Skip Navigation

Secure shopping

Studio equipment

Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

Visit Juno Studio

Secure shopping

DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices. Visit Juno DJ

Labels
 
Release Date
 
Featured
View:
Options
Items 1 to 29 of 29 on page 1 of 1
Pittsburgh Modular Crush Voltage Controlled Downsampler Effects Module
 Add to cart
 1 in stock $203.52
Cat: 570811 Rel: 17 Aug 15
 
Voltage controlled analog waveform decimator effects module - 8HP wide
Notes: The Crush is an audio destroyer; a voltage controlled, all analog sound decimator. A sonic laser designed to shatter waveforms into a million pieces. The sound of the Crush module is defined by three parameters, Sample Rate, Interpolation, and Mix. Sample Rate assigns the periodic voltage sample timing, breaking down an audio source into ever-larger static chunks. The Interpolate switch tries to rebuild the original waveform from the remaining pieces imprinting another layer of errors and unique artifacts on the output. The results are crushing.

The Crush wrecks audio without ever sounding harsh or thin. Compared to a digital bit crusher, the analog Crush sounds full and warm. Taking advantage of unlimited bit and sample rate resolutions, the Crush avoids lo-fi digital results by smoothly downsampling at infinite resolution.

An integrated voltage controlled mix circuit allows the perfect amount of destruction to be added to the audio. Manually set the mix or use a control voltage to sweep from squeaky clean to completely crushed.

CRUSH CONTROLS:
Sample Rate Control - Sample rate control.

Sample Rate CV In Control - Sample Rate CV input jack attenuator.

Interpolate/Step Mode Switch - Step mode offers true downsampling. Interpolate mode attempts to smooth the downsampled waveform.

Output Mix Control - Controls the signal mix of the Mix Out.

Mix CV In Control - Mix CV input jack attenuator.

Crush Patch Points:
SR CV IN - CV input modulates the Sample Rate.
MIX CV IN - CV input modulates the Output Mix.
INPUT - Waveform Input.
CRUSH OUT - Processed waveform output.
OUTPUT - Mixed waveform output

*For audio samples, please visit - http://pittsburghmodular.com/crush/
Read more
Pittsburgh Modular Detect Envelope Follower Audio To Control Voltage Signal Generator Module
 Add to cart
 1 in stock $95.89
Cat: 570813 Rel: 25 Jan 16
 
Envolpe follower synth module - 6HP wide
Notes: Convert the dynamic fluctuations of an audio signal into control voltage. The Detect is a utility envelope follower module that generates gate and envelope signals based on the overall level of an incoming signal.

The attack and decay controls allow precise control over the response time of the envelope follower circuit, allowing for independent sharp to smooth control over both the rise and fall readings of the incoming waveform.

Gate threshold sets the level that the incoming audio must exceed for the Detect to generate a gate signal. Once the gate threshold has been exceeded, the input level must drop below the gate threshold before a new gate signal can be created.
Read more
Pittsburgh Modular Double Row Cherry Wood Sides For Desktop Cases
 Add to cart
 1 in stock $56.47
Cat: 552825 Rel: 10 Nov 14
 
Desktop synthesizer side panels - Cherry Wood
Notes: Cherry Wood Sides for Desktop Cases
Read more
Pittsburgh Modular Foundation 3.1 Modular Synthesizer
 Add to cart
 1 in stock $1,916.98
Cat: 556300 Rel: 08 Dec 14
 
Complete voice analog modular synthesizer
Notes: Housed in our stunning new Move[104] Black road case and controllecd with the feature packed Midi 3 module, the Foundation 3.1 Synthesizer is the continuing evolution of a classic. A standalone, fully modular synthesizer styled after the great monosynths of the past, the Foundation 3.1 Synnthesizer has no hardwired signal path or fixed voice architecture to restrict creativity. An all analog signal path driving massive oscillators and multiple filters pushes the Foundation 3.1 Synthesizer to new worlds of musical creativity. An unpatched Foundation 3.1 Synthesizer offers a clean slate for sonic exploration and sound design, and the open format of a modular synthesizer allows for greater control and a deeper understanding of synthesis.

The Foundation 3.1 Synthesizer is designed to function as a standalone instrument. However, the Foundation 3.1 Synthesizer is a 100% eurorack compatible modular synthesizer. The system is made up of 13 individual eurorack format synthesizer modules which can be removed, reorganized, and replaced with Pittsburgh Modular or other eurorack compatible modules. The Foundation 3.1 Synthesizer uses the Pittsburgh Modular Move[104] Black Case and Power Rail to house and power the modules.

At the heart of the Foundation 3.1 Synthesizer is a pair of 2nd generation, complex waveform oscillators. The oscillators offer a full complement of standard waveforms including sine, triangle, saw, and pulse waves in addition to a sub octave generator, modulatable blade wave, and serious modulation options, creating a huge sonic base to build on.

The Foundation 3.1 Synthesizer features our classic multimode filter alongside a character rich lopass gate creating an unmatched sonic palate.

Dual multifunction envelopes offer a wide range of creative potential. Each envelope module functions as a voltage controlled attack and decay or attack, sustain, and release, LFO, envelope follower, slew (portamento) and more.
Read more
Pittsburgh Modular LFO2 Dual Low Frequency Oscillator Module
 Add to cart
 2 in stock $96.44
Cat: 552762 Rel: 10 Nov 14
 
Dual LFO synth module
Notes: A basic dual LFO module. It uses two different types of low frequency oscillator circuits to provide a variety of modulation options.

LFO 1
A triangle based low frequency oscillator that utilizes rate and symmetry controls to generate shifting waveforms. Adjusting the symmetry control varies the shape of the TRI output from sawtooth to triangle to ramp and also adjusts the pulse width of the SQR wave output.

LFO 2
A simple triangle based low frequency oscillator with rate control over the triangle and square outputs.

Module Controls

LFO 1 (Top)
Rate Knob -
Shape Knob -
TRI - Saw / Triangle / Ramp Wave Output
Range Switch - Switches the frequency range of LFO 1.
SQR - Square / Pulse Wave Output

LFO 2 (Bottom)
Rate Knob -
TRI - Triangle Wave Output
Range Switch - Switches the frequency range of LFO 2.
SQR - Square Wave Output

Size: 6hp
Depth: 35mm
Power Usage: 30mA
Read more
FORTHCOMING
Pittsburgh Modular Lifeforms 2+2 Mixer Dual Multi Function Mixer & Attenuator Module
e-mail me when released
coming soon $115.07
Cat: 637393 Rel: 01 Mar 17
 
Low noise four channel mixer for both audio & CV signals
Notes: The Lifeforms 2+2 Mixer is a low noise, ambidextrous four channel mixer for both audio and CV signals. The signal path is extremely versatile allowing it to function in five different configurations.

The channel controls utilize a logarithmic volume curve tuned for audio signals but the module will work with CV as well.

The diagram below illustrates the signal path of the 2+2 Mixer. Patching the output of channel 1 or 3 will remove it from the mixer circuit. Patching the mix 1+2 output removes channels 1 and 2 from the mix (3+4) output and creates two, two channel mixers. Channel 4 cannot be removed from the mixer circuit, however if channel 1, 2, and 3 are all being used as attenuators, channel 4 is the only input remaining in the mixer allowing it to be used as a buffered attenuator.

Controls:

In 1 Jack - Channel 1 input jack.
Out 1 Jack - Channel 1 output jack. Plugging in a cable removes channel 1 from the mixer and allows it to be used as a passive attenuator.
Level 1 Knob - Channel 1 level attenuator.
In 2 Jack - Channel 2 input jack.
Mix 1+2 Out Jack - Channel 1 and 2 output jack. Plugging in a cable removes channel 1 and 2 from the Mix (3+3) output and allows channel 1 and 2 to act as separate a 2 channel mixer.
Level 2 Knob - Channel 2 level attenuator.
In 3 Jack - Channel 3 input jack.
Out 3 Jack - Channel 3 output jack. Plugging in a cable removes channel 3 from the mixer and allows it to be used as a passive attenuator.
Level 3 Knob - Channel 3 level attenuator.
In 4 Jack - Channel 4 input jack.
Mix (3+4) Out Jack - Main mixer output.
Level 4 Knob - Channel 4 level attenuator.
Read more
FORTHCOMING
Pittsburgh Modular Lifeforms ADSR Envelope Generator Module
e-mail me when released
coming soon $138.52
Cat: 637395 Rel: 01 Mar 17
 
Four stage envelope generator with independently adjustable attack, decay, sustain & release stages
Notes: The Lifeforms ADSR is a four-stage envelope generator with independently adjustable attack, decay, sustain, and release stages. This module does one thing amazingly well. The ADSR smooths the shape of the incoming gates and triggers to produce a more expressive instrument. The ADSR output can be used to control the amplitude of an oscillator, the cut-off frequency of a filter or any other function on a module that accepts control voltages.

The functionality of the ADSR is simple. The incoming gate or trigger signal passes through each of the four stages to output an envelope. When the ADSR module receives a gate or trigger signal, the attack determines the amount of time needed for the envelope generator to reach the peak output voltage and move on to the decay stage. Decay sets the amount of time needed to transition to the level set by the sustain knob. The sustain level is maintained as long as the incoming gate remains on or high. Once the incoming gate goes low or off, the release stage takes over. The release knob sets the time needed to close the envelope and return the ADSR output to 0 volts.
Read more
FORTHCOMING
Pittsburgh Modular Lifeforms Analog Replicator Voltage Controlled Analog Delay Module
e-mail me when released
coming soon $410.24
Cat: 637396 Rel: 01 Mar 17
 
16HP Eurorack BBD delay module with proprietary clock source & signal processing circuitry
Notes: Cleaner, dirtier, brighter, darker, and more versatile than any other analog BBD delay line effects unit available. The Analog Replicator is the astounding result of over a year of ambitious design and engineering.

A New Beginning:
The Analog Replicator was redesigned from scratch to be the finest analog delay available with a sound and feature set focused around the modular synthesizer. Our original Analog Delay module grew out of the circuitry of a guitar pedal. The new Analog Replicator module does not share the same stompbox lineage. Michael Johnsen, Pittsburgh Modular's analog engineer, created a modern BBD core fed by a unique clock source and proprietary signal processing circuits. The result is a flexible, more musical, Eurorack delay module.

How It Works:
At the heart of the Analog Replicator is a pair of 4,096 stage BBD chips. The name BBD stands for [B]ucket [B]rigade [D]evice in reference to a line of people passing buckets of water to quickly extinguish a fire. Each stage of a BBD chip contains a single capacitor. Pairing two chips together creates a chain of 8,192 capacitors. Like the water buckets, an audio signal is passed from capacitor to capacitor within the BBD chips once every clock step. A slower clock produces a longer delay and a faster clock produces a shorter delay.

Multi-Mode Delay:
The controls of the Analog Replicator can be used to produce a wide range of delay effects. The STAGES switch flips between 4,096 and 8,192 BBD stages. 4,096 uses a single BBD chip and 8,192 uses two. Using both BBD chips doubles the available delay time, perfect for echoes and longer delays. Using a single BBD is useful for reverb and chorus effects. The SHORT/LONG switch drastically adjusts the delay range. Using a single BBD, the SHORT range varies between 10ms and 175ms and the long range varies between 10ms and 1300ms. The SHORT mode produces bright, clean analog repeats. LONG mode is dark and grimy. Mud and clock noise (whine) begin to leak in and eventually take over as the Analog Replicator reaches the longest available delay time.

Chorus and Reverb:
The design of the Analog Replicator allows it to mimic Chorus and Reverb effects. Setting the switches to 4,096 and SHORT, adjusting the TIME control to create shorter delays, and adding a small to medium amount of FEEDBACK, the Analog Replicator generates an analog reverb effect. Add modulation using the TIME CV IN to take advantage of a range of chorus like effects.

Delay Ranges:
4,096 and SHORT Selected: 10ms to 175ms
8,192 and SHORT Selected: 20ms to 350ms
4,096 and LONG Selected: 10ms to 1300ms (1.3 seconds)
8,192 and LONG Selected: 20ms to 2600ms (2.6 seconds)
Read more
FORTHCOMING
Pittsburgh Modular Lifeforms Binary Filter Voltage Controlled State Variable Filter Module
e-mail me when released
coming soon $208.84
Cat: 637398 Rel: 01 Mar 17
 
Classic multi-mode filter module in 8HP Eurorack format
Notes: A deeper exploration of the Pittsburgh Filter sound, the Binary Filter is a voltage controlled, analog, state variable filter based on the filter of the Lifeforms SV-1. The state variable topology was chosen because it allowed us to produce a very smooth and natural sounding filter, in addition to offering several other modes of operation, each with a unique sound and energy all their own.

There Is No Sweet Spot:
The Filter defines the Jekyll and Hyde sound of Pittsburgh Modular. On the one hand, it offers a warm, organic sweep through the full frequency range. The low-pass filter is gummy and relaxed while the high-pass is clean and defined. On the other hand, switching into unstable mode turns the Binary Filter into a howling beast capable of chunky walls of overdrive and noise. The goal was to produce a filter that does not have a single sweet spot. We worked to make every turn of a knob or flip of a switch offer something new and musically engaging.

Filter Responses:
Multiple filter responses are available simultaneously including low-pass, high-pass, and band-pass.

Switch It Up:
The stability switch selects between Stable and Unstable modes. Set to Stable, the Lifeforms Bipolar Filter will not self-oscillate, and operates as a clean, organic filter. Set to Unstable and without an incoming audio signal, the Bipolar Filter produces a high-quality voltage controlled sine wave. Adjusting the Q while in Unstable mode modifies the shape of the waveform. Add an incoming audio signal to the Unstable mode and the output changes dramatically. At normal settings, the incoming signal modulates the self-oscillating filter to produce complex sounds. At more extreme settings, where the Bipolar Filter starts to struggle with self-oscillation, the Q adds anything from ringing fuzz to heavy distortion to the incoming audio.
Read more
Pittsburgh Modular Lifeforms Distro Splitter Mixer Active Audio & CV Interchange Module
 Add to cart
 2 in stock $90.57
Cat: 634753 Rel: 26 Dec 16
 
Audio & CV distribution synth module in Eurorack format - 4HP wide
Notes: The Lifeforms Distro is an active audio and CV interchange with three independent sections for splitting and mixing. The outputs of each section are individually buffered and tuned to offer robust signal separation and unity gain pass-through.

The top two splitter sections create three identical, buffered copies of the incoming audio or CV signal. Perfect for pitch sensitive CV signals. The mix section offers both mixing and splitting with a two channel unity gain mixer and a set of individually buffered outputs. This section can be used as a two channel mixer, buffered signal splitter, or both.
Read more
FORTHCOMING
Pittsburgh Modular Lifeforms Double Helix Complex Oscillator Voice Module
e-mail me when released
coming soon $525.32
Cat: 637399 Rel: 01 Mar 17
 
Modular waveform generator featuring 2 precision analog oscillators with voltage controlled shape contouring
Notes: Designed to be the nucleus of a synthesizer, the Double Helix Oscillator is a modular waveform generator like no other. A set of beefy, analog oscillators paired with voltage controlled shape contouring, deep modulation, and a performance ready voltage controlled modulation matrix create a dynamic, analog waveform playground.

At the core of the Double Helix are two, wide range, precision oscillators. The primary oscillator includes a full complement of waveforms and multiple modulation options. The Secondary oscillator offers a more focused set of waves and frequency modulation. Both oscillators reach deep into LFO range and can be used as voltage controlled modulation sources.

The contour section of the Double Helix Oscillator features a highly tuned wavefolder paired with our exclusive dynamic impulse low pass gate. The contour signal chain starts with a two-channel mixer. This allows multiple waveforms or multiple oscillators to be combined before passing though the contour section. The first half of the contour section is a voltage controlled, 6 stage wavefolder used to add odd harmonics to the incoming waveform. The timbre and timbre CV controls set the density and amplitude of the folds. When processing a sine wave, the wavefolder creates a spectral change from zero harmonics to square, with an infinite harmonic series.

The second half of the contour section is a dynamic impulse low pass gate. The effect of the low pass gate is similar to pairing a low pass filter and VCA together. As the dynamics control is opened, the filter adds harmonics and the VCA increases the amplitude of the waveform. As the dynamics control is closed, the filter removes harmonics and the VCA decreases the amplitude of the waveform. This pairing mimics how sound behaves in the real world creating a more naturally tonal response. The impulse input adds the ability to strike or ping the low pass gate circuit creating a very organic, percussive sound. The decay time of the impulse input is set by the dynamics response control allowing the strike to be tuned to a specific musical context.

The modulation section includes an LFO offering simultaneous sine, square, and random waveforms. A noise source is also available for audio or modulation use.

A pair of voltage controlled routers manage all the CV inputs creating a dual, voltage controlled modulation matrix perfect for complex signal paths, experimentation, and live performance. The matrix consists of two voltage controlled amplifiers designed to control the modulation amount inputs that can be routed to any of the Double Helix CV inputs. Each of the CV inputs can be switched to channel a, bypass, or channel b and mixed with a dedicated CV input.
Read more
FORTHCOMING
Pittsburgh Modular Lifeforms Dual VCA Voltage Controlled Amplifier Module
e-mail me when released
coming soon $185.40
Cat: 637400 Rel: 01 Mar 17
 
8HP dual linear VCA & voltage controlled mixer module
Notes: The perfect voltage controlled amplifier for both audio and CV applications. Dual, high quality linear voltage controlled amplifiers with offset gain, CV attenuation, and a mix out. Each VCA includes a CV attenuator and input pass through attenuator. The output of each VCA is sent to a fully buffered mix output that allows the Dual VCA to act as two channel voltage controlled mixer.

Dual VCA Controls:

- CV In 1 Jack - CV Input used to control the VCA.
- CV In 1 Attenuator Knob - CV input attenuator.
- IN 1 - Signal input jack.
- Pass-thru 1 Knob - Adjusts the passthru level of the input signal.
- Out 1 - Signal output jack.
- CV In 2 Jack - CV Input used to control the VCA.
- CV In 2 Knob - CV input attenuator.
- In 2 - Signal input jack.
- Pass-thru 2 Knob - Adjusts the passthru level of the input signal.
- Out 2 - Signal output jack.
- Mix Out - Fully Buffered mix of the VCA 1 and VCA 2 outputs.
Read more
Pittsburgh Modular Lifeforms Dynamic Impulse Filter Module (B-STOCK)
 Add to cart
 1 in stock $207.79
Cat: 644296 Rel: 26 Dec 16
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A New Species of Lowpass Gate:
Organic and percussive, the Dynamic Impulse Filter utilizes an entirely new, all analog design to replicate the impact transients and vibrancy of a percussion hit. The result is a versatile filter module that sounds natural and energetic. The Dynamic Impulse Filter works in one of three modes: resonant lowpass filter, high quality VCA, and a combined lowpass gate mode that manages both timbre and loudness at the same time. The core of the filter uses a Sallen-Key topology to produce a smooth two pole filter that will self-oscillate at high resonance settings.

We Love Vactrols Too...
The dynamics response control is the key. Historically, lowpass gates have used a light dependent resistor called a vactrol to impart a magical, organic response onto a sound. This unique signature has given the vactrol an almost mythical status in the synth community. However, the venerable vactrol is not without its problems. Vactrol response times can vary wildly, creating sonic differences from module to module that cannot be adjusted without replacing the vactrol. The fruit of over two years of research and development, the Dynamic Impulse Filter evolves the lowpass gate into the present by retaining the sonic characteristics we love about vactrols while solving all the problems that come with it. The unique design of the Dynamic Impulse Filter replaces the vactrol with a modern analog circuit created to replicate and expand on the signature sound of the vactrol. The response time of the Dynamic Impulse Filter is not static like a vactrol; instead it is tuneable allowing the response of the module to adapt to any musical context.

Used as a filter, the Dynamic Impulse Filter offers a wide sonic palate with smooth frequency sweeps and aggressive resonance. The Dynamics Response control is an essential part of the filter's unique ability to create rich, tuneable sounds. The impulse trigger input and the exclusive Dynamics Response control allow the module to add an organic, percussive quality to any sound or become a versatile analog drum generator. The Dynamic Impulse Filter will uniquely emulate everything from snappy deep kicks, woody toms, and expressive hand drums, to open up a new world of electronic percussive sounds.

Shared Response:
The Response output of the Dynamic Impulse Filter can be used to control other modules that utilize vactrols. The Response output superimposes the variable Dynamics Response onto vactrol based modules allowing the response of a static vactrol to become adjustable. This opens a range of new possibilities for other modules that use vactrols.

Dynamic Impulse Filter Controls:
- Dynamics Response Knob - Sets the decay time related to the impulse gate input and dynamic CV input.
- Dynamics Knob - In filter mode, the dynamics knob controls the centre frequency of the filter. In VCA mode, the dynamics knob controls the pass through signal level. In lowpass gate mode, the dynamics knob controls both the centre frequency of the filter and the pass through signal level.
- Dynamics CV Knob - Attenuates the incoming dynamics cv signal.
- Filter Mode Resonance Knob - Only active in filter mode, the filter mode resonance knob controls the amount of resonance.
- Mode Switch - Switch between the 3 module modes. VCA position (up) enables VCA mode, both position (centre) enables lowpass gate mode, and filter position (down) enables low pass filter mode.
- Input Jack - Audio signal input.
- Dynamics CV In Jack - CV input used to modulate the dynamics amount.
- Response Out Jack - Dynamics response CV output. This output if the dynamics response circuit is optimized to control the vactrol response of modules utilizing vactrols. It is designed to be patched into a CV input. The response out jack will respond like a gate when used with non-vactrol modules.
- Impulse Gate In Jack - Gate or trigger input used to strike the vactrol and quickly modulate the dynamics of the module.
- Out Jack - Audio signal output.
Read more
FORTHCOMING
Pittsburgh Modular Lifeforms Foundation 4 Duophonic Modular Synthesizer
e-mail me when released
coming soon $TBA
Cat: 637379 Rel: 01 Mar 17
 
Analog modular synthesizer in Eurorack format - 104HP wide
Notes: An endlessly creative synthesis environment, the Lifeforms Foundation 4 dives deep into both east and west coast synthesis schools to produce a rewarding sonic palate regardless of the musical destination.

East Coast Subtraction:
Anchored by a powerful pair of oscillators with a full complement of waveforms rich in harmonics and modulation options, three resonant filters, a pair of four stage envelopes, and deep midi options, the Lifeforms Foundation 4 is the perfect choice for east coast style subtractive synthesis. The on-board midi can be patched up to create monophonic or true duophonic synth voices, and can be controlled with the built-in arpeggiator. Everything from Berlin school electronic music to dirty funk bass lines are just a few patch cables away.

West Coast Chemistry:
The same complex oscillator that sings for the east coast opens to reveal even more for the west. FM, non-linear waveshaping, and a unique variable response low-pass gate drive the Lifeforms Foundation 4 deep into west synthesis territory. An additional low-pass gate, voltage controlled multi-function generator, chaotic random generators, and a host of utility modules firmly plant the Lifeforms Foundation 4 flag on west coast soil.

A Eurorack Synthesizer:
The Lifeforms Foundation 4 is not simply a collection of Eurorack modules pieced together to fill a case. All of the modules in the Lifeforms Foundation 4 were designed simultaneously as a single, monolithic synthesizer to ensure that it sounds and feels like a complete instrument. While the Lifeforms Foundation 4 Synthesizer functions as a standalone instrument, it is also a 100% Eurorack compatible modular synthesizer. The system is made up of 12 individual Eurorack format synthesizer modules which can be removed, reorganized, and replaced with Pittsburgh Modular or other Eurorack compatible modules. Housed in our Structure EP-208 road case, the Lifeforms Foundation 4 has room to grow. The additional space allows a nearly infinite number of expansion options. The included black plastic blank panel can be easily trimmed as new modules are added to keep the case looking clean.
Read more
FORTHCOMING
Pittsburgh Modular Lifeforms Foundation Evo Flagship Modular Synthesizer
e-mail me when released
coming soon $TBA
Cat: 637380 Rel: 01 Mar 17
 
Analog modular synthesizer in Eurorack format
Notes: An instrument designed for deep exploration of both east and west coast synthesis styles while showcasing the full depth of the Lifeforms sound and design philosophies, the Lifeforms Foundation Evo is our flagship modular synthesizer.

The Lifeforms Foundation Evo is a deeply rich and creative laboratory packed with all the tools necessary for late night sonic diversions and inspiring live performances. A set of complex oscillators, pressure sensitive performance controller, multiple arpeggiators, multiple sequencers, voltage controlled analog delay, chaotic random cv and gate generators, and multiple filter types are just the tip of the iceberg.

East Coast Mastery:
Four beefy analog oscillators with a full complement of waveforms rich in harmonics and modulation options, three resonant filters, a pair of four stage envelopes, and deep midi options, the Lifeforms Foundation Evo is the perfect choice for maximum east coast style subtractive synthesis. The Lifeforms Foundation Evo can be patched up to create massive four-oscillator monophonic or true duophonic dual oscillator synth voices, and can be controlled with the built-in pressure sensitive keyboard, or with any combination of included sequencers and arpeggiators.

West Coast Chemistry:
The same set of complex oscillators that sing for the east coast open to reveal even more for the west. FM, non-linear wave-shaping, and a unique variable response low-pass gate drive the Lifeforms Foundation Evo deep into west synthesis territory. An additional low-pass gate, voltage controlled multi-function generator, chaotic random generators, pressure sensitive controller, voltage controlled analog delay, and a complete set of utility modules firmly plant the Lifeforms Foundation Evo flag on west coast soil.

A Eurorack Synthesizer:
The Lifeforms Foundation Evo is not simply a collection of Eurorack modules pieced together to fill a case. All of the modules in the Lifeforms Foundation Evo were designed simultaneously as a single, monolithic synthesizer to ensure that it sounds and feels like a complete instrument. While the Lifeforms Foundation Evo Synthesizer is designed to function as a standalone instrument, it is also a 100% Eurorack compatible modular synthesizer. Housed in our Structure EP-208 road case, the system is made up of 15 individual Eurorack format synthesizer modules which can be removed, reorganized, and replaced with Pittsburgh Modular or other Eurorack compatible modules.
Read more
FORTHCOMING
Pittsburgh Modular Lifeforms MIDI 3 MIDI To CV Converter Module
e-mail me when released
coming soon $279.17
Cat: 637401 Rel: 01 Mar 17
 
Full-featured 6HP Eurorack MIDI to CV converter module
Notes: The MIDI 3 is a third-generation MIDI to CV converter packed with a robust list of features. It includes a complete set of mono and duophonic MIDI response modes, assignable CC and dedicated velocity outputs, a feature rich clock source with tap tempo, MIDI and external gate clock dividers, and multiple arpeggiator responses. This module is deep.

A MIDI to CV module converts standard MIDI note messages into the analog control voltages used by modular and other analog synthesizers. This allows the synthesizer to be controlled by a MIDI keyboard, sequencer, or DAW. The two CV outputs on the MIDI 3 can be used to control the pitch of an oscillator, cut-off frequency of a filter, or any other function that requires a control voltage signal. The set of Gate outputs on the MIDI 3 can be used to trigger envelope generators or other modules expecting a gate or clock source.

The MIDI 3 Module has 3 Distinct Performance Modes:
Monophonic - Monophonic mode works great when using a modular as a single voice synthesizer patch. Channel 2 Gate and CV outputs mirror the outputs of Channel 1. Monophonic mode has several keyboard responses to choose from. Last note priority, low note priority, and high note priority. Each response is available with and without gate retriggering.

Duophonic - The MIDI 3 module uses the two sets of Gate and CV outputs to allow two notes to be played simultaneously. The first MIDI note is sent to Channel 1 Gate and CV outputs and the second is sent to Channel 2 Gate and CV outputs. Duophonic mode has three keyboard response modes to choose from. Unused channel and new note priority, unused channel and low note priority, and split keyboard priority. Duophonic mode is perfect when working with a two-voice modular synthesizer patch.

Arpeggiator - The MIDI 3 module includes a robust arpeggiator mode with multiple mono and duophonic responses to choose from. Available responses are monophonic response as played, double triggered monophonic response as played, random monophonic response, random monophonic with a random Channel 2 gate, and random duophonic response with dual random gates. The arpeggiator can be clocked using tap tempo, MIDI clock, or external gate.

The MIDI 3 Module has 3 Clock Modes:
Internal Clock - The internal MIDI 3 clock utilizes the tap tempo button to modify the rate of the internal clock. The internal clock is used to clock the arpeggiator and is also output to the CLOCK jack.

External MIDI Clock - The external MIDI clock responds to MIDI start/stop messages and MIDI tempo from an external MIDI clock source. The external MIDI clock is used to clock the arpeggiator and is also output to the CLOCK jack. In external MIDI clock mode, the tap tempo button cycles through five available clock divisions.

External Gate Clock - The external gate clock responds to gate signals patched into the CLOCK jack. The external gate clock is used to clock the arpeggiator. In external gate clock mode, the tap tempo button cycles through six available clock divisions.
Read more
FORTHCOMING
Pittsburgh Modular Lifeforms Mod Tools Multi Function Modulation Source Module
e-mail me when released
coming soon $232.29
Cat: 637402 Rel: 01 Mar 17
 
Diverse multi-function analog modulation module
Notes: Envelope, LFO, noise, sample and hold, mixer, analog logic, slew, and oscillator, the Mod Tools is a diverse analog ecosystem of modulation. The functionality of the Mod Tools is split into four sections. Multi-function, analog logic, noise/sample & hold, and modulation.

The Multi-Function section is a voltage controlled slope generator. This flexible circuit can function as a voltage controlled envelope, LFO, oscillator, slew, envelope follower, and more.

The Analog Logic is a two channel mixer with a standard unity gain mix out as well as an analog 'or' logic output. The 'or' logic outputs the current highest positive only voltage from either of the inputs creating interesting modulation or wave shaping options. Patching audio signals through the 'or' output creates a half-rectified waveform.

The noise/sample & hold section is an all analog noise source paired with a sample and hold circuit used to create truly random stepped CV signals.

The modulation section houses a free running LFO with both square and sine wave outputs.

Multi-function controls:
- LFO / Envelope Switch - Switch between envelope and LFO cycling mode.
- Sustain / Sustain Off Switch - Input level following sustain on or off.
- Rise Control Knob - Adjusts the rise / attack time of the envelope or rising side of the LFO.
- Length CV Attenuverter Knob - Rise and fall modulation level attenuverter.
- Length CV Input Jack - Rise and fall modulation input jack.
- Signal Indicator LED - Signal indicator LED represents the current voltage level within circuit.
- Input Jack - Main signal input jack.
- Output Jack - Main signal output jack.
- Fall Control Knob - Adjusts the fall / decay time of the envelope or falling side of the LFO.

Analog Logic Jacks:
- Input A Jack - Mixer channel A input jack normalled to the Multi-Function Output Jack.
- Input B Jack - Mixer channel B input jack normalled to the Modulation Sine Output Jack.
- Or Output Jack - Unity gain, positive only logical 'or' output of Input A and Input B.
- Mix Output Jack - Unity gain mix output of Input A and Input B.

Noise/Sample & Hold Jacks:
- Noise Output Jack - Analog noise output jack.
- Sample Input Jack - CV sampling input jack normalled to Noise Output Jack.
- Hold Input Jack - Stepped CV output jack normalled to Modulation Square Output Jack.
- Sample & Hold Output Jack - Stepped CV output jack.

Modulation controls:
- Frequency Knob - Frequency control sweeps through LFO range.
- Square Output Jack - Square wave output jack.
- Sine Output Jack - Sine wave output jack.
Read more
Pittsburgh Modular Lifeforms Multiple Passive Utility Module
 Add to cart
 1 in stock $41.02
Cat: 634754 Rel: 26 Dec 16
 
Dual passive audio & CV splitter
Notes: A passive utility module with two independent sets of four linked jacks. Each section of the Multiple module splits an incoming signal into three copies. This allows one audio or CV signal to be sent to several destinations at once.
Read more
FORTHCOMING
Pittsburgh Modular Lifeforms Outs Stereo Headphone Amp & Line Out Module
e-mail me when released
coming soon $115.07
Cat: 637403 Rel: 01 Mar 17
 
6HP Eurorack stereo headphone amp/line out module with stereo 1/4" headphone amplifier output & dual-mono 1/4" line-level outputs
Notes: The best way to get sound out of a modular. Outs is a dual independent output module featuring a stereo 1/4" headphone amplifier output and dual mono 1/4" line level outputs.

Left and Right inputs are available. If only the left input is used, it is sent to both the Left and Right outputs.
Read more
Pittsburgh Modular Lifeforms Percussion Sequencer Eurorack Drum Machine
 Add to cart
 2 in stock $337.78
Cat: 626225 Rel: 24 Oct 16
 
Four channel programmable drum controller
Notes: Welcome to the Eurorack Drum Machine:
The Pittsburgh Modular Lifeforms Percussion Sequencer is a seriously featured, 4 channel eurorack beat programmer with a classic drum machine style interface. The familiar interface allows for quick mastery of all the features leaving the focus on the music. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. Easily create new patterns using the live performance or step recording modes, then add one of the powerful pattern effects to each channel to take the sequence to a new level. Designed to integrate into any size eurorack system, simply patch 4 audio signals through the integrated high quality VCAs to create a set of unique percussion voices. Eurorack drum programming has come to life.

Anything is a Drum:
Traditionally, patching up a modular drum kit was constrained by the amount of envelope and VCA modules in a system, restricting the number and complexity of percussion voices in most systems. Another option was to use dedicated drum modules that offer a limited sonic palate and few modulation options. The Lifeforms Percussion Sequencer breaks through these barriers by including a percussion tuned analog envelope and VCA on each channel. Patching anything from a basic sine wave to heavily modulated and processed noise sources through the Lifeforms Percussion Sequencer will quickly create a distinctive drum kit that takes full sonic advantage of the unique synthesis options available in any system.

The Mind of a Modern Drum Machine:
At the heart of the module is a 4 channel, 32 step beat sequencer designed for live performance. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. Create and store up to 32 sequences using live performance or step mode recording with pattern lengths varying from 1 to 32 steps. Patterns can be copy and pasted to easily create multiple versions of a beat. The sequencer is driven by an internal tap tempo or external clock source. A dedicated clock in/out jack syncs the sequencer with other modules.

Four Integrated Analog Envelopes and VCAs:
Instead of limiting the drums to a few onboard voices or lo-fi samples, the Lifeforms Percussion Sequencer uses an analog envelope and VCA built into each channel to shape any audio source into a percussive instrument. The envelopes are designed with a razor sharp attack and variable decay/release allowing for maximum control over the output of each channel. The envelopes can also be used externally. A short envelope creates a trigger while longer envelopes can be used as a modulation source for oscillators, filters, or anything at all.

6 Adjustable Pattern Effects:
The Lifeforms Percussion Sequencer includes 6 unique pattern effects to expand the musical possibilities of traditional grid style beat programming. Effects include everything from swing and beat shifters to glitch and generative algorithms designed to manipulate the sequencer pattern. Each channel can run a unique instance of one pattern effect at a time. A master pattern effect channel is also available that affects all 4 channels of the sequencer. The combination of the channel effect and the master effect allows for up to two effects at a time on each channel. Each effect has one parameter that can be adjusted to dial in the perfect response.

- Shift Effect
Delays the trigger output of a channel by small divisions of the tempo. Use this effect to create half-step or stutter-step drum triggers. Effect knob controls the amount of channel shift. The range of shift is 1/8th to 7/8ths of a beat.

- Glitch Effect
Probability based glitch effect that creates chaotic gates based on a cascading chance algorithm. The resulting patterns are always in sync with some division of the clock, allowing for stuttering but not disjointed patterns. The probability is set using the effect knob. The range of the glitch effect is minimal to absolute chaos.

- Density Effect
Sets the number and timing of triggers created for each active step. The result can be anything from a doubling of the trigger to a rolling effect. The effect knob controls the trigger density.

- Morph Effect
Create evolving patterns. The morph effect is a probability based algorithm that modifies an existing pattern by adding or removing active steps. The effect knob sets the probability that the pattern will morph.

- Swing Effect
A classic drum machine effect meant to mimic the feel of a real drummer by shifting the timing of every other step. The effect knob controls the amount of swing.

- Add/Drop Effect
Temporarily add or drop steps from a pattern. The results are similar to the morph effect but changes to the pattern are not compounded as the pattern plays allowing the resulting pattern to stay anchored to the original sequence. The effect knob sets the probability that a step will be modified.
Read more
Pittsburgh Modular Lifeforms System 101 Modular Synthesizer
 Add to cart
 2 in stock $852.46
Cat: 598243 Rel: 14 Mar 16
 
Complete modular synthesizer system based around the Lifeforms SV-1 synth module - in powered housing
Notes: Lifeforms System 101 - Modular synthesis starts here



Fully modular analog synthesizer with room to expand.

The Lifeforms System 101 pairs the feature rich Lifeforms SV-1 synthesizer voice module with the beautiful Structure EP-96 enclosure and necessary accessories to create an amazing sounding, versatile analog modular synthesizer that works right out of the box. Anchored by the classic Pittsburgh Modular Filter and two full range analog oscillators packed with harmonically rich waveforms, the Lifeforms System 101 offers a rich sound palette with the flexibility of an open, fully patchable analog voice architecture.




Pure Analog Power

- overflowing with sonic potential, the Lifeforms System 101 houses a refined analog synth engine ready to explore new aural territories. The feature set includes everything you need to create unique synth sounds. Roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away.

Two larger-than-life, next-generation analog oscillators start you off on your audio journey with all the classic waveforms: sine, triangle, sawtooth, pulse, and square. As a bonus, on Oscillator 1 we have included our exclusive blade wave, allowing for cutting-edge sounds new to the analog realm. Combined with two sub octave generators, the oscillator cores of the Lifeforms SV-1 are the perfect base for sonic sculpting. Modulation is handled with a well curated set of tool: a dedicated analog LFO, noise, sample and hold, and a clock syncable digital LFO. Oscillator 2 can also be used as a voltage controllable low frequency oscillator to create complex west coast synthesis style FM timbres.



The true sonic character of the System 101 comes from the filter. Rich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in frequency response. Separate highpass, lowpass, and bandpass patch points are provided for an even larger tonal palette.

A robust feature set with a fluid, sleek interface empowers you to create vibrant and thick tones. The included MIDI to CV converter allows you to control it. Connected to an external MIDI controller or DAW, the MIDI to CV converter is customizable to any playing style and loaded with extra features such as a 10 note arpeggiator, tap tempo clock, and clock syncable LFO with triangle and quantized random voltage waveforms.




Included:
Lifeforms SV-1 Synthesizer Voice Module

Structure EP-96 Eurorack Enclosure

Custom MIDI Adapter Cable

12 Nazca Audio Braided Eurorack Patch Cables

48hp of Available Space to Expand

Universal DC Adapter
Read more
Pittsburgh Modular Lifeforms System 201 Modular Synthesizer
 Add to cart
 1 in stock $1,257.38
Cat: 598244 Rel: 14 Mar 16
 
Complete modular synthesizer system based around the Lifeforms synth module series - in powered housing
Notes: Lifeforms System 201

Interactive inspiration machine.

A complete modular performance synthesizer, the Lifeforms System 201 packs the Lifeforms SV-1 analog synthesizer voice and a Lifeforms KB-1 pressure sensitive keyboard controller into the Structure EP-96, pairing huge sonic potential with maximum control. Anchored by the classic Pittsburgh Modular filter and two full range analog oscillators packed with harmonically rich waveforms, the Lifeforms System 201 offers a rich sound palette with the flexibility of an open, fully patchable analog voice architecture. The pressure sensitive keyboard maximizes the creative process with arpeggios, sequences, triggers, voltage memory and more.


Interactive Analog Power

Overflowing with sonic potential, the Lifeforms System 201 houses a refined analog synth engine ready to explore new aural territories.

The feature set includes everything you need to create unique synth sounds. Roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away.

Two larger-than-life, next-generation analog oscillators start you off on your audio journey with all the classic waveforms: sine, triangle, sawtooth, pulse, and square. As a bonus, on Oscillator 1 we have included our exclusive blade wave, allowing for cutting-edge sounds new to the analog realm. Combined with two sub octave generators, the oscillator cores of the Lifeforms SV-1 are the perfect base for sonic sculpting. Modulation is handled with a well curated set of tools: a dedicated analog LFO, noise, sample and hold, and a clock syncable digital LFO. Oscillator 2 can also be used as a voltage controllable low frequency oscillator to create complex west coast synthesis style FM timbres.

The true sonic character of the System 201 comes from the filter. Rich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in frequency response. Separate highpass, lowpass, and bandpass patch points are provided for an even larger tonal palette.



A robust feature set with a fluid, sleek interface empowers you to create vibrant and thick tones. The included pressure sensitive keyboard controller allows you to control it. The Lifeforms KB-1 provides a multi-function, expressive, capacitive touch keyboard designed for performance. The KB-1 contains a powerful one octave pressure sensitive keyboard complete with arpeggiator, step Sequencer, preset voltage memory array, and a pair of multi-mode trigger pads. Eleven patchable outputs and a deep feature set enable you to cover new sonic territory with an unprecedented level of control.




Included
:
Lifeforms SV-1 Synthesizer Voice Module

Lifeforms KB-1 Synthesizer Voice Module

Lifeforms HP-6 logo Panel

Structure EP-96 Eurorack Enclosure

Custom MIDI Adapter Cable

12 Nazca Audio Braided Eurorack Patch Cables

Universal DC Adapter
Read more
FORTHCOMING
Pittsburgh Modular Lifeforms System Interface 6 Channel Performance Mixer Module
e-mail me when released
coming soon $349.50
Cat: 637404 Rel: 01 Mar 17
 
Flexible six channel audio hub in Eurorack format
Notes: Packed with deep signal routing options and high quality preamps, the System Interface is a flexible audio hub, perfect for both studio and live performance. Squeezed into 24hp.

The System Interface is a six channel mixer with three channels featuring high quality preamps and stereo panning. Signal routing options include a post level auxiliary send with stereo aux return, and independent assignable bus and main mix sends. Headphone output can be assigned to the main mix, bus, or both.

Preamps on channels 1, 2, and 3 offer 15x of clean gain with a unique soft clipping overdrive circuit. They are perfect to raise the level of external, line level gear to modular levels or to dirty up an already modular level signal. Channel 1 has a dedicated output designed to allow it to function as an input for external sources without hogging the bus or aux send.

Because most mixes do not require each channel to have a full complement of features, channel 4, 5, and 6 share auxiliary, bus, and main mix controls allowing for maximum channels within a small footprint.

Three independent signal paths open the mixer up to complex routing possibilities. The auxiliary send can be used as an effects send or alternative mix while the bus is used to cue up sounds for live performance or to split the mixer channels into 2 independent mixers. The possibilities are deep.
Read more
Pittsburgh Modular Mix Mult Multifunction Utility Module
 Add to cart
 2 in stock $87.91
Cat: 552793 Rel: 10 Nov 14
 
Multifunction utility synth module
Notes: 3 Channel Mixer
2 Passive Multiples

The Mix Mult is a multifunction utility module. The module combines three important functions into a single module. A high quality three channel mixer and/or attenuator and two sets of passive multiples.

The mixer/attenuator section functions as a flexible, low-noise three channel mixer and/or attenuator for audio and CV that can be used in several ways. Patching into the output of channel 1 or 2 will remove that channel from the mixer circuit and turn the channel into an independent passive signal attenuator. Channel 3 can not be removed from the mixer circuit, however if channel 1 and 2 are all being used as attenuators, channel 3 is the only input remaining in the mixer allowing it to be used as a buffered attenuator. The mixer knobs are wired with a logarithmic volume curve that is tuned for use with audio but it will work with CV as well.

The bottom of the module contains two sets of passive multiples. Patching a signal into one of the multiple jacks will split the signal to the remaining two jacks. allowing a single audio or CV signal to be used in two places at once.

Width: 8hp
Module depth with ribbon cable attached: 25mm
Power Usage: 20mA
Read more
Pittsburgh Modular Structure EP270 Professional Eurorack Enclosure
 Add to cart
 1 in stock $653.74
Cat: 637382 Rel: 20 Mar 17
 
Eurorack modular synthesizer case - 270HP of module space
Notes: Eurorack modular synthesizer case designed to meet the demanding requirements of project and professional studio environments. The Structure EP-270 provides massive amounts of clean, quiet power housed in beautiful, angled hardwood enclosures, full of classic synthesizer styling.

Uncompromising power and craftsmanship combine to create this stunning studio case. The Structure EP-270 offers 270HP of module space with a combined 9 amps of robust power.
Read more
Pittsburgh Modular Structure EP360 Professional Eurorack Enclosure
 Add to cart
 2 in stock $931.85
Cat: 598242 Rel: 14 Mar 16
 
Hand-stained all hardwood eurorack synth module enclosure with power - 360HP of space
Notes: ***POWER SET FOR EU AND AUSTRALIA 220-230V:
The Pittsburgh Modular Structure 208 and Structure 360 eurorack enclosures use a switching power supply that needs manually set to the correct AC input voltage. The internal switch has already be properly set for 220-230 VAC. This setting works for the EU and Australia or other countries that use 220-230 VAC power.
For use in countries that use 100-120 VAC power, such as North America and Japan, the switch inside the case on the AC/DC regulator needs to be switched to the left. The switch is marked with a Yellow sticker printed with "AC input voltage can be selected by switch. Check input voltage avoiding damage before power on." The switch is located on the side of the enclosure below the arrow.
Please contact Pittsburgh Modular with any questions. service@pittsburghmodular.com***

Structure EP-360 Eurorack Enclosure

Maximum Power for a New Generation -

Beautifully stained hardwood triple row, 360hp powered eurorack travel case with lid. A huge case to house a monster synth. Features include a professional, heavy duty, internal power supply designed to exceed the needs of the most demanding analog and digital eurorack systems.




Everything is New:
With years of research and two case lines under our belt, we decided to start over and produce a line of cases for the next generation of eurorack synthesizers. The eurorack modular ecosystem is expanding faster than ever and manufacturers are constantly pushing eurorack cases and power supplies to the limits. What started as a power supply designed to drive primarily analog synthesizers has transformed into a supply that needs to simultaneously meet the unique demands of sensitive analog circuitry, power hungry digital processors, and ground sensitive user interface modules.

We started with what matters most. Clean power. A lot of it. Up to 3x the amount of clean power available in cases from other brands. Next we turned our focus to the enclosure itself and there was only one goal. Make the case stronger. Our engineers tested countless combinations utilizing different types of wood, joints, adhesives, assembly techniques, and hardware to ensure that Structure cases are as durable as they are beautiful.

With a clean and gorgeous design that promotes creative exploration, the Structure enclosures are our most robust and refined case line yet. With massive amounts of both room and clean power, you can reach completely new heights in your creative performances.






Includes:
Structure EP-360

Power
:
6 Amps of Clean +12v Power

6 Amps of Clean -12v Power

5 Amps of Clean +5v Power

Custom Powered Bus Board with 15 Keyed Eurorack Power Headers Per Row, 45 Power Headers Total

External On-off Rocker Power Switch with LED

Universal IEC Power Connector Works Anywhere

Structure EP-360 Enclosure
:
Hardwood and Steel Construction (No cheap plastic here)

Triple 120hp Rows

Removable Lid

Lid Fits Over Fully Patched System (No need to remove patch cables)

Edge to Edge Rail Design Reduces Gaps Between Modules and the Side of the Case

24 Smooth Sliding Square Nuts Per Rail (Holds up to 72 modules)

Beautifully Hand-Stained Hardwood

Matching Black Steel Hardware Set




Structure EP-360 Dimensions
:
External Depth with lid:9 1/4"
External Depth without Lid: 5 1/2"
External Height: 17"
External Width: 25 1/2"
Internal Depth Above Power Supply: 2 3/4"
Internal Depth Above Bus Board: 3 3/4"
Internal Depth Above Nothing: 4 1/4"
Read more
Pittsburgh Modular Structure EP96 Professional Eurorack Synth Module Enclosure Case
 Add to cart
 1 in stock $312.21
Cat: 598240 Rel: 14 Mar 16
 
Hand-stained all hardwood eurorack synth module enclosure with power - 96HP of space
Notes: ***POWER SET FOR EU AND AUSTRALIA 220-230V:
The Pittsburgh Modular Structure 208 and Structure 360 eurorack enclosures use a switching power supply that needs manually set to the correct AC input voltage. The internal switch has already be properly set for 220-230 VAC. This setting works for the EU and Australia or other countries that use 220-230 VAC power.
For use in countries that use 100-120 VAC power, such as North America and Japan, the switch inside the case on the AC/DC regulator needs to be switched to the left. The switch is marked with a Yellow sticker printed with "AC input voltage can be selected by switch. Check input voltage avoiding damage before power on." The switch is located on the side of the enclosure below the arrow.
Please contact Pittsburgh Modular with any questions. service@pittsburghmodular.com***

Structure EP-96 Eurorack Enclosure

- Small and Mighty



Beautifully stained hardwood double row eurorack case. A compact desktop enclosure with 96hp of space and plenty of power available for both analog and digital modules.



Everything is New:
With years of research and two case lines under our belt, we decided to start over and produce a line of cases for the next generation of eurorack synthesizers. The eurorack modular ecosystem is expanding faster than ever and manufacturers are constantly pushing eurorack cases and power supplies to the limits. What started as a power supply designed to drive primarily analog synthesizers has transformed into a supply that needs to simultaneously meet the unique demands of sensitive analog circuitry, power hungry digital processors, and ground sensitive user interface modules.

We started with what matters most. Clean power. A lot of it. Up to 3x the amount of clean power available in cases from other brands. Next we turned our focus to the enclosure itself and there was only one goal. Make the case stronger. Our engineers tested countless combinations utilizing different types of wood, joints, adhesives, assembly techniques, and hardware to ensure that Structure cases are as durable as they are beautiful.

With a clean and gorgeous design that promotes creative exploration, the Structure enclosures are our most robust and refined case line yet. With massive amounts of both room and clean power, you can reach completely new heights in your creative performances.




Structure EP-96 Features

:
Structure 96 Power
:
1.5A Amps of Clean +12v Power

1.5A Amps of Clean -12v Power

1 Amp of Clean +5v Power

Custom Power Board with 6 Keyed Eurorack Power Headers Per Row, 12 Power Headers Total

External On-off Power Button

Universal DC Adapter with IEC Power Connector Works Anywhere



Structure EP-96 Enclosure
:
All Hardwood construction (No cheap plastic here)

Double 48hp Rows

Edge to Edge Rail Design Reduces Gaps Between Modules and the Side of the Case

9 Smooth Sliding Square Nuts Per Rail (Holds up to 18 modules)

Beautifully Hand-Stained Hardwood




Structure EP-96 Dimensions
:
External Depth: 11 1/2"
External Height: 3 3/4"
External Width: 10 1/2"
Internal Depth Above Power Supply: 2 3/16"
Internal Depth Above Nothing: 2 3/4"
Read more
Pittsburgh Modular System 10.1 Semi Modular Synthesizer
 Add to cart
 1 in stock $692.63
Cat: 556298 Rel: 08 Dec 14
 
Complete, Fully Patchable, Semi-Modular Synthesizer
Notes: The Pittsburgh Modular System 10.1 Synthesizer is huge sound hiding in a small case. Updated for 2015 to include the new extremely featured Midi 3 module, the System 10.1 offers direct access to a wide array of modern, analog monosynth sounds. Without a single patch cable, floor shaking bass and aggressive leads are just a few knob tweaks away. Plugging in a few patch cables opens the Pittsburgh Modular System 10.1 Synthesizer to complex experimentation by offering unlimited control over both the modulation and audio signal paths. All of the elements of a classic voltage controlled, analog modular synth are available as an open, patchable, modern synthesizer.

The System 10.1 Synthesizer features a complex waveforms oscillator. Standard triangle, square, and saw waves are available alongside a sub oscillator and our new blade wave. The blade wave is a rich, modulatable saw that can be controlled in several unique ways.

The System 10.1 Synthesizer also features our Lopass Gate. The Lopass Gate uses a highly tuned set of vactrols to produce everything from natural sounding filter sweeps and res'd out piercing leads to organic percussion. The Lopass Gate has 3 modes of operation: low pass filter, VCA, and lopass gate. In lopass gate mode, the filter combines the features of both the low pass filter and VCA to produce a harmonically rich, intricate sound.

System 10 Synthesizer Components:

Synthesizer Box, Waveforms (Complex waveform oscillator), LPG ((Voltage controlled lopass gate), LFO (Low frequency oscillator), Envelope (ADSR), Glide (Portamento), Mixer (Waveforms output mixer), VCA (Voltage controlled Amplifier), Mix Mult (Multifunction utility module), MIDI2 (Triple Mode MIDI to CV Converter), Outs.
Read more
Pittsburgh Modular Waveforms Complex Waveform Oscillator Module
 Add to cart
 2 in stock $225.90
Cat: 552812 Rel: 10 Nov 14
 
Complex waveform oscillator synth module
Notes: A wide range, high quality, complex VCO designed to be the core of a modern, analog synthesizer. The Waveforms module offers a full complement of standard waveforms including sine, triangle, saw, and pulse waves in addition to a sub octave generator and a unique modulatable blade wave. The oscillator offers 5 octaves of 1 volt per octave tracking, and a frequency range starting as low as 7 seconds per cycle, allowing it to double as an LFO. Additional features include oscillator reset for hard syncing, attenuated linear or exponential FM input, pulse width, and pulse width CV input.

Excellent Logarithmic Conformance
Temperature Compensated 1 Volt Per Octave Operation
Multiple Simultaneous Waveform Outputs
Sawtooth Wave Based Oscillator Circuit
Unique Modulatable Blade Waveform
Modulatable Square Wave Sub Oscillator
Linear and Exponential Frequency Modulation
PWM Input: 5% to 95%
Hard Sync Input
LFO Below Audio Frequency Operation

The centerpiece of our 2nd generation oscillator is the extreme amount of modulation options available. Frequency modulation is switchable between linear and exponential and pulse width modulation is augmented with a manual pulse width control in addition to a dedicated pulse width cv input attenuator.

The sub oscillator is a CMOS based square wave pitched one octave below the core frequency of the oscillator. It can be controlled using the pulse width controls to create 2 distinct effects. Using the pulse width CV input and attenuator creates a unique pulse width modulation effect. Adjusting the manual pulse width control sets the range of the modulation. Setting the pulse width range control to the extreme left or right creates a gate effect on the sub oscillator allowing it to be switched on and off within the oscillator.

The blade wave is a saw wave pitched one octave above the core frequency of the oscillator. What makes the blade wave unique is how many modulation options are available at the same time.

The shape of the blade wave can be controlled using the pulse width CV input and attenuator creating a sweeping or chorus effect on the wave. The manual pulse width control can be used to manually sweep the blade wave. When used in combination with the pulse width CV input and attenuator, the manual pulse width control sets the positive or negative starting point of the pulse width CV input and attenuator.

In addition to the pulse width controls, the blade wave has a dedicated modulation CV input and attenuator. Using the blade CV input and attenuator creates a shifting or pulsing effect.

The third option for blade wave modulation is the most extreme. The wave shape of the modulation source plugged into the Blade In jack directly defines the overall shape of the blade wave. Using a low frequency modulation source creates a square wave amplitude modulation effect. Using an audio rate modulation source creates waveshaping effects similar to ring modulation.

Using any combination of the 3 modulation sources produces a living, breathing, evolving waveform that is still capable of tracking 1 volt per octave.

WAVEFORMS CONTROLS:
Coarse and Fine Tune Frequency Controls - Full range sweeping coarse tune and limited range fine tune knobs.

Pulse Width Modulation CV In - Pulse width modulation CV input attenuator.

Pulse Width Modulation Control - Adjusts the width of the Pulse waveform.

Frequency Modulation (FM) CV In - Attenuated CV input can be switched between exponential and linear response.

Blade Wave Modulation CV In - Attenuated CV input controls the amount of blade waveform modulation.

Oscillator Patch Points:
1V/O IN - One volt per octave CV input.
RESET IN - Oscillator reset Gate input.
BLADE IN - Blade wave manipulation input. PWM IN - Pulse width modulation CV input. SUB WAVE OUT - Sub Oscillator wave output.
SINE WAVE OUT - Sine wave output.
TRIANGLE WAVE OUT - Triangle wave output.
BLADE WAVE OUT - Blade wave output.
PULSE WAVE OUT - Pulse wave output.

Size: 10hp
Module depth with ribbon cable attached: 36.5mm
Power Usage: 25mA
Read more
Items 1 to 29 of 29 on page 1 of 1
Monthly payment
Number of monthly payments
Cash price
Deposit to pay
Loan amount
Loan repayment
Cost of loan
Total amount payable

Only available to UK residents over 18, subject to terms and conditions. More info here.

These rates of finance are based on this specific product and can be applied for once this item has been added to the cart. Adding other products to your cart may change the rate of finance or deposit required.

Checkout and apply for finance now
Close