The Trans-Atlantic production relationship between Gerry Read and Kevin McPhee strengthens a notch or two with the release of Demolition Man, perhaps the most incendiary melding of risque sampling and thumping rhythms since the excellent "A Tender Places" from Bakey USTL. Aside from the slightly risible imagery that adorns the centre label, there's little not to find appealing here on a pink twelve inch that curiously plays the same "Demolition Man" track on both sides. And what a track it is, deviating through various stripped back and thumping moments with little recourse for warning - the moment where a rippling piano refrain lifted from some forgotten 90s rave anthem comes floating through before being rudely ripped from the groove typifies perfectly the unhinged joy that listening to this track brings.

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