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FORTHCOMING
Dolce
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coming soon $9.90
Dolce (12")
Cat: LIVITY 027. Rel: 06 Oct 17
 
Techno
Utility
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 in stock $21.49
Utility (2xLP)
Cat: LIVITY 019. Rel: 18 Apr 16
Bass
  1. Comments Off (4:13)
  2. Scido (4:52)
  3. Balance (4:56)
  4. Sleep Chamber (5:19)
  5. Some Cats (3:11)
  6. Loops 1 (4:07)
  7. A Bluish Shadow (3:44)
  8. Bubbling Under (5:04)
  9. Shots Fired (5:41)
Review: The steady rise of Joe Cowton has been such that Utility, his long-awaited debut album, is arguably one of the most hotly anticipated techno sets of 2016. Happily, it's a fine set, brilliantly showcasing his instinctive way with booming, stripped-back drum patterns, sparse textures, and alien electronics. While there are forays into more house leaning pastures - see the dreamy, metallic shuffle of "Scido" - and cascading ambience ("Some Cats" and "A Bluish Shadow"), it's naturally the album's more bombastic, club-ready stompers that really stand out. These include two subtle reinventions of early British bleep techno ("Balance" and "Shots Fired") that aptly showcase the London-based producer's Northern roots.
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More Games (MM/KM More Names Remix)
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 in stock $8.77
Cat: LIVITY 013. Rel: 09 Jun 14
Techno
  1. Kowton - "More Games" (MM/KM More Names remix)
  2. Asusu - "Too Much Time Has Passed" (Dresvn remix)
Review: So far the Livity Sound Remix project has thrown up some interesting, and eminently danceable results (with the Pangaea and Beneath efforts our current favourites) and given that between them, Pev, Asusu and Kowton released almost 20 original Livity Sound productions, this still leaves a healthy dose of material open to reinterpretation. This latest edition sees the Livity crew open their back catalogue to two of Germany's most compelling production units in Kassem Mosse and Mix Mup and the Dresvn pairing of Dynamo Dreesen and SVN and the results will resonate with anyone with a keen interest in the odder strands of house and techno. Leipzig's finest take on Kowton's 909 growler "More Games" under their KM/MM guise and deftly retain the original's horror core grime strings whilst slowing the pace to their own murky tempo. It's complemented well by the modular bleep-filled take on Asusu's "Too Much Time Has Passed" from Dresvn which will make complete sense for anyone that pays close attention to their respective Acido and SUED labels.
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Don't Take This The Wrong Way
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 in stock $9.90
Cat: LIVITY 026. Rel: 31 Jul 17
Techno
  1. Don't Take This The Wrong Way (8:03)
  2. Peyote Stitch (7:43)
Review: Mosca aka Tom Reid is back for Livity Sound with more of his interesting techno derivatives which sure pack a mighty punch. "Don't Take This The Wrong Way" is without a doubt the most hi-tech that he has ever sounded, bordering on IDM where the beats are broken, the sound design is immaculate and basically what techno should be sounding like 2017. On the flip it is a more organic and restrained affair on "Peyote Stitch" with its slinky bass driven groove supported by some trippy and textured samples: all creating a woozy atmosphere beneath that entrancing bleep melody. Following up some great releases on his own Not So Much imprint, Mosca delves deep into his dub chamber and delivers the goods once again for this defining UK label. Highly recommended!
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Tessellations
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 in stock $22.62
Cat: LIVITY 024. Rel: 29 May 17
Techno
  1. Burning Sea (3:48)
  2. Under Clearing Skies (5:42)
  3. Still Early (7:00)
  4. Sheer Chance Matters (5:52)
  5. Wireframes (7:14)
  6. Slice Of Life (5:01)
  7. Further Inland (5:54)
  8. Brinks & Limits (5:09)
  9. Plateau (2:29)
Review: Stop the press! Peverelist is back in the game. This is a special announcement for various reasons; first and foremost, the mythical Bristolian hasn't been all too active on out charts as of late, and he most certainly hasn't turned in an album for quite some time. Back on his own Livity Sound stable, the artist's new album, Tessellations, sees the man take a different route to his previous excursions, one that's much more focused on deep tribalism and percussion. The first four segments, from "Burning Sea" to "Sheer Chance Matters" all approach the equation through slightly different lenses; the first two being grounded in ambience of polyrhythmic movement, while the following two mould into a subtle 4/4 flow, but the same ambience is present throughout. This is the same for "Wireframes" all the way to "Plateau", where Peverelist has shaped a new sort of minimalism into his rolling punch of tech-minded bass. Could this be the start of something new? We definitely think so...
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Cellar Door
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 in stock $8.77
Cat: 499 YTIVIL. Rel: 03 Aug 15
Techno
  1. Cellar Door (6:57)
  2. Piste Jaune (5:45)
Review: Having previously used their dnuoS ytiviL offshoot to release material from their nearest and dearest (think Batu, Bruce, Hodge and Alex Coulton), Bristol's Livity Sound crew turns to unknown French producer Simo Cell. The two tracks showcased here are a rather fine introduction to this newcomer, with opener "Piste Jaune" offering a clandestine blend of stuttering electro bass, discordant analogue percussion hits and spooky electronics. The mystery man goes for the jugular on "Cellar Door", with pitched-down, bleep style melodies and liquid electronics riding an off-kilter, broken techno groove. Another fine Livity release.
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Gliding
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 in stock $8.77
Gliding (12")
Cat: LIVITY 021. Rel: 07 Nov 16
Techno
  1. Gliding (5:43)
  2. Obi 1 (5:41)
  3. Away From Keyboard (6:54)
  4. As Long As We Have Those Things (5:24)
Review: Frenchman Simon Aussel is Simo Cell, who appeared for Livity Sound's sister label Dnuos Ytivil last year on the rather brilliant Cellar Door / Piste Jaune 12". For his new Gliding EP, he proves that he is right at home on the Bristolian label with his blend of raw, rough and ready broken house jams fitting right in with the rest of the label's aesthetic. Starting out with the rusty shuffle of the deep and dreamy title track, the A side also presents "Obi 1" for something a bit more darker and intense; sonar blips face off with cavernous kicks and sparse, delay drenched percussion: a very paranoid experience. On the flip, the stripped and tunnelling techno tool "Away From keyboard" will appeal to a wide cross range of DJs, until he closes out this fine EP with the lush and immersive ambient journey "As Long As We Have Those Things".
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