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FORTHCOMING
Zoom ARQ Aero RhythmTrak Production & Live Performance Instrument
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coming soon $TBA
Zoom ARQ Aero RhythmTrak Production & Live Performance Instrument (MIDI controller & performance instrument)
Cat: 607073 Rel: 30 Jun 16
 
Drum machine, sequencer, synthesizer, looper, clip launcher, and MIDI controller in one device - with wireless bluetooth functionality
Notes: The power to create everything anew.

the Zoom ARQ:
All-In-One Production and Live Performance Instrument
Music is a voyage of discovery. One that now goes much further with the creation of the ZOOM ARQ Aero RhythmTrak.

The ZOOM ARQ Aero RhythmTrak is an all-in-one production and live performance instrument which includes an integrated drum machine, sequencer, synthesizer, looper, and MIDI controller with a built-in accelerometer. Even more, ARQ is freedom. With its wireless Bluetoothr Ring Controller, you can escape the booth, move the music, and get in front of the crowd.

Base Station and Ring Controller:
The ARQ consists of two powerful components - the Base Station (AR-96) and the detachable Ring Controller (AR-96c).

The Base Station:
The ARQ Base Station houses 468 drum/instrument sounds ("one-shot" sampled waveform sounds), 70 types of synthesizer sounds, and dozens of digital effects. Dual 1/4" line-level audio inputs enable phrase recording and looping. There are also stereo 1/4" line-level outputs, as well as a dedicated 1/4" headphone jack with its own volume control. A USB port allows connection to your computer, and an SD card slot lets you save patterns and loops, import prerecorded audio, and update firmware.

The Ring Controller:
The detachable Ring Controller communicates with the Base Station, as well as DAWs, via wireless Bluetooth. It offers 96 velocity- and pressure-sensitive pads for clip launching and playing drum sounds, instrument sounds, and sequences. Phrases and sounds can be played chromatically, or you can choose from dozens of preset scales in any key. Its unique Grip Detection automatically prevents accidental triggering of the pads under your hand. There are dedicated buttons at the top and bottom of the Ring for REC/PLAY/STOP, as well as Filter/Delay/Reverb/MASTER FX on/off.

An onboard 3-axis accelerometer generates MIDI control messages to alter sounds and effects in real time. Its internal Lithium-Ion battery automatically charges when the Ring is placed on the Base Station.

The Only Drum Machine for Performers:
Not only does ARQ allow you to create incredible drum parts and patterns, you can also use the Ring Controller as a live instrument. Play it while mounted to the Base Station, or remove it to take your performance to the front of the stage. ARQ comes with a multitude of editable PCM drum and instrument sounds organized into 50 genre-specific kits, and you can also develop 50 kits of your own, complete with effects. Once you perform with ARQ, you'll never use another drum machine again.

It's a Circular Sequencer - No Computer Necessary:
Traditional devices take a linear approach to sequencing, but ARQ is anything but traditional. For the first time, you can visualize your music as a true loop, up to 5 parts at a time.

Individual patterns or complete songs can be constructed one step at a time or by recording a real-time performance, with an onboard mixer for setting volumes, muting, and soloing. Instruments can be assigned to single or multiple pads and up to 3 parts can be created at a time. Up to 33 parts can be played back simultaneously, and the timbre or note of each part can be changed with the touch of a button. 400 patterns can be combined in any order to form a complete song, then flattened into an audio loop that can be played back from a single pad - all without the use of a computer.

It's a Comprehensive Synthesizer:
ARQ's powerful sound engine offers 468 sampled waveforms that can be pitch-shifted as they are played over multiple pads - as well as 70 types of synthesizer sounds that allow you to build completely original timbres. Choose from 538 different oscillator types for sonic variety, then add digital effects such as filtering, delay, and reverb, along with sound-shaping controls like envelope generators and stepped or smooth modulation.

It's a Loop(er):
ARQ allows you to create completely original loops from onboard sounds or patterns, or by capturing external audio. Set start and end points, change the pitch if desired, choose between forward or reverse playback, then assign each loop to a different controller pad. Up to 32 loops can be played simultaneously and synchronized to the same tempo. ARQ makes creating loops a lot more fun.

It's a Wireless MIDI Controller:
Use the Ring for wireless control of all your MIDI instruments and devices connected to your computer - samplers, synths, and drum machines, as well as MIDI-enabled effects processors. Its 96 pads are velocity-sensitive and can also send aftertouch (MIDI messages generated based on the pressure applied to the pads once they are being held down).
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Zoom B1On Bass Multi Effects Processor
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 1 in stock $59.12
Zoom B1On Bass Multi Effects Processor (multi effects processor)
Cat: 527572 Rel: 14 Apr 14
 
Multi effects processor unit for bass guitar
Notes: The B1on offers 75 bass effects, including a variety of distortion, compression, modulation, delay, reverb and amp models. The B1Xon offers 5 additional pedal-controlled effects.

Up to 5 effects can be used simultaneously, chained together any way you like. In addition, there are 68 built-in rhythm accompaniment patterns, and you can connect headphones to the output jack (as well as portable music players to the auxiliary input jack) for silent practice sessions. An onboard chromatic tuner supports all standard bass tunings, and a Looper feature enables you to record up to 30 seconds of CD-quality audio. Loop length can be set either manually or to a preset number of quarter notes, and you can loop to any rhythm pattern, with automatic quantization that ensures seamless start and end times.

Programming is simple and straightforward, thanks to a streamlined user interface and the large backlit LCD screen. Advanced editing features such as Swap, Auto-Save and Pre-Select make it easy to organize your patches for live performance and allow you to scroll through patches silently while keeping the current patch operational. In addition, the B1Xon's built-in expression pedal enables you to control input level, output level, or any selected effect parameter in real time.

Both the B1on and the B1Xon allow you to choose from 75 different onboard DSP effects. (The B1Xon offers 5 additional pedal-controlled effects.)

These include compressors, noise gates, filters, equalizers and octave dividers, as well as boosters, overdrives, fuzzes, phasers and flangers, plus chorus, pitch shift, tremolo, vibrato, a sub-octave generator and an intelligent bass synthesizer that plays along in key - even a DeFret effect that changes the tone of a fretted bass into that of a fretless. There are simulations of both classic and modern pedals such as the Aphex Punch Factory, MXR DynaComp, dbx 160A, BBE Sonic Maximizer, Moog MF-101 and Z. Vex Seek-Wah, as well as the Xotic EP Booster and Bass BB Preamp, Electro-Harmonix Bass Big Muff, SansAmp Bass Driver DI, MXR Bass D.I.+, Avalon Design U5, plus the ADA Flanger, tc Electronic Corona Tri-Chorus and BOSS ODB-3, DS-1 and Metal Zone. Original effects include Zoom's Noise Reduction (ZNR) algorithm, a bass frequency-specific Auto-Wah and a "talking" modulator. You'll also find more than a dozen delays and natural-sounding reverbs here, including rooms, halls, plates and an emulation of the Line6 M9 Particle Verb.

The dozen amp models include emulations of classic tube amplifiers like the Ampeg SVT, Ampeg B-15, Fender Bassman, Marshall Super Bass, Polytone Mini-Brute III and acoustic 360, as well as the contemporary sounds of the Hartke HA3500, SWR SM-900, Aguilar DB750, Gallien-Krueger 800RB, Eden WT-800 and Italian Markbass Little Mark III, each with its own distinct cabinet modeling that can be used to further alter the tonal quality. What's more, you can pair any amp model to any cabinet model for unusual, and often striking, effects
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Zoom FS01 Momentary Foot Switch
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 1 in stock $26.34
Cat: 527619 Rel: 07 Apr 14
 
Momentary footswitch for Zoom guitar effects devices, also compatible with R8 digital recorder
Notes: The FS01 is a momentary foot switch for Zoom guitar and bass effects devices that allows you to bypass effects, turn the tuner on or off, enable the delay hold function and mute the delay input, as well as providing tap tempo input for rhythms, the looper and various effects parameters.

The FS01 can also be used with the Zoom R8 recorder to start and stop playback, punch in and out manually and change effect patches.
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Zoom G1XOn Guitar Multi Effects Processor
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 1 in stock $81.79
Cat: 527570 Rel: 07 Apr 14
 
Guitar multieffects pedal with 8 effects and expression pedal control
Notes: The G1Xon offers 80 guitar effects (5 of which are pedal controlled) including a variety of distortion, compression, modulation, delay, reverb and amp models.

Up to 5 effects can be used simultaneously, chained together any way you like. In addition, there are 68 built-in rhythm accompaniment patterns, and you can connect headphones to the output jack (as well as portable music players to the auxiliary input jack) for silent practice sessions. There's an onboard chromatic tuner that supports all standard guitar tunings, including open and drop tunings, and a Looper feature that enables you to record up to 30 seconds of CD-quality audio. Loop length can be set either manually or to a preset number of quarter notes (up to 64 beats), and you can loop to any rhythm pattern, with automatic quantization that ensures seamless start and end times. Programming is simple and straightforward, thanks to a streamlined user interface and the large backlit LCD screen.

Advanced features such as Copy and Swap make it easy to organize your patches for live performance. An Auto Save function ensures that your edits are stored automatically, and a Pre Select feature allows you to scroll through patches silently while keeping the current patch operational. The G1Xon even provides a built-in expression pedal that enables you to control input level, output level, or any selected effect parameter.

The G1Xon not only allows you to select and edit any of its onboard effects, it enables you to use up to 5 of them simultaneously, chained together in any order you like. This kind of power and flexibility means that you can create rich, complex effects within the unit itself instead of having to use multiple pedals.

Stompbox chains typically start with dynamics effects such as compression, before routing the signal to wah, EQ, distortion and/or overdrive effects. Modulation and spatial effects such as chorus, delay and reverb are usually placed at the end of the chain.

You can also easily edit chains you've previously created. Simple changes in the order of effects can alter sounds dramatically. For example, an EQ set before an amp model can result in a radically different sound than having the EQ set after the amp model. That's because putting the EQ before the amp model serves to not only alter the tonal characteristic of the sound but to act as a signal booster as well. All this can be done internally with the G1on much easier than physically changing the order of stompboxes.
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Zoom G5N Multi Effects Processor Pedal With Steinberg Cubase LE Software
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 1 in stock $280.58
Cat: 607074 Rel: 11 Apr 16
 
Multi-effect processor for guitar with 68 onboard high-quality digital effects & 5 new amp emulators plus 5 cabinet emulators
Notes: Consider this the 78 boutique pedals you don't have:
The G5n comes loaded with 68 beautifully-crafted and newly assembled DSP effects, plus 10 of the most faithful and realistic amp/cabinet emulators we've ever created.

A wide array of effects:
The G5n comes equipped with freshly-developed takes on not only the most-essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing, but also unique multi-effects such as Seq Filter, Gold Drive, Reverse Delay, HD Hall, and OSC Echo.

Ultra-realistic amp/cabinet emulation:
You can connect the G5n directly to a PA system or audio interface, using the 10 brand new onboard amp and cabinet emulators. Choose from 5 classic amp models like the Marshall JCM800, Fender Twin Reverb, MESA Boogie Mk3, Bogner Ecstasy Blue Channel and British 30W Class A Combo, newly and faithfully created to be adjusted exactly as you would with the knobs and switches of the real thing.

Pair your amp with one of the 5 newly-created cabinet emulators to complete the sound, choosing from Marshall 1960 A-type cabinet (4x12" Celestion speakers), Fender '65 Twin Reverb (2x12" Jensen speakers), the UK2x12 that recreates the sound of early British combo amps (2x12" Celestion speakers), Mesa Boogie Mark III cab (1x12" Celestion Black Shadow speaker), or Bogner Ecstasy cabinet (4x12" Celestion speakers).

100 custom-crafted combinations and counting:
To explore the wealth of possibilities that the G5n offers, we continuously collaborate with inspirational, professional guitarists known for their taste and love of great guitar sounds. The G5n comes stocked with 100 newly custom-designed patches that both recreate decades of essential guitar tones - like the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May - and pioneer new territory with combinations exclusively created for G5n guitarists.

Stand out with "Lead BGN," a modern lead sound folded into a modulated delay, or "Phazed," an intense tube amp sound through a phaser. The "UFO" patch harnesses parametric EQ in the style of the lead guitarist of the band of the same name, and then there's "DreamWorld," an overdriven crunch enhanced with tape echo and hall reverb.

With our free ZOOM Guitar Lab software, you can look for new effects and amp/cabinet emulators, as well as even more exclusive patches from our diverse and growing list of G5n creators, people like:

- Kyle Bolden (Stevie Wonder)
- Errol Cooney (Christina Aguilera, Stevie Wonder)
- Andrew Elstner (Torche, Riddle of Steel)
- Allen Epley (The Life and Times, Shiner)
- Wes Geer (Korn, hed PE)
- Adam Hawley (Joss Stone)
- Chuck Loeb (Fourplay)?
- Richard Patrick (Filter, Army of Anyone)
- Jeff Schroeder (Smashing Pumpkins)
- Dan Spack (Volcano Choir, Group of the Altos, Collections of Colonies of Bees)
- Eric Struthers (Aaron Neville)
- Vinnie Valentino (Steve Smith & Vital Information)
- Craig Wedren (Shudder To Think, Baby)

Create your signature sound:
Easy editing:
Editing is simple and intuitive thanks to a unique, large overview display that allows you to quickly add, delete, or change the order of effects - something not easily accomplished with the average pedalboard. There are also four independent editing displays for zeroing in on the perfect sound, each bank providing the responsiveness and hands-on feel of a stompbox. Store up to 200 of your custom effects-chains as patches in memory, each instantly accessible at the touch of a footswitch.

Powerful pedals:
The G5n's expression pedal gives you smooth real-time control over volume, tone, or selected effects parameters, with four stompbox-style footswitches to kick effects in and out on the fly. When you're ready to take a solo, get the bump you need with the G5n's output booster. And to synchronize rhythm patterns and delay times to the beat, just hit the G5n's dedicated Tap tempo footswitch to bring your sound in line.

Complex tonalities:
It would take an arsenal of stompboxes, amplifiers, and speakers to duplicate everything you can do with a single G5n. Use up to nine effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards in one compact, easy to use device.

Practice up, play out:
68 built-in rhythm patterns make the G5n the perfect practice rig and enable "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. Plus there's a built-in chromatic tuner, always accessible at the touch of a footswitch - you can bypass the currently selected patch while tuning, or mute the signal altogether.

*For audio demos, please visit - https://www.zoom-na.com/products/guitar-bass-effects/guitar/zoom-g5n-multi-effects-processor#specs
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Zoom H1 V2 Handy Digital Audio Recorder (black) + Steinberg Wavelab LE7 Audio Editing Software
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 1 in stock $108.41
Cat: 409426 Rel: 08 Nov 10
 
Digital recorder with 2GB microSD included, microSD compatability & USB conectivity
Notes: Like all Zoom recorders, the H1's onboard microphones are configured in an X/Y pattern for stunning stereo imaging. Because both mics are arranged on the same axis, they are equidistant from the sound source for perfect localization and no phase shifting. The result is great stereo recordings with natural depth and accurate imaging.

The H1's built-in directional microphones focus on the sound being recorded. Unlike omnidirectional microphones, which pick up sound all around indiscriminately, the H1 mics ignore the unwanted noise behind them.

The high-quality built-in preamp can be set to a recording level from 1 and 100. Set the recording level based on your specific needs. You can record anything from subtle nature sounds to a thunderous rock band. You can also achieve clear, undistorted recordings by enabling the AUTO LEVEL function.

The H1 can record linear PCM (WAV) files at 24-bit/96 kHz, which far exceeds CD quality, allowing the delicate reverberations of natural sounds and acoustic instruments to be recorded faithfully. The H1 can also record in MP3 format to maximize the recording time. These formats are perfect for the web posting or e-mailing to your fans.

Using compact and readily-available microSD cards as recording media, you can use up to a 32 GB microSDHC card to record about 50 hours of audio in 16-bit/44.1 kHz WAV format or 555 hours in 128 kbps MP3 format.

Use the onboard low-cut filter to reduce unwanted background noise and focus the recording. This is ideal for interviews and recording outdoors. Use the optional windscreen to further reduce noise.

The H1's stereo microphone input jack can provide plug-in power, allowing you to utilize additional mics as needed for your specific application and situation. Moreover, this jack accepts stereo line-level inputs to be used in capturing audio from cassette decks, record players and other analog sources.

Because it records in Broadcast Wave Format (BWF), the H1 is ideal for journalists and other media professionals. Each recording is stamped with the date and time of its creation and up to 99 track markers or cue points can be added. These functions make managing and editing recordings a breeze.

Use the built-in reference speaker to check the results of your recordings right away without the need for headphones. This reference speaker makes selecting a recorded file easy. Its backlit liquid crystal display allows you to check recording levels and other functions, including recording time, battery level and other information.

Since it meets Hi-Speed USB 2.0 specifications, the H1 can quickly transfer files to any Mac or PC computer. Once your recordings have been transferred on to your computer, you can edit them in DAW software, create original CDs, post them on your social media sites and send files by e-mail.

The H1 has dedicated control buttons for setting the recording format, activating the low-cut filter and implementing automatic level adjustment. The menu-free, streamlined design of the H1 makes it easy to use right from the start.

10 hours of continuous recording can be attained with a single AA alkaline battery. With the optional AC adapter, you can record for prolonged periods of time without worrying about the battery level. The H1 can also operate on USB bus power when the card reader function is activated.

Now Zoom recording technology is available to everyone. And with an infinite variety of applications, you'll want to take your H1 everywhere. From musical performances, songwriting sessions and rehearsals to seminars, conferences, journalism or capturing audio for video applications, the H1 gives you clean, clear stereo sound effortlessly.

The H1 also functions as a USB audio interface, letting you record directly to either a Mac or PC. Use your favorite recording software or the bundled WaveLab LE from Steinberg, so you can start to produce and edit your recording right out of the box.

The compact, lightweight H1 is perfect for use on a video or DSLR camera. The remarkable depth and clarity of sound achieved by the stereo X/Y mic design brings additional realism and depth to HD video. By combining the H1 with a DSLR video camera, you can create a professional video system with high-quality sound.
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Zoom H1 V2 Handy Digital Audio Recorder (white) + Steinberg Wavelab LE7 Audio Editing Software
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 3 in stock $109.05
Cat: 498098 Rel: 01 Jul 13
 
Handheld digital recorder with newly designed easy to use interface
Notes: Like all Zoom recorders, the H1's onboard microphones are configured in an X/Y pattern for stunning stereo imaging. Because both mics are arranged on the same axis, they are equidistant from the sound source for perfect localization and no phase shifting. The result is great stereo recordings with natural depth and accurate imaging.

The H1's built-in directional microphones focus on the sound being recorded. Unlike omnidirectional microphones, which pick up sound all around indiscriminately, the H1 mics ignore the unwanted noise behind them.

The high-quality built-in preamp can be set to a recording level from 1 and 100. Set the recording level based on your specific needs. You can record anything from subtle nature sounds to a thunderous rock band. You can also achieve clear, undistorted recordings by enabling the AUTO LEVEL function.

The H1 can record linear PCM (WAV) files at 24-bit/96 kHz, which far exceeds CD quality, allowing the delicate reverberations of natural sounds and acoustic instruments to be recorded faithfully. The H1 can also record in MP3 format to maximize the recording time. These formats are perfect for the web posting or e-mailing to your fans.

Using compact and readily-available microSD cards as recording media, you can use up to a 32 GB microSDHC card to record about 50 hours of audio in 16-bit/44.1 kHz WAV format or 555 hours in 128 kbps MP3 format.

Use the onboard low-cut filter to reduce unwanted background noise and focus the recording. This is ideal for interviews and recording outdoors. Use the optional windscreen to further reduce noise.

The H1's stereo microphone input jack can provide plug-in power, allowing you to utilize additional mics as needed for your specific application and situation. Moreover, this jack accepts stereo line-level inputs to be used in capturing audio from cassette decks, record players and other analog sources.

Because it records in Broadcast Wave Format (BWF), the H1 is ideal for journalists and other media professionals. Each recording is stamped with the date and time of its creation and up to 99 track markers or cue points can be added. These functions make managing and editing recordings a breeze.

Use the built-in reference speaker to check the results of your recordings right away without the need for headphones. This reference speaker makes selecting a recorded file easy. Its backlit liquid crystal display allows you to check recording levels and other functions, including recording time, battery level and other information.

Since it meets Hi-Speed USB 2.0 specifications, the H1 can quickly transfer files to any Mac or PC computer. Once your recordings have been transferred on to your computer, you can edit them in DAW software, create original CDs, post them on your social media sites and send files by e-mail.

The H1 has dedicated control buttons for setting the recording format, activating the low-cut filter and implementing automatic level adjustment. The menu-free, streamlined design of the H1 makes it easy to use right from the start.

10 hours of continuous recording can be attained with a single AA alkaline battery. With the optional AC adapter, you can record for prolonged periods of time without worrying about the battery level. The H1 can also operate on USB bus power when the card reader function is activated.

Now Zoom recording technology is available to everyone. And with an infinite variety of applications, you'll want to take your H1 everywhere. From musical performances, songwriting sessions and rehearsals to seminars, conferences, journalism or capturing audio for video applications, the H1 gives you clean, clear stereo sound effortlessly.

The H1 also functions as a USB audio interface, letting you record directly to either a Mac or PC. Use your favorite recording software or the bundled WaveLab LE from Steinberg, so you can start to produce and edit your recording right out of the box.

The compact, lightweight H1 is perfect for use on a video or DSLR camera. The remarkable depth and clarity of sound achieved by the stereo X/Y mic design brings additional realism and depth to HD video. By combining the H1 with a DSLR video camera, you can create a professional video system with high-quality sound.
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Zoom H2n Digital Audio Recorder + WaveLab LE 7 Editing And Mastering Software
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 1 in stock $161.12
Cat: 445860 Rel: 21 May 12
 
Digital recorder with 2GB microSD card included, microSDHC compatapility & USB conectivity
Notes: Representing a new generation of portable recording, the H2n is Zoom's most innovative handheld recorder to date. Zoom have packed groundbreaking features into an ultra-portable device that allows you to record pristine audio anywhere you go. From film and broadcast, to journalism, podcasting, musical performance, songwriting and rehearsal, the H2n provides amazing recording quality. No matter the application, the H2n brings the very best in stereo recording to a convenient, user-friendly package that fits in your pocket.

The H2n's onboard 90- X/Y stereo condenser mics are arranged with the right and left mics on the same axis. This design ensures that the mics are always equidistant from the sound source for perfect localization and no phase shifting. The result is brilliant stereo recording with natural depth and accurate imaging.

The H2n features Zoom's best microphones yet and is the only portable recorder with five mic capsules onboard. This design enables the H2n to offer four unique recording modes: Mid-Side (MS) stereo, 90- X/Y stereo, 2-channel and 4-channel surround sound.

The Zoom H2n Handy Recorder, the new standard in portable recording.

http://www.youtube.com/watch?v=0GMgHPNqEXs
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Zoom H5 Handy Recorder With 2GB SD Card And Steinberg Cubase/Wavelab Software Bundle
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 1 in stock $285.79
Cat: 540502 Rel: 14 Jul 14
 
Multitrack handy recorder with large backlit LCD display and 4-track simultaneous recording
Notes: Zoom products are constantly evolving to meet the needs of the creators who use them. With the H5 Handy Recorder, the tradition continues. The H5 provides four tracks of simultaneous recording and, like the flagship H6, it can use all Zoom interchangeable input capsules, allowing you to choose the best microphone for every recording situation. The flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art podcasting, broadcasting and electronic newsgathering.

X/Y recording allows you to cover a wide area yet still capture sound sources in the centre with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberised material to isolate the unit from the H5 body and thus minimise vibration and handling noise. The design of the XYH-5 also allows the H5 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise - equivalent to the sound of a jet aircraft from less than 200 feet away - enabling you to capture sounds louder, closer, and cleaner than you ever could before.

In addition to standard transport controls (stop, play/pause, record, rewind and fast-forward), the front panel of the H5 offers dedicated record arming buttons for each track, which double as mute switches during playback. A Hold switch disables all front panel buttons to prevent accidental operation during recording. The H5 can be attached to a camera strap or, with the use of our optional Hot Shoe mount, mounted directly to a DSLR or camcorder.

The H5 also provides everything you need to connect with the outside world. Dual combo XLR/TRS inputs that can handle both mic- and line-level signals allow you to connect external microphones and line-level devices like mixers, portable music players, effects processors and electronic keyboards - even electric guitars or basses equipped with active electronics. Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. The supplied XYH-5 X/Y capsule also provides a secondary input for connecting stereo mic- or line-level signal via a 1/8" mini phone jack. The H5 supports a +4 dB (professional) input level and utilises the same high-quality preamps as our flagship H6, ensuring great-sounding recordings in all sonic environments.

There are lots of output options as well. A dedicated Line Out with adjustable volume allows you to send a stereo audio output from the H5 to the mic input of a video camera or other device without the need for an attenuator cable. In addition, there's a separate headphone output with a dedicated volume control. You can use both outputs simultaneously to route audio to your DSLR while monitoring over headphones. There's also a built-in speaker for fast access playback, and a USB port which allows the H5 to be used as an audio interface for your computer or iPad.

Just 2 AA batteries - either alkaline or rechargeable NiMH - are required for power. When using alkaline batteries, the H5 will operate for more than 15 hours, even while recording continuously. You can also use an optional AC adapter to power the H5 without batteries. The H5 records directly to SD and SDHC cards up to 32 gigabytes. Maximum recording time is dependent upon the card size and file type; for example, the supplied 2GB SD card can hold approximately fourteen hours of stereo 320kbps MP3 files, three hours of stereo 16-bit / 44.1 kHz WAV files, or an hour of stereo 24-bit / 96kHz WAV files.

The H5 can operate in two different modes - choose stereo for two-track stereo recording, or multitrack for four-track recording (in either stereo pairs or individual mono tracks) - and it captures audio in the two most commonly used file formats: WAV and MP3.

The WAV files recorded by the H5 can be 16- or 24-bit, with sampling rates of 44.1, 48, or 96kHz. They are automatically time-stamped and thus Broadcast Wave Format (BWF) compliant, allowing for precise synchronisation in video post-production. MP3 files, while slightly lower in fidelity, are much smaller than WAV files and are thus easier to email and post on social networking sites - allowing you to quickly and easily share your creations around the world.
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Zoom iQ5 Professional Stereo Microphone For iPhone iPad & iPod Touch (white)
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 1 in stock $99.86
Cat: 527579 Rel: 07 Apr 14
 
Mid-side stereo condenser microphone for iOS devices
Notes: The Zoom iQ5 is a high-quality mid-side stereo condenser mic, perfect for recording music and compact enough to be slipped into your pocket. Simply connect it to the Lightning connector of your iPhone, iPad or iPod Touch and get ready to do some serious stereo recording any time, any place.

The iQ5 employs a unique rotating mechanism that enables audio recording with correct left-right stereo orientation whether used vertically or horizontally. Use it in standard "audio" position or simply rotate it to the "video" position in order to record video with the attached iPhone, iPad or iPod touch held horizontally.

Mid-side recording makes it easy for anyone to record in realistic (and fully mono-compatible) stereo. The iQ5 actually contains two microphone elements: a directional "mid" mic that captures audio coming from in front and a bidirectional "side" mic that covers ambient signal. Stereo width can be set to 90- or 120- according to the recording situation, or you can opt to record the mid and side mic signals as RAW data and then use Zoom's Handy Recorder iOS app to adjust the stereo width from 30o to 150o. This allows you to go from a tight sound focused on a single instrument to a wide image that includes the surrounding ambience and reverberation. The app even allows you to collapse the signal into phase-coherent mono, which is great for interviews, narration and other voice recordings.

The iQ5 makes it easy to get great sound no matter what kind of material you're recording. Its analog-type MIC GAIN wheel allows you to dial in the perfect amount of gain for any recording application. Or choose one of three Auto Gain presets (Concert / Solo / Meeting) to automatically set the recording level for any given situation. You can also use the iQ5's built-in Limiter to avoid input overloads.

Note: The Handy Recorder app is required to enable the Auto Gain function.

The iQ5 has a dedicated headphone jack that enables direct monitoring during recording and playback.

Free Zoom Handy Recorder app:
Zoom's free Handy Recorder app is specially designed for use with the iQ5. Simply download it from the App Store and install it on your iOS devices. The app allows you to record in linear PCM format for the highest quality sound, or in AAC format to conserve storage space. It also enables you to apply compression, EQ and reverb effects, as well as normalize and divide files. Using the Handy Recorder app, you can even upload files to the SoundCloud audio sharing site, so you can immediately share your recording with the world.

The Handy Recorder app allows you to record in linear PCM (WAV) 16-bit/44.1kHz format for CD-quality audio that accurately captures the full subtlety of acoustic instruments and spaces. When you need to conserve storage space for long recordings, you can instead record in compressed AAC format for smaller file sizes and faster data transfer.

The Handy Recorder effects presets enable you to easily shape and control your sound. Add reverb for extra richness, or dynamics processing to give performances more punch. Six-band EQ enables full tonal control, and there's also a normalization feature that allows you to increase the volume of your recordings to the maximum possible level.

With the DIVIDE function, you can separate files into their important components. By deleting unnecessary sections, you can increase the amount of open space on your iOS device and extend the available recording time.

The Handy Recorder's automatic recording function can be used to start and stop recording when a preset level is reached?convenient when recording meetings or speeches and in other situations when you want to capture sound only when it rises above a certain level.

The Handy Recorder app enables you to directly upload your recordings to SoundCloud and share your music with people around the world.

The iQ5 can be used with most iOS apps that support audio input from an external microphone. For example, you can use it with the standard iOS Camera app to record high quality audio to go with your video and then use streaming apps to broadcast live performances. The iQ5 can also be used to record vocals and instruments when using music apps like Apple's GarageBand.


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Zoom SGH6 H5 & H6 Shotgun Mic Capsule & Windshield Accessory
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 2 in stock $96.79
Cat: 527606 Rel: 07 Apr 14
 
Shotgun microphone capsule with windshield accessory specifically designed for Zoom H6 digital recorder
Notes: The SGH-6 from Zoom offers a shotgun microphone solution for use with your H6 handheld recorder.

This capsule employs three internal microphones to achieve a frequency-independent, super-cardioid polar pattern. The SGH-6 is an appropriate choice for electronic news gathering and other applications that call for tight, highly directional shotgun miking.
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Zoom TAC2R Thunderbolt Audio & MIDI Interface with Steinberg Cubase LE7 Software
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 1 in stock $149.47
Cat: 567229 Rel: 23 Mar 15
 
Thunderbolt 2 in/2 out audio/MIDI interface with ultra-low latency audio streaming, bus powered
Notes: The compact, rugged TAC-2R audio interface uses the latest Thunderbolt technology for blazingly fast speed, near zero latency and the ultimate in high-quality audio, up to 24-bit/192kHz. With its easy-to-use design and advanced converters, the TAC-2R is perfect for studio and field recording of mics and instruments, onstage playback, and pristine audio streaming. It can even serve as an ultra-stable MIDI interface.

Take your performance to the next level. Use the TAC-2R onstage to get the best sound quality from your laptop. With its Thunderbolt speed, high quality converters, and rugged chassis, you can trust the TAC-2R to deliver superior audio night after night.

Enhance the audio you enjoy everyday. Plug your headphones or speakers into the TAC-2R instead of your computer's audio outputs and enjoy streamed high-resolution audio - all the way up to 24-bit/192kHz - in full fidelity.

The TAC-2R gives you all the tools you need to create great audio. Flexible routing options allow you to use a variety of microphones and instruments, with high-quality preamps to ensure crystal clear sound. There's even Direct Monitoring for zero latency overdubbing.

The TAC-2R serves as an ultra-stable MIDI interface too, allowing you to use your electronic keyboards and controllers as well as sound generating devices such as synthesizers and drum machines. The extreme speed and low latency of Thunderbolt ensure that your audio and MIDI tracks line up perfectly, every time.

More than twice as fast as USB 3.0 - not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800 - Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits per second, which means virtually no latency. Thunderbolt interfaces such as the TAC-2R are also unaffected by computer jitter (slight variations in timing), so there's no need to connect an external master clock source.

In addition, Thunderbolt carries 10 watts/18 volts of power (as compared to the 2.5 watts/ 5 volts carried by USB 2.0) - enough to provide stable phantom power. This also allows the use of high-end components such as the Burr Brown PCM4202 analog-to-digital converter and AKM AK4396 digital-to-analog converter in the TAC-2R.

The TAC-2R performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-2R processes the signal at high resolution 176.4kHz or 192kHz. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

The Thunderbolt port on the rear panel carries digital signal to and from your computer as well as carrying power to the TAC-2R - no external power required. Dual front panel combo XLR/TRS inputs allow you to connect a wide variety of microphones as well as line-level signals from electric keyboards and music playersieven passive instruments such as electric guitars and basses.

Dual balanced TRS output jacks enable you to connect the TAC-2R to amplifiers or self-powered speakers, and there's an independent 1/4" stereo headphone jack with dedicated volume control for private monitoring of the input or output signal. In addition, MIDI In and Out is provided to allow precise synchronization with devices such as electric keyboards and drum machines.

Dedicated input gain controls and Clip LEDs make it easy to set optimum input levels, and a large Output knob enables fast control overall output level. A phantom power switch applies +48 volts to the mic inputs, allowing you to use the TAC-2R with studio-quality condenser microphones, and a three-way Direct Monitoring switch enables monitoring of input signal with zero latency in both mono and stereo.

TAC-2 MixEfx is a free Macintosh application designed specially by Zoom for the TAC-2R. With TAC-2 MixEfx, you can set mix parameters and add high-quality effects such as reverb and echo. Other features include a low cut filter, phase reverse, AUTO GAIN control for each input. There's also a LOOPBACK function that allows you to blend the input signal and playback signal for zero latency. TAC-2 MixEfx even has three memory slots for saving user settings with quick recall.
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Zoom TAC2R Thunderbolt Audio & MIDI Interface with TAC2 MixEfx Software (B-STOCK)
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 1 in stock $133.55
Cat: 569849 Rel: 23 Mar 15
 
B-STOCK: Box opened, product in perfect working order
Notes: *** B STOCK - Box opened, product in perfect working order ***

The compact, rugged TAC-2R audio interface uses the latest Thunderbolt technology for blazingly fast speed, near zero latency and the ultimate in high-quality audio, up to 24-bit/192kHz. With its easy-to-use design and advanced converters, the TAC-2R is perfect for studio and field recording of mics and instruments, onstage playback, and pristine audio streaming. It can even serve as an ultra-stable MIDI interface.

Take your performance to the next level. Use the TAC-2R onstage to get the best sound quality from your laptop. With its Thunderbolt speed, high quality converters, and rugged chassis, you can trust the TAC-2R to deliver superior audio night after night.

Enhance the audio you enjoy everyday. Plug your headphones or speakers into the TAC-2R instead of your computer's audio outputs and enjoy streamed high-resolution audio - all the way up to 24-bit/192kHz - in full fidelity.

The TAC-2R gives you all the tools you need to create great audio. Flexible routing options allow you to use a variety of microphones and instruments, with high-quality preamps to ensure crystal clear sound. There's even Direct Monitoring for zero latency overdubbing.

The TAC-2R serves as an ultra-stable MIDI interface too, allowing you to use your electronic keyboards and controllers as well as sound generating devices such as synthesizers and drum machines. The extreme speed and low latency of Thunderbolt ensure that your audio and MIDI tracks line up perfectly, every time.

More than twice as fast as USB 3.0 - not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800 - Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits per second, which means virtually no latency. Thunderbolt interfaces such as the TAC-2R are also unaffected by computer jitter (slight variations in timing), so there's no need to connect an external master clock source.

In addition, Thunderbolt carries 10 watts/18 volts of power (as compared to the 2.5 watts/ 5 volts carried by USB 2.0) - enough to provide stable phantom power. This also allows the use of high-end components such as the Burr Brown PCM4202 analog-to-digital converter and AKM AK4396 digital-to-analog converter in the TAC-2R.

The TAC-2R performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-2R processes the signal at high resolution 176.4kHz or 192kHz. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

The Thunderbolt port on the rear panel carries digital signal to and from your computer as well as carrying power to the TAC-2R - no external power required. Dual front panel combo XLR/TRS inputs allow you to connect a wide variety of microphones as well as line-level signals from electric keyboards and music playersieven passive instruments such as electric guitars and basses.

Dual balanced TRS output jacks enable you to connect the TAC-2R to amplifiers or self-powered speakers, and there's an independent 1/4" stereo headphone jack with dedicated volume control for private monitoring of the input or output signal. In addition, MIDI In and Out is provided to allow precise synchronization with devices such as electric keyboards and drum machines.

Dedicated input gain controls and Clip LEDs make it easy to set optimum input levels, and a large Output knob enables fast control overall output level. A phantom power switch applies +48 volts to the mic inputs, allowing you to use the TAC-2R with studio-quality condenser microphones, and a three-way Direct Monitoring switch enables monitoring of input signal with zero latency in both mono and stereo.

TAC-2 MixEfx is a free Macintosh application designed specially by Zoom for the TAC-2R. With TAC-2 MixEfx, you can set mix parameters and add high-quality effects such as reverb and echo. Other features include a low cut filter, phase reverse, AUTO GAIN control for each input. There's also a LOOPBACK function that allows you to blend the input signal and playback signal for zero latency. TAC-2 MixEfx even has three memory slots for saving user settings with quick recall.
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Zoom TAC8 Thunderbolt Audio & MIDI Interface With Steinberg Cubase LE7 Software
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 2 in stock $612.61
Cat: 568704 Rel: 30 Mar 15
 
Rackmountable audio/MIDI recording interface with Thunderbolt connectivity, with 18 inputs and 20 outputs
Notes: The rack-montable TAC-8 audio interface is designed to act as the central hub in both professional and home environments. It provides 8 analog inputs and 10 analog outputs, as well as 10 digital inputs and ouputs (in both S/PDIF and ADAT Optical formats), plus Word Clock and MIDI I/O.

Wheter you want to record large multi-channel 24-bit/192k sessions in your studio without worrying about latency or you want to bring your onstage performance to new heights, the TAC-8 allows you to take advantage of today's latest technology.

With 8 analog inputs and additional digital options, the TAC-8 allows you to record what you want, when you want. Record drums, bass, guitar, and vocals all at once, or go big with a 8 mic drum setup: or anything inbetween. Thunderbolt speeds will ensure you won't have to deal with latency issues. The software mixer and output options let you customize your session to your needs.

The TAC-8 allows you to use your laptop onstage with high quality sound. Simply connect it to your computer with a Thunderbolt cable and then connect the rear panel TRS outputs to your mixing board or PA system. Whether you're a one-man band with an epic onstage rig or your TAC-8 + computer is the central hub for a band leveraging software effects and instruments, with 10 analog outs you can customize your rig to your needs.

Thunderbolt technology opens up new doors for audio engineers. With Thunderbolt, the TAC-8 provides 8 high-quality analog inputs, as well as up to 10 additional digital input options, at near-zero latency speeds. This gives creators of all kinds the best technology available in an easy to use interface, taking their work to new heights.

More than twice as fast as USB 3.0 - not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800 - Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits-per-second, which means virtually no latency. Thunderbolt interfaces such as the TAC-8 are also unaffected by computer jitter (slight variations in timing).

The TAC-8 provides a wide variety of both analog and digital connectors. Eight front panel combo XLR/TRS inputs accept mic- and line-level signals. Inputs 1 and 2 can also accept instrument-level signal from guitars and basses. Dedicated input gain controls and Clip LED's make it easy to set optimum input levels, and the selectable multi-channel Phantom Power feature allows for the use of condenser microphones.

Dual balanced analog TRS output jacks enable you to connect the TAC-8 to amplifiers or self-powered speakers, and there are also 8 discrete balanced TRS analog line outputs for multichannel monitoring or connection to external effects devices.

A large front-panel Output knob offers fast control of main output level, and there are two independent 1/4" stereo headphone jacks, each with its own dedicated volume control for private monitoring.

ADAT and S/PDIF digital inputs/outputs allow for the use of up to 10 inputs from external interfaces as well as 10 outputs, providing a combined total of 18 inputs and 20 outputs through the TAC-8 device. Built-in Word Clock allows for syncing between devices, and MIDI In/Out allow electronic keyboards, sequencers, and drum machines to be connected through the TAC-8. Thunderbolt speeds ensure precise audio and MIDI sync.

In standalone mode, the TAC-8 can be used as an 8-channel mic preamp and analog-to-digital or digital-to-analog converter without being connected to a computer.

The TAC-8 performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-8 processes the signal at high resolution 176.4kHz or 192kHz respectively. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

TAC-8 MixEfx is a free Macintosh application designed specially by Zoom for the TAC-8. It provides a comprehensive onscreen mixer, with independent level, phase reversal, and panning control for each channel. TAC-8 MixEfx also allows you to freely route all inputs to all outputs and to create custom mixes for each pair of outputs. In addition, a variety of reverb and echo effects can be used as a send/return effect. Complete mixes can then be stored in three different memory slots, allowing instant total recall.
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Zoom TAC8 Thunderbolt Audio & MIDI Interface With Steinberg Cubase LE7 Software (B-STOCK)
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 1 in stock $551.36
Cat: 612033 Rel: 09 May 16
 
***B-STOCK: Box opened, product unused***
Notes: The rack-montable TAC-8 audio interface is designed to act as the central hub in both professional and home environments. It provides 8 analog inputs and 10 analog outputs, as well as 10 digital inputs and ouputs (in both S/PDIF and ADAT Optical formats), plus Word Clock and MIDI I/O.

Wheter you want to record large multi-channel 24-bit/192k sessions in your studio without worrying about latency or you want to bring your onstage performance to new heights, the TAC-8 allows you to take advantage of today's latest technology.

With 8 analog inputs and additional digital options, the TAC-8 allows you to record what you want, when you want. Record drums, bass, guitar, and vocals all at once, or go big with a 8 mic drum setup: or anything inbetween. Thunderbolt speeds will ensure you won't have to deal with latency issues. The software mixer and output options let you customize your session to your needs.

The TAC-8 allows you to use your laptop onstage with high quality sound. Simply connect it to your computer with a Thunderbolt cable and then connect the rear panel TRS outputs to your mixing board or PA system. Whether you're a one-man band with an epic onstage rig or your TAC-8 + computer is the central hub for a band leveraging software effects and instruments, with 10 analog outs you can customize your rig to your needs.

Thunderbolt technology opens up new doors for audio engineers. With Thunderbolt, the TAC-8 provides 8 high-quality analog inputs, as well as up to 10 additional digital input options, at near-zero latency speeds. This gives creators of all kinds the best technology available in an easy to use interface, taking their work to new heights.

More than twice as fast as USB 3.0 - not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800 - Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits-per-second, which means virtually no latency. Thunderbolt interfaces such as the TAC-8 are also unaffected by computer jitter (slight variations in timing).

The TAC-8 provides a wide variety of both analog and digital connectors. Eight front panel combo XLR/TRS inputs accept mic- and line-level signals. Inputs 1 and 2 can also accept instrument-level signal from guitars and basses. Dedicated input gain controls and Clip LED's make it easy to set optimum input levels, and the selectable multi-channel Phantom Power feature allows for the use of condenser microphones.

Dual balanced analog TRS output jacks enable you to connect the TAC-8 to amplifiers or self-powered speakers, and there are also 8 discrete balanced TRS analog line outputs for multichannel monitoring or connection to external effects devices.

A large front-panel Output knob offers fast control of main output level, and there are two independent 1/4" stereo headphone jacks, each with its own dedicated volume control for private monitoring.

ADAT and S/PDIF digital inputs/outputs allow for the use of up to 10 inputs from external interfaces as well as 10 outputs, providing a combined total of 18 inputs and 20 outputs through the TAC-8 device. Built-in Word Clock allows for syncing between devices, and MIDI In/Out allow electronic keyboards, sequencers, and drum machines to be connected through the TAC-8. Thunderbolt speeds ensure precise audio and MIDI sync.

In standalone mode, the TAC-8 can be used as an 8-channel mic preamp and analog-to-digital or digital-to-analog converter without being connected to a computer.

The TAC-8 performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-8 processes the signal at high resolution 176.4kHz or 192kHz respectively. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

TAC-8 MixEfx is a free Macintosh application designed specially by Zoom for the TAC-8. It provides a comprehensive onscreen mixer, with independent level, phase reversal, and panning control for each channel. TAC-8 MixEfx also allows you to freely route all inputs to all outputs and to create custom mixes for each pair of outputs. In addition, a variety of reverb and echo effects can be used as a send/return effect. Complete mixes can then be stored in three different memory slots, allowing instant total recall.
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FORTHCOMING
Zoom U24 Handy Audio & MIDI Interface With Ableton Live Lite 9 Software
e-mail me when released
coming soon $TBA
Cat: 608753 Rel: 01 Aug 16
 
Compact multi-channel and stereo USB audio interface for PC/Mac/iPad with 2 inputs & 4 outputs
Notes: The U-24 is a compact, 2-in/4-out audio interface that provides all of the essential tools you need for recording and performing with high resolution, 24-bit/96 kHz audio - anywhere you go. Get incredible sound quality thanks to high-quality, low-noise preamps - the same ones found on the acclaimed H5 and H6 Handy Recorders. Connect to your PC, Mac, or iPad via USB and record mics, instruments, and more. The U-24 delivers the same great sound as our U-44 interface, with a more streamlined feature set.

The Go-Everywhere Interface:
The bus-powered U-24 packs all the essential tools into a compact form factor that fits in the palm of your hand. Record with mics, instruments, and more at home or on the go - the U-24 is iPad* compatible and small enough to take anywhere. It can even run on just two AA batteries for recording in the most remote locations.
* Requires 2 AA batteries or optional AC adapter for power, plus an Apple iPad Camera Connection Kit or Lightning-to-USB Camera Adapter for connection to iPad.

Pristine Recording and Playback:
Inspired by our Zoom H-series recorders, the U-24 is equipped with high-performance, low-noise mic preamps (-119.5 dB EIN) that enable recording and playback at resolutions up to 24-bit/96 kHz. You can also use U-24 as a studio-quality headphone amp and listen to your favourite music in full fidelity.

Get Connected with the U-24:
The U-24 is equipped with an essential collection of inputs and outputs for streamlined recording. Two combo inputs with independent gain knobs and multi-colour level indicators allow you to connect mics, keyboards, mixers, and more. 48V phantom power can be supplied to both inputs, and input 1 supports Hi-Z for connecting guitars, basses, or other passive instruments. MIDI input and output jacks allow you to use devices like keyboards, controllers, synthesizers, and drum machines.
Separate TRS and RCA output jacks provide multiple options for connecting DJ mixers, monitors, and other gear. Finally, an independent headphone output with dedicated volume control gives you complete flexibility while monitoring.

Your Mix, Your Way:
The U-24 has flexible monitoring options for dialling in the perfect mix with zero latency. Balance the cue and main out signals when you're DJ'ing, or create a mix of click track and main out signals during live performances. Each connector and knob is strategically positioned for fast access, so you can set up and control the U-24 with ease.

Create More with Your U-24:
Includes Ableton Live 9 Lite - When you combine the U-24 with Ableton Live 9 Lite, you have everything the modern music creator needs. Record your tracks quickly and intuitively, enhancing them with studio-quality effects like EQ, compression, reverb, delay, chorus, filter, and more.
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FORTHCOMING
Zoom U44 Handy Audio & MIDI Interface With Ableton Live Lite 9 Software
e-mail me when released
coming soon $TBA
Notes: The U-44 is a compact, 4-in/4-out audio interface that enables you to record and perform wherever you are. Small enough to fit in the palm of your hand, the U-44 comes equipped with the features you need to record 24-bit/96 kHz audio anywhere.

The U-44 offers the same high-quality, low-noise mic preamps as our acclaimed H5 and H6 Handy Recorders, plus compatibility with Zoom's Interchangeable Input Capsules for incredible possibilities. Use the U-44 with your PC, Mac, or iPad via USB - or as a standalone AD/DA converter and mic preamp. No other audio interface provides this much versatility, value, and performance.

The World is Your Studio:
Wherever you want to record, the bus-powered U-44 forms the perfect centerpiece of your mobile studio. Connect instruments, monitors, and other devices when you're recording at home - or hook it up to your iPad* to make music on the go. If bus power isn't available, the U-44 can run on just two AA batteries, allowing you to record anywhere.
* Requires 2 AA batteries or optional AC adapter for power, plus an Apple iPad Camera Connection Kit or Lightning-to-USB Camera Adapter for connection to iPad.

Can your interface do this?
Thanks to its 10-pin Zoom connector, the U-44 is compatible with all of our interchangeable input capsules (sold separately), representing a powerful field recording setup. Choose from six capsules - X/Y, Shock Mount X/Y, Mid-Side, Shotgun, Stereo Shotgun, and Dual XLR/TRS Combo Input - each with its own unique applications. Record the audience during your live performance, or connect our SSH-6 Stereo Shotgun for dialogue and sound design on your latest film project.

Pristine Recording and Playback:
Inspired by our Zoom H-series recorders, the U-44 is equipped with high-performance, low-noise mic preamps that enable recording and playback at resolutions up to 24-bit/96 kHz. You can also use U-44 as a studio-quality headphone amp and listen to your favorite music in full fidelity.

It's All About Connections:
The U-44 features a full array of inputs and outputs so you'll always be prepared for any recording or live performance. Two combo inputs with independent gain knobs and multi-color level indicators provide flexibility for connecting mics, keyboards, and mixers. 48V phantom power can be supplied to inputs 1 and 2, and input 1 supports Hi-Z input for connecting passive guitars, basses, or other instruments. MIDI I/O jacks enable synchronization with devices like electronic keyboards, controllers, and synthesizer or sampler modules.

Multiple output options - including 1/4", RCA, and S/PDIF - allow you to connect DJ mixers, speakers, and more. Monitoring your mixes is easy thanks to a dedicated headphone output with independent volume control. The direct monitor knob makes it possible to blend your headphone mix between the input and playback signals - perfect for live electronic music performance and DJ'ing.

Control Your Mix:
With advanced monitoring options, the U-44 lets you dial in your ideal mix. Create a balanced headphone mix between your click track and main out signals during live performances. Or balance the cue and main out signals when you're DJ'ing. The outputs of channels A and B can be muted, providing even more control. Plus, direct monitoring enables you to hear the live signal you're recording without latency - simply adjust between the input and computer playback signals to create the perfect mix.

Standalone AD/DA Conversion:
Transfer audio with total clarity - When you're transferring audio, high-quality AD/DA conversion is critical. The U-44 functions in standalone mode as a high-quality mic preamp and AD/DA converter to ensure complete transparency when converting audio formats. You can choose between a 44.1 or 48 kHz sampling rate for conversion.
- Connect digital audio gear to analog amps and mixers
- Create digital samples for your songs
- Digitize your analog records and tapes
- Transfer archived recordings to digital

Feature-Rich Mobile Recording:
The U-44 is small enough to carry in your jacket pocket or backpack - without sacrificing features. Plus, all of the connectors and knobs are strategically positioned for fast access.

Create More with Your U-44:
Includes Albeton Live 9 Lite - With the U-44 and Ableton Live 9 Lite, you have everything the modern music creator needs. Record your tracks quickly and intuitively, enhancing them with studio-quality effects like EQ, compression, reverb, delay, chorus, filter, and more.
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