Experimental enfant terrible Emika delves deeper than ever before into her psyche to deliver Fever. In its original format it's a dreamy sound scape containing tortured vocals and spiky barbs of percussion - a bit like Kate Bush on downers. The re-edit gives it a more contemporary sound with a stepping rhythm cutting through the dreamy textures, while Tommy Four Seven offers an austere approach. The UK producer's take on "The Long Goodbye" features eerie, angelic vocals meeting with a menacing bass as chiming bells herald the apocalypse. By contrast, Substance's reshape of the title track focuses on the dreamy sound scapes, letting them unravel over a glitchy, skeletal rhythm.