and DAWs.
For maximum portability, APC Key 25 is powered over USB and supports plug-and-play connectivity; no power adapter or drivers needed. APC Key 25 also offers a smaller footprint than its APC counterparts, enabling musicians to use APC Key 25 alongside effects controllers and other APCs.
APC Key 25 comes packed with a version of Ableton Live, two high-definition virtual synthesizers, and professional samples and loops for immediate out-of-the-box music creation. Ableton Live Lite enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Hybrid 3, by AIR Music Tech, is a high-definition synthesizer for electronic musicians, DJs, sound designers, and music producers who love to get their hands dirty. Create anything from fat, retro synth sounds to edgy, modern leads and everything in between. SONiVOX Twist is a spectral morphing synthesis virtual instrument. Comprised of a dynamic interface, an advanced pattern generator, and onboard effects, Twist lets you create serious sounds using simple controls. Toolroom Records artist launch packs bring you the coveted sounds of electronic music with a premium collection of sample packs, produced exclusively for Akai Professional. Produce, compose, and remix with professional sounds curated by the world's premier electronic music label.
Three families of vibrating structures are simulated by the module, with CV control over their parameters:
- Strings, membranes and tubes as modelled by Elements' resonator section (modal synthesis).
- Strings coupled together and vibrating in sympathy, with controllable intervals between them.
- Strings with a variable amount of inharmonicity.
Rings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords.
*For audio demo, please visit - http://mutable-instruments.net/modules/rings
iRig HD 2 gives you a totally new level of mobile playability with intuitive new player-centric features like high-quality 24-bit/96kHz audio, an integrated headphone out with level control, a new Amp out jack with switchable output, full versions of AmpliTube for Mac, PC & iOS, plus total mobility and connectivity for playing anywhere, any time.
- 96kHz Digital Audio with 24-bit A/D conversion
- 1/4" Amp output jack with switchable output "FX" and "Thru"
- 1/8" Headphone output with preamp and level control
- Comes with microphone stand mounting clip and Velcro strip
- Comes with AmpliTube 4 for Mac/PC
- Unlocks full version features and gear of AmpliTube for iOS (Free download from App Store)
iRig HD 2 fits easily in your pocket and connects directly to your Lightning and USB devices - so no matter which iPad, iPhone, Mac or PC you have, you're ready to rock at a moment's notice. There's no complicated setup - just plug in and play.
A higher level - the iRig HD 2 difference:
- Do a quick study of the guitar interfaces out there and immediately you'll see what we mean by a "higher level". Only iRig HD 2 gives you so many player-centric features in such a compact, affordable and professional level mobile guitar interface. And, since we pioneered the mobile music revolution and invented the mobile guitar interface way back around the dawn of prehistoric smartphone times, we know a few things about playing guitar on the go. When we say, "a higher level," we mean you simply won't find better with this many features and this much value.
24-bit/96kHz pristine noiseless sound:
- First and foremost, iRig HD 2 simply sounds amazing. It features superior digital audio quality with premium 24-bit A/D converters and a 96kHz sample rate - the highest in its class i for a crystal clear digital signal that's free from noise and crosstalk. This pure high resolution conversion lets your guitar's natural performance tone come through loud and clear when playing and recording on your iPad, iPhone, Mac or PC. Its super-transparent preamp ensures that every nuance - from the pickups, wood tone, string size, nut material, electronics, and every other reason you picked "that" guitar in the first place is accurately communicated to your device with zero coloration or interference. And because of its 96kHz sample rate, the depth and clarity of your sound will simply floor you - iRig HD 2 sounds amazing.
Amp Out with dual mode switch:
- One of the things that makes the iRig HD 2 unique is the ability to send your processed signal directly to a guitar amp without the need for special conversion adapters. iRig HD 2 features an unbalanced 1/4" Amp Out jack that you can use to send your processed or unprocessed guitar signal to an external amplifier, floor tuner or completely different rig setup for live performance. The Amp Out jack features a dual mode switch allowing you to choose what type of signal you want to send to your amp.
- The "FX" setting sends your processed signal, or the sound coming out of your software/app to the external device. This is perfect when you want to use your iPad or Laptop as your effects pedalboard, your amp's front end or complete tone rig in a live setting. The "Thru" setting sends your guitar's dry, unprocessed signal directly to the out jack, allowing you to use a floor-based or rack tuner, a pedalboard or even an additional full-on stage rig. Plus as an added performance feature, iRig HD 2 has an integrated microphone stand "clip" and Velcro strap so you can secure it to a mic stand on stage for live performance.
Integrated headphone out, iPhone 7 ready
- If you're contemplating upgrading to the latest and greatest iPhone, then listen up. iRig HD 2 sports a new 1/8" (3.5mm) headphone jack with preamp and level control integrated into the unit so you can monitor your recording and playing... even if your device doesn't feature a headphone jack. Pretty smart. But this is no ordinary standard "headphone" jack - it features a high-resolution headphone preamp that optimizes the audio signal for full range playback and monitoring. You can also use this output to send a stereo signal out to a mixing console or a pair of powered monitors like iLoud Micro Monitor.
*** Includes free download of either AmpliTube 4 Deluxe guitar amp/effects modelling software OR T-RackS Grand mastering suite for Mac/PC - simply register your iRig HD 2 on the IK website during the promo period (ends 30th April 2017) ***
The conductors are made from 24AWG oxygen-free copper to maintain a clear signal path. The cable also has 90% OFC spiral shielding for terrific flexibility and effective EMI and RFI rejection. The cable is 5' long and has a 1/4" TRS phone connector at one end and a 3-pin XLR male connector at the other.
The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling.
Terminated at one end with a 6.3mm stereo (TRS) jack and at the other end with 2 x RCA phono connectors.
Use the touchpad to perform intuitively, the loop recorder to keep overdubbing, then export your recorded phrases to Ableton Live and polish them into a song! With undo/redo functions and support for exporting as multi-track data or in Ableton Live format, the kaossilator 2S means that serendipitous phrases and sudden ideas can be seamlessly used in song production.
You can play melodies and phrases simply by stroking or tapping the touchpad with your fingertips. The horizontal axis controls pitch, and the vertical axis controls subtle changes in tone. It's easy to perform even if you can't play keyboard, and you're also free to perform unusual phrases that would be impractical to play on a keyboard.
The sound engine provides 150 different sounds, including standard synth leads and synth bass, acoustic sounds such as piano and guitar, rhythm loops, and single-note drum kits, meeting the needs for any style of dance music.
. Scale/Key setting function lets you perform in a specified key without producing any wrong notes
. Note Range function lets you change the performing range in units of an octave
. Gate Arpeggiator function automatically generates precise phrases and beats
There's a built-in loop recorder function that lets you layer your touchpad performances as many times as you like. By multi-track recording (overdubbing) the phrases you come up with, it's easy for anyone to create amazing tracks.
The new Undo/Redo function means that you can confidently re-record as many times as you like if your performance wasn't what you intended.
The kaossilator 2S can export your multi-tracked loop data as WAV files in a variety of formats.
. Multi-track format, in which each overdubbed track is exported separately
.Two-channel mix format, in which the overdubbed tracks are mixed
. Ableton Live set format
Ableton Live set format is a project file in which the loop data is already placed in each track of Live. You can take advantage of Live's powerful session and editing workflow to edit phrases you recorded on the kaossilator 2S, refining them, adding new parts to create your arrangement, and then mixing your song. Since Ableton Live Lite is included, you'll be able to experience a new music production workflow that lets you seamlessly transition from mobile to desktop.
The kaossilator 2S provides other convenient functions for expanded usefulness and enjoyment.
. Master Recorder function lets you record and save your performance on the kaossilator 2S as a WAV file
. Internal mic and mic input jack let you record external audio input sources such as vocals or other instruments
. Battery operation and built-in speaker let you play anytime and anywhere
Although simple in structure, the analog sound engine has an unmistakable presence with subtle nuances that cannot be reproduced by a digital simulation; it's a great choice for acid house and many other styles of music. The step sequencer distilled from the Electribe is not only visually intuitive; it's also a powerful way to generate "free form" bass loops that will stimulate your inspiration.
- Create your own patterns and rhythms with MASCHINE JAM's powerful step sequencer. There's no limit to the sounds you can sequence using the 8x8 click-pad matrix.
THE CONTEMPORARY DIGITAL INSTRUMENT
- The MASCHINE JAM hardware works in perfect unison with the acclaimed MASCHINE software. Swiftly bring your ideas to life with a versatile workflow fuelled by software that's always evolving. Start by creating something new with the immediacy of tactile control. Then easily store, recall, and develop your tracks with the flexibility of software in a digitally unified production environment.
And whatever your setup, MASCHINE JAM works through the software as a plug-in inside your DAW, or as an advanced MIDI controller for popular platforms.
PERFORMING WITH SMART STRIPS
- MASCHINE JAM's dual-touch Smart Strips are truly one of a kind. Experience a new performance paradigm, and get physical with precision sound tweaking. In addition, Perform Mode lets you bring complex sound textures to life with MASCHINE's unique Perform FX.
SUPERIOR SOUNDS INCLUDED
- Get over 29 GB of professional sound right out of the box, and control it all from MASCHINE JAM. Mould your drums with sonically-outstanding Drum Synths, and use the Smart Strips to animate sounds with advanced motion-sensitive Perform FX. Plus, you get KOMPLETE 11 SELECT - a premium selection of 11 KOMPLETE Instruments and Effects.
- Brainstorm ideas instantly. One-touch access to patterns supports spontaneous jamming and arrangement sketching. Just mix and match different clips and scenes to flesh out your latest creation.
NOTES MODE FOR SMART STRIPS
- MASCHINE JAM's Notes Mode lets you play synths using the Smart Strips, for an inspiring new playing experience. Finger-strum chords in key with different scales to uncover new melodic ideas.
- MASCHINE JAM and KOMPLETE form a fully tactile and inspiring production duo. Perform melodies, chords, and arpeggios with a KOMPLETE KONTROL S-Series keyboard, record them into different patterns, and use MASCHINE JAM's click-pad matrix to experiment with sequences - all seamlessly in sync.
THE WORLD OF MASCHINE
- Explore the entire the MASCHINE family - integrated software/hardware systems for modern music production and performance. Cutting-edge MASCHINE 2 software features a powerful audio engine, MASCHINE 2 Drum Synths, scale and chord functions, and much more. And all flavours of MASCHINE hardware work seamlessly with any DAW - the perfect tools for any 21st century stage or studio.
***Includes 7 Free Expansions worth over L300 - Queensbridge Story (Hip Hop), Molten Veil (Tech House), Motor Impact (Techno), Prismatic Bliss (Ambient Electronica), Sierra Grove (Modern Soul), Lilac Glare (R'n'B), Solar Breeze (Indie Electronica). DELIVERED AS DOWNLOAD AFTER REGISTRATION WITH NATIVE INSTRUMENTS. Ends 5th June 2017***
Create and perform rhythms, harmonies, and melodies faster than you ever thought possible. Maschine Studio's workflow keeps you laser-focused on the quest for the perfect groove. Its pattern-based sequencer and high-performance sampler, exemplary drum synths, incredible suite of creative effects and pro instruments, and acclaimed sound library deliver ultimate production power.
And Maschine Studio's impressive hardware delivers full tactile workflow.
Maschine Studio redefines hands-on control. Big, high-res color screens show waveforms, patterns, scenes, NI product visuals, and mixer and meter levels in full detail. Multi-color pads provide ultimate feel in the thick of the beat.
Eight display knobs, edit buttons, and a jog wheel with LED indicator provide complete tactile control of Maschine's sequencer, instruments and effects. A dedicated level section delivers clear metering and monitoring. And a built-in stand delivers the perfect performance angle.
Beneath Maschine Studio's advanced hardware is all-new software - exploding with cutting-edge technology.
Maschine 2.0 delivers a spectacular, tag-based visual browser, unlimited groups and insert effects, sidechaining, and a sleek, intuitive mixer - all directly accessible from the hardware. Maschine 2.0 hosts any VST or AU plug-in and perfectly integrates into any studio setup as a plug-in in all major DAWs. The software also boasts full multi-core support for ultra-fast performance.
Get inspired by Maschine's 8 GB library of production-ready sounds. Create your own drums with sonically-outstanding drum synths - a broad sweet spot makes it super-easy to dial in just the sound you're looking for. Modulate 24 pro-quality studio effects directly from the hardware. Plus you get full versions of Massive, Prism, Scarbee Mark I, and the Solid Bus Comp.
Instant, professional sound in a one-stop package.
Watch Maschine TruTorials here: https://www.youtube.com/watch?v=syUiZ1LVFXA&list=PLkFqg7ZvTWb3Y8O0N5mF_A8FvtoOFyrhI
***Includes 7 Free Expansions worth over L300 - Queensbridge Story (Hip Hop), Molten Veil (Tech House), Motor Impact (Techno), Prismatic Bliss (Ambient Electronica), Sierra Grove (Modern Soul), Lilac Glare (R'n'B), Solar Breeze (Indie Electronica). DELIVERED AS DOWNLOAD AFTER REGISTRATION WITH NATIVE INSTRUMENTS. Ends 5th June 2017***
More than 10 in stock $42.13
The LPD8 laptop pad controller is a USB-MIDI controller for musicians, producers, DJs and other music creators. It measures less than 13" across and weighs less than a pound to easily fit into a laptop case, backpack or messenger bag for extreme portability.
The LPD8 is based on Akai Professional's MPC line of iconic music production stations. Producers who love the feel of the MPC and want to work with software on their computer will find that the LPD8 gives their laptop the controls they prefer over a mouse and keyboard.
The LPD8 has 8 orange light-up pads that are velocity sensitive for programming rhythmic or melodic parts. The pads can also send program-change information to software. Additionally, the LPD8 has eight assignable Q-Link knobs you can assign to virtually any parameters in their software for hands-on control.
The LPD8 works plug and play with Mac and PC and requires no software driver installation or wall power for operation. It has 4 memory banks for programming and recalling settings appropriate to different software programs you use.
Make music in any setting with the LPD8.
909 Power via Roland's ACB Technology:
The original TR-909 blended analog kick, snare, and tom drums with six-bit samples for the hi-hats and cymbals. This hybrid approach to sound generation meant that the 909 sounded like no other drum machine. Accurately recreating such an influential sound while retaining the ability to edit and tweak the various parameters is only possible via Roland's ACB (Analog Circuit Behaviour) technology, which is also found in the popular AIRA series.
Classic TR-REC Sequencer with Enhanced Functions:
Dedicated TR-909 users will recognise the classic TR-REC style of programming found in the TR-09, with a choice of Step or Tap write modes. You can even change modes while the pattern continues playing, something not possible on the original. The TR-09 sequencer has 16 steps, and each has 16 sub-steps so you can fine-tune your performances. And just like the original TR-909, the Shuffle/Flam parameter can be selected using the buttons - but if you need greater control, simply use the display and rotary encoder to perfect your pattern.
Connect with External Gear:
The TR-09 is designed to easily connect with other gear. The main stereo mini-jack output can also be reconfigured to send the selected instrument to the right channel, with the other instruments output to the left. A mix input routes external audio through the main outputs, while the trigger output lets the TR-09 drive vintage analog synths such as the SH-101 or JX-3P, or modern gear like the current SYSTEM-500 modular series. Sync and control other gear via standard MIDI ports or USB, and even send the audio of four individual drum parts via USB to continue working in your favourite DAW.
Battery or USB Bus Power:
Some of the best music is made away from the studio, so the Roland Boutique series runs on 4 x AA batteries, ready for when inspiration strikes. Alternatively, you can power the TR-09 with USB bus power.
USB Audio Interface for Direct Recording to Your DAW:
Via its USB port, the TR-09 also functions as a high-quality audio interface, providing a simple and reliable way of recording directly to your DAW application. You can even send individual drums to separate channels, thanks to the TR-09's four discrete outputs over USB. Saving your favourite settings and sequencer patterns is easy too via the USB data backup function.
Excellent quality patch cables for use with Eurorack modules.
Made by AdInfinitum.
Excellent quality patch cables for use with Eurorack modules.
Made by AdInfinitum.
Compact and light weight by design, the VideoMic GO delivers clear, crisp, directional audio with incredible ease of use. Its tight pickup area focuses directly in front of the microphone and reduces other surrounding sounds, ensuring that your subject is isolated from distracting background noise.
The integrated Rycote Lyre shock mount isolates your microphone from bumps and vibrations that could otherwise interfere with your sound.
Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.
The VideoMic GO has no complicated switches or settings and is powered by your camera's external microphone input, requiring no batteries to operate, ensuring you never miss a great shot.
The VideoMic GO is designed and made in Australia.
At the heart of the VideoMic Pro is an all-new 1/2" condenser capsule that provides broadcast-quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels) with an incredibly low self-noise of just 14db. A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera.
The integrated Rycoter Lyrer based shock mounting system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyrer provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.
Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.
Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras, allowing the user to reduce the camera's preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera's comparatively low quality audio circuitry.
The microphone uses a standard sized shoe mount for on camera use, and features a 3/8" thread in the base of the mount for easy boom pole mounting.
The VideoMic pro is battery powered, and provides over 70 hours recording from a single 9V battery.
The RODE VideoMic is designed and made in Australia, and covered by RODE Microphones' industry leading 10 year warranty.
FREE DEADCAT VMP-R (Limited Offer):
The DeadCat VMPR is a furry wind cover for the VideoMic Pro, designed for use in windy environments. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent. The DeadCat VMPR is compatible with the VideoMic Pro featuring Rycote Lyre shockmounting.
Did your recording sound great in the studio but you regret playing it for your friends in the car? If so, you need an accurate monitoring solution to expose problems right away. Our K92 headphones deliver authoritative, extended low-frequency response that gives definition to kick drums and bass guitars. At the same time, the detailed yet precisely balanced high-frequency response reveals the nuance in vocals, guitars and acoustic instruments. The K92 headphones confirm your critical creative decisions, so you know when your track's ready for prime time.
Wondering how it's possible to get such great sound from affordable headphones? When it comes to audio quality, driver size and weight are critical, especially in the lower frequencies. The K92's generous 40mm drivers deliver the highest sensitivity and widest frequency response of the K52 and K72 - resulting in powerful output that reveals every detail. The K92s also feature a low-impedance design for compatibility with a broad range of playback devices, from professional studio gear to portable music players. Our engineers leveraged their extensive expertise to optimize every single componentidelivering a great set of headphones without compromise.
Whether you're tracking, mixing or mastering, you need to focus to perform at your best. The K92 headphones' closed-back design eliminates audio leakage and delivers sound to your ears only. The mic won't pick up the sound of the click track in your headphones - and you'll always be able to mix and master peacefully without being distracted by outside noise.
This exceptional level of audio isolation is due to a new acoustic chamber, which sits between the ear cup and the hinge that connects to the headband. Our innovative design gives you the freedom to move your head in any direction, without letting sound in or out. With the K92, you'll enjoy a private workspace, no matter where you choose to create.
Getting the perfect mix sometimes means monitoring track levels for hours - and that's when comfort really counts. We designed our unique self-adjusting headband to automatically create the perfect fit for every band member. No need to mess with delicate sizing mechanisms, which have the potential to break over time.
The exposed headband design keeps the K92 headphones comfortably light, without compromising driver size. Breathable, lightweight ear pads encircle your ears, rather than putting pressure on them. The golden accents emphasize the high level of quality and create a stylish appeal. And a single-sided cable gives you freedom to move. To sum it up, these high-performance headphones sound, feel and look great. Who says you can't have it all?
AKG is known for making professional-grade gear that can stand the test of time, and the K92 headphones are no exception. We put them through extreme testing and abuse to ensure they'll handle anything you throw at them: Our regimen of drop-tests simulates exaggerated falls. Gold-plated connections and 80,000 cable bend cycles - at both end points - ensure the cable won't break or underperform. And intensive driver testing - a prolonged series of 3W bursts every half second - means that the drivers won't fail when you really need them.
Since ear pads are often the first components to show wear, we made them replaceable to protect your investment over time. With exceptional performance and elegant design to match, the K92 is built for pros.
BeatStep Pro is unique: a world-class controller, performance sequencer and composing tool all in one very connectible package.
BeatStep Pro is unlike anything you have ever used on stage or in the studio. Wherever you are, whatever gear is available, taking control of the creative process has never been so easy.
Step into the spotlight
Two independent melodic sequencers and a drum sequencer put thousands of on-the-spot ideas at your disposal.
With BeatStep Pro you are master of the performance, taking full control of virtual devices, analog and digital instruments, drum machines and iPad apps all at once. 16 Projects are instantly accessible, each of which contains 16 sequences per melodic sequencer and 16 patterns for the drum sequencer. That's over 4000 possible combinations per Project!
Each melodic sequence can be up to 64 steps long with individual articulation of pitch, velocity and gate time per note. These are the most powerful step sequencers ever made. The drum sequencer has 16 separate tracks per sequence (one per pad). Record in real time from the pads or use the step buttons for that classic drum machine workflow.
BeatStep Pro brings together the most unique and sought-after performance effects available: a looper with a touch strip, a randomizer, swing settings and a slew of hands-on controls that will make your performances the stuff of legend.
Control mode lets you trigger clips in your favorite DAW, play sounds from an external device or make magic with your plug-in of choice. Take your music from idea to reality with BeatStep Pro.
Plays well with others (very, very well)
With BeatStep Pro you can connect to virtually any musical device within reach: computers, virtual instruments, modular synths, drum machines; anything with USB, MIDI in and out, CV/Gate outputs, Clock in and out, or DIN sync. From the oldest music technology to the newest and beyond, BeatStep Pro is bound to become the centerpiece of your setup and the heart of your creative efforts for many years to come.
The Byron in-ear headphones offer an exceptionally detailed music experience on your mobile device. Strong, consistent sound with controlled bass ensures absolute listening enjoyment and epitomises our highly musical standards. Look forward to in-ear audio excellence.
Microphone and remote:
The Byron headset is equipped with a 3-button remote control and a hands-free microphone. You can use the remote control to pause the music as required or skip forward to the next title. You can also adjust the volume on Samsung devices and other Android players.* Thanks to the integrated hands-free microphone, not only can the Byron headset be used for listening to music but also for phone calls. Calls can be answered and ended with ease on all popular smartphones.
*The volume control only works on devices that comply with the Android specification. The high/low volume buttons do not work on Apple devices.
High wearing comfort:
A perfect fit is essential to provide full sound quality and ensure enhanced listening comfort also over longer periods of time. The Byron headset therefore comes with replaceable silicone eartips in three sizes. You can replace these small silicone plugs yourself with ease and choose them in a size that fits your ear.
- Silicone eartips in three different sizes
- Cable clip for secure and firm hold
- Convenient soft case with zip
When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.
The little villain grows up. Not only on the outside did he gain weight, also his inner qualities have seen a remarkable step-up: besides the virtual-analog synth and the classic wavetables it now sports a whopping 60 megabytes of sample memory.
Just imagine adding a vocal-like noise spectrum to a typical Wavetable pad, spice-up a virtual-analog solo sound with a strong attack sample or just process any other sample with the countless oscillator and filter modulations.
Play your sound creations on the high-quality keyboard with velocity and aftertouch. Pitchbend and modulation wheel are at your disposal and, as a matter of course, you can connect a sustain pedal.
All this is packaged in a sleek metal enclosure with a big graphic display, endless stainless steel rotaries and an internal power supply.
And although it comes for an unbeatable price tag, Waldorf add something very special.
As an all-new, all-analogue synthesizer design, Pulse 2 flawlessly delivers exactly what synth connoisseurs around the world have been truly craving for quite some time - three analogue oscillators living in perfect harmony with a VCF (VoltageControlled Filter), yet we did not stop there: the fresh filter circuits in the Pulse 2 now offer 12dB Highpass and Bandpass modes in addition to 24dB/12dB Lowpass for strengthened sound-sculpting flexibility, while we added analogue Filter FM, two Overdrive circuits, and Ring Modulation from OSC 3, together with Paraphonic and Unison modes allowing up to eight-voice chords - a fantastic feature found on our recently-released Rocket Synthesizer.
Pulse 2 is housed in a sturdy metal desktop casing. Alongside its generous 128x64-character backlit LCD, eight eye-catching stainless steel knobs are available to nimbly navigate through the parameter matrix - logically laid out across the front panel for all to see at all times, set the master Volume, and easily edit display-accessible parameters.
Connectivity comes well catered for courtesy of USB, MIDI In, MIDI Out, Ext In (external analogue signal input), line OUT, and headphone output - not forgetting, of course, CV Out (supporting both the V/octave and Hz/V standards) and Gate Out (V-Trigger- and S-Trigger-compatible), allowing a myriad of suitably equipped older (or newer) synths to be connected to the Pulse 2 to mirror whatever MIDI 'note' information is being played by the Pulse 2, including the output of its powerful ARP (arpeggiator). And if that's not enough to be getting on with, the CV Out can even be modulated in the eight-slot modulation Matrix, making for even more tantalising tone colours and performance possibilities!
Alongside analogue must-haves like a noise generator, Pulsewidth modulation, and hard Sync, other notable features include an Alternating Pulsewidth Modulation mode new to the Pulse 2 (offering a dense PWM sound without affecting perceived loudness), and an XOR Osc mode (that is a binary XOR combination of two PWM oscillators with two distinct output levels - high and low only - capable of producing inharmonic spectra unlike anything associated with any analogue synthesizer other than the original Pulse) - all of which, of course, contribute to kickstarting those still soughtafter sounds right here, right now in the 21st Century. Speaking of which, 500 onboard sound programs should be more than
enough to keep the most diehard synthesist smiling! What's more, all are backwards-compatible with the original Pulseseries, so original Pulse owners can quickly transfer their favourite sounds to their new Pulse 2 via MIDI (dump).
The typical spring reverb sound is generated by a Belton/Accutronics type 4 spring tank with 3 individual springs. It can be placed pre or post the VCF/VCA section and equalized by the Tone parameter.
The Crash function generates the popular thunder effect that occurs when kicking an amplifier with spring tank. You don't have to kick Retroverb Lancet you simply can achieve this effect by pressing the Crash button. It also can be triggered by a Gate voltage.
The multimode filter works as lowpass or highpass with a slope of 24 dB per octave or as bandpass with 12 dB per octave. It is followed by a voltage controlled amplifier. The filter and amplifier can be modulated individually by different sources.
The Retroverb Lancet offers 3 internal modulation sources:
Envelope follower: the envelope follower converts the amplitude characteristic of the audio input signal into a control voltage.
Envelope generator: the envelope generator can be triggered by the input signal itself, a second audio signal or a gate voltage. Depending on the trigger source it works as Attack-Decay or as Attack-Sustain-Release envelope.
LFO: the LFO offers saw up and saw down, square, sine as well as sample&hold. Additionally it can use the envelope generators settings as waveform. It can oscillate freely or reset by different trigger sources.
The Retroverb Lancet also offers a CV/Pedal input which can be feed by external control voltages or can be used with expression pedals.
Push is a hardware instrument designed and engineered entirely by Ableton for a music-making experience that is as hands-on, expressive and closely integrated with Live as possible. Push and Live work together seamlessly to let you make beats, play notes and chords, work with samples and develop song structure - all without needing to look at a computer.
Browse, preview and load your own sounds for making beats, or access Live's vast library of drums. Then play beats live with the 64 velocity-sensitive pads and adjust sounds and kits while you play, using eight touch-sensitive endless encoders. Or switch to a 16-pad mode that allows you to play in real time, step sequence beats, and adjust the length of your loop, all at the same time.
You can also tweak timing, velocity, and parameter values individually for each pad. And the free Live 9.7 update has brought the 16 Velocities drum layout, an alternative way of making dynamic beats, with 16 set velocity levels for playing or programming patterns.
Play notes and chords:
Push's pads correspond to pitches, and offer a condensed layout that encourages a fresh approach to melody and harmony: large intervals can be reached easily, and patterns can be played with the same fingerings in all keys. You can select a key and scale with the touch of a button, and Push's touch slider can be used for pitch bend or modulation.
Push also lets you step sequence notes and chords: use the pads to enter notes, then make precise timing changes, create variations or adjust note length and velocity. You can even step sequence automation: record a parameter's value for each step to create rhythmic, quantized parameter changes that are locked to specific notes in your loop.
Work with samples:
Three separate workflows offer fast and flexible ways to get creative with your samples. Classic mode lets you turn melodic samples into playable pitched instruments. In One Shot mode, samples playback monophonically and all the way through, no matter how long you hold the pad - perfect for playing drums. You can also transpose a playing sample without retriggering it, allowing you to transform musical phrases into whole new melodies.
Slicing mode is designed for chopping up longer samples. With the Live 9.7 update you can now slice by beat division and region, or manually set slices, and instantly play each slice on a different pad. It's perfect for rearranging loops on the fly or for creating drum kits from recorded grooves. Plus you can now select and record audio and MIDI ins and outs directly from Push, so you can sample your external gear and more, without disrupting your flow.
Beautiful and playable:
Everything about Push has been carefully considered to provide a quality playing experience. The multi-colour display adapts to show you exactly what you need to help you stay in the creative flow without adding distraction. Push's pads have been designed to feel soft, smooth and responsive - perfect for creating expressive beats and melodies.
Push is equally at home in the studio or on stage. You can keep your performances in-the-moment by switching between improvising with loops and playing drums, notes, and chords - all from the same playing surface.
Seamless with Live:
Using Push, you can launch clips and scenes, tweak device parameters and control mixer levels and sends - Live can capture every movement. When you're ready, switch from Push to your computer to find your music already laid out in Live - the software that was powering your work the whole time.
At Zoom we're always developing new ideas to improve the performance and function of our Handy Recorders. With the new H4n Pro, we've taken everything creators love about the H4n and brought it to the next level.
The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism.
Welcome to the new gold standard in field recording.
The Filmmaker's Favorite:
The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favorite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera.
Unmatched In Concert:
The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level* stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row center.
* +4dBu line-level is not supported.
Podcasters and Journalists:
The H4n Pro provides the essential combination of mic'ing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a ?" stereo feed.
With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favorite recording/editing software or use the included Cubase LE to start creating.
High-Performance Mic Preamps:
The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artifacts.
Built-in Stereo Recording:
X/Y stereo recording covers a wide area while capturing sound sources in the center with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules.
The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting.
Inputs and Outputs:
Inputs - The two locking combo connectors accept either XLR or 14" balanced/unbalanced phone cables, handling mic- and line-level signals as well as instrument-level signals. Phantom Power of +24 or +48 volts can be applied to both inputs. Plus, there's a stereo 1/8" Mic jack for external audio sources, including lavalier microphones requiring 2.5 volts of plug-in power.
Outputs - A stereo 1/8" Line/Phone Out, with dedicated volume control, allows for headphone monitoring or connection to your DSLR, while the built-in monophonic speaker allows for quick playback reference. In addition, a USB port enables fast file transfer, firmware updates, and use as a 2-in/2-out audio interface for computers.
A new rubberized, ergonomic body is perfect for use in the field or with a camera, while new locking XLR/TRS connectors ensure your mic cables stay secure. Highly portable, the H4n Pro can travel anywhere for convenient mobile recording.
Three Ways to Record:
STEREO MODE uses the built-in X/Y microphones (or external mics) and is convenient for recording live performances, acoustic instruments, dialogue, and more.
In 4CH MODE, you can record with the built-in X/Y mics and two external inputs simultaneously, great for getting live room sound and a stereo board feed at the same time.
MTR MODE (Multi-track Mode) turns your device into a four-track studio, with built-in effects, overdub functions, and the ability to work with previously recorded sound files.
Pre-Record (for STEREO/4CH mode) - Pre-Record ensures that you'll never miss the start of a great take. The device is continuously listening, keeping the previous two seconds* of audio whenever you hit RECORD.
*One second when recording at 96k or working 4CH mode.
Auto-Record (for STEREO/4CH mode) - Auto-Record automatically starts recording when a user-set sound level is detected. There's also an Auto-Record
Version 2.5 update:
- Added "store instant loop" feature (go to instant loop and press save combo (FN>REC) = start and end point will match the points you marked in instant loop and instant loop switches off)
- Way more detailed control of grain size and shift speed - curve mapping for the parameters
- Improvements in stability
- Improved randomizer
- Fixed midi clock absence bug
- Fixed midi grain playback in reverse
- Removed midi side chain function
It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. The Shure Beta 58A has a shaped frequency response that is ideal for close-up vocals.
The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille. Typical applications for the Beta 58A include lead vocals, backup vocals and speech.
The SE425 utilizes dual, balanced armature drivers for an incredibly accurate and balanced listening experience. It also includes an integrated passive crossover that ensures high and low frequencies remain distinct and defined. The SE425 sounds very natural and is the perfect choice for audiophiles, whether on-stage or on the go.
Because every ear is different, the Fit Kit includes an assortment of foam and silicone sleeves in different sizes. Experiment with the size and style that creates the best fit for you. A good seal is key to optimizing sound isolation and bass response as well as maximizing comfort during extended wear.
Offering outstanding performance and value, the Special Edition SE215m+SPE Sound Isolating Earphones with Remote + Mic takes performance, connectivity and durability to a new level. Single dynamic Micro-Drivers provide detailed audio and enhanced bass in a stylish and distinctive white finish.
An integrated three-button remote and microphone offers convenient device and playback controls from the detachable, replaceable cable. Each pair is made to exacting, industry-renowned Shure quality standards and built to withstand the rigors and abuses of everyday life.
- Single dynamic Micro-Driver earphones with detailed sound feature an acoustical network tuned for extended bass performance.
- Detachable, replaceable, 50" Kevlarr-reinforced cable with MMCX connectors extends product life.
- Soft-touch integrated remote and microphone controls device playback, volume, and sound for calls and voice control apps.
- Apple-certified Made for iPhone features: Controls playback, volume and calls, and use with SIRI; Play Music, Pause Music, Volume Up/Down, Skip to Next Track, Skip to Previous Track, Restart Current Track, Fast-forward, Send/End Call, SIRI, Take Photo; 1/8" Stereo connectors compatible with Apple-certified protective cases; Some features work with iOS devices only; Android compatibility is device-dependent.
- Comfortable, Sound Isolating sleeves block up to 37 dB of outside noise; Passive sound isolation for uncoloured, artefact-free sound.
- Ergonomic earphone housing sits comfortably in the ear for hours of listening.
- Wireform cable moulds to wearer's ears for secure, customized fit, even during high-intensity activity.
- Included universal fit kit for personalized sizing ensures a perfect seal for maximum isolation and bass response.
- Zippered pouch protects earphones and cable when not in use.
- Performance-proven, road-tested Shure durability to withstand the abuse and rigors of daily use.
- Made for iPhone SE, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus, iPhone 6, iPhone 5s, iPhone 5c, iPhone 5, iPhone 4s, iPhone 4, iPad Air 2, iPad mini 3, iPad Air, iPad mini 2, iPad mini, iPad (4th generation), iPad (3rd generation), iPad 2, iPad, iPod touch (5th generation), iPod touch (4th generation).
- iPhone, iPod and iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries. iPad Air, iPad mini and Lightning are trademarks of Apple Inc.
SE215m+SPE Android Compatibility:
The 3-button inline remote + microphone is designed for use with Apple devices. Depending on manufacturer, model and operating system installed, some models of phones may cease to function, have limited functionality and/or cross compatibility. Some devices may work as intended or with restrictions on remote/voice functions.