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Wonderland
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 in stock $19.48
Wonderland (gatefold 2xLP)
Cat: LOVE 105. Rel: 28 Nov 16
Techno
  1. Curzon (5:12)
  2. Animal Style (7:17)
  3. Hardnoise (10:37)
  4. Blue (1:00)
  5. FullEdge (EMpTy-40 mix) (5:26)
  6. Sourcer (5:26)
  7. Airborne Latency (7:00)
  8. Fridge Challenge (2:51)
  9. Overstaying (6:23)
Review: The new album Wonderland is Miles Whittaker and Sean Canty's first LP as Demdike Stare since 2012's Elemental and arrives a year on after the completion of their Testpressing EP series for Modern Love. Starting out with the the demonic and guttural body basher "Curzon" where you know right away that this album will be one wild ride. "Hardnoise" goes from industrial noise to sub bass heavy techno to blissful IDM over its epic 10 minute duration. Elsewhere, "Sourcer" tackles a mangled form of late '90s techstep while the beautiful closer "Overstaying" is a glorious exercise in hypnotism that sits somewhere between minimal techno and deconstructed electro.
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Wonderland
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 in stock $11.47
Cat: LOVE 105. Rel: 27 Feb 17
Experimental/Electronic
  1. Curzon
  2. Animal Style
  3. Hardnoise
  4. Blue
  5. FullEdge (eMpTy-40 mix)
  6. Sourcer
  7. Airborne Latency
  8. Fridge Challenge
  9. Overstaying
Review: Since Demdike Stare released their last album in 2012, the world seems to have got altogether darker and more shocking. It certainly seems a fitting time for the Lancastrian duo to return with their sixth full length. Wonderland naturally boasts a number of typically clandestine, pagan outings - see the dense, industrial influenced "Curzon", fearlessly distorted "Hardnoise" and mutant jungle fuzziness of "Sourcer" - but also moments of frenzied funk and quiet contemplation. In the latter category you'll find sublime album closer "Overstaying", where shimmering synth melodies and ghostly chords rub shoulders with elastic bass and skittish drum machine percussion. However dark and bleak things may seem, there's always hope, even in the intensely unsettling world of Demdike Stare.
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Lighthouse Stories
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 in stock $15.74
Cat: LOVE 102. Rel: 18 Apr 16
Techno
  1. Saab Prelude (Radio) (1:32)
  2. Six In The Morning (5:32)
  3. Thin Platforms (2:41)
  4. Coquelin Cloarec (Steps) (2:52)
  5. Coquelin Cloarec (Emotions) (3:07)
  6. Judo Coaster (2:53)
  7. Solidor Joint (2:21)
  8. An Other Swim (skit) (1:12)
  9. Feigned Confidence (2:29)
  10. Blinking Lights Sheep (3:58)
Review: Along with pal Black Zone Myth Chant, Low Jack has been responsible for some of the most intense, interesting and downright odd electronic music of recent times. Given this impressive record, it's unsurprising that Modern Love has snapped up Lighthouse Stories, his third full-length. Interestingly, it sees him move away from the dystopian, post-apocalyptic techno sound he's become famous for, instead delivering a set that mirrors the dark-and-light, slow-and-fast hybrid frequently showcased on Black Zone Myth Chant releases. Like that project, the music on Lighthouse Stories is damn near impossible to pigeonhole, sitting somewhere between uncomfortable intensity and exotic beauty.
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Played by: M//R, Herva
Too Many Voices
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 in stock $21.08
Too Many Voices (gatefold 2xLP)
Cat: LOVE 101. Rel: 02 May 16
Experimental/Electronic
  1. Waiting For You (2:44)
  2. Butterflies (4:24)
  3. New Romantic (5:38)
  4. First Night (5:46)
  5. Forgotten (5:39)
  6. Selfish (4:36)
  7. On My Mind (6:10)
  8. Over (5:06)
  9. Too Many Voices (6:08)
Review: Andy Stott rarely gets it wrong. To date, he's release a trio of fine full-lengths on Modern Love, each of which has arrived perfectly formed. It's a similar story on fourth album Too Many Voices. Rich, spacious and melodious, it draws on both classic and contemporary sounds, channeling Yellow Magic Orchestra, James Blake, Boards Of Canada, Autechre and clap-happy drum machine funk, before twisting these varied inspirations into thrilling new shapes. For all the high-minded experimentalism, Stott's greatest gift is an ability to create music that's inspired and entertaining, achieving a balance between boundary-pushing and old-fashioned melodiousness. When he gets it right, as on Too Many Voices, few can really compete.
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