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Items 1 to 11 of 11 on page 1 of 1
MDR 14.1
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  1. Answer Code Request - "Transit"
  2. Norman Nodge - "BB 1 0"
  3. Lockermatik - "M_Lock 4"
  4. Ryan James Ford - "Arthure Iccon"
Review: All hail Dettmann! Having included a veritable swathe of unreleased material from artists affiliated with his label on the excellent Fabric 77 earlier this year, Marcel Dettmann has done the right thing and issued the majority across two 12"s released this week. As is the case when granted the chance to own these cuts, it's interesting to see if they retain the power and intensity they conveyed when utilised by Dettmann within the context of the mix cd. In the case of "Transit" and "BB 1.0" from Answer Code Request and Norman Nodge respectively, that's a resounding yes! The latter's production is a particularly potent slab of lysergic sonic dementia that the more adventurous selectors will be playing for years to come. Dettman's A&R skills are on full display with cuts from Stefan 'Kryptic Universe' Schindler's new Lockermatik project and newcomer Ryan James Ford.
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MDR 19
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MDR 19 (12")
Cat: MDR 019. Rel: 13 Jun 16
Techno
  1. Onto (2010 edit) (5:23)
  2. Escape (3:32)
  3. Nautilus (5:17)
  4. Foundry (5:11)
Review: The latest release on Marcel Dettmann's label starts with a surprise; "Onto (2010 edit)" sees the MDR owner in mellow form, as warm piano keys and blissed out chords coalesce over a housey beat. It's only a temporary arrangement however, and "Escape" sees him tease out a dense, dub-coated groove and a slightly stepping rhythm. Both "Nautilus" and "Foundry" mark a return to the purist approach that inspires much of Dettmann's production and the totality of his DJing. Consisting of intricate, stripped back rhythms and ticking, bubbling percussive slivers, they are less abrasive than early MDR records and provide further evidence that Dettmann is maturing as a producer.
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Corebox
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Corebox (12")
Cat: MDR 012. Rel: 09 Sep 13
Techno
  1. Corebox (James Ruskin remix)
  2. Corebox (James Ruskin 3rd version)
  3. Corebox (James Ruskin Event mix)
Review: If Donato Dozzy plays Bee Mask then James Ruskin plays Marcel Dettmann. The Blueprint boss turns in three remixes of Dettmann's "Corebox", originally taken from MDR04 (featuring "Lattice"), supplying two club crafted tracks and an ambient 3rd Version. Ruskin reworks the original's famous chords, adding overdrive and reverb in his first remix, while his Event mix strips them dry to sound more like a Baby Ford or Steve O'Sullivan production. Ruskin's ambient version again uses the chords as its centrepiece, but buries them in a soundscape made for a '70s horror film.
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Let's Do It
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Cat: MDR 001/51837. Rel: 28 Aug 06
Techno
  1. Let's Do It
  2. Radio
Review: ** Repress ** And the next Berliner ready to take over the world is Mr. Marcel Dettmann. If you thought Sleeparchive was something then just wait till you check this out. Dettmann's first solo release on his confidently self titled label is a building, minimal techno tool with snappy, crunchy percussion and brooding sub bass only heightened by what sounds like another wicked job by the guys at Dubplates & Mastering. No nonsense club techno that's ready to blow up. A sure shot, a must, essential. Please note this is a limited edition stamped white label. Don't sleep. Tip!
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MDR 17
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MDR 17 (12")
Cat: MDR 017. Rel: 24 Aug 15
Techno
  1. Arco Pitcairn (5:31)
  2. Hoodlam Klothe (3:45)
  3. Lempt Jarkarin (4:36)
  4. Lidya Birkett (5:37)
  5. Rjiyen Orandin (5:01)
Review: Marcel Dettman's mighty MDR label doesn't offer a huge amount of releases every year, but what does get put out is always pure and utter quality. The Berghain resident pick out Ryan James Ford for number 17 in the catalogue, a young producer which we know little to nothing about at this point. We do, however, know that he makes seriously effective techno in the label's familiar style. There's five cuts spread across the two sides on here, all representative of Dettman's marathon sets in which he spans the full circle. Aside from all the techno bashings, there are also moments of tranquillity, manifested in the beatless ambience of "Hoodlam Klothe", and "Lempt Jarkarin", in particular. Do check "Rjiyen Orandim" for some serious percussive action, though. An impressive debut.
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DNA
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DNA (12")
Cat: MDR 7/62353. Rel: 24 Jan 11
Techno
  1. DNA
  2. Convergence
  3. Homology
  4. Adaption
Review: Norman Nodge, beholder of one of Techno's finest names, steps up again for release duties on Berghain buddy Dettman's self titled imprint. As you expect from the previous six editions of the MDR series, the lack of fuss and pretence dedicated to a hand stamped twelve inch in non descript house bag is replicated on the head down techno tackle held within. After the stuttering machine funk of "DNA" that's punctuated by reverberant glistening fx weirdly reminiscent of a starling getting stuck in a sampler, Nodge enters more familiar Berghain territory in the scratched throbbing locked groove dynamics of "Convergence" which is driven by a thudding bassline that pulses with electronic interference. On the flip Nodge indulges his menacing side with "Homology" twisting intricate beams of laser synths across a spinal bass drum bump whilst "Adaptation" strips back proceedings to an atmospheric hum of fluctuating acid gurgles and throbbing bass with drums barely audible.
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NN 3.0
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NN 3.0 (12")
Cat: MDR 003/54396. Rel: 16 Jul 07
Techno
  1. NN 3.0 (intro)
  2. NN 7.4
  3. NN 8.0
We Can Be Friends
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Cat: MDR 015. Rel: 26 Oct 15
Techno
  1. We Can Be Friends (6:34)
  2. Morocco (6:27)
  3. Fast Jam (5:26)
  4. Untitled 11 (5:28)
Review: All that we know about the enigmatically named Sa Pa is they are affiliated with Weimar crew Giegling, emerging earlier this year with the Fuubutsushi album on the Forum sublabel that garnered comparisons with Prince Of Denmark. Sa Pa's penchant for subaqueous techno now lands the producer a 12" debut on Marcel Dettmann Recordings. Lead track "We Can Be Friends" is so dubbed-out and murky that it could almost run as a background percussive piece in your mix - that's not to say that we don't think it's absolutely killer, because it is! "Morocco" is completely in a world of its own, crackly feedback and sparse sonics abound, while "Fast Jam" is a heady techno stomper with a punchy low-end and sublime percussion, a track that is followed by another murky load of swamped atmospherics in the form of "Untitled 11". If we have to be completely honest, this has been our favourite MDR 12" in a long time, and it comes with a heartfelt recommendation. Killer.
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Played by: Kessell
In To 5
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In To 5 (12")
Cat: MDR 020. Rel: 15 Feb 16
Techno
  1. In To 5 (5:10)
  2. Serial Command (6:13)
  3. Sixteen 11 (5:52)
  4. Lichter (5:05)
Review: Marcel Dettmann Records commence 2016 as they finished 2015; namely a superb techno 12" from a lesser spotted name. Following Giegling tyke Sa Pa into the MDR fold is Wrong Copy, an unheralded name but clearly a producer (or producers) that know their way round a studio set up. Across the four tracks on this In To 5 12", Wrong Copy suggest they are in possession of a diverse production palette with the title track the most charming bit of Detroit-referencing house music committed to Herr Dettmann's label. Both "Serial Command" and "Lichter" ramp up the rhythmic intensity, but sandwiched inbetween is the more contemplative sprawl of "Sixteen 11".
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MDR 14.2
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MDR 14.2 (12")
Cat: MDR 014.2. Rel: 22 Dec 14
Techno
  1. Dario Zenker - "Nearlin"
  2. Francois X - "Rising"
  3. Rod - "RSPCT"
  4. Marcelus - "Flash"
Review: The second of two swiftly announced 12"s on Marcel Dettmann Records to arrive this week features four more cuts the Berghain resident included in his excellent mix for Fabric earlier this week, and whilst the first was evenly split between high profile artists and newcomers this one is four heavy hitters deep. Dario Zenker, Francois X, ROD, and Marcelus all feature here and if you listened to fabric 77 it's likely you'll have been fiending after one of these tracks in particular. Within the context of fabric 77, "RSPCT" by Benny 'ROD' Rodriguez was an overpowering highlight and it's loses none of it's intensity when listened to in full. The broken, bruised and brushed techno rhythms of "Flash" by Marcelus is equally good.
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Items 1 to 11 of 11 on page 1 of 1
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