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Dream Tennis
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 in stock $9.37
Cat: CDA 002. Rel: 01 Aug 11
Disco/Nu-Disco
  1. Dream Tennis (Diegors remix)
  2. Dream Tennis (original mix)
  3. Dream Tennis (Prins Thomas Diskomiks)
Review: The fledgling Cocktail D'Amoure imprint maintains their status quo in our affections with its second release which sees Heatsick at the helm. Whilst this is the debut twelve inch from the East Anglian recently transposed to Berlin, he has plenty of DIY form having released some under the shade CDrs for that most esteemed of imprints Not Not Fun, amongst others. His is a talent worth paying attention to, as the classiness of "Dream Tennis" will inform your senses. Central to the track is a kaleidoscopic treatment of a vintage Casiotone keyboard, its rusted rhythms oscillating outwards with true intent over equally strained Chicago house drum patterns. Seemingly endless in its progression, "Dream Tennis" is a track worthy of NNF offshoot 100 Silk and a magnificent coup by Cocktail d'Amour overseers Discodromo and DJ Boris. Equally fine is their choice of remixers with the hallowed phrase Prins Thomas Diskomiks adorned across the B Side reason enough for inquisitive minds to seek out - however it's the remix from Comeme's Diegors that almost matches the delight of the original, bringing to the fore a hitherto undisclosed sonic restraint that embellishes proceedings with an otherworldly, Mr Fingers vibe.
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Magic Hour
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 in stock $9.63
Magic Hour (180 gram vinyl 12")
Cat: CDA 014. Rel: 14 Nov 16
Disco/Nu-Disco
  1. Magic Hour (7:50)
  2. Magic Hour (The Backwoods Oriental dub) (7:52)
  3. Lizard Dance (6:14)
  4. Sand Dunes (5:41)
Review: Discodromo's ever-essential Cocktail D'Amore label launches into action once more with the ear candy of Komodo in tow. "Magic Hour" manages to work classic piano house tropes into a suitably cosmic headspace that's loaded with reverb and all things trippy, but it's relatively grounded compared to the exotic meditation that The Backwoods manage to conjure up on their "Oriental Dub" of the track. "Lizard Dance" channels early trance vibes to great effect in a celebration of early 90s rave mysticism and then "Sand Dunes" offers up a bubbling, friendly twist on acid house. Using familiar tropes but still maintaining originality, from start to finish this is a classically rooted record with something to say.
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FORTHCOMING
Musica Para El Fin De Los Cantos (reissue)
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coming soon $TBA
Cat: CDALP 002 . Rel: 17 Apr 17
Ambient/Drone
  1. Cuando Rocio Dispara Sus Flechas
  2. Barreras
  3. De La Melancolía
  4. Ukraïna
  5. Posmeridiano
Review: Iury Lech is a transdisciplinary artist of Ukrainian origin part of the few pioneers in the Spanish electronic and digital audio-visual scene that began to develop during the 80's.

His open and unclassifiable style made of eerie sonic atmospheres, arrhythmic structures and dense textures create hypnotic ambiance and a new way to conceive experimentalism.

Wrongly described as New Age music at that time, "Musica para el fin de los cantos" is a stunning and deeply emotive ambient work, that stares down at the eternal enigma, giving a glimpse of Iury Lech's classical music of the future.
Iury recorded this blissful masterpiece in his Barcelona's studio in 1989. It was then published in 1990 by the unique Spanish label Hyades Arts.

It's 2017 and it's time to unearth this magical piece of vibrating chords to please your sensitive yet hungry ears. Sit back and enjoy the meditative state.

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H
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 in stock $9.63
H (180 gram vinyl 12")
Cat: CDA 017 . Rel: 27 Mar 17
Deep House
  1. Hip (6:44)
  2. Heart (6:04)
  3. Hole (6:41)
  4. Hair (5:28)
Review: Having already dazzled with her initial appearances on ESP Institute and Born Free, Japanese artist Moko Shibata continues to flourish as a producer with this utterly essential EP on Cocktail D'Amore. As with her previous releases, the mood is one of flamboyance and inventive melodies throughout, not least on the mutant disco celebration of "Heart". There is still some tougher fare to enjoy as well, with "Hole" proving to be particularly grubby, but overall there is a distinct sense that Shibata was reaching for a more disco influenced sound on this record, but it's far from your average slice of re-edited nonsense.
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