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Items 1 to 21 of 21 on page 1 of 1
Zoom APH 4nSP Accessory Kit For H4N Handy Recorder
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1 in stock $42.79
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Cat: 572335 Rel: 27 Apr 15
 
Accessory pack designed for Zoom 4n Handty Recorder
Notes: The "APH-4nSP" accessory package offers a series of additional items to expand the productivity of Zoom H4n Handy Recorder. The APH-4nSP provides the AC Adapter for use on extended hours, a Windscreen for wind noise prevention, an Attenuator Cable for connecting the H4n line output to the camera mic input, a Splitter Cable to allow simultaneous headphone monitoring and a USB Cable for connection to Mac/PC.
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Zoom APH2n Accessory Pack For H2n Digital Recorder
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2 in stock $31.40
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Cat: 498110 Rel: 29 Jul 13
 
Accessory pack consisting of wired remote with extension cable, windscreen, AC adapter (USB type), USB cable, adjustable tripod stand, padded shell case and mic clip adapter
Notes: Zoom introduces the APH-2n as the official optional accessory package for the H2n Handy Recorder. The APH-2n features a variety of accessories that make it easier for you to capture your recordings.

The kit includes a wired remote control with an extension cable, windscreen, AC adapter (USB type), USB cable, adjustable tripod stand, padded-shell case and mic clip adapter.

The APH-2n's wired remote can be used to start, stop and pause recordings, as well as to add marks. It's also useful in preventing handling noise.

Its windscreen will reduce the occurrence of wind, breath sounds and popping noises in your recordings, as well as keep the H2n's five mic capsules clean. Using the package's USB connector type AC adapter to power the H2n is easy and convenient. The included USB cable enables you to connect your H2n to your Mac or PC for rapid file transfer, editing, playback and sharing, as well as to use it as a USB microphone and you record directly to your computer.
The APH-2n's adjustable tripod stand is compatible with the H2n's fixed tripod mount, making the recorder versatile in a variety of stationary functions. Utilize the kit's padded-shell case to protect our most innovative recorder ever. Lastly, the APH-2n provides a mic clip adapter allowing your H2n to be easily attached to any standard mic stand.

If you think your H2n is handy now, wait until you accessorize with the APH-2n accessory package.
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Zoom B1On Bass Multi Effects Processor
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1 in stock $58.15
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Zoom B1On Bass Multi Effects Processor (multi effects processor)
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Cat: 527572 Rel: 14 Apr 14
 
Multi effects processor unit for bass guitar
Notes: The B1on offers 75 bass effects, including a variety of distortion, compression, modulation, delay, reverb and amp models. The B1Xon offers 5 additional pedal-controlled effects.

Up to 5 effects can be used simultaneously, chained together any way you like. In addition, there are 68 built-in rhythm accompaniment patterns, and you can connect headphones to the output jack (as well as portable music players to the auxiliary input jack) for silent practice sessions. An onboard chromatic tuner supports all standard bass tunings, and a Looper feature enables you to record up to 30 seconds of CD-quality audio. Loop length can be set either manually or to a preset number of quarter notes, and you can loop to any rhythm pattern, with automatic quantization that ensures seamless start and end times.

Programming is simple and straightforward, thanks to a streamlined user interface and the large backlit LCD screen. Advanced editing features such as Swap, Auto-Save and Pre-Select make it easy to organize your patches for live performance and allow you to scroll through patches silently while keeping the current patch operational. In addition, the B1Xon's built-in expression pedal enables you to control input level, output level, or any selected effect parameter in real time.

Both the B1on and the B1Xon allow you to choose from 75 different onboard DSP effects. (The B1Xon offers 5 additional pedal-controlled effects.)

These include compressors, noise gates, filters, equalizers and octave dividers, as well as boosters, overdrives, fuzzes, phasers and flangers, plus chorus, pitch shift, tremolo, vibrato, a sub-octave generator and an intelligent bass synthesizer that plays along in key - even a DeFret effect that changes the tone of a fretted bass into that of a fretless. There are simulations of both classic and modern pedals such as the Aphex Punch Factory, MXR DynaComp, dbx 160A, BBE Sonic Maximizer, Moog MF-101 and Z. Vex Seek-Wah, as well as the Xotic EP Booster and Bass BB Preamp, Electro-Harmonix Bass Big Muff, SansAmp Bass Driver DI, MXR Bass D.I.+, Avalon Design U5, plus the ADA Flanger, tc Electronic Corona Tri-Chorus and BOSS ODB-3, DS-1 and Metal Zone. Original effects include Zoom's Noise Reduction (ZNR) algorithm, a bass frequency-specific Auto-Wah and a "talking" modulator. You'll also find more than a dozen delays and natural-sounding reverbs here, including rooms, halls, plates and an emulation of the Line6 M9 Particle Verb.

The dozen amp models include emulations of classic tube amplifiers like the Ampeg SVT, Ampeg B-15, Fender Bassman, Marshall Super Bass, Polytone Mini-Brute III and acoustic 360, as well as the contemporary sounds of the Hartke HA3500, SWR SM-900, Aguilar DB750, Gallien-Krueger 800RB, Eden WT-800 and Italian Markbass Little Mark III, each with its own distinct cabinet modeling that can be used to further alter the tonal quality. What's more, you can pair any amp model to any cabinet model for unusual, and often striking, effects
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Zoom B1XOn Bass Multi Effects Processor
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2 in stock $75.92
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Zoom B1XOn Bass Multi Effects Processor (multi effects processor)
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Cat: 527576 Rel: 14 Apr 14
 
Multi effects processor unit for bass guitar, with built in expression pedal
Notes: The B1on offers 75 bass effects, including a variety of distortion, compression, modulation, delay, reverb and amp models. The B1Xon offers 5 additional pedal-controlled effects.

Up to 5 effects can be used simultaneously, chained together any way you like. In addition, there are 68 built-in rhythm accompaniment patterns, and you can connect headphones to the output jack (as well as portable music players to the auxiliary input jack) for silent practice sessions. An onboard chromatic tuner supports all standard bass tunings, and a Looper feature enables you to record up to 30 seconds of CD-quality audio. Loop length can be set either manually or to a preset number of quarter notes, and you can loop to any rhythm pattern, with automatic quantization that ensures seamless start and end times.

Programming is simple and straightforward, thanks to a streamlined user interface and the large backlit LCD screen. Advanced editing features such as Swap, Auto-Save and Pre-Select make it easy to organize your patches for live performance and allow you to scroll through patches silently while keeping the current patch operational. In addition, the B1Xon's built-in expression pedal enables you to control input level, output level, or any selected effect parameter in real time.

Both the B1on and the B1Xon allow you to choose from 75 different onboard DSP effects. (The B1Xon offers 5 additional pedal-controlled effects.)

These include compressors, noise gates, filters, equalizers and octave dividers, as well as boosters, overdrives, fuzzes, phasers and flangers, plus chorus, pitch shift, tremolo, vibrato, a sub-octave generator and an intelligent bass synthesizer that plays along in key - even a DeFret effect that changes the tone of a fretted bass into that of a fretless. There are simulations of both classic and modern pedals such as the Aphex Punch Factory, MXR DynaComp, dbx 160A, BBE Sonic Maximizer, Moog MF-101 and Z. Vex Seek-Wah, as well as the Xotic EP Booster and Bass BB Preamp, Electro-Harmonix Bass Big Muff, SansAmp Bass Driver DI, MXR Bass D.I.+, Avalon Design U5, plus the ADA Flanger, tc Electronic Corona Tri-Chorus and BOSS ODB-3, DS-1 and Metal Zone. Original effects include Zoom's Noise Reduction (ZNR) algorithm, a bass frequency-specific Auto-Wah and a "talking" modulator. You'll also find more than a dozen delays and natural-sounding reverbs here, including rooms, halls, plates and an emulation of the Line6 M9 Particle Verb.

The dozen amp models include emulations of classic tube amplifiers like the Ampeg SVT, Ampeg B-15, Fender Bassman, Marshall Super Bass, Polytone Mini-Brute III and acoustic 360, as well as the contemporary sounds of the Hartke HA3500, SWR SM-900, Aguilar DB750, Gallien-Krueger 800RB, Eden WT-800 and Italian Markbass Little Mark III, each with its own distinct cabinet modeling that can be used to further alter the tonal quality. What's more, you can pair any amp model to any cabinet model for unusual, and often striking, effects.
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Zoom F8 Field Recorder
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1 in stock $961.79
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Zoom F8 Field Recorder (field recorder)
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Cat: 579355 Rel: 01 Feb 16
 
10 track field recorder with phantom power and onboard mixer
Notes: Advances in video have made filmmaking accessible to creators everywhere. But the accessibility of professional audio devices has not kept pace. Field recorders, with essential features such as time code, have been unobtainable for most. Until now.

The F8 is made for serious filmmakers and sound designers. With 8-input/10-track recording, super low-noise preamps, and support for 24-bit/192kHz audio, the F8 captures the highest-quality audio.

Mic pre's - Outfitted with our finest mic preamps to date, the F8 features an extremely low noise floor (-127 dBu EIN) and high gain (up to 75 dB), with +4 dB line inputs.

High-resolution audio and advanced limiters - The F8 can record at 24-bit/192 kHz resolution and is equipped with onboard limiters designed to provide overload protection. Limiting can be applied to all 8 channels simultaneously at full resolution, with 10dB of headroom and controls for setting threshold, attack, and release.

Time code with pinpoint accuracy - The F8's time code is state-of-the-art. It utilizes a precision oscillator that generates time code at 0.2 ppm accuracy, enabling rock solid syncing of audio and video. The F8 supports all standard dropframe and non-drop formats, and can jam sync to time code being provided by external devices. An input and output are provided on standard BNC connectors, enabling easy integration into any rig.

Weight and build - The F8 is not only versatile and feature rich, it is the smallest field recorder with eight XLR combo inputs ever made. Weighing just 2.1 pounds (without batteries), its aluminum chassis is both rugged and durable.

Display - Sound professionals sometimes work in dusty, hard-to-see environments. Level meters with adjustable brightness and its 2.4 inch full-color backlit LCD (which can be set to monochrome mode), make the F8 easy to use in any environment - from low-light to direct sunlight.

File formats, resolution, and sample rates - The F8 records in BWF-compatible WAV format at 16 or 24-bit resolution, and at any standard sample rate up to 192 kHz. When recording files in MP3 format, you can choose bit rates of 128, 192, or 320 kbps.
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Zoom FP02 Expression Pedal (B-STOCK)
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1 in stock $31.34
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Cat: 600771 Rel: 07 Apr 14
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


It's a volume pedal, a wah pedal and a pitch bender, all in one. Plug the FP02M into your Zoom guitar or bass effects device to add real-time control over volume, wah or pitch, as well as effects parameters such as modulation rate, distortion gain and delay or reverb level. Rugged enough for the road, the FP02M sports an all-metal chassis and comes with a 1/4" to 1/4" connection cable.
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Zoom FS01 Momentary Foot Switch
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2 in stock $19.27
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Cat: 527619 Rel: 07 Apr 14
 
Momentary footswitch for Zoom guitar effects devices, also compatible with R8 digital recorder
Notes: The FS01 is a momentary foot switch for Zoom guitar and bass effects devices that allows you to bypass effects, turn the tuner on or off, enable the delay hold function and mute the delay input, as well as providing tap tempo input for rhythms, the looper and various effects parameters.

The FS01 can also be used with the Zoom R8 recorder to start and stop playback, punch in and out manually and change effect patches.
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Zoom G1XOn Guitar Multi Effects Processor
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2 in stock $75.92
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Cat: 527570 Rel: 07 Apr 14
 
Guitar multieffects pedal with 8 effects and expression pedal control
Notes: The G1Xon offers 80 guitar effects (5 of which are pedal controlled) including a variety of distortion, compression, modulation, delay, reverb and amp models.

Up to 5 effects can be used simultaneously, chained together any way you like. In addition, there are 68 built-in rhythm accompaniment patterns, and you can connect headphones to the output jack (as well as portable music players to the auxiliary input jack) for silent practice sessions. There's an onboard chromatic tuner that supports all standard guitar tunings, including open and drop tunings, and a Looper feature that enables you to record up to 30 seconds of CD-quality audio. Loop length can be set either manually or to a preset number of quarter notes (up to 64 beats), and you can loop to any rhythm pattern, with automatic quantization that ensures seamless start and end times. Programming is simple and straightforward, thanks to a streamlined user interface and the large backlit LCD screen.

Advanced features such as Copy and Swap make it easy to organize your patches for live performance. An Auto Save function ensures that your edits are stored automatically, and a Pre Select feature allows you to scroll through patches silently while keeping the current patch operational. The G1Xon even provides a built-in expression pedal that enables you to control input level, output level, or any selected effect parameter.

The G1Xon not only allows you to select and edit any of its onboard effects, it enables you to use up to 5 of them simultaneously, chained together in any order you like. This kind of power and flexibility means that you can create rich, complex effects within the unit itself instead of having to use multiple pedals.

Stompbox chains typically start with dynamics effects such as compression, before routing the signal to wah, EQ, distortion and/or overdrive effects. Modulation and spatial effects such as chorus, delay and reverb are usually placed at the end of the chain.

You can also easily edit chains you've previously created. Simple changes in the order of effects can alter sounds dramatically. For example, an EQ set before an amp model can result in a radically different sound than having the EQ set after the amp model. That's because putting the EQ before the amp model serves to not only alter the tonal characteristic of the sound but to act as a signal booster as well. All this can be done internally with the G1on much easier than physically changing the order of stompboxes.
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Zoom G3 Guitar Effects & Amp Simulator Pedal With Steinberg Sequel LE3 Software
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1 in stock $138.30
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Cat: 549577 Rel: 29 Sep 14
 
Multi-effects and amp simulator pedal with 94 stompbox models
Notes: A partner for recording. A powerful weapon for live performance. With the G3 version 2.0 and the G3X, the maximum number of simultaneous effects has been increased to six, and a new scrolling function allows you to control all of them intuitively using the stomp box size panels. Along with 94 types of effects, 22 amp models with realism so advanced that they include overtones are at your command. With the addition of the G3X and its expression pedal that increases your sonic freedom, ZOOM has introduced another revolution in guitar sound creation.

With the three stomp box style panels, you can intuitively use and edit up to six models of effects and amps at the same time. Using the scroll function, you can put the effect you want to adjust on one of the large screens in an instant. Since each effect unit has three knobs, not only is sound creation easy, reordering effects is also simple. No matter what the situation, you will be free from stressful operations.

The trio of stomp box style panels allows you to sculpt sounds intuitively using their footswitches and knobs to control the effects shown on their large displays. We have added a new scroll function for the three screens, making it easy to edit any of the up to six simultaneous effects. In addition, other advantages that exemplify the ZOOM brand include automatic saving of effect parameter changes and the freedom to easily rearrange the effects as you like in the chain. Anyone can master the G3 and G3X without depending on the manual.

In addition to models of 13 amps that are among the best in the world, 9 new amp models have been added that are so realistic they include harmonics. Each amp has its own cabinet modeling, so even the sonic characteristics that vary depending on physical traits - the number of speakers and cabinet materials - have been impressively re-created. By combining amplifiers and cabinets from different makers, you can even create your own unique amp sounds.

Starting with Jimi Hendrix and Eric Clapton, numerous guitarists have found the wah-wah pedal to be indispensable. The G3 and G3X include vintage wah-wah modeling, so you can use an expression pedal to get that classic sound. The auto assign function means the pedal is ready to use as soon as you choose an appropriate effect and you can start playing without any hassle. Moreover, in addition to pitch-shifting, volume control and other traditional pedal effects, parameters such as the gain of drive effects, the rate of modulation effects and the mix level of delay and reverb effects can also be controlled in real time as you play guitar.
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Zoom H1 V2 Handy Digital Audio Recorder (white) + Steinberg Wavelab LE7 Audio Editing Software
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1 in stock $103.64
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Cat: 498098 Rel: 01 Jul 13
 
Handheld digital recorder with newly designed easy to use interface
Notes: Like all Zoom recorders, the H1's onboard microphones are configured in an X/Y pattern for stunning stereo imaging. Because both mics are arranged on the same axis, they are equidistant from the sound source for perfect localization and no phase shifting. The result is great stereo recordings with natural depth and accurate imaging.

The H1's built-in directional microphones focus on the sound being recorded. Unlike omnidirectional microphones, which pick up sound all around indiscriminately, the H1 mics ignore the unwanted noise behind them.

The high-quality built-in preamp can be set to a recording level from 1 and 100. Set the recording level based on your specific needs. You can record anything from subtle nature sounds to a thunderous rock band. You can also achieve clear, undistorted recordings by enabling the AUTO LEVEL function.

The H1 can record linear PCM (WAV) files at 24-bit/96 kHz, which far exceeds CD quality, allowing the delicate reverberations of natural sounds and acoustic instruments to be recorded faithfully. The H1 can also record in MP3 format to maximize the recording time. These formats are perfect for the web posting or e-mailing to your fans.

Using compact and readily-available microSD cards as recording media, you can use up to a 32 GB microSDHC card to record about 50 hours of audio in 16-bit/44.1 kHz WAV format or 555 hours in 128 kbps MP3 format.

Use the onboard low-cut filter to reduce unwanted background noise and focus the recording. This is ideal for interviews and recording outdoors. Use the optional windscreen to further reduce noise.

The H1's stereo microphone input jack can provide plug-in power, allowing you to utilize additional mics as needed for your specific application and situation. Moreover, this jack accepts stereo line-level inputs to be used in capturing audio from cassette decks, record players and other analog sources.

Because it records in Broadcast Wave Format (BWF), the H1 is ideal for journalists and other media professionals. Each recording is stamped with the date and time of its creation and up to 99 track markers or cue points can be added. These functions make managing and editing recordings a breeze.

Use the built-in reference speaker to check the results of your recordings right away without the need for headphones. This reference speaker makes selecting a recorded file easy. Its backlit liquid crystal display allows you to check recording levels and other functions, including recording time, battery level and other information.

Since it meets Hi-Speed USB 2.0 specifications, the H1 can quickly transfer files to any Mac or PC computer. Once your recordings have been transferred on to your computer, you can edit them in DAW software, create original CDs, post them on your social media sites and send files by e-mail.

The H1 has dedicated control buttons for setting the recording format, activating the low-cut filter and implementing automatic level adjustment. The menu-free, streamlined design of the H1 makes it easy to use right from the start.

10 hours of continuous recording can be attained with a single AA alkaline battery. With the optional AC adapter, you can record for prolonged periods of time without worrying about the battery level. The H1 can also operate on USB bus power when the card reader function is activated.

Now Zoom recording technology is available to everyone. And with an infinite variety of applications, you'll want to take your H1 everywhere. From musical performances, songwriting sessions and rehearsals to seminars, conferences, journalism or capturing audio for video applications, the H1 gives you clean, clear stereo sound effortlessly.

The H1 also functions as a USB audio interface, letting you record directly to either a Mac or PC. Use your favorite recording software or the bundled WaveLab LE from Steinberg, so you can start to produce and edit your recording right out of the box.

The compact, lightweight H1 is perfect for use on a video or DSLR camera. The remarkable depth and clarity of sound achieved by the stereo X/Y mic design brings additional realism and depth to HD video. By combining the H1 with a DSLR video camera, you can create a professional video system with high-quality sound.
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Zoom H2n Digital Audio Recorder + WaveLab LE 7 Editing And Mastering Software
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2 in stock $158.49
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Cat: 445860 Rel: 21 May 12
 
Digital recorder with 2GB microSD card included, microSDHC compatapility & USB conectivity
Notes: Representing a new generation of portable recording, the H2n is Zoom's most innovative handheld recorder to date. Zoom have packed groundbreaking features into an ultra-portable device that allows you to record pristine audio anywhere you go. From film and broadcast, to journalism, podcasting, musical performance, songwriting and rehearsal, the H2n provides amazing recording quality. No matter the application, the H2n brings the very best in stereo recording to a convenient, user-friendly package that fits in your pocket.

The H2n's onboard 90- X/Y stereo condenser mics are arranged with the right and left mics on the same axis. This design ensures that the mics are always equidistant from the sound source for perfect localization and no phase shifting. The result is brilliant stereo recording with natural depth and accurate imaging.

The H2n features Zoom's best microphones yet and is the only portable recorder with five mic capsules onboard. This design enables the H2n to offer four unique recording modes: Mid-Side (MS) stereo, 90- X/Y stereo, 2-channel and 4-channel surround sound.

The Zoom H2n Handy Recorder, the new standard in portable recording.

http://www.youtube.com/watch?v=0GMgHPNqEXs
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Zoom H5 Handy Recorder With 2GB SD Card And Steinberg Cubase/Wavelab Software Bundle
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1 in stock $254.30
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Cat: 540502 Rel: 14 Jul 14
 
Multitrack handy recorder with large backlit LCD display and 4-track simultaneous recording
Notes: Zoom products are constantly evolving to meet the needs of the creators who use them. With the H5 Handy Recorder, the tradition continues. The H5 provides four tracks of simultaneous recording and, like the flagship H6, it can use all Zoom interchangeable input capsules, allowing you to choose the best microphone for every recording situation. The flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art podcasting, broadcasting and electronic newsgathering.

X/Y recording allows you to cover a wide area yet still capture sound sources in the centre with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberised material to isolate the unit from the H5 body and thus minimise vibration and handling noise. The design of the XYH-5 also allows the H5 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise - equivalent to the sound of a jet aircraft from less than 200 feet away - enabling you to capture sounds louder, closer, and cleaner than you ever could before.

In addition to standard transport controls (stop, play/pause, record, rewind and fast-forward), the front panel of the H5 offers dedicated record arming buttons for each track, which double as mute switches during playback. A Hold switch disables all front panel buttons to prevent accidental operation during recording. The H5 can be attached to a camera strap or, with the use of our optional Hot Shoe mount, mounted directly to a DSLR or camcorder.

The H5 also provides everything you need to connect with the outside world. Dual combo XLR/TRS inputs that can handle both mic- and line-level signals allow you to connect external microphones and line-level devices like mixers, portable music players, effects processors and electronic keyboards - even electric guitars or basses equipped with active electronics. Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. The supplied XYH-5 X/Y capsule also provides a secondary input for connecting stereo mic- or line-level signal via a 1/8" mini phone jack. The H5 supports a +4 dB (professional) input level and utilises the same high-quality preamps as our flagship H6, ensuring great-sounding recordings in all sonic environments.

There are lots of output options as well. A dedicated Line Out with adjustable volume allows you to send a stereo audio output from the H5 to the mic input of a video camera or other device without the need for an attenuator cable. In addition, there's a separate headphone output with a dedicated volume control. You can use both outputs simultaneously to route audio to your DSLR while monitoring over headphones. There's also a built-in speaker for fast access playback, and a USB port which allows the H5 to be used as an audio interface for your computer or iPad.

Just 2 AA batteries - either alkaline or rechargeable NiMH - are required for power. When using alkaline batteries, the H5 will operate for more than 15 hours, even while recording continuously. You can also use an optional AC adapter to power the H5 without batteries. The H5 records directly to SD and SDHC cards up to 32 gigabytes. Maximum recording time is dependent upon the card size and file type; for example, the supplied 2GB SD card can hold approximately fourteen hours of stereo 320kbps MP3 files, three hours of stereo 16-bit / 44.1 kHz WAV files, or an hour of stereo 24-bit / 96kHz WAV files.

The H5 can operate in two different modes - choose stereo for two-track stereo recording, or multitrack for four-track recording (in either stereo pairs or individual mono tracks) - and it captures audio in the two most commonly used file formats: WAV and MP3.

The WAV files recorded by the H5 can be 16- or 24-bit, with sampling rates of 44.1, 48, or 96kHz. They are automatically time-stamped and thus Broadcast Wave Format (BWF) compliant, allowing for precise synchronisation in video post-production. MP3 files, while slightly lower in fidelity, are much smaller than WAV files and are thus easier to email and post on social networking sites - allowing you to quickly and easily share your creations around the world.
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Zoom HS1 Hot Shoe Mount For H4n & H1
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Zoom HS1 Hot Shoe Mount For H4n & H1 (digital recorder mount)
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Cat: 527608 Rel: 07 Apr 14
 
Hot shoe mount for attaching your Zoom H4n or H1 to a DSLR video camera
Notes: With the HS-1, you can attach your Handy Recorder to any DSLR video camera equipped with a standard Hot Shoe mount. Now you can have both your video and audio controls right at your fingertips, and your microphone right at the action.
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Zoom iQ5 Professional Stereo Microphone For iPhone iPad & iPod Touch (white)
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1 in stock $98.23
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Cat: 527579 Rel: 07 Apr 14
 
Mid-side stereo condenser microphone for iOS devices
Notes: The Zoom iQ5 is a high-quality mid-side stereo condenser mic, perfect for recording music and compact enough to be slipped into your pocket. Simply connect it to the Lightning connector of your iPhone, iPad or iPod Touch and get ready to do some serious stereo recording any time, any place.

The iQ5 employs a unique rotating mechanism that enables audio recording with correct left-right stereo orientation whether used vertically or horizontally. Use it in standard "audio" position or simply rotate it to the "video" position in order to record video with the attached iPhone, iPad or iPod touch held horizontally.

Mid-side recording makes it easy for anyone to record in realistic (and fully mono-compatible) stereo. The iQ5 actually contains two microphone elements: a directional "mid" mic that captures audio coming from in front and a bidirectional "side" mic that covers ambient signal. Stereo width can be set to 90- or 120- according to the recording situation, or you can opt to record the mid and side mic signals as RAW data and then use Zoom's Handy Recorder iOS app to adjust the stereo width from 30o to 150o. This allows you to go from a tight sound focused on a single instrument to a wide image that includes the surrounding ambience and reverberation. The app even allows you to collapse the signal into phase-coherent mono, which is great for interviews, narration and other voice recordings.

The iQ5 makes it easy to get great sound no matter what kind of material you're recording. Its analog-type MIC GAIN wheel allows you to dial in the perfect amount of gain for any recording application. Or choose one of three Auto Gain presets (Concert / Solo / Meeting) to automatically set the recording level for any given situation. You can also use the iQ5's built-in Limiter to avoid input overloads.

Note: The Handy Recorder app is required to enable the Auto Gain function.

The iQ5 has a dedicated headphone jack that enables direct monitoring during recording and playback.

Free Zoom Handy Recorder app:
Zoom's free Handy Recorder app is specially designed for use with the iQ5. Simply download it from the App Store and install it on your iOS devices. The app allows you to record in linear PCM format for the highest quality sound, or in AAC format to conserve storage space. It also enables you to apply compression, EQ and reverb effects, as well as normalize and divide files. Using the Handy Recorder app, you can even upload files to the SoundCloud audio sharing site, so you can immediately share your recording with the world.

The Handy Recorder app allows you to record in linear PCM (WAV) 16-bit/44.1kHz format for CD-quality audio that accurately captures the full subtlety of acoustic instruments and spaces. When you need to conserve storage space for long recordings, you can instead record in compressed AAC format for smaller file sizes and faster data transfer.

The Handy Recorder effects presets enable you to easily shape and control your sound. Add reverb for extra richness, or dynamics processing to give performances more punch. Six-band EQ enables full tonal control, and there's also a normalization feature that allows you to increase the volume of your recordings to the maximum possible level.

With the DIVIDE function, you can separate files into their important components. By deleting unnecessary sections, you can increase the amount of open space on your iOS device and extend the available recording time.

The Handy Recorder's automatic recording function can be used to start and stop recording when a preset level is reached?convenient when recording meetings or speeches and in other situations when you want to capture sound only when it rises above a certain level.

The Handy Recorder app enables you to directly upload your recordings to SoundCloud and share your music with people around the world.

The iQ5 can be used with most iOS apps that support audio input from an external microphone. For example, you can use it with the standard iOS Camera app to record high quality audio to go with your video and then use streaming apps to broadcast live performances. The iQ5 can also be used to record vocals and instruments when using music apps like Apple's GarageBand.


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Zoom MA2 Mic Clip Adaptor For H2
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6 in stock $14.76
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Zoom MA2 Mic Clip Adaptor For H2 (digital recorder mic clip adapter)
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Cat: 527610 Rel: 07 Apr 14
 
Tripod to mic stand adapter for handy recorders
Notes: The MA2 allows you to mount your Handy Recorder or Handy Video Recorder to a mic stand or boom with a standard mic clipiespecially useful when capturing live performance onstage. Or use your Zoom device handheld with the MA2 to dramatically reduce handling noise.
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Zoom MS60B Multi Effects Stomp Bass Pedal
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1 in stock $98.23
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Cat: 498120 Rel: 01 Jul 13
 
Bass mutli effects pedal with 52 effects and 6 amp models
Notes: Zoom's MS-60B MultiStomp Bass Pedal is the first of its kind. It offers the power of a multi effects pedal and flexibility of an amp modeller in a single stompbox design.

With 58 classic stompbox effects and amp models, an easy to use interface, auto chromatic tuner and versatile power options, bass players will be astonished with how much this pedal offers.

With a heavy duty, die-cast body, the MS-60B has the classic look of a single analog stompbox. It features a large LCD and analog style cursor keys/parameter knobs that together form an easy to use graphical interface. This intuitive design makes creating, saving and rearranging the effect chain a breeze and provides easy navigation in live and studio settings.

A newly developed sigmoid curve clipper re-creates the smooth clipping of a tube amp's waveform. This allows the MS-60B to simulate amplifier sounds, including clean, crunch and full gain drive tones that are authentic to the original models while maintaining the nuances of fingering and picking techniques.

The MS-60B's six super real amp models range from vintage gear to the latest trends in amp technology. In addition, you can pair any of the available amp models with any of the available stompbox effects and let you're creativity run wild.

The all new ZFX-IV DSP effects processor boasts amazing power and clarity, upgrading everything from sound to functionality and operability over previous ZFX versions. By using 32 bit floating point processing, the MS-60B can produce sounds that are more realistic than ever before.
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Zoom SGH6 H5 & H6 Shotgun Mic Capsule & Windshield Accessory
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1 in stock $104.84
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Cat: 527606 Rel: 07 Apr 14
 
Shotgun microphone capsule with windshield accessory specifically designed for Zoom H6 digital recorder
Notes: The SGH-6 from Zoom offers a shotgun microphone solution for use with your H6 handheld recorder.

This capsule employs three internal microphones to achieve a frequency-independent, super-cardioid polar pattern. The SGH-6 is an appropriate choice for electronic news gathering and other applications that call for tight, highly directional shotgun miking.
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Zoom TAC 2 Thunderbolt Audio Converter Interface (B-STOCK)
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1 in stock $204.89
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Cat: 583176 Rel: 07 Jul 14
 
B-STOCK: Box opened, product in perfect working order
Notes: *** B STOCK - Box opened, product in perfect working order ***

In today's world, speed is everything. The blazingly fast Zoom TAC-2 interface uses the latest Thunderbolt technology for ultra-low latency and the ultimate in high-quality audio, up to 24-bit/192kHz. Lightweight and portable, yet rugged enough for the road, the TAC-2 is also easy to use, with a single large rotary knob controlling all parameters. Whether using it in your home studio or on the road, you can rely on your TAC-2 to deliver pristine audio.

Just connect the TAC-2 to your computer via Thunderbolt and then plug the audio source (such as a portable recorder, mixing console or music player) into the TAC-2's inputs. You can monitor signal coming from the software via headphones or by connecting the TAC-2 outputs to amplifiers or self-powered speakers.

Got some great sounds in your laptop? The TAC-2 can bring them to life - simply connect it to your computer with a Thunderbolt cable and then connect the rear panel TAC-2's TRS outputs to your mixing board or PA system. That's all it takes to turn your laptop into an instant live instrument.

MP3s can sound good, but high resolution audio files - 24/96 or 24/192 WAVs - sound way better. Now you can enjoy streamed high resolution files in full fidelity by connecting your computer to the TAC-2 via Thunderbolt and using the TAC-2 headphone jack instead of the one on your computer. Alternatively, you can use the rear panel balanced TRS outputs to connect the TAC-2 to your speakers.

More than twice as fast as USB 3.0 - not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800 - Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits per second, which means virtually no latency. Thunderbolt interfaces such as the TAC-2 are also unaffected by computer jitter (slight variations in timing), so there's no need to connect an external master clock source.

In addition, Thunderbolt carries 10 watts/18 volts of power (as compared to the 2.5 watts/ 5 volts carried by USB 2.0) - enough to provide stable phantom power. This also allows the use of high-end components such as the Burr Brown PCM4202 analog-to-digital converter and AKM AK4396 digital-to-analog converter in the TAC-2.

The TAC-2 performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-2 processes the signal at high resolution 176.4kHz or 192kHz. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

The Thunderbolt port on the rear panel carries digital signal to and from your computer as well as carrying power to the TAC-2. Two combo XLR/TRS inputs are provided for the connection of mic- and line-level signals, and there's a handy Hi-Z (high impedance) unbalanced input on the front panel for direct connection of passive electric guitars and basses using a standard 1/4" guitar cable. The TAC-2 also offers two balanced TRS output jacks which allow you to connect the TAC-2 to your monitors, as well as a dedicated 1/4" stereo headphone jack. All TAC-2 audio jacks use the industry standard Pin 2 hot on XLR connectors and Tip hot on TRS connectors.

The TAC-2's single rotary control knob is used to set input, output and headphone levels and to provide +48 volts of phantom power to the selected input, allowing you to use the TAC-2 with any kind of microphone, from low-cost dynamics to expensive studio-quality condensers. Seven-segment LEDs show continuous signal strength as well as input/output overload clipping.

TAC-2 MixEfx is a free Macintosh application designed specially for the TAC-2. With TAC-2 MixEfx, you can set mix parameters and add high-quality effects such as reverb and echo. Other features include a low cut filter, phase reverse and AUTO GAIN control for each input. There's also a LOOPBACK function that allows you to blend the input signal and playback signal for ultra-low latency. TAC-2 MixEfx has three memory slots for saving user settings with quick recall.
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Zoom TAC2R Thunderbolt Audio & MIDI Interface with TAC2 MixEfx Software
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1 in stock $304.33
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Cat: 567229 Rel: 23 Mar 15
 
Thunderbolt 2 in/2 out audio/MIDI interface with ultra-low latency audio streaming, bus powered
Notes: The compact, rugged TAC-2R audio interface uses the latest Thunderbolt technology for blazingly fast speed, near zero latency and the ultimate in high-quality audio, up to 24-bit/192kHz. With its easy-to-use design and advanced converters, the TAC-2R is perfect for studio and field recording of mics and instruments, onstage playback, and pristine audio streaming. It can even serve as an ultra-stable MIDI interface.

Take your performance to the next level. Use the TAC-2R onstage to get the best sound quality from your laptop. With its Thunderbolt speed, high quality converters, and rugged chassis, you can trust the TAC-2R to deliver superior audio night after night.

Enhance the audio you enjoy everyday. Plug your headphones or speakers into the TAC-2R instead of your computer's audio outputs and enjoy streamed high-resolution audio - all the way up to 24-bit/192kHz - in full fidelity.

The TAC-2R gives you all the tools you need to create great audio. Flexible routing options allow you to use a variety of microphones and instruments, with high-quality preamps to ensure crystal clear sound. There's even Direct Monitoring for zero latency overdubbing.

The TAC-2R serves as an ultra-stable MIDI interface too, allowing you to use your electronic keyboards and controllers as well as sound generating devices such as synthesizers and drum machines. The extreme speed and low latency of Thunderbolt ensure that your audio and MIDI tracks line up perfectly, every time.

More than twice as fast as USB 3.0 - not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800 - Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits per second, which means virtually no latency. Thunderbolt interfaces such as the TAC-2R are also unaffected by computer jitter (slight variations in timing), so there's no need to connect an external master clock source.

In addition, Thunderbolt carries 10 watts/18 volts of power (as compared to the 2.5 watts/ 5 volts carried by USB 2.0) - enough to provide stable phantom power. This also allows the use of high-end components such as the Burr Brown PCM4202 analog-to-digital converter and AKM AK4396 digital-to-analog converter in the TAC-2R.

The TAC-2R performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-2R processes the signal at high resolution 176.4kHz or 192kHz. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

The Thunderbolt port on the rear panel carries digital signal to and from your computer as well as carrying power to the TAC-2R - no external power required. Dual front panel combo XLR/TRS inputs allow you to connect a wide variety of microphones as well as line-level signals from electric keyboards and music playersieven passive instruments such as electric guitars and basses.

Dual balanced TRS output jacks enable you to connect the TAC-2R to amplifiers or self-powered speakers, and there's an independent 1/4" stereo headphone jack with dedicated volume control for private monitoring of the input or output signal. In addition, MIDI In and Out is provided to allow precise synchronization with devices such as electric keyboards and drum machines.

Dedicated input gain controls and Clip LEDs make it easy to set optimum input levels, and a large Output knob enables fast control overall output level. A phantom power switch applies +48 volts to the mic inputs, allowing you to use the TAC-2R with studio-quality condenser microphones, and a three-way Direct Monitoring switch enables monitoring of input signal with zero latency in both mono and stereo.

TAC-2 MixEfx is a free Macintosh application designed specially by Zoom for the TAC-2R. With TAC-2 MixEfx, you can set mix parameters and add high-quality effects such as reverb and echo. Other features include a low cut filter, phase reverse, AUTO GAIN control for each input. There's also a LOOPBACK function that allows you to blend the input signal and playback signal for zero latency. TAC-2 MixEfx even has three memory slots for saving user settings with quick recall.
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Zoom TAC2R Thunderbolt Audio & MIDI Interface with TAC2 MixEfx Software (B-STOCK)
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1 in stock $248.40
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Cat: 569849 Rel: 23 Mar 15
 
B-STOCK: Box opened, product in perfect working order
Notes: *** B STOCK - Box opened, product in perfect working order ***

The compact, rugged TAC-2R audio interface uses the latest Thunderbolt technology for blazingly fast speed, near zero latency and the ultimate in high-quality audio, up to 24-bit/192kHz. With its easy-to-use design and advanced converters, the TAC-2R is perfect for studio and field recording of mics and instruments, onstage playback, and pristine audio streaming. It can even serve as an ultra-stable MIDI interface.

Take your performance to the next level. Use the TAC-2R onstage to get the best sound quality from your laptop. With its Thunderbolt speed, high quality converters, and rugged chassis, you can trust the TAC-2R to deliver superior audio night after night.

Enhance the audio you enjoy everyday. Plug your headphones or speakers into the TAC-2R instead of your computer's audio outputs and enjoy streamed high-resolution audio - all the way up to 24-bit/192kHz - in full fidelity.

The TAC-2R gives you all the tools you need to create great audio. Flexible routing options allow you to use a variety of microphones and instruments, with high-quality preamps to ensure crystal clear sound. There's even Direct Monitoring for zero latency overdubbing.

The TAC-2R serves as an ultra-stable MIDI interface too, allowing you to use your electronic keyboards and controllers as well as sound generating devices such as synthesizers and drum machines. The extreme speed and low latency of Thunderbolt ensure that your audio and MIDI tracks line up perfectly, every time.

More than twice as fast as USB 3.0 - not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800 - Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits per second, which means virtually no latency. Thunderbolt interfaces such as the TAC-2R are also unaffected by computer jitter (slight variations in timing), so there's no need to connect an external master clock source.

In addition, Thunderbolt carries 10 watts/18 volts of power (as compared to the 2.5 watts/ 5 volts carried by USB 2.0) - enough to provide stable phantom power. This also allows the use of high-end components such as the Burr Brown PCM4202 analog-to-digital converter and AKM AK4396 digital-to-analog converter in the TAC-2R.

The TAC-2R performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-2R processes the signal at high resolution 176.4kHz or 192kHz. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

The Thunderbolt port on the rear panel carries digital signal to and from your computer as well as carrying power to the TAC-2R - no external power required. Dual front panel combo XLR/TRS inputs allow you to connect a wide variety of microphones as well as line-level signals from electric keyboards and music playersieven passive instruments such as electric guitars and basses.

Dual balanced TRS output jacks enable you to connect the TAC-2R to amplifiers or self-powered speakers, and there's an independent 1/4" stereo headphone jack with dedicated volume control for private monitoring of the input or output signal. In addition, MIDI In and Out is provided to allow precise synchronization with devices such as electric keyboards and drum machines.

Dedicated input gain controls and Clip LEDs make it easy to set optimum input levels, and a large Output knob enables fast control overall output level. A phantom power switch applies +48 volts to the mic inputs, allowing you to use the TAC-2R with studio-quality condenser microphones, and a three-way Direct Monitoring switch enables monitoring of input signal with zero latency in both mono and stereo.

TAC-2 MixEfx is a free Macintosh application designed specially by Zoom for the TAC-2R. With TAC-2 MixEfx, you can set mix parameters and add high-quality effects such as reverb and echo. Other features include a low cut filter, phase reverse, AUTO GAIN control for each input. There's also a LOOPBACK function that allows you to blend the input signal and playback signal for zero latency. TAC-2 MixEfx even has three memory slots for saving user settings with quick recall.
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Zoom TAC8 Thunderbolt Audio & MIDI Interface With Steinberg Cubase LE7 Software
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2 in stock $602.61
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Cat: 568704 Rel: 30 Mar 15
 
Rackmountable audio/MIDI recording interface with Thunderbolt connectivity, with 18 inputs and 20 outputs
Notes: The rack-montable TAC-8 audio interface is designed to act as the central hub in both professional and home environments. It provides 8 analog inputs and 10 analog outputs, as well as 10 digital inputs and ouputs (in both S/PDIF and ADAT Optical formats), plus Word Clock and MIDI I/O.

Wheter you want to record large multi-channel 24-bit/192k sessions in your studio without worrying about latency or you want to bring your onstage performance to new heights, the TAC-8 allows you to take advantage of today's latest technology.

With 8 analog inputs and additional digital options, the TAC-8 allows you to record what you want, when you want. Record drums, bass, guitar, and vocals all at once, or go big with a 8 mic drum setup: or anything inbetween. Thunderbolt speeds will ensure you won't have to deal with latency issues. The software mixer and output options let you customize your session to your needs.

The TAC-8 allows you to use your laptop onstage with high quality sound. Simply connect it to your computer with a Thunderbolt cable and then connect the rear panel TRS outputs to your mixing board or PA system. Whether you're a one-man band with an epic onstage rig or your TAC-8 + computer is the central hub for a band leveraging software effects and instruments, with 10 analog outs you can customize your rig to your needs.

Thunderbolt technology opens up new doors for audio engineers. With Thunderbolt, the TAC-8 provides 8 high-quality analog inputs, as well as up to 10 additional digital input options, at near-zero latency speeds. This gives creators of all kinds the best technology available in an easy to use interface, taking their work to new heights.

More than twice as fast as USB 3.0 - not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800 - Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits-per-second, which means virtually no latency. Thunderbolt interfaces such as the TAC-8 are also unaffected by computer jitter (slight variations in timing).

The TAC-8 provides a wide variety of both analog and digital connectors. Eight front panel combo XLR/TRS inputs accept mic- and line-level signals. Inputs 1 and 2 can also accept instrument-level signal from guitars and basses. Dedicated input gain controls and Clip LED's make it easy to set optimum input levels, and the selectable multi-channel Phantom Power feature allows for the use of condenser microphones.

Dual balanced analog TRS output jacks enable you to connect the TAC-8 to amplifiers or self-powered speakers, and there are also 8 discrete balanced TRS analog line outputs for multichannel monitoring or connection to external effects devices.

A large front-panel Output knob offers fast control of main output level, and there are two independent 1/4" stereo headphone jacks, each with its own dedicated volume control for private monitoring.

ADAT and S/PDIF digital inputs/outputs allow for the use of up to 10 inputs from external interfaces as well as 10 outputs, providing a combined total of 18 inputs and 20 outputs through the TAC-8 device. Built-in Word Clock allows for syncing between devices, and MIDI In/Out allow electronic keyboards, sequencers, and drum machines to be connected through the TAC-8. Thunderbolt speeds ensure precise audio and MIDI sync.

In standalone mode, the TAC-8 can be used as an 8-channel mic preamp and analog-to-digital or digital-to-analog converter without being connected to a computer.

The TAC-8 performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-8 processes the signal at high resolution 176.4kHz or 192kHz respectively. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

TAC-8 MixEfx is a free Macintosh application designed specially by Zoom for the TAC-8. It provides a comprehensive onscreen mixer, with independent level, phase reversal, and panning control for each channel. TAC-8 MixEfx also allows you to freely route all inputs to all outputs and to create custom mixes for each pair of outputs. In addition, a variety of reverb and echo effects can be used as a send/return effect. Complete mixes can then be stored in three different memory slots, allowing instant total recall.
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