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| # | Samples | Title | |
| Side 1 | |||
| 1. |
MP3 |
"This Silence Kills" | |
| 2. |
MP3 |
"Tip Tapping" | |
| 3. |
MP3 |
"Thirteen Thirtyfive" | |
| 4. |
MP3 |
"Your Fresh Against Mine" | |
| 5. |
MP3 |
"You Are My Winter" | |
| 6. |
MP3 |
"The Undying Need To Scream" | |
| 7. |
MP3 |
"Track 7" | |
| 8. |
MP3 |
"From One To Six Hundred Kilometres" | |
| 9. |
MP3 |
"Hey Beau" | |
| 10. |
MP3 |
"Texture Of My Blood" | |
| 11. |
MP3 |
"Gumache" | |
| 12. |
MP3 |
"Abrupt Clarity" | |
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Review |
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On one level, this debut album from Berlin-based singer/songwriter Dillon is a curious choice of release for BPitch Control, a label better known for its dancefloor-flavoured output. Yet in many ways, it makes perfect sense. Dillon's songs and vocal style suggest indie - or, at least, the out-there oddness of Kate Bush - yet This Science Kills is not a straight-up indie album. Sure, her sound is sharply focused on both her distinctive voice and loose, freeform piano playing, but the production boasts enough interesting electronic touches and low-end pulses to prick the ears of all but the most militant techno heads (see the leftfield dancefloor pomp of closer "Abrupt Clarity").
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