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Pittsburgh Modular Analog Replicator Delay Module
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 3 in stock $364.72
Cat: 557218 Rel: 22 Dec 14
 
Next generation analog delay synth module
Notes: The Analog Replicator was redesigned from scratch to be the finest analog delay available with a sound and feature set focused around the modular synthesizer.

Our original Analog Delay module grew out of the circuitry of a guitar pedal. The new Analog Replicator module does not share the same stompbox lineage. Michael Johnsen, Pittsburgh Modular's analog engineer, created a modern BBD core fed by a unique clock source and proprietary signal processing circuits. The result is a flexible, more musical, eurorack delay module.

How It Works:
At the heart of the Analog Replicator is a pair of 4,096 stage BBD chips. The name BBD stands for [B]ucket [B]rigade [D]evice in reference to a line of people passing buckets of water to quickly extinguish a fire. Each stage of a BBD chip contains a single capacitor. Pairing two chips together creates a chain of 8,192 capacitors. Like the water buckets, an audio signal is passed from capacitor to capacitor within the BBD chips once every clock step. A slower clock produces a longer delay and a faster clock produces a shorter delay.

Multi-Mode Delay:
The controls of the Analog Replicator can be used to produce a wide range of delay effects. The STAGES switch flips between 4,096 and 8,192 BBD stages. 4,096 uses a single BBD chip and 8,192 uses two. Using both BBD chips doubles the available delay time, perfect for echos and longer delays. Using a single BBD is useful for reverb and chorus effects. The SHORT/LONG switch drastically adjusts the delay range. Using a single BBD, the SHORT range varies between 10ms and 175ms and the long range varies between 10ms and 1300ms. The SHORT mode produces bright, clean analog repeats. LONG mode is dark and grimy. Mud and clock noise (whine) begin to leak in and eventually take over as the Analog Replicator reaches the longest available delay time.

Chorus and Reverb:
The design of the Analog Replicator allows it to mimic Chrous and Reverb effects. Setting the switches to 4,096 and SHORT, adjusting the TIME control to create shorter delays, and adding a small to medium amount of FEEDBACK, the Analog Replicator generates an analog reverb effect. Add modulation using the TIME CV IN to take advantage of a range of chrous like effects.

Delay Ranges:
4,096 and SHORT Selected: 10ms to 175ms
8,192 and SHORT Selected: 10ms to 1300ms (1.3 seconds)

4,096 and LONG Selected: 20ms to 350ms
8,192 and LONG Selected: 20ms to 2600ms (2.6 seconds)
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Pittsburgh Modular Crush Voltage Controlled Downsampler Effects Module
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 1 in stock $214.35
Cat: 570811 Rel: 17 Aug 15
 
Voltage controlled analog waveform decimator effects module - 8HP wide
Notes: The Crush is an audio destroyer; a voltage controlled, all analog sound decimator. A sonic laser designed to shatter waveforms into a million pieces. The sound of the Crush module is defined by three parameters, Sample Rate, Interpolation, and Mix. Sample Rate assigns the periodic voltage sample timing, breaking down an audio source into ever-larger static chunks. The Interpolate switch tries to rebuild the original waveform from the remaining pieces imprinting another layer of errors and unique artifacts on the output. The results are crushing.

The Crush wrecks audio without ever sounding harsh or thin. Compared to a digital bit crusher, the analog Crush sounds full and warm. Taking advantage of unlimited bit and sample rate resolutions, the Crush avoids lo-fi digital results by smoothly downsampling at infinite resolution.

An integrated voltage controlled mix circuit allows the perfect amount of destruction to be added to the audio. Manually set the mix or use a control voltage to sweep from squeaky clean to completely crushed.

CRUSH CONTROLS:
Sample Rate Control - Sample rate control.

Sample Rate CV In Control - Sample Rate CV input jack attenuator.

Interpolate/Step Mode Switch - Step mode offers true downsampling. Interpolate mode attempts to smooth the downsampled waveform.

Output Mix Control - Controls the signal mix of the Mix Out.

Mix CV In Control - Mix CV input jack attenuator.

Crush Patch Points:
SR CV IN - CV input modulates the Sample Rate.
MIX CV IN - CV input modulates the Output Mix.
INPUT - Waveform Input.
CRUSH OUT - Processed waveform output.
OUTPUT - Mixed waveform output

*For audio samples, please visit - http://pittsburghmodular.com/crush/
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Pittsburgh Modular Double Row Cherry Wood Sides For Desktop Cases
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 1 in stock $59.47
Cat: 552825 Rel: 10 Nov 14
 
Desktop synthesizer side panels - Cherry Wood
Notes: Cherry Wood Sides for Desktop Cases
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Pittsburgh Modular Dual VCA Linear Voltage Controlled Amplifier Module
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 1 in stock $163.57
Cat: 552754 Rel: 10 Nov 14
 
Voltage controlled amplfier synth module
Notes: A dual, high quality, linear voltage controlled amplifier with both offset gain and CV attenuation for each channel plus a mix out.

2 Standalone VCAs
Fully Buffered Mix Output
CV Attenuator Knob
Input Gain Knob
CV Range: 0-5v


Module Controls

VCA 1

CV - CV Input used to control the VCA.
CV Attenuator Knob - CV input attenuator.
In - Signal Input
Input Attenuator Knob - Adjusts the passthru level of the input signal.
Out - Signal Output

VCA 2
CV - CV Input used to control the VCA.
CV Knob - CV input attenuator.
In - Signal Input
Input Attenuator Knob - Adjusts the passthru level of the input signal.
Out - Signal Output
Mix - Fully Buffered mix of the VCA 1 and VCA 2 outputs.



Size: 8hp
Depth: 35mm
Power Usage: 30mA
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Pittsburgh Modular Foundation 3.1 Modular Synthesizer
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 1 in stock $2,018.93
Cat: 556300 Rel: 08 Dec 14
 
Complete voice analog modular synthesizer
Notes: Housed in our stunning new Move[104] Black road case and controllecd with the feature packed Midi 3 module, the Foundation 3.1 Synthesizer is the continuing evolution of a classic. A standalone, fully modular synthesizer styled after the great monosynths of the past, the Foundation 3.1 Synnthesizer has no hardwired signal path or fixed voice architecture to restrict creativity. An all analog signal path driving massive oscillators and multiple filters pushes the Foundation 3.1 Synthesizer to new worlds of musical creativity. An unpatched Foundation 3.1 Synthesizer offers a clean slate for sonic exploration and sound design, and the open format of a modular synthesizer allows for greater control and a deeper understanding of synthesis.

The Foundation 3.1 Synthesizer is designed to function as a standalone instrument. However, the Foundation 3.1 Synthesizer is a 100% eurorack compatible modular synthesizer. The system is made up of 13 individual eurorack format synthesizer modules which can be removed, reorganized, and replaced with Pittsburgh Modular or other eurorack compatible modules. The Foundation 3.1 Synthesizer uses the Pittsburgh Modular Move[104] Black Case and Power Rail to house and power the modules.

At the heart of the Foundation 3.1 Synthesizer is a pair of 2nd generation, complex waveform oscillators. The oscillators offer a full complement of standard waveforms including sine, triangle, saw, and pulse waves in addition to a sub octave generator, modulatable blade wave, and serious modulation options, creating a huge sonic base to build on.

The Foundation 3.1 Synthesizer features our classic multimode filter alongside a character rich lopass gate creating an unmatched sonic palate.

Dual multifunction envelopes offer a wide range of creative potential. Each envelope module functions as a voltage controlled attack and decay or attack, sustain, and release, LFO, envelope follower, slew (portamento) and more.
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Pittsburgh Modular Game System Gate & CV Sequencer Module
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 1 in stock $300.75
Cat: 576916 Rel: 17 Aug 15
 
Chaotic gate and CV sequencing arcade synth module - 10HP wide
Notes: Packed with six unique multi-mode sequencers and a fully voltage controllable user interface, the Game System is deep! Each game represents a different type of sequencing, from classic step sequencers, to unique multi-dimensional clock dividers, to chaotic gate generators. Individual sequencers in the Game System would make great standalone modules. Bundled together, they offer an entire arcade of sequencing options, with lots of room for creativity.

A Unique Set of Controls
The Game System uses a thumb joystick and button press interface for fast and intuitive navigation of the sequencers. Joystick movements and button presses are voltage controllable, inviting external CV and gate signals to take control of the gaming experience. The Game System can also be computer controlled, freeing the sequencers to shift and morph with the zeros and ones.

Game 1: Meteor Shower:
Meteor showers have inspired musicians since the dawn of time. The Game System transforms these celestial events into an 8x8 matrix filled with pixelated meteors, explosions, and one panicked spaceship. Pilot your unarmed ship through the matrix while dodging falling meteors. Explosion based gates and random control voltages react to the action and provide the perfect score to the amazing events taking place in the simulated night sky. God speed, fearless astronauts.

Game 2; Music Programmer (CV/Gate Sequencer):
Create your own musical masterpiece, a melody that defines a generation. Music Programmer is a classic 32 step CV and gate sequencer that is programmed with the joystick or auto generated using control voltages. Sequences can vary in length from 1 to 32 steps and can be played in forward, reverse, pendulum, or random order. CV output is quantized to 1 volt per octave to keep the resulting patterns well tempered.

Game 3: Percussion Programmer (4 Channel Gate Sequencer):
Hmm.... Percussion can mean anything. A short (or long) burst of sound (or silence) used to create rhythmic patterns (or not) that drive (or don't) the beat of a song (or endless noodle). Regardless of the definition, the Percussion Programmer game features four channels of programmable gate sequencing that can be used for, um... anything. Rock and roll would probably assign the channels to kick, snare, high hat, and crash while EDM would go with something closer to kick, high hat, kick, and kick. Whatever gets you moving....

Game 4: Time Traveller (4 Channel Clock Divider):
A way to be in four places at once. Time Traveller is the first two dimensional clock divider. A game that shifts outputs freely within clock divisions and offsets. Using the idea of a time grid, clock divisions from 1 to 8 are laid out on the x axis allowing the y axis to be assigned to 8 steps of offset. The four outputs can be independently set to a static location, or allowed to freely roam the time grid creating unpredictable results. Time travel can be complicated; don't forget your towel.

Game 5: Probability Machine (2 Channel Chaotic Gate Generator):
The real world is a crazy place and music should reflect that. The Probability Machine creates chaotic gates based on a cascading chance algorithm. The resulting patterns are always in sync with some multiple of the clock, allowing for stuttering but not disjointed patterns. The density of the gates is based on a two dimensional probability field. The X axis defines the potential of an event and the Y axis defines the the depth of the event while the joystick button adds additional layers of complexity to the outputs. Spaztastic!

Game 6: Euclidean Rhythms (Algorithmic Gate Sequencer):
Impress your friends by applying all that geometry you learned in school. Inspired by the paper by Godfried Toussaint, the Euclidean Rhythms game is an auto-generating gate pattern sequencer that organizes complexity. Mathematically, the Euclidean Rhythms sequencer works to evenly space the number of active beats over the length of the sequence. Musically, the Euclidean Rhythms effortlessly creates organic patterns steeped in both western and non-western musical philosophies. Add a bit of CV control to create sequences that evolve with the incoming voltages and suddenly math never sounded so good.
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Pittsburgh Modular LFO2 Dual Low Frequency Oscillator Module
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 1 in stock $106.60
Cat: 552762 Rel: 10 Nov 14
 
Dual LFO synth module
Notes: A basic dual LFO module. It uses two different types of low frequency oscillator circuits to provide a variety of modulation options.

LFO 1
A triangle based low frequency oscillator that utilizes rate and symmetry controls to generate shifting waveforms. Adjusting the symmetry control varies the shape of the TRI output from sawtooth to triangle to ramp and also adjusts the pulse width of the SQR wave output.

LFO 2
A simple triangle based low frequency oscillator with rate control over the triangle and square outputs.

Module Controls

LFO 1 (Top)
Rate Knob -
Shape Knob -
TRI - Saw / Triangle / Ramp Wave Output
Range Switch - Switches the frequency range of LFO 1.
SQR - Square / Pulse Wave Output

LFO 2 (Bottom)
Rate Knob -
TRI - Triangle Wave Output
Range Switch - Switches the frequency range of LFO 2.
SQR - Square Wave Output

Size: 6hp
Depth: 35mm
Power Usage: 30mA
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Pittsburgh Modular Lifeforms ADSR Envelope Generator Module
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 1 in stock $129.05
Cat: 637395 Rel: 15 May 17
 
Four stage envelope generator with independently adjustable attack, decay, sustain & release stages
Notes: The Lifeforms ADSR is a four-stage envelope generator with independently adjustable attack, decay, sustain, and release stages. This module does one thing amazingly well. The ADSR smooths the shape of the incoming gates and triggers to produce a more expressive instrument. The ADSR output can be used to control the amplitude of an oscillator, the cut-off frequency of a filter or any other function on a module that accepts control voltages.

The functionality of the ADSR is simple. The incoming gate or trigger signal passes through each of the four stages to output an envelope. When the ADSR module receives a gate or trigger signal, the attack determines the amount of time needed for the envelope generator to reach the peak output voltage and move on to the decay stage. Decay sets the amount of time needed to transition to the level set by the sustain knob. The sustain level is maintained as long as the incoming gate remains on or high. Once the incoming gate goes low or off, the release stage takes over. The release knob sets the time needed to close the envelope and return the ADSR output to 0 volts.
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Pittsburgh Modular Lifeforms Distro Splitter Mixer Active Audio & CV Interchange Module
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$95.39 SAVE 20%
 2 in stock $76.31
Cat: 634753 Rel: 26 Dec 16
 
Audio & CV distribution synth module in Eurorack format - 4HP wide
Notes: The Lifeforms Distro is an active audio and CV interchange with three independent sections for splitting and mixing. The outputs of each section are individually buffered and tuned to offer robust signal separation and unity gain pass-through.

The top two splitter sections create three identical, buffered copies of the incoming audio or CV signal. Perfect for pitch sensitive CV signals. The mix section offers both mixing and splitting with a two channel unity gain mixer and a set of individually buffered outputs. This section can be used as a two channel mixer, buffered signal splitter, or both.
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Pittsburgh Modular Lifeforms Double Helix Complex Oscillator Voice Module
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 2 in stock $497.15
Cat: 637399 Rel: 12 Jun 17
 
Modular waveform generator featuring 2 precision analog oscillators with voltage controlled shape contouring
Notes: Designed to be the nucleus of a synthesizer, the Double Helix Oscillator is a modular waveform generator like no other. A set of beefy, analog oscillators paired with voltage controlled shape contouring, deep modulation, and a performance ready voltage controlled modulation matrix create a dynamic, analog waveform playground.

At the core of the Double Helix are two, wide range, precision oscillators. The primary oscillator includes a full complement of waveforms and multiple modulation options. The Secondary oscillator offers a more focused set of waves and frequency modulation. Both oscillators reach deep into LFO range and can be used as voltage controlled modulation sources.

The contour section of the Double Helix Oscillator features a highly tuned wavefolder paired with our exclusive dynamic impulse low pass gate. The contour signal chain starts with a two-channel mixer. This allows multiple waveforms or multiple oscillators to be combined before passing though the contour section. The first half of the contour section is a voltage controlled, 6 stage wavefolder used to add odd harmonics to the incoming waveform. The timbre and timbre CV controls set the density and amplitude of the folds. When processing a sine wave, the wavefolder creates a spectral change from zero harmonics to square, with an infinite harmonic series.

The second half of the contour section is a dynamic impulse low pass gate. The effect of the low pass gate is similar to pairing a low pass filter and VCA together. As the dynamics control is opened, the filter adds harmonics and the VCA increases the amplitude of the waveform. As the dynamics control is closed, the filter removes harmonics and the VCA decreases the amplitude of the waveform. This pairing mimics how sound behaves in the real world creating a more naturally tonal response. The impulse input adds the ability to strike or ping the low pass gate circuit creating a very organic, percussive sound. The decay time of the impulse input is set by the dynamics response control allowing the strike to be tuned to a specific musical context.

The modulation section includes an LFO offering simultaneous sine, square, and random waveforms. A noise source is also available for audio or modulation use.

A pair of voltage controlled routers manage all the CV inputs creating a dual, voltage controlled modulation matrix perfect for complex signal paths, experimentation, and live performance. The matrix consists of two voltage controlled amplifiers designed to control the modulation amount inputs that can be routed to any of the Double Helix CV inputs. Each of the CV inputs can be switched to channel a, bypass, or channel b and mixed with a dedicated CV input.
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Pittsburgh Modular Lifeforms Dual VCA Voltage Controlled Amplifier Module
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 1 in stock $172.82
Cat: 637400 Rel: 12 Jun 17
 
8HP dual linear VCA & voltage controlled mixer module
Notes: The perfect voltage controlled amplifier for both audio and CV applications. Dual, high quality linear voltage controlled amplifiers with offset gain, CV attenuation, and a mix out. Each VCA includes a CV attenuator and input pass through attenuator. The output of each VCA is sent to a fully buffered mix output that allows the Dual VCA to act as two channel voltage controlled mixer.

Dual VCA Controls:

- CV In 1 Jack - CV Input used to control the VCA.
- CV In 1 Attenuator Knob - CV input attenuator.
- IN 1 - Signal input jack.
- Pass-thru 1 Knob - Adjusts the passthru level of the input signal.
- Out 1 - Signal output jack.
- CV In 2 Jack - CV Input used to control the VCA.
- CV In 2 Knob - CV input attenuator.
- In 2 - Signal input jack.
- Pass-thru 2 Knob - Adjusts the passthru level of the input signal.
- Out 2 - Signal output jack.
- Mix Out - Fully Buffered mix of the VCA 1 and VCA 2 outputs.
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Pittsburgh Modular Lifeforms Foundation 4 Duophonic Modular Synthesizer
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 1 in stock $2,865.09
Cat: 637379 Rel: 24 Jul 17
 
Analog modular synthesizer in Eurorack format - 104HP wide
Notes: An endlessly creative synthesis environment, the Lifeforms Foundation 4 dives deep into both east and west coast synthesis schools to produce a rewarding sonic palate regardless of the musical destination.

East Coast Subtraction:
Anchored by a powerful pair of oscillators with a full complement of waveforms rich in harmonics and modulation options, three resonant filters, a pair of four stage envelopes, and deep midi options, the Lifeforms Foundation 4 is the perfect choice for east coast style subtractive synthesis. The on-board midi can be patched up to create monophonic or true duophonic synth voices, and can be controlled with the built-in arpeggiator. Everything from Berlin school electronic music to dirty funk bass lines are just a few patch cables away.

West Coast Chemistry:
The same complex oscillator that sings for the east coast opens to reveal even more for the west. FM, non-linear waveshaping, and a unique variable response low-pass gate drive the Lifeforms Foundation 4 deep into west synthesis territory. An additional low-pass gate, voltage controlled multi-function generator, chaotic random generators, and a host of utility modules firmly plant the Lifeforms Foundation 4 flag on west coast soil.

A Eurorack Synthesizer:
The Lifeforms Foundation 4 is not simply a collection of Eurorack modules pieced together to fill a case. All of the modules in the Lifeforms Foundation 4 were designed simultaneously as a single, monolithic synthesizer to ensure that it sounds and feels like a complete instrument. While the Lifeforms Foundation 4 Synthesizer functions as a standalone instrument, it is also a 100% Eurorack compatible modular synthesizer. The system is made up of 12 individual Eurorack format synthesizer modules which can be removed, reorganized, and replaced with Pittsburgh Modular or other Eurorack compatible modules. Housed in our Structure EP-208 road case, the Lifeforms Foundation 4 has room to grow. The additional space allows a nearly infinite number of expansion options. The included black plastic blank panel can be easily trimmed as new modules are added to keep the case looking clean.
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Pittsburgh Modular Lifeforms Foundation Evo Flagship Modular Synthesizer
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 2 in stock $4,247.71
Cat: 637380 Rel: 12 Jun 17
 
Analog modular synthesizer in Eurorack format
Notes: An instrument designed for deep exploration of both east and west coast synthesis styles while showcasing the full depth of the Lifeforms sound and design philosophies, the Lifeforms Foundation Evo is our flagship modular synthesizer.

The Lifeforms Foundation Evo is a deeply rich and creative laboratory packed with all the tools necessary for late night sonic diversions and inspiring live performances. A set of complex oscillators, pressure sensitive performance controller, multiple arpeggiators, multiple sequencers, voltage controlled analog delay, chaotic random cv and gate generators, and multiple filter types are just the tip of the iceberg.

East Coast Mastery:
Four beefy analog oscillators with a full complement of waveforms rich in harmonics and modulation options, three resonant filters, a pair of four stage envelopes, and deep midi options, the Lifeforms Foundation Evo is the perfect choice for maximum east coast style subtractive synthesis. The Lifeforms Foundation Evo can be patched up to create massive four-oscillator monophonic or true duophonic dual oscillator synth voices, and can be controlled with the built-in pressure sensitive keyboard, or with any combination of included sequencers and arpeggiators.

West Coast Chemistry:
The same set of complex oscillators that sing for the east coast open to reveal even more for the west. FM, non-linear wave-shaping, and a unique variable response low-pass gate drive the Lifeforms Foundation Evo deep into west synthesis territory. An additional low-pass gate, voltage controlled multi-function generator, chaotic random generators, pressure sensitive controller, voltage controlled analog delay, and a complete set of utility modules firmly plant the Lifeforms Foundation Evo flag on west coast soil.

A Eurorack Synthesizer:
The Lifeforms Foundation Evo is not simply a collection of Eurorack modules pieced together to fill a case. All of the modules in the Lifeforms Foundation Evo were designed simultaneously as a single, monolithic synthesizer to ensure that it sounds and feels like a complete instrument. While the Lifeforms Foundation Evo Synthesizer is designed to function as a standalone instrument, it is also a 100% Eurorack compatible modular synthesizer. Housed in our Structure EP-208 road case, the system is made up of 15 individual Eurorack format synthesizer modules which can be removed, reorganized, and replaced with Pittsburgh Modular or other Eurorack compatible modules.
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Pittsburgh Modular Lifeforms MIDI 3 MIDI To CV Converter Module
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 3 in stock $264.84
Cat: 637401 Rel: 03 Jul 17
 
Full-featured 6HP Eurorack MIDI to CV converter module
Notes: The MIDI 3 is a third-generation MIDI to CV converter packed with a robust list of features. It includes a complete set of mono and duophonic MIDI response modes, assignable CC and dedicated velocity outputs, a feature rich clock source with tap tempo, MIDI and external gate clock dividers, and multiple arpeggiator responses. This module is deep.

A MIDI to CV module converts standard MIDI note messages into the analog control voltages used by modular and other analog synthesizers. This allows the synthesizer to be controlled by a MIDI keyboard, sequencer, or DAW. The two CV outputs on the MIDI 3 can be used to control the pitch of an oscillator, cut-off frequency of a filter, or any other function that requires a control voltage signal. The set of Gate outputs on the MIDI 3 can be used to trigger envelope generators or other modules expecting a gate or clock source.

The MIDI 3 Module has 3 Distinct Performance Modes:
Monophonic - Monophonic mode works great when using a modular as a single voice synthesizer patch. Channel 2 Gate and CV outputs mirror the outputs of Channel 1. Monophonic mode has several keyboard responses to choose from. Last note priority, low note priority, and high note priority. Each response is available with and without gate retriggering.

Duophonic - The MIDI 3 module uses the two sets of Gate and CV outputs to allow two notes to be played simultaneously. The first MIDI note is sent to Channel 1 Gate and CV outputs and the second is sent to Channel 2 Gate and CV outputs. Duophonic mode has three keyboard response modes to choose from. Unused channel and new note priority, unused channel and low note priority, and split keyboard priority. Duophonic mode is perfect when working with a two-voice modular synthesizer patch.

Arpeggiator - The MIDI 3 module includes a robust arpeggiator mode with multiple mono and duophonic responses to choose from. Available responses are monophonic response as played, double triggered monophonic response as played, random monophonic response, random monophonic with a random Channel 2 gate, and random duophonic response with dual random gates. The arpeggiator can be clocked using tap tempo, MIDI clock, or external gate.

The MIDI 3 Module has 3 Clock Modes:
Internal Clock - The internal MIDI 3 clock utilizes the tap tempo button to modify the rate of the internal clock. The internal clock is used to clock the arpeggiator and is also output to the CLOCK jack.

External MIDI Clock - The external MIDI clock responds to MIDI start/stop messages and MIDI tempo from an external MIDI clock source. The external MIDI clock is used to clock the arpeggiator and is also output to the CLOCK jack. In external MIDI clock mode, the tap tempo button cycles through five available clock divisions.

External Gate Clock - The external gate clock responds to gate signals patched into the CLOCK jack. The external gate clock is used to clock the arpeggiator. In external gate clock mode, the tap tempo button cycles through six available clock divisions.
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Pittsburgh Modular Lifeforms Mod Tools Multi Function Modulation Source Module
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 6 in stock $219.95
Cat: 637402 Rel: 15 May 17
 
Diverse multi-function analog modulation module
Notes: Envelope, LFO, noise, sample and hold, mixer, analog logic, slew, and oscillator, the Mod Tools is a diverse analog ecosystem of modulation. The functionality of the Mod Tools is split into four sections. Multi-function, analog logic, noise/sample & hold, and modulation.

The Multi-Function section is a voltage controlled slope generator. This flexible circuit can function as a voltage controlled envelope, LFO, oscillator, slew, envelope follower, and more.

The Analog Logic is a two channel mixer with a standard unity gain mix out as well as an analog 'or' logic output. The 'or' logic outputs the current highest positive only voltage from either of the inputs creating interesting modulation or wave shaping options. Patching audio signals through the 'or' output creates a half-rectified waveform.

The noise/sample & hold section is an all analog noise source paired with a sample and hold circuit used to create truly random stepped CV signals.

The modulation section houses a free running LFO with both square and sine wave outputs.

Multi-function controls:
- LFO / Envelope Switch - Switch between envelope and LFO cycling mode.
- Sustain / Sustain Off Switch - Input level following sustain on or off.
- Rise Control Knob - Adjusts the rise / attack time of the envelope or rising side of the LFO.
- Length CV Attenuverter Knob - Rise and fall modulation level attenuverter.
- Length CV Input Jack - Rise and fall modulation input jack.
- Signal Indicator LED - Signal indicator LED represents the current voltage level within circuit.
- Input Jack - Main signal input jack.
- Output Jack - Main signal output jack.
- Fall Control Knob - Adjusts the fall / decay time of the envelope or falling side of the LFO.

Analog Logic Jacks:
- Input A Jack - Mixer channel A input jack normalled to the Multi-Function Output Jack.
- Input B Jack - Mixer channel B input jack normalled to the Modulation Sine Output Jack.
- Or Output Jack - Unity gain, positive only logical 'or' output of Input A and Input B.
- Mix Output Jack - Unity gain mix output of Input A and Input B.

Noise/Sample & Hold Jacks:
- Noise Output Jack - Analog noise output jack.
- Sample Input Jack - CV sampling input jack normalled to Noise Output Jack.
- Hold Input Jack - Stepped CV output jack normalled to Modulation Square Output Jack.
- Sample & Hold Output Jack - Stepped CV output jack.

Modulation controls:
- Frequency Knob - Frequency control sweeps through LFO range.
- Square Output Jack - Square wave output jack.
- Sine Output Jack - Sine wave output jack.
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Pittsburgh Modular Lifeforms Outs Stereo Headphone Amp & Line Out Module
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 3 in stock $118.95
Cat: 637403 Rel: 12 Jun 17
 
6HP Eurorack stereo headphone amp/line out module with stereo 1/4" headphone amplifier output & dual-mono 1/4" line-level outputs
Notes: The best way to get sound out of a modular. Outs is a dual independent output module featuring a stereo 1/4" headphone amplifier output and dual mono 1/4" line level outputs.

Left and Right inputs are available. If only the left input is used, it is sent to both the Left and Right outputs.
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Pittsburgh Modular Lifeforms SV1 Blackbox Desktop Analog Modular Synthesizer
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 1 in stock $690.17
Cat: 622849 Rel: 26 Sep 16
 
Complete, stand-alone desktop format modular synthesizer
Notes: The Pittsburgh Modular Synthesizers Lifeforms SV-1 Blackbox is a complete, stand-alone desktop format modular synthesizer. A full compliment of analog tools for sonic experimentation stuffed into a portable, powered steel enclosure. Two patchable oscillators and our legendary state-variable filter are paired with a perfectly curated set of synthesis components including a dual sub oscillator, dual, chained mixers, a plucky, four stage envelope generator, sample and hold, noise, low frequency oscillator, voltage controlled amplifier, a feature rich MIDI to CV converter, and a pair of utility signal splitters. A self-contained modular powerhouse, the Lifeforms SV-1 Blackbox provides absolutely everything you need to create gigantic and iconic synth sounds, in the studio or on the go.

Your Sound, Your Way:
Pre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, our exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.

A Team Player:
We've designed the Lifeforms SV-1 to be patch compatible any eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing eurorack compatible gear gives you truly infinite modulation and expansion options. The Lifeforms SV-1 module can also be removed from the Blackbox and inserted into a larger Structure eurorack enclosure or any other eurorack format case as your system grows.

Feature Set/Comparison:
Audio Source:
Lifeforms SV-1 - 2 Oscillators: 5 waveforms + 2 sub octaves and 4 waveforms, respectively
Moog Mother-32 - 1 Oscillator: 2 waveforms
Make Noise 0-Coast - 1 Oscillator: 2 waveforms

Patchability:
Lifeforms SV-1 - 53 patch points (20 in, 32 out, 1 dual purpose). Fully modular (all section in/out points accessible separately)
Moog Mother-32 - 32 patch points (18 in, 14 out). Semi-modular (some section in/out points inaccessible)
Make Noise 0-Coast - 27 patch points (14 in, 13 out). Fully modular (all section in/out points accessible separately)

Mixing:
Lifeforms SV-1 - 4 channel mixer, splittable into 2x2 channel mixers
Moog Mother-32 - 2 channel mixer
Make Noise 0-Coast - Ext. audio input

Sound Shaping:
Lifeforms SV-1 - 3-state variable filter (Low/High/Bandpass)
Moog Mother-32 - 2-state variable filter (Low/High)
Make Noise 0-Coast - Additive synthesis (wavefolding, overtones), no filter

Modulation:
Lifeforms SV-1 - 4 stage ADSR, 2 multi-waveform LFOs, 2 noise sources + smooth and stepped S&H
Moog Mother-32 - 2 stage AD + Sus. switch, 1 multi-waveform LFO, 1 noise source
Make Noise 0-Coast - 3 stage ASD, 1 dual-purpose AD/LFO, S&H + offset
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Pittsburgh Modular Lifeforms SV1 Modular Organism Patchable Synthesizer Module
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 1 in stock $688.50
Cat: 598236 Rel: 14 Mar 16
 
Dual oscillator synth module in Eurorack format
Notes: The Heart and Soul of Modular Synthesis:
The Pittsburgh Modular Synthesizers Lifeforms SV-1 is a complete dual oscillator synthesizer, designed to be the core of your eurorack modular system. Building on the sound and legacy of our celebrated Waveforms oscillator, the SV-1 module features two full-range independent analog oscillators; sound sources that are perfect for dynamic and inspired performances. In addition to these two high-performance oscillators, we stuffed the SV-1 with a perfectly curated set of modular synthesis tools including dual, chained mixers, a plucky, four stage envelope generator, and of course, our legendary analog state-variable filter.

The Lifeforms SV-1 is a synthesizer powerhouse, providing absolutely everything you need to create gigantic and iconic synth sounds: roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away. Instantly, out of the box, a rich feature set with a fluid, easy to understand interface empowers you to create vibrant, thick tones. Modulation and Tools sections fill out the analog SV-1 modulation capabilities with a triangle and square LFO, two sub-octave oscillators chained to the main oscillator, and noise with sample & hold.

Your Sound, Your Way:
Pre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, our exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.

A Team Player:
We've designed the Lifeforms SV-1 to be the perfect centerpiece of any eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing eurorack compatible gear gives you truly infinite modulation and expansion options.

Feature Set/Comparison:
Audio Source:
Lifeforms SV-1 - 2 Oscillators: 5 waveforms + 2 sub octaves and 4 waveforms, respectively
Moog Mother-32 - 1 Oscillator: 2 waveforms
Make Noise 0-Coast - 1 Oscillator: 2 waveforms

Patchability:
Lifeforms SV-1 - 53 patch points (20 in, 32 out, 1 dual purpose). Fully modular (all section in/out points accessible separately)
Moog Mother-32 - 32 patch points (18 in, 14 out). Semi-modular (some section in/out points inaccessible)
Make Noise 0-Coast - 27 patch points (14 in, 13 out). Fully modular (all section in/out points accessible separately)

Mixing:
Lifeforms SV-1 - 4 channel mixer, splittable into 2x2 channel mixers
Moog Mother-32 - 2 channel mixer
Make Noise 0-Coast - Ext. audio input

Sound Shaping:
Lifeforms SV-1 - 3-state variable filter (Low/High/Bandpass)
Moog Mother-32 - 2-state variable filter (Low/High)
Make Noise 0-Coast - Additive synthesis (wavefolding, overtones), no filter

Modulation:
Lifeforms SV-1 - 4 stage ADSR, 2 multi-waveform LFOs, 2 noise sources + smooth and stepped S&H
Moog Mother-32 - 2 stage AD + Sus. switch, 1 multi-waveform LFO, 1 noise source
Make Noise 0-Coast - 3 stage ASD, 1 dual-purpose AD/LFO, S&H + offset

*For audio demos, please visit - http://www.lifeformsmodular.com/sv-1/
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Pittsburgh Modular Lifeforms System 301 Modular Synthesizer
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 1 in stock $1,793.34
Cat: 598245 Rel: 14 Mar 16
 
Complete modular synthesizer system based around the Lifeforms synth module series - in powered housing
Notes: Lifeforms System 301

Interactive inspiration machine.

A complete modular performance synthesizer, the Lifeforms System 301 packs the Lifeforms SV-1 analog synthesizer voice and a Lifeforms KB-1 pressure sensitive keyboard controller into the Structure EP-208 pairing huge sonic potential with maximum control and room to grow. Anchored by the classic Pittsburgh Modular filter and two full range analog oscillators packed with harmonically rich waveforms, the Lifeforms System 301 offers a rich sound palette with the flexibility of an open, fully patchable analog voice architecture. The pressure sensitive keyboard maximizes the creative process with arpeggios, sequences, triggers, voltage memory and more.




Interactive Analog Power

Overflowing with sonic potential, the Lifeforms System 301 houses a refined analog synth engine ready to explore new aural territories. The feature set includes everything you need to create unique synth sounds. Roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away.

Two larger-than-life, next-generation analog oscillators start you off on your audio journey with all the classic waveforms: sine, triangle, sawtooth, pulse, and square. As a bonus, on Oscillator 1 we have included our exclusive blade wave, allowing for cutting-edge sounds new to the analog realm. Combined with two sub octave generators, the oscillator cores of the Lifeforms SV-1 are the perfect base for sonic sculpting. Modulation is handled with a well curated set of tools: a dedicated analog LFO, noise, sample and hold, and a clock syncable digital LFO. Oscillator 2 can also be used as a voltage controllable low frequency oscillator to create complex west coast synthesis style FM timbres.


The true sonic character of the System 301 comes from the filter. Rich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in frequency response. Separate highpass, lowpass, and bandpass patch points are provided for an even larger tonal palette.

A robust feature set with a fluid, sleek interface empowers you to create vibrant and thick tones. The included pressure sensitive keyboard controller allows you to control it. The Lifeforms KB-1 provides a multi-function, expressive, capacitive touch keyboard designed for performance. The KB-1 contains a powerful one octave pressure sensitive keyboard complete with arpeggiator, step Sequencer, preset voltage memory array, and a pair of multi-mode trigger pads. Eleven patchable outputs and a deep feature set enable you to cover new sonic territory with an unprecedented level of control.

Included
:
Lifeforms SV-1 Synthesizer Voice Module

Lifeforms KB-1 Synthesizer Voice Module

Lifeforms HP-6 logo Panel

Structure EP-208 Eurorack Enclosure

Custom MIDI Adapter Cable

12 Nazca Audio Braided Eurorack Patch Cables

112hp of Available Space to Expand

Standard IEC Power Cable
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Pittsburgh Modular Lifeforms System Interface 6 Channel Performance Mixer Module
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 1 in stock $274.94
Cat: 637404 Rel: 15 May 17
 
Flexible six channel audio hub in Eurorack format
Notes: Packed with deep signal routing options and high quality preamps, the System Interface is a flexible audio hub, perfect for both studio and live performance. Squeezed into 24hp.

The System Interface is a six channel mixer with three channels featuring high quality preamps and stereo panning. Signal routing options include a post level auxiliary send with stereo aux return, and independent assignable bus and main mix sends. Headphone output can be assigned to the main mix, bus, or both.

Preamps on channels 1, 2, and 3 offer 15x of clean gain with a unique soft clipping overdrive circuit. They are perfect to raise the level of external, line level gear to modular levels or to dirty up an already modular level signal. Channel 1 has a dedicated output designed to allow it to function as an input for external sources without hogging the bus or aux send.

Because most mixes do not require each channel to have a full complement of features, channel 4, 5, and 6 share auxiliary, bus, and main mix controls allowing for maximum channels within a small footprint.

Three independent signal paths open the mixer up to complex routing possibilities. The auxiliary send can be used as an effects send or alternative mix while the bus is used to cue up sounds for live performance or to split the mixer channels into 2 independent mixers. The possibilities are deep.
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Pittsburgh Modular Mix Mult Multifunction Utility Module
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 1 in stock $96.50
Cat: 552793 Rel: 10 Nov 14
 
Multifunction utility synth module
Notes: 3 Channel Mixer
2 Passive Multiples

The Mix Mult is a multifunction utility module. The module combines three important functions into a single module. A high quality three channel mixer and/or attenuator and two sets of passive multiples.

The mixer/attenuator section functions as a flexible, low-noise three channel mixer and/or attenuator for audio and CV that can be used in several ways. Patching into the output of channel 1 or 2 will remove that channel from the mixer circuit and turn the channel into an independent passive signal attenuator. Channel 3 can not be removed from the mixer circuit, however if channel 1 and 2 are all being used as attenuators, channel 3 is the only input remaining in the mixer allowing it to be used as a buffered attenuator. The mixer knobs are wired with a logarithmic volume curve that is tuned for use with audio but it will work with CV as well.

The bottom of the module contains two sets of passive multiples. Patching a signal into one of the multiple jacks will split the signal to the remaining two jacks. allowing a single audio or CV signal to be used in two places at once.

Width: 8hp
Module depth with ribbon cable attached: 25mm
Power Usage: 20mA
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Pittsburgh Modular Structure EP360 Professional Eurorack Enclosure
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 2 in stock $1,004.97
Cat: 598242 Rel: 14 Mar 16
 
Hand-stained all hardwood eurorack synth module enclosure with power - 360HP of space
Notes: ***POWER SET FOR EU AND AUSTRALIA 220-230V:
The Pittsburgh Modular Structure 208 and Structure 360 eurorack enclosures use a switching power supply that needs manually set to the correct AC input voltage. The internal switch has already be properly set for 220-230 VAC. This setting works for the EU and Australia or other countries that use 220-230 VAC power.
For use in countries that use 100-120 VAC power, such as North America and Japan, the switch inside the case on the AC/DC regulator needs to be switched to the left. The switch is marked with a Yellow sticker printed with "AC input voltage can be selected by switch. Check input voltage avoiding damage before power on." The switch is located on the side of the enclosure below the arrow.
Please contact Pittsburgh Modular with any questions. service@pittsburghmodular.com***

Structure EP-360 Eurorack Enclosure

Maximum Power for a New Generation -

Beautifully stained hardwood triple row, 360hp powered eurorack travel case with lid. A huge case to house a monster synth. Features include a professional, heavy duty, internal power supply designed to exceed the needs of the most demanding analog and digital eurorack systems.




Everything is New:
With years of research and two case lines under our belt, we decided to start over and produce a line of cases for the next generation of eurorack synthesizers. The eurorack modular ecosystem is expanding faster than ever and manufacturers are constantly pushing eurorack cases and power supplies to the limits. What started as a power supply designed to drive primarily analog synthesizers has transformed into a supply that needs to simultaneously meet the unique demands of sensitive analog circuitry, power hungry digital processors, and ground sensitive user interface modules.

We started with what matters most. Clean power. A lot of it. Up to 3x the amount of clean power available in cases from other brands. Next we turned our focus to the enclosure itself and there was only one goal. Make the case stronger. Our engineers tested countless combinations utilizing different types of wood, joints, adhesives, assembly techniques, and hardware to ensure that Structure cases are as durable as they are beautiful.

With a clean and gorgeous design that promotes creative exploration, the Structure enclosures are our most robust and refined case line yet. With massive amounts of both room and clean power, you can reach completely new heights in your creative performances.






Includes:
Structure EP-360

Power
:
6 Amps of Clean +12v Power

6 Amps of Clean -12v Power

5 Amps of Clean +5v Power

Custom Powered Bus Board with 15 Keyed Eurorack Power Headers Per Row, 45 Power Headers Total

External On-off Rocker Power Switch with LED

Universal IEC Power Connector Works Anywhere

Structure EP-360 Enclosure
:
Hardwood and Steel Construction (No cheap plastic here)

Triple 120hp Rows

Removable Lid

Lid Fits Over Fully Patched System (No need to remove patch cables)

Edge to Edge Rail Design Reduces Gaps Between Modules and the Side of the Case

24 Smooth Sliding Square Nuts Per Rail (Holds up to 72 modules)

Beautifully Hand-Stained Hardwood

Matching Black Steel Hardware Set




Structure EP-360 Dimensions
:
External Depth with lid:9 1/4"
External Depth without Lid: 5 1/2"
External Height: 17"
External Width: 25 1/2"
Internal Depth Above Power Supply: 2 3/4"
Internal Depth Above Bus Board: 3 3/4"
Internal Depth Above Nothing: 4 1/4"
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Pittsburgh Modular Structure EP420 Professional Eurorack Enclosure
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 1 in stock $1,082.96
Cat: 637384 Rel: 20 Mar 17
 
Eurorack modular synthesizer case - 420HP of module space
Notes: Eurorack modular synthesizer case designed to meet the demanding requirements of project and professional studio environments. The Structure EP-420 provides massive amounts of clean, quiet power housed in beautiful, angled hardwood enclosures, full of classic synthesizer styling.

Uncompromising power and craftsmanship combine to create this stunning studio case. The Structure EP-420 offers a massive 420HP of space split into three rows paired with a combined 17 amps of industry leading power
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Pittsburgh Modular System 10.1 Semi Modular Synthesizer
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 1 in stock $729.46
Cat: 556298 Rel: 08 Dec 14
 
Complete, Fully Patchable, Semi-Modular Synthesizer
Notes: The Pittsburgh Modular System 10.1 Synthesizer is huge sound hiding in a small case. Updated for 2015 to include the new extremely featured Midi 3 module, the System 10.1 offers direct access to a wide array of modern, analog monosynth sounds. Without a single patch cable, floor shaking bass and aggressive leads are just a few knob tweaks away. Plugging in a few patch cables opens the Pittsburgh Modular System 10.1 Synthesizer to complex experimentation by offering unlimited control over both the modulation and audio signal paths. All of the elements of a classic voltage controlled, analog modular synth are available as an open, patchable, modern synthesizer.

The System 10.1 Synthesizer features a complex waveforms oscillator. Standard triangle, square, and saw waves are available alongside a sub oscillator and our new blade wave. The blade wave is a rich, modulatable saw that can be controlled in several unique ways.

The System 10.1 Synthesizer also features our Lopass Gate. The Lopass Gate uses a highly tuned set of vactrols to produce everything from natural sounding filter sweeps and res'd out piercing leads to organic percussion. The Lopass Gate has 3 modes of operation: low pass filter, VCA, and lopass gate. In lopass gate mode, the filter combines the features of both the low pass filter and VCA to produce a harmonically rich, intricate sound.

System 10 Synthesizer Components:

Synthesizer Box, Waveforms (Complex waveform oscillator), LPG ((Voltage controlled lopass gate), LFO (Low frequency oscillator), Envelope (ADSR), Glide (Portamento), Mixer (Waveforms output mixer), VCA (Voltage controlled Amplifier), Mix Mult (Multifunction utility module), MIDI2 (Triple Mode MIDI to CV Converter), Outs.
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