It may have little to do with spaghetti westerns, but Dill's latest release brings with it an intuitive understanding of how to represent the darker side of house and techno. "The Evil" is propelled by shuffling rhythms and heavy acidic lines, while "The Good" sees Dill opt for a harder, more techno oriented sound, as dense drums provide a springboard for spiralling trancey riffs. "The Bad" goes a few steps further again, its stomping groove guided by a grinding bass. The remixes are less intense, but there is no doubt that the same spirit prevails on the grimy acid of Van Bonn's take on "The Evil".

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