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It sounds like Delano and Rohr are intent on exploring minimal techno's roots with "Creepy" on Hans Bouffmyhre's label. "Spicy" may be rooted in the sound of contemporary minimal, but its squelchy bass and woozy, dislocated feeling has echoes of classic Perlon. Similarly, the title track boasts the stripped back swing and frequency shifts of DBX releases. Joseph Capriati veers towards a contemporary sound on his version of "Creepy", the pumping bass underpinning dubby textures, but soon the listener is sent back to that grey area between the past and the present for "Bouncy". There, Landstrumm-style analogue yelps and blips vie for attention over a rubbery bass whose time stretched elasticity is rooted in the present.
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