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RME ADI2 Pro USB 2.0 AD/DA Converter DAC Audio Interface & Headphone Amplifier
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 1 in stock $1,414.15
RME
Cat: 620642 Rel: 19 Dec 16
 
High-Performance 768 kHz 2-Channel ADAT.SPDIF.AES/EBU AD/DA converter
Notes: The ADI-2 Pro is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry's biggest footprint per feature ratio, with specs that are as real as RME's reputation, a feature set that is unheard of, useful features that will make you wonder why nobody else took the time to implement them, and two extremely powerful headphone outputs, that will be your new reference in accuracy and dynamic range.

As the most flexible converter available, the ADI-2 Pro offers balanced/unbalanced analog I/Os, double Extreme Power headphone outputs, SteadyClock III, 4-stage hardware input and output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD record and Direct DSD playback (11.2 MHz).

Analog or Digital - Options Galore:
The ADI-2 Pro includes two servo-balanced analog inputs on combo XLR / TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable. This universal set of I/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio.

The USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases.
As a computer interface the ADI-2 Pro offers a stereo (2 in / 2 out) and a multichannel mode (6 in / 8 out). Compatibility with Mac OS X comes right out of the box. Under Windows the ADI-2 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance.

Perfect Sound Capture and Reproduction:
Aiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact.

The 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate.

For easy operation a high quality Sample Rate Converter has been added, switchable to the AES or SPDIF input, solving any clocking problem between those. And RME's latest SteadyClock III technology ensures perfect jitter reduction and stable clocking, no matter if internal or external clocks are used.

High Resolution Display Operation:
RME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD/DA filters, four discrete I/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages.

Professional features such as M/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME's famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display.
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RME Fireface 802 Rackmount USB & Firewire Audio & MIDI Interface
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 2 in stock $1,372.53
RME
Cat: 525301 Rel: 19 May 14
 
1U rackmountable 30 input / 30 output audio and MIDI interface
Notes: Ultra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME's unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac.

TotalMix FX, RME's digital high-end mixer and signal router, driven by two powerful DSPs, with integrated EQ, Dynamics and Reverb/Echo effects at up to 192 kHz, plus a built-in monitoring controller.

The full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME's app to fully control the 802 from the iPad, without any computer. The easy to use app includes metering for all 90 channels plus effects bus, different setup screens, and complete control of all features.

The Fireface 802 is a highly integrated pro audio solution, a full-blown studio, all within a 19" enclosure. An interface designed for users who don't want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more.

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MOTU 16A Thunderbolt & USB 2.0 Audio Interface
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 1 in stock $1,350.68
Cat: 543431 Rel: 11 Aug 14
 
Thunderbolt audio interface with 16 analog inputs and outputs, 48 channel mixing and AVB audio networking
Notes: The 16A is one of several new high-performance audio interfaces from MOTU that combine superb audio quality, large console style mixing, and state-of-the-art features

Sixteen balanced/unbalanced TRS analog inputs and outputs, plus 2 x 8-channel ADAT optical ports, deliver a total of 32 inputs and 32 outputs. Use the 16A for expanded analog I/O for your computer, or as a flexible, capable patchbay and mixer. Or both!

The 16A employs latest-generation ESS Sabre32 Ultra converters, known for their industry-leading performance, together with expertly engineered analog circuits that reflect more than three decades of pro audio engineering expertise. The result? The 16A achieves actual, measured performance of 123 dB dynamic range (A-weighted, 20 Hz to 20 kHz) on its balanced TRS analog outputs.

Every digital audio workflow has some latency. The only question is, how much? In the case of the 16A, the answer is, not much at all. In the 16A, latency is measured in a handful of samples, from the time an audio signal first goes digital to its arrival somewhere else (to an output, the mixer, or the computer). By keeping latency this low in the hardware, the 16A helps minimize latency introduced by your host software.

Thunderbolt lets you connect displays, hard drives, and other peripherals to your computer, along with the 16A, and the Thunderbolt bus won't even break a sweat. But more importantly, Thunderbolt gives you an astonishing 256 channels of computer I/O (128 in and out). You can use them to route audio to the physical inputs and outputs on the 16A, plus the 48-channel mixer inside the 16A, plus audio network streams. The 16A is the first and only interface to combine Thunderbolt I/O connectivity with AVB audio networking.

Don't have a Thunderbolt-equipped computer yet? Hi-speed USB 2.0 provides across-the-board compatibility with pretty much all laptops and desktops. The 16A is USB audio class compliant, which means you enjoy OS-level USB compatibility and support, including iPad support (with a camera connection kit). Since USB 2.0 devices are compatible with USB 3.0-equipped hosts, your 16A interface is a future-proof investment in your studio.

The 16A is equipped with a 48-channel digital mixer designed just like a large format mixing console. The 48 inputs can take signal from anywhere: the physical inputs on the 16A interface itself, audio channels from host software on your computer, audio network streams, or even mixer outputs. The mixer provides 7 stereo aux busses, 3 groups, a reverb bus that can alternately serve as a 4th group, a Main Mix bus and separate Monitor bus that can serve as a solo bus. In essence: capable and transparent mixing.

British analog mixing consoles are renowned for their musical EQ profiles. The 16A meticulously models these classic EQs to give you the very same, magical EQ response found on these coveted desks. Each input channel also provides a classic compressor module with optional peak/RMS operation. Groups and the Main Mix bus are equipped with MOTU's Leveler™, an accurate model of the legendary Teletronix™ LA-2A™ optical leveling amplifier, known for its unique and highly sought-after Automatic Gain Control (AGC) characteristics.

With one click on the 16A's routing grid, you can route any source signal to any destination. Sources can be analog or digital inputs on the interface, computer channels, mixer bus outputs, or audio network streams from other devices on the network. Destinations include interface outputs, host software inputs, mixer inputs, or any other device (or computer) on the AVB network. You can even split any single input (or stereo pair) to unlimited multiple output destinations.

The 16A network port introduces AVB Ethernet, the new industry standard developed by the IEEE for professional audio networking. Add a second MOTU AVB interface (1248, 8M or 16A) with a simple Cat-5e or CAT-6 ethernet cable.

The software that you can use to control the 16A doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 16A's on-board DSP, mixing, device settings, and network audio routing from the web app software running in your favourite web browser on a laptop tablet or smart phone connected by wire or Wi-Fi to your local area network. Use any web client on any platform - Mac, Windows, Linux, iOS, Android - as long as it shared the same network.

Connect an Apple Airport or other Wi-Fi router directly to the 16A with a standard Ethernet cable and control the 16A's powerful mixing and DSP effects from your smart phone or tablet, without a computer. Great for live sound mixing!
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Apogee Element 88 Thunderbolt Audio Interface For Mac
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 1 in stock $1,349.64
Cat: 627992 Rel: 07 Nov 16
 
16x16 audio interface with 8 analog inputs, 8 mic preamps & ultra-low latency Thunderbolt connectivity
Notes: The Apogee Element 88 is a 16x16 Thunderbolt audio interface using the best technology found in the Symphony I/O, Ensemble and Groove.

The Apogee Element 88 includes eight mic preamps with Apogees' Advanced Stepped Gain Architecture that dynamically optimises the gain up to 75dB to provide superior bandwidth and low distortion.

Using high-quality AD/DA conversion, the Apogee Elements delivers unmatched clarity and definition making recording and mixing decisions far easier and improving the quality of your music. The included Word Clock also provides Apogee's superior clocking technology ensuring your digital audio system performs at is best.

In addition to excellent sound quality, the Element 88 provides incredible low-latency performance thanks to the use of Thunderbolt drivers which provides a latency of 1.41 round-trip and rock-solid stability. Furthermore, Apogee's Direct Memory Access technology allows you to run far more plug-ins and monitoring through your DAW even at low buffer settings delivering power and speed.

The Element 88 comes with a powerful control software ecosystem including apps for your Mac and iOS device for input type, input and output levels and five different low-latency mixers. An optional USB Apogee Control Hardware remote is also available separately and can configure a broad range of settings.
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RME Fireface UCX Audio & MIDI Interface
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 1 in stock $1,101.98
RME
Cat: 445883 Rel: 30 Jan 12
 
Hybrid 36-channel USB & FireWire audio interface
Notes: The RME Fireface UCX is a compact 36-channel, 192kHz USB and Firewire hybrid audio interface, incorporating Hammerfall X-Core technology, high-end converters and TotalMix FX effects engine.

Continuing the line of pristine quality X-Series interfaces, the Fireface UCX packs an incredible amount of technology into a half-rack unit. Featuring 18 ins and outs in total, 8 analogue i/o, 2 digitally controlled mic preamps, 2 instrument inputs, SPDIF, ADAT, Wordclock, 2 MIDI i/o all piped through FireWire 400 or USB 2.0 (USB 3 compatible) computer connections.

The Fireface UCX has impressive technical specifications, with 115dBA dynamic range on the analogue inputs and outputs; an excellent signal-to-noise ratio with very low distortion and jitter. Latency is negligable (0.4ms at 48 kHz), surpassing that of many, more expensive interfaces, making the UCX a serious recording tool for studio or stage. The mic preamps use technology from the RME Micstacy, ensuring flat response and supreme dynamic range, and can also provide automatic and intelligent level control to ensure distortion-free recording.

TotalMix allows for flexible DSP mixing and routing of all i/o's plus effects even at the highest sample rates. Every channel can have 3-band parametric EQ, adjustable HPF, dynamics, MS processing and phase reversal. A stereo auxiliary send gives access from any channel to the reverb and delay effects engine, allowing DSP-based mininal-latency monitoring effects. There are limitations to the total number of simultaneous effects depending on sample rate, but when the DSP load is too high, the Fireface UCX will use the FX-DSP automatic overload surveillance to inform you, or deactivate some DSP, ensuring the DSP engine is never overloaded.

As well as using RME's proprietry USB and Firewire drivers, the Fireface UCX can also be used standalone, or in Class Compliant Mode. This allows the unit to be used without a driver on several operating systems including (via the Camera Connection Kit) the iPad or iPad2, making these mobile platforms capable of studio quality audio recording.

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http://www.youtube.com/watch?v=YTNQAJu6Vlg&feature=player_embedded
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RME MADIface Pro USB 2.0 Audio & MIDI Interface
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 1 in stock $1,060.35
RME
Cat: 620636 Rel: 28 Nov 16
 
136-channel, 192 kHz bus-powered professional USB audio interface
Notes: Taking 8 Channels to 64 Channels:

In 2015 the RME Babyface Pro was launched to much industry acclaim. Now regarded as the new standard in high-end desktop recording, it's superior sound, build quality and professional connectivity has made it the first choice for producers, engineers and artists everywhere.

One year on, and RME have taken the Babyface Pro to the next level. The MADIface Pro retains the beautifully designed housing with its integrated XLR and analog I/Os, but has replaced the ADAT I/O with a MADI port. The result is 64 channels of pristine audio on a single cable on an interface that will fit in your laptop bag with your computer.

Because of its physical design and versatile I/O, the MADIface Pro is the perfect mobile solution where quality audio is critical. As well as remote, live, broadcast and industrial applications, the MADIface Pro is also the complete solution for the studio.

Basic Functionality:
Two analog mic/line XLR inputs, two XLR line outputs, two universal TS inputs for line or instrument, and 2 stereo TRS outputs for low and high impedance headphones provide everything you need to work on your projects in the studio or on the move.

TotalMix FX adds 3-band parametric EQs and reverb/ echo, plus unlimited mixing and routing options. A MIDI I/O completes the fully DAW compatible feature set. The unit operates USB bus powered and usually does not need an external power supply, unless the MADI I/O is used.

MADI I/O:
The optical MADI I/O offers 64 input and out channels, and sample rates up to 192 kHz. It is fully supported in TotalMix FX, with the analog I/Os simultaneously available, resulting in 68 channels input and 68 channels output over USB 2.
To address the increased power demand, RME has implemented a delayed start of the MADI transceiver on power-up, and an option to temporarily disable it when not needed. The MADIface Pro includes an external power supply with lockable connector.

Stand-Alone Mode:
When not connected to a computer, the MADIface Pro enters stand-alone mode. The easy to use control surface with dedicated buttons and four level meter bars, along with independent storage of all current settings have already become important workflow features for many existing Babyface Pro owners.

A very useful MADI monitor feature has been added to stand-alone mode. MADI channels 1 to 64 are passed unchanged from input to output (but refreshed by the MADIface Pro SteadyClock III). Optionally channels 1/2 can be replaced by the input signals 1/2, 3/4, MADI 1/2 or a user adjustable mixdown of all these channels. The analog outputs can be used to listen to any incoming MADI channel pair.

RME USB 2.0:
It's RME's ability to deliver professional performance over USB 2.0 that allows the MADIface Pro to record and playback 68 simultaneous channels, all with buffer sizes as low as 32 samples (lowest value depends on computer used).

The MADIface Pro can be used in Class Compliant mode achieving 24 channels of I/O (4 analog, 20 channels MADI) on an iPad. This truly professional and mobile solution can be easily set and controlled via RME's optional iOS app TotalMix FX for iPad, available in the App Store.
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RME Fireface UC Audio & MIDI Interface
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 4 in stock $862.64
RME
Cat: 420693 Rel: 04 Apr 11
 
36-channel 192 kHz USB2.0 high speed audio interface
Notes: The compact RME Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core, the Fireface UC audio interface provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS, the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.

Under both operating systems, the available latencies are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance comparable to PCI express interfaces under USB 2.0.



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Presonus Studio 192 USB 3.0 Audio Interface & Studio Command Centre With Studio One 3 Artist Software
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 1 in stock $809.47
Cat: 572772 Rel: 19 Oct 15
 
26x32 audio interface & studio command center with zero latency monitoring & Studio One 3 Artist license included
Notes: The PreSonus Studio 192 is the first USB 3.0 audio interface to deliver exceptional sonic fidelity and flexible connectivity in addition to professional monitoring and mixing controls in a single rack-space. Whether you're a producer or an audio engineer, an independent band or a sound designer, the Studio 192 was built for you to create.

The Studio 192 is designed to be the central hub for any project or professional studio. The onboard Talkback mic can be routed to any mix. Onboard Dim and Mono options let you take control of your Main mix. Listen to any mix from either headphone amp. Use the ten balanced outputs for monitor mixing, speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 fits into any recording and production environment.

The Studio 192 includes eight remote controlled XMAX preamps, each providing high headroom, low noise, wide dynamic range, and extended frequency response. The resulting musicality and transparency provides smooth, solid sonic reproduction.

Your audio interface is now an integrated extension of your recording environment. Launch Studio One and you'll find the preamp controls, speaker switching, mono, dim, and talkback functions needed to control your Studio 192. Create zero-latency monitor mixes complete with Fat Channel processing without leaving the Studio One mixer. Studio One's exclusive hybrid Fat Channel plug-in runs on both your computer's processor and on your Studio 192 and switches with a sonically seamless transition. At last, you can punch in while monitoring the same audio between playback and recording.

Because we can't create the same integrated Studio One experience in every recording application, the Studio 192's onboard features can also be controlled in UC Surface's road-tested interface. UC Surface has rapidly won accolades for its intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes and get back to recording.

Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician's ability to experience their performance naturally. To that end, the Studio 192 includes Fat Channel processing on every analog input, plus a stereo reverb and delay. The result is a better performance and ultimately a better recording.

The Studio 192 is equipped with audiophile-grade, Burr-Brown processors to deliver top-quality digital conversion up to 192 kHz. These converters provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally. You'll hear every breath, transient, and detail of a performance in your recordings.

The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on your Studio 192. Available early Fall 2015, the DP88 features eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and Word Clock I/O. The DigiMax DP88 mic preamps are fully remote controllable from Studio One or UC Surface when connected via ADAT to your Studio 192 so that they naturally extend your analog inputs both sonically and functionally.

Only the Studio 192 gives you such a powerful combination of audio interface and studio command center in one rack space: pristine audio up to 192 kHz, zero-latency effects, eight remote controllable preamps, monitor mixing, speaker switching, headphone amps and tight DAW integration.
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Apogee Element 46 Thunderbolt Audio Interface For Mac (B-STOCK)
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 1 in stock $792.14
Cat: 639445 Rel: 07 Nov 16
 
B-STOCK: Box opened, product unused & in perfect condition
Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


The Apogee Element 46 is a 12-in and 14-out Thunderbolt audio interface based on technology found in the Symphony I/O, Ensemble and Groove interfaces.

The Apogee Element 46 includes four combination XLR/Jack preamps and features Apogee's Advanced Stepped Gain Architecture designed to dynamically optimise the gain and deliver superior bandwidth and low distortion.

High-quality AD/DA conversion, the Apogee Element provides unmatched clarity and definition helping you achieve excellent recordings. What's more, the Element 46 features Apogee's superior clocking technology ensuring that all your digital audio system works at its best.

Using Thunderbolt connectivity provides low-latency performance (as low as 1.41ms round-trip) and rock-solid stability. In combination with Apogee's Direct Memory Access technology lets you run far more plug-ins and DAW monitoring at low buffer settings.

The Element 46 comes with a powerful control ecosystem including apps for your Mac and iOS device and an optional USB Apogee Control Hardware remote.
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MOTU 8A Audio Interface
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 1 in stock $789.80
MOTU 8A Audio Interface (audio interface)
Cat: 634818 Rel: 12 Dec 16
 
Thunderbolt/USB audio interface with renowned ESS Sabre32 DAC technology
Notes: Equipped with renowned ESS Sabre32 DAC technology, the 8A has the same award-winning analog audio quality and proven performance as MOTU's flagship 16A interface - packed into a mobile half-rack enclosure.

34 simultaneous audio channels:
You get 8 x 8 balanced analog, 8-channel ADAT optical and independent headphone out for 16 inputs and 18 outputs. The optical ports also support stereo TOSLink (optical S/PDIF).

Superb analog audio quality and high-end converters:
Performance suitable for the most demanding situations - renowned ESS Sabre32 DAC technology delivers 123 dB dynamic range and the same proven, award-winning audio quality as MOTU's flagship 16A.

Ultra-low latency and proven, high-performance MOTU drivers:
The best possible latency performance. The 8A delivers round-trip latency (RTL) performance as low as 1.6 ms at 96kHz over Thunderbolt - and an astonishing 1.9 ms over USB - with high-performance DAW hosts.

Mobile operation and universal connectivity:
Ultimate portability and flexibility Connects to your computer with Thunderbolt, super-speed USB 3.0 or AVB/TSN Ethernet - with support for up to 256 audio channels (128 in and 128 out). USB audio class-compliant firmware and high-performance, industry-standard drivers work with any audio apps. Connects to your iPad with a standard camera connection kit (adapter).

DSP mixing and effects processing:
Console-style mixing with 48 channels and 12 busses. The 8A's full-fledged 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects, including reverb, 4-band EQ, gate and compression. If you know your way around a large-format mixing console, you'll feel right at home. If you've ever wished to mix on a large console, the driver's seat is now yours.

Modelled vintage effects processing:
Vintage processing with 32-bit float precision. Classic reverb. Compression modelled after the legendary LA-2A compressor. EQ modelled after British analog console EQs. The 8A's mixing and effects DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Flexible matrix routing and splitting:
Route your audio anywhere with one-click ease. Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the audio network.

Web app control from any device:
Control everything from your laptop, tablet and smartphone. The software that you use to control the 8A doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 8A's on-board DSP, mixing, device settings, and network audio routing from your favourite web browser on a laptop, tablet or smartphone connected by wire or Wi-Fi to your local area network. Use any web client on any platform - Mac, Windows, Linux, iOS, Android - as long as it shares the same network.

Stand-alone operation with wireless control:
No computer or laptop needed. Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

Comprehensive metering:
View all I/O activity at a glance - in full colour. The full-colour LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu.

Powerful audio workstation technology for Mac and Windows:
Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.
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MOTU 624 Audio Interface
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 1 in stock $788.91
MOTU 624 Audio Interface (audio interface)
Cat: 634812 Rel: 12 Dec 16
 
16x16 Thunderbolt/USB audio interface with renowned ESS Sabre32 DAC technology
Notes: Equipped with renowned ESS Sabre32 DAC technology, the 624 has the same award-winning analog audio quality and proven performance as MOTU's flagship 1248 interface - packed into a mobile half-rack enclosure.

32 simultaneous audio channels:
Studio-grade I/O for on-the-go recording. You get 2 mic inputs, 2 guitar inputs, 4 x 6 balanced analog with dedicated main outs, 8-channel ADAT optical and independent headphone out for 16 inputs and 16 outputs. The optical ports also support stereo TOSLink (optical S/PDIF).

Superb analog audio quality and high-end converters:
Performance suitable for the most demanding situations. Renowned ESS Sabre32 DAC technology delivers 123 dB dynamic range and the same proven, award-winning audio quality as MOTU's flagship 1248.

Ultra-low latency and proven, high-performance MOTU drivers:
The best possible latency performance. The 624 delivers round-trip latency (RTL) performance as low as 1.6 ms at 96kHz over Thunderbolt - and an astonishing 1.9 ms over USB - with high-performance DAW hosts.

Mobile operation and universal connectivity:
Ultimate portability and flexibility. Connects to your computer with Thunderbolt, super-speed USB 3.0 or AVB/TSN Ethernet - with support for up to 256 audio channels (128 in and 128 out). USB audio class-compliant firmware and high-performance, industry-standard drivers work with any audio apps. Connects to your iPad with a standard camera connection kit (adapter).

DSP mixing and effects processing:
Console-style mixing with 48 channels and 12 busses. The 624's full-fledged 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects, including reverb, 4-band EQ, gate and compression. If you know your way around a large-format mixing console, you'll feel right at home. If you've ever wished to mix on a large console, the driver's seat is now yours.

Modelled vintage effects processing:
Vintage processing with 32-bit float precision. Classic reverb. Compression modelled after the legendary LA-2A compressor. EQ modelled after British analog console EQs. The 624's mixing and effects DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Flexible matrix routing and splitting:
Route your audio anywhere with one-click ease. Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the audio network.

Web app control from any device:
Control everything from your laptop, tablet and smartphone. The software that you use to control the 624 doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 624's on-board DSP, mixing, device settings, and network audio routing from your favourite web browser on a laptop, tablet or smartphone connected by wire or Wi-Fi to your local area network. Use any web client on any platform - Mac, Windows, Linux, iOS, Android - as long as it shares the same network.

Stand-alone operation with wireless control:
No computer or laptop needed. Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

Comprehensive metering:
View all I/O activity at a glance - in full colour. The full-colour LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu.

Powerful audio workstation technology for Mac and Windows:
Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.
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MOTU 8D AES3 & SPDIF USB Audio Interface
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 1 in stock $682.67
Cat: 641940 Rel: 13 Mar 17
 
AES3/SPDIF/USB/AVB-TSN audio interface with DSP and mixing
Notes: The 8D provides four channels of professional AES3 (AES/EBU) digital I/O, plus four channels of standard S/PDIF digital audio I/O, with sample rate conversion on all inputs.

The 8D provides universal connectivity to your Mac or PC through USB or AVB/TSN. Renowned drivers deliver industry-leading ultra-low latency and proven, rock solid performance.

High-performance computer connectivity:
New, optimized drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW such as Digital Performer, the 8D delivers an astonishing round trip latency (RTL) of 1.70 ms (milliseconds) on OS X and 1.71 ms on Windows over USB (at 96 kHz with a 32-sample host buffer).

A flexible digital converter, router, and splitter:
Send any input to any output, or split to multiple output channels. Convert any format to any other (AES3, S/PDIF, AVB-TSN and USB). Includes routing to and from the computer, plus any devices on the AVB-TSN network.

DSP mixing and effects processing:
The 8D's 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects, including classic reverb, EQ modelled after British analog console EQs and compression modelled after the legendary LA-2A compressor. If you know your way around a large-format mixing console, you'll feel right at home. With 32-bit floating point processing, the 8D's DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Stand-alone operation with wireless control:
Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

Web app control:
The software that you use to control the 8D doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 8D's on-board DSP, mixing, and device settings from the web app software running in your favourite web browser on the computer, or even a tablet or smartphone on the same Wi-Fi network as your computer.

Word Clock:
Standard word clock input and output allows you to resolve the 8D to other digital audio gear or house sync.

Convenient headphone monitoring:
Use the assignable front-panel headphone output with volume control to monitor any stereo channel pair.
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RME Babyface Pro Audio & MIDI Interface
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 2 in stock $664.93
RME
Cat: 571284 Rel: 24 Aug 15
 
24 channel bus-powered USB interface, with ADAT I/O
Notes: The exciting new Babyface Pro once again demonstrates RME's absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics.

Created with the highest precision from a block of aluminum, this high-end yet portable interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.

For the main I/O RME have designed a completely new XLR socket, which integrates seamlessly into the housing and saves space. The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.

Two digitally controlled preamps provide individually switchable 48V 'phantom power. These brand new circuits feature gain of up to 70 dB, adjustable in steps of 3 dB, plus a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.

Babyface Pro's incredibly efficient design almost never requires an external power supply - it's perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.

The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro's jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.

Babyface Pro ships with RME's TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in every situation. You can do something as simple as mixing together your guitar and vocal to headphones.

The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also onboard.

Latest generation low latency AD/DA converters, combined with RME's unique SteadyClock technology, result in exceptional specifications that will satisfy the most demanding of professionals.

This high-end interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.

Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired.

RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range.

The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.

Even in stand-alone mode, routing and mixing of inputs to outputs directly on the device opens a whole world of possible applications.
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MOTU M64 MADI USB Audio Interface
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 1 in stock $656.98
MOTU M64 MADI USB Audio Interface (USB audio interface)
Cat: 641937 Rel: 13 Mar 17
 
MADI/USB/AVB-TSN ethernet audio interface with DSP & mixing
Notes: The M64 is a flexible MADI interface, router, repeater, splitter, converter and mixer with AVB/TSN networking. It is ideal for routing MADI digital audio streams in live performance systems, network installations or recording studios of any size.

The M64 delivers optical MADI (64 channels in and out), plus independent coaxial MADI (64 channels in and out) with an extra duplicate BNC output, in all standard formats and sample rates.

High-performance computer connectivity:
New, optimized drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW such as Digital Performer, the M64 delivers an astonishing round trip latency (RTL) of 1.70 ms (milliseconds) on OS X and 1.71 ms on Windows over USB (at 96 kHz with a 32-sample host buffer).

The ultimate MADI converter, router, splitter and repeater:
Send any input to any output, or split to multiple output channels. Convert optical MADI to coaxial MADI. Route MADI streams to and from the computer, plus any devices on the AVB/TSN network.

DSP mixing and effects processing:
The M64's 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects, including classic reverb, EQ modelled after British analog console EQs and compression modelled after the legendary LA-2A compressor. If you know your way around a large-format mixing console, you'll feel right at home. With 32-bit floating point processing, the M64's DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Stand-alone operation with wireless control:
Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

Web app control:
The software that you use to control the M64 doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the M64's on-board DSP, mixing, and device settings from the web app software running in your favourite web browser on the computer, or even a tablet or smartphone on the same Wi-Fi network as your computer.

Word Clock:
Standard word clock input and output allows you to resolve the M64 to other digital audio gear or house sync.

Convenient headphone monitoring:
Use the assignable front-panel headphone output with volume control to monitor any stereo channel pair.
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MOTU LP32 ADAT Lightpipe USB Audio Interface
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 1 in stock $656.84
Cat: 641939 Rel: 13 Mar 17
 
ADAT optical/USB/AVB-TSN audio interface with DSP & mixing
Notes: The LP32 is a flexible ADAT optical "lightpipe" audio interface, router, splitter, converter and mixer with AVB/TSN networking. It is ideal for routing optical digital audio in live performance systems, network installations or recording studios of any size.

The LP32 provides four independent banks of 8-channel ADAT optical I/O, 64 channels of USB I/O, 32 channels of AVB-TSN network I/O and a headphone output, for a total of 258 simultaneous I/O channels.

High-performance computer connectivity:
New, optimized drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW such as Digital Performer, the LP32 delivers an astonishing round trip latency (RTL) of 1.70 ms (milliseconds) on OS X and 1.71 ms on Windows over USB (at 96 kHz with a 32-sample host buffer).

A flexible digital converter, router, splitter and repeater:
Send any input to any output, or split to multiple output channels. Convert any format to any other (Optical, AVB-TSN and USB). Includes routing to and from the computer, plus any devices on the AVB-TSN network.

DSP mixing and effects processing:
The LP32's 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects, including classic reverb, EQ modelled after British analog console EQs and compression modelled after the legendary LA-2A compressor. If you know your way around a large-format mixing console, you'll feel right at home. With 32-bit floating point processing, the LP32's DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Stand-alone operation with wireless control:
Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

Web app control:
The software that you use to control the LP32 doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the LP32's on-board DSP, mixing, and device settings from the web app software running in your favourite web browser on the computer, or even a tablet or smartphone on the same Wi-Fi network as your computer.

Word Clock:
Standard word clock input and output allows you to resolve the LP32 to other digital audio gear or house sync.

Convenient headphone monitoring:
Use the assignable front-panel headphone output with volume control to monitor any stereo channel pair.
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FORTHCOMING
Focusrite Scarlett OctoPre Dynamic Eight Channel Microphone Preamplifier
e-mail me when released
coming soon $602.50
Cat: 636076 Rel: 01 Feb 17
 
8 channel mic/line preamplifier with A-D/D-A conversion & analogue compression
Notes: Eight Scarlett mic pres:
Building on the features of the Scarlett OctoPre, Scarlett OctoPre Dynamic brings you the ultimate Scarlett expansion with eight Scarlett 2nd Generation mic preamps with analogue compression on every input channel providing a musical, soft-knee style of compression for more subtle control of dynamics. The "More" button then allows you to double the ratio for more aggressive compression effects.

Focusrite precision A-D and D-A conversion:
Eight channels of Focusrite precision A-D will capture your performance with clarity, honesty and transparency and providing you have an ADAT output on your interface, eight channels of D-A get it back out again via the balanced line outputs. With dual ADAT optical inputs and outputs, it's ideal for expanding your studio's I/O.

Dual high-headroom Hi-Z instrument inputs:
Two high-headroom instrument inputs will handle high output guitar pickups. Don't forget to engage a bit of compression, great for controlling the dynamics of electric basses and guitars.

Ideal for recording the whole band:
Scarlett OctoPre Dynamic is ideal for expanding any high quality, multi-channel recording system. With its high-headroom mic, line and dual instrument inputs, and analogue compression on every channel, it's ideal for tracking drums as well guitars, keyboards, vocals - and more.

Expand the number of outputs in your studio:
Scarlett OctoPre Dynamic's eight analogue outputs can be sourced either directly from the mic preamps for live use, or via the ADAT inputs to give you eight more analogue outputs channels from your DAW.

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Presonus Studio 192 USB 3.0 Audio Interface & Studio Command Centre With Studio One 3 Artist Software (B-STOCK)
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 1 in stock $600.94
Cat: 611973 Rel: 19 Oct 15
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


***CUSTOMERS WHO PURCHASE A PRESONUS STUDIO 192 BETWEEN MAY 1ST & JULY 31ST 2016 ARE ELIGIBLE TO RECIEVE A FREE PRESONUS FADERPORT CONTROLLER UPON COMPLETION OF CLAIM FORM - CONTACT CUSTOMER SERVICE FOR FURTHER INFORMATION & TO RECIEVE CLAIM FORM***

The PreSonus Studio 192 is the first USB 3.0 audio interface to deliver exceptional sonic fidelity and flexible connectivity in addition to professional monitoring and mixing controls in a single rack-space. Whether you're a producer or an audio engineer, an independent band or a sound designer, the Studio 192 was built for you to create.

The Studio 192 is designed to be the central hub for any project or professional studio. The onboard Talkback mic can be routed to any mix. Onboard Dim and Mono options let you take control of your Main mix. Listen to any mix from either headphone amp. Use the ten balanced outputs for monitor mixing, speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 fits into any recording and production environment.

The Studio 192 includes eight remote controlled XMAX preamps, each providing high headroom, low noise, wide dynamic range, and extended frequency response. The resulting musicality and transparency provides smooth, solid sonic reproduction.

Your audio interface is now an integrated extension of your recording environment. Launch Studio One and you'll find the preamp controls, speaker switching, mono, dim, and talkback functions needed to control your Studio 192. Create zero-latency monitor mixes complete with Fat Channel processing without leaving the Studio One mixer. Studio One's exclusive hybrid Fat Channel plug-in runs on both your computer's processor and on your Studio 192 and switches with a sonically seamless transition. At last, you can punch in while monitoring the same audio between playback and recording.

Because we can't create the same integrated Studio One experience in every recording application, the Studio 192's onboard features can also be controlled in UC Surface's road-tested interface. UC Surface has rapidly won accolades for its intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes and get back to recording.

Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician's ability to experience their performance naturally. To that end, the Studio 192 includes Fat Channel processing on every analog input, plus a stereo reverb and delay. The result is a better performance and ultimately a better recording.

The Studio 192 is equipped with audiophile-grade, Burr-Brown processors to deliver top-quality digital conversion up to 192 kHz. These converters provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally. You'll hear every breath, transient, and detail of a performance in your recordings.

The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on your Studio 192. Available early Fall 2015, the DP88 features eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and Word Clock I/O. The DigiMax DP88 mic preamps are fully remote controllable from Studio One or UC Surface when connected via ADAT to your Studio 192 so that they naturally extend your analog inputs both sonically and functionally.

Only the Studio 192 gives you such a powerful combination of audio interface and studio command center in one rack space: pristine audio up to 192 kHz, zero-latency effects, eight remote controllable preamps, monitor mixing, speaker switching, headphone amps and tight DAW integration.
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MOTU UltraLite AVB Audio & MIDI Interface
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 1 in stock $575.91
Cat: 564183 Rel: 16 Mar 15
 
18 x 18 USB / AVB audio interface with DSP mixing, wi-fi control and audio networking
Notes: If you've been looking for a mobile audio interface with excellent audio quality, Wi-Fi control, extensive mixing and exciting new possibilities for expansion and audio networking, your search is over! The latest in MOTU's award-winning UltraLite series, the all-new UltraLite AVB delivers more I/O, more DSP, and best-in-class analog audio quality for on-the-go mobile audio recording.

More I/O:
The UltraLite AVB now provides separate mic and guitar inputs (two each), 8-channel ADAT optical (switchable to stereo TOSLink), 6 x 8 balanced quarter-inch analog I/O and MIDI IN/OUT jacks, all housed in a rugged aluminum alloy half-rack chassis that slides easily into a backpack. That's a total of 18 simultaneous inputs and outputs.

Best-in-class analog audio quality:
The balanced analog outputs achieve a measured dynamic range of 117 dB, rivaling the audio quality of interfaces at much higher price points.

More DSP:
Expanded DSP doubles the available processing power for the redesigned console-style mixer, which provides 48 inputs, 12 stereo busses and 32-bit floating point effects processing, including modeled analog EQ, vintage compression and classic reverb. Matrix routing lets you quickly patch ins to outs, or split inputs to multiple destinations. You can even use the UltraLite AVB as a stand-alone mixer and control everything wirelessly from innovative web app software running on your iPad, iPhone, tablet, smartphone and laptop. Multiple musicians can access their own aux mixes simultaneously from their own Wi-Fi devices.

Class-compliant connectivity:
The UltraLite AVB connects to a computer through AVB Ethernet or audio class compliant hi-speed USB 2.0 (compatible with USB 3.0 and iOS) and records at sample rates up to 192 kHz.

Expansion and networking:
The optical ports let you connect the UltraLite AVB to other interfaces you may own, or future gear purchases as your studio grows. Through AVB Ethernet, you can connect another MOTU AVB interface for more I/O with a standard Ethernet cable - up to 100 meters long! Or, you can connect to an expanded MOTU AVB network with multiple interfaces and computers.
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Keith McMillen K Mix Audio Interface & Programmable Mixer
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 2 in stock $570.24
Cat: 571031 Rel: 12 Sep 16
 
Professional quality USB audio interface & fully programmable mixer
Notes: K-Mix is Keith McMillen's newest innovation: an unbreakable, 8-in/10-out audio interface and programmable mixer. K-Mix features 2 ultra-accurate, high-efficiency low noise uPre preamps, and a precision opto-tactile control surface that was designed from the ground up for an unprecedented level of control. Keith McMillen have made super clean audio more accessible, so you can focus on the music. K-Mix is a go-anywhere, fully-programmable, audio multi-tool that can meet all your needs as an artist, whether you're in the studio or on the road. With no moving parts, K-Mix can be transported in a backpack without the fear of snapping off a fader or knob, while still giving you unrivaled audio quality, mixer functionality, and control. K-Mix is a pro-quality USB audio interface with transparent uPre preamps for superb quality audio recording in the studio or on the stage. K-Mix is a fully programmable mixer that features flexible routing, per-channel DSP, and can function without a computer. K-Mix features an unbreakable precision opto-tactile control surface designed from the ground up to command any DAW.

Audio Interface:

- USB Bus Powered
- Ultra-Low Noise uPre Preamps
- High-End AKM Converters
- 32-bit Floating Point Signal Path
- 8-in/10-out Audio

Programmable Mixer:

- Per Channel DSP
- Flexible Routing
- Standalone Quad 5.1, 7.1 and Octo Surround Mixer
- Onboard Preset Storage
- No Computer Required

Control Surface:

- Ultra-Sensitive Precision Rotaries and Faders
- User Assignable MIDI Controls
- Light Weight and Portable
- Rugged Construction, No Moving Parts
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MOTU UltraLite Mk4 Audio & MIDI Interface (B-STOCK)
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 1 in stock $570.24
Cat: 636295 Rel: 17 Oct 16
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The latest in MOTU's award-winning UltraLite series, the UltraLite-mk4 is a USB audio interface with 40 simultaneous I/O channels (18 in, 22 out). It also delivers exceptional sound quality, new ultra-low latency drivers and expanded DSP for studio-grade mobile audio recording.

Superb audio quality:
- Analog outputs deliver 117dB dynamic range at sample rates up to 192 kHz. Renowned drivers deliver rock-solid performance and industry-leading low latency.

Ultra-low latency:
- New, optimized drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW such as Digital Performer, the UltraLite-mk4 delivers an astonishing round trip latency (RTL) of 1.83 ms (milliseconds) on OS X and 1.84 ms on Windows over USB (at 96 kHz with a 32-sample host buffer).

Built for studio and stage:
- Housed in a compact, aluminium-alloy enclosure you can take anywhere, the UltraLite-mk4 is equally well-suited for studio and stage, with or without a computer. As an interface or mixer, the UltraLite-mk4 provides 18 ins and 22 outs, for a total of 40 simultaneous I/O channels.

All the I/O you need:
- Connect all of your audio gear, including speakers, headphones, mics, guitars, synths, keyboards, drum machines, effects processors and even MIDI devices.

Large console-style mixing:
- Record, monitor, route and process all live inputs using the on-board 48-channel, console-style mixer, with no latency and no processor strain on your computer.

Modeled analog EQ and compression:
- Further sculpt your sound with 4-band parametric EQ featuring filter types carefully modelled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveller, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.

Advanced Extras:
- Analyse and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram "waterfall" display, full- featured oscilloscope, X-Y plot and phase analyser.

Web app control:
- The software that you use to control the UltraLite-mk4 doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the UltraLite-mk4's on-board DSP, mixing, and device settings from the web app software running in your favourite web browser on the computer, or even a tablet or smartphone on the same Wi-Fi network as your computer.

Solid Metal Chassis:
- The UltraLite-mk4 aluminium chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and tour bus. In a world awash with cheap plastic, the cool touch of the UltraLite-mk4's metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction built to last.

Rack mounting brackets:
- Use included brackets and hex bolts to mount the UltraLite-mk4 on rack rails, as shown here with a companion MOTU micro-lite MIDI interface.
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MOTU UltraLite Mk4 Audio & MIDI Interface
 Add to cart
 3 in stock $568.16
Cat: 627984 Rel: 17 Oct 16
 
18x22 USB audio interface with DSP, mixing & effects
Notes: The latest in MOTU's award-winning UltraLite series, the UltraLite-mk4 is a USB audio interface with 40 simultaneous I/O channels (18 in, 22 out). It also delivers exceptional sound quality, new ultra-low latency drivers and expanded DSP for studio-grade mobile audio recording.

Superb audio quality:
- Analog outputs deliver 117dB dynamic range at sample rates up to 192 kHz. Renowned drivers deliver rock-solid performance and industry-leading low latency.

Ultra-low latency:
- New, optimized drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW such as Digital Performer, the UltraLite-mk4 delivers an astonishing round trip latency (RTL) of 1.83 ms (milliseconds) on OS X and 1.84 ms on Windows over USB (at 96 kHz with a 32-sample host buffer).

Built for studio and stage:
- Housed in a compact, aluminium-alloy enclosure you can take anywhere, the UltraLite-mk4 is equally well-suited for studio and stage, with or without a computer. As an interface or mixer, the UltraLite-mk4 provides 18 ins and 22 outs, for a total of 40 simultaneous I/O channels.

All the I/O you need:
- Connect all of your audio gear, including speakers, headphones, mics, guitars, synths, keyboards, drum machines, effects processors and even MIDI devices.

Large console-style mixing:
- Record, monitor, route and process all live inputs using the on-board 48-channel, console-style mixer, with no latency and no processor strain on your computer.

Modeled analog EQ and compression:
- Further sculpt your sound with 4-band parametric EQ featuring filter types carefully modelled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveller, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.

Advanced Extras:
- Analyse and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram "waterfall" display, full- featured oscilloscope, X-Y plot and phase analyser.

Web app control:
- The software that you use to control the UltraLite-mk4 doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the UltraLite-mk4's on-board DSP, mixing, and device settings from the web app software running in your favourite web browser on the computer, or even a tablet or smartphone on the same Wi-Fi network as your computer.

Solid Metal Chassis:
- The UltraLite-mk4 aluminium chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and tour bus. In a world awash with cheap plastic, the cool touch of the UltraLite-mk4's metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction built to last.

Rack mounting brackets:
- Use included brackets and hex bolts to mount the UltraLite-mk4 on rack rails, as shown here with a companion MOTU micro-lite MIDI interface.
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Presonus Studio 192 Mobile USB 3.0 Audio Interface (INCLUDES FREE PRESONUS STUDIO ONE ARTIST POWER PACK UPGRADE - OFFER ENDS 30/4/17)
 Add to cart
 1 in stock $547.34
Cat: 599859 Rel: 23 May 16
 
22x26, 24-bit, 192 kHz audio interface and studio command center
Notes: ***The Studio 192 Mobile, like all PreSonus interfaces, ships with the award-winning Studio One Artist. But for a limited time only, PreSonus are throwing in the Power Pack Upgrade for free - over 170 pounds worth of additional software! Offer valid until April 30th 2017. Register your Studio 192 Mobile at my.presonus.com and the Artist Power Pack plug-ins will appear in your account***

Artist Power Pack includes:
- Studio One Artist (already included)
- VST/AU/Rewire support
- Channel Strip Collection
- Studio One Remote Support
- MP3 Converter

Built to create in the studio or on the go:
The PreSonus Studio 192 Mobile USB 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a compact desktop design. Whether you're a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 Mobile was built for you to create.

An integrated solution:
The Studio 192 Mobile provides an integrated, portable, hardware and software solution for recording in personal and professional studios wherever they may be. Switch between any two mixes using the Cue function and the onboard headphone amp. Software-controlled Dim and Mono options let you take control of your main mix. Use the six balanced outputs for monitor mixing or speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 Mobile fits into any recording and production environment.

Superior sound:
Connect a Studio 192 Mobile and you'll instantly hear details and an open high end you expect from a professional studio front end. The Studio 192 Mobile operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

The Studio One in Studio 192 Mobile:
With the Studio 192 Mobile, your audio interface is an integrated extension of your recording environment. Launch Studio One 3, and you'll find full preamp control and monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192's DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad.

Remote control with UC Surface, too!
The Studio 192 Mobile's onboard features can also be controlled in PreSonus' free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.

Great signal processors are a PreSonus tradition:
Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician's ability to experience their performance naturally. To that end, the Studio 192 Mobile includes Studio One Fat Channel plug-in processing on every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.

Expandable when you need more I/O:
The Studio 192 Mobile has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 Mobile with eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 Mobile so that they naturally extend your analog inputs both sonically and functionally.

Get your hands on a Studio 192 Mobile:
The Studio 192 Mobile gives you a powerful combination audio interface and studio command center. With pristine audio up to 192 kHz, Fat Channel DSP effects, remote-controllable preamps, monitor mixing, speaker switching, a headphone amp, and unprecedented Studio One integration, it gives you a portable recording solution like no other. Check it out at your favorite PreSonus dealer.
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Apogee Element 24 Thunderbolt Audio Interface For Mac
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 1 in stock $530.70
Cat: 627989 Rel: 05 Dec 16
 
10x12 audio interface with 2 mic preamps & ultra-low latency Thunderbolt connectivity
Notes: The Apogee Element 24 is a 10-in and 12-out Thunderbolt audio interface based on technology found in the Symphony I/O, Ensemble and Groove interfaces.

The Apogee Element 24 has two combination XLR/Jack preamps with Advanced Stepped Gain Architecture that dynamically controls the gain and deliver superior bandwidth and low distortion.

Using Apogee's renowned AD/DA conversion technology, the Apogee Element provides excellent clarity and definition helping you achieve better recordings. The Element 24 also uses Apogee's superior clocking technology for optimum performance of your digital audio system.

Thunderbolt connectivity provides low-latency performance (as low as 1.41ms round-trip) and incredible stability. Furthermore, Apogee's Direct Memory Access technology allows you to run far more plug-ins as well as DAW monitoring even at low buffer settings.

The Element 24 comes with a powerful control ecosystem with Mac and iOS apps and an optional USB Apogee Control Hardware remote, sold separately.
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Apogee Duet Audio Interface Mac & iPad
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 1 in stock $529.66
Cat: 481437 Rel: 08 Apr 13
 
Audio interface designed for the iPod Touch, iPhone, iPad or Mac
Notes: The Apogee Duet is an award-winning audio interface, headphone amp and MIDI interface making it easy to create professional recordings anywhere on your Mac, iPad, iPod touch or iPhone. With Apogee's legendary digital audio conversion and world-class mic preamps, the Duet is the best way to capture your music with incredible dimension and detail.

The new Duet for Mac & iPad features special circuitry designed to deliver professional performance for iPad use along with low latency USB 2.0 performance for Mac. And with the addition of MIDI I/O you can connect and power a Core MID compatible keyboard/controller while using Duet with your iPad or iOS device.

The Duet's AD/DA converters are designed to deliver the purest recordings and best listening experience possible. The Duet's efficient circuitry and state-of-the-art components provide a simplified signal path resulting in incredibly transparent recordings.

Much like the AD/DA converters, the Duet's mic preamps feature the latest components and offer seamless click-free transitions as the gain increases and decreases throughout the incredible range of 0-75dB. This unprecedented feature allows you to dial in the perfect level, either with the controller knob or from within software, while delivering ultra-low noise and smooth, crisp detail. Duet's mic pres are suitable for all dynamic, condenser or ribbon microphones, allowing you to capture any sound without compromise.

An Apogee technology first introduced in 1992 on Apogee's AD-500 converter, Soft Limit can be heard on countless platinum selling records around the world. Once a technology exclusively reserved for Apogee's most advanced audio converters, Soft Limit is included in Duet and can be enabled in Apogee Maestro software.

This superior analog design prevents the digital clipping that causes distortion by instantaneously rounding off transient peaks before they hit the analog-to-digital converter. Soft Limit allows several more decibels of apparent level to be recorded while subtly providing an analog-like warmth to the sound.

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Zoom TAC8 Thunderbolt Audio & MIDI Interface With Steinberg Cubase LE7 Software
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 1 in stock $519.25
Cat: 568704 Rel: 30 Mar 15
 
Rackmountable audio/MIDI recording interface with Thunderbolt connectivity, with 18 inputs and 20 outputs
Notes: The rack-montable TAC-8 audio interface is designed to act as the central hub in both professional and home environments. It provides 8 analog inputs and 10 analog outputs, as well as 10 digital inputs and ouputs (in both S/PDIF and ADAT Optical formats), plus Word Clock and MIDI I/O.

Wheter you want to record large multi-channel 24-bit/192k sessions in your studio without worrying about latency or you want to bring your onstage performance to new heights, the TAC-8 allows you to take advantage of today's latest technology.

With 8 analog inputs and additional digital options, the TAC-8 allows you to record what you want, when you want. Record drums, bass, guitar, and vocals all at once, or go big with a 8 mic drum setup: or anything inbetween. Thunderbolt speeds will ensure you won't have to deal with latency issues. The software mixer and output options let you customize your session to your needs.

The TAC-8 allows you to use your laptop onstage with high quality sound. Simply connect it to your computer with a Thunderbolt cable and then connect the rear panel TRS outputs to your mixing board or PA system. Whether you're a one-man band with an epic onstage rig or your TAC-8 + computer is the central hub for a band leveraging software effects and instruments, with 10 analog outs you can customize your rig to your needs.

Thunderbolt technology opens up new doors for audio engineers. With Thunderbolt, the TAC-8 provides 8 high-quality analog inputs, as well as up to 10 additional digital input options, at near-zero latency speeds. This gives creators of all kinds the best technology available in an easy to use interface, taking their work to new heights.

More than twice as fast as USB 3.0 - not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800 - Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits-per-second, which means virtually no latency. Thunderbolt interfaces such as the TAC-8 are also unaffected by computer jitter (slight variations in timing).

The TAC-8 provides a wide variety of both analog and digital connectors. Eight front panel combo XLR/TRS inputs accept mic- and line-level signals. Inputs 1 and 2 can also accept instrument-level signal from guitars and basses. Dedicated input gain controls and Clip LED's make it easy to set optimum input levels, and the selectable multi-channel Phantom Power feature allows for the use of condenser microphones.

Dual balanced analog TRS output jacks enable you to connect the TAC-8 to amplifiers or self-powered speakers, and there are also 8 discrete balanced TRS analog line outputs for multichannel monitoring or connection to external effects devices.

A large front-panel Output knob offers fast control of main output level, and there are two independent 1/4" stereo headphone jacks, each with its own dedicated volume control for private monitoring.

ADAT and S/PDIF digital inputs/outputs allow for the use of up to 10 inputs from external interfaces as well as 10 outputs, providing a combined total of 18 inputs and 20 outputs through the TAC-8 device. Built-in Word Clock allows for syncing between devices, and MIDI In/Out allow electronic keyboards, sequencers, and drum machines to be connected through the TAC-8. Thunderbolt speeds ensure precise audio and MIDI sync.

In standalone mode, the TAC-8 can be used as an 8-channel mic preamp and analog-to-digital or digital-to-analog converter without being connected to a computer.

The TAC-8 performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-8 processes the signal at high resolution 176.4kHz or 192kHz respectively. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

TAC-8 MixEfx is a free Macintosh application designed specially by Zoom for the TAC-8. It provides a comprehensive onscreen mixer, with independent level, phase reversal, and panning control for each channel. TAC-8 MixEfx also allows you to freely route all inputs to all outputs and to create custom mixes for each pair of outputs. In addition, a variety of reverb and echo effects can be used as a send/return effect. Complete mixes can then be stored in three different memory slots, allowing instant total recall.
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MOTU UltraLite Mk3 Hybrid Audio Interface
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MRP:$623.10 SAVE 19%
 2 in stock $504.68
MOTU UltraLite Mk3 Hybrid Audio Interface (USB/Firewire audio interface)
Cat: 405195 Rel: 27 Sep 10
 
Firewire/USB hybrid interface with 10 inputs/14 outputs, Audiodesk software included
Notes: The Ultralite-mk3 Hybrid is MOTU's most compact and versatile audio interface, featuring hybrid FireWire/USB2 connectivity to your Mac or Windows computer, on-board mixing and effects, superb sound and reliable performance. As the first-ever hybrid audio interface of its kind, the UltraLite-mk3 Hybrid provides flexible and mobile operation via FireWire or Hi-speed USB2 connectivity to a Mac or PC computer, with professional audio quality at samples rates up to 192 kHz and plenty of I/O, including 2 mic/instrument inputs, 6 line-level analog inputs, 10 channels of analog output, stereo S/PDIF and a stereo headphone output.

Housed in a rugged, compact half-rack enclosure you can take anywhere, the UltraLite-mk3 Hybrid is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the UltraLite-mk3 Hybrid provides 10 separate inputs and 14 separate outputs.Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines, effects processors and even MIDI devices. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer i with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.

The included CueMix FX cross-platform mixing software provides attractive graphic mixing, graphic editing of parametric EQ, and a convenient tabbed interface for quick access to all features in one window. Advanced signal analysis tools include a full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis. After programming the on-board mixing in the studio, unplug the UltraLite-mk3 Hybrid from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD. The UltraLite-mk3 Hybrid provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24bit recording/editing and 32-bit mixing/processing/mastering.
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Zoom TAC8 Thunderbolt Audio & MIDI Interface With Steinberg Cubase LE7 Software (B-STOCK)
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 1 in stock $468.26
Cat: 612033 Rel: 09 May 16
 
***B-STOCK: Box opened, product unused***
Notes: The rack-montable TAC-8 audio interface is designed to act as the central hub in both professional and home environments. It provides 8 analog inputs and 10 analog outputs, as well as 10 digital inputs and ouputs (in both S/PDIF and ADAT Optical formats), plus Word Clock and MIDI I/O.

Wheter you want to record large multi-channel 24-bit/192k sessions in your studio without worrying about latency or you want to bring your onstage performance to new heights, the TAC-8 allows you to take advantage of today's latest technology.

With 8 analog inputs and additional digital options, the TAC-8 allows you to record what you want, when you want. Record drums, bass, guitar, and vocals all at once, or go big with a 8 mic drum setup: or anything inbetween. Thunderbolt speeds will ensure you won't have to deal with latency issues. The software mixer and output options let you customize your session to your needs.

The TAC-8 allows you to use your laptop onstage with high quality sound. Simply connect it to your computer with a Thunderbolt cable and then connect the rear panel TRS outputs to your mixing board or PA system. Whether you're a one-man band with an epic onstage rig or your TAC-8 + computer is the central hub for a band leveraging software effects and instruments, with 10 analog outs you can customize your rig to your needs.

Thunderbolt technology opens up new doors for audio engineers. With Thunderbolt, the TAC-8 provides 8 high-quality analog inputs, as well as up to 10 additional digital input options, at near-zero latency speeds. This gives creators of all kinds the best technology available in an easy to use interface, taking their work to new heights.

More than twice as fast as USB 3.0 - not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800 - Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits-per-second, which means virtually no latency. Thunderbolt interfaces such as the TAC-8 are also unaffected by computer jitter (slight variations in timing).

The TAC-8 provides a wide variety of both analog and digital connectors. Eight front panel combo XLR/TRS inputs accept mic- and line-level signals. Inputs 1 and 2 can also accept instrument-level signal from guitars and basses. Dedicated input gain controls and Clip LED's make it easy to set optimum input levels, and the selectable multi-channel Phantom Power feature allows for the use of condenser microphones.

Dual balanced analog TRS output jacks enable you to connect the TAC-8 to amplifiers or self-powered speakers, and there are also 8 discrete balanced TRS analog line outputs for multichannel monitoring or connection to external effects devices.

A large front-panel Output knob offers fast control of main output level, and there are two independent 1/4" stereo headphone jacks, each with its own dedicated volume control for private monitoring.

ADAT and S/PDIF digital inputs/outputs allow for the use of up to 10 inputs from external interfaces as well as 10 outputs, providing a combined total of 18 inputs and 20 outputs through the TAC-8 device. Built-in Word Clock allows for syncing between devices, and MIDI In/Out allow electronic keyboards, sequencers, and drum machines to be connected through the TAC-8. Thunderbolt speeds ensure precise audio and MIDI sync.

In standalone mode, the TAC-8 can be used as an 8-channel mic preamp and analog-to-digital or digital-to-analog converter without being connected to a computer.

The TAC-8 performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-8 processes the signal at high resolution 176.4kHz or 192kHz respectively. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

TAC-8 MixEfx is a free Macintosh application designed specially by Zoom for the TAC-8. It provides a comprehensive onscreen mixer, with independent level, phase reversal, and panning control for each channel. TAC-8 MixEfx also allows you to freely route all inputs to all outputs and to create custom mixes for each pair of outputs. In addition, a variety of reverb and echo effects can be used as a send/return effect. Complete mixes can then be stored in three different memory slots, allowing instant total recall.
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IK Multimedia iRig Pro Duo Studio Suite Deluxe
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 2 in stock $416.22
Cat: 633412 Rel: 09 Jan 17
 
Studio recording bundle including MIDI keyboard, audio interface, XLR microphone & monitoring headphones
Notes: All you need to create and record music in GarageBand and other DAWs.

Turn your computer or mobile device into a complete recording studio with the iRig Pro Duo Studio Suite Deluxe. Everything you need to record piano, keyboards, guitars, vocals and other instruments is here, including a professional-grade audio interface, 37 full size keyboard MIDI controller, a studio-quality microphone, monitoring headphones, and all the cables and accessories you need. Totally plug-and-play on Mac/PC, iOS and Android, everything works seamlessly with GarageBand and other popular recording applications. Plus, the bundle also includes all the GarageBand-compatible Mac/PC software plug-ins to take your recordings to the next level; from guitar amplifier and effects and microphone modelling to virtual instruments and high-end studio processors for mixing and mastering.

Included hardware:

iRIG PRO DUO:

2 channel audio/MIDI interface for Mac, PC, iOS and Android.

iRig Pro Duo is the smallest full-featured dual-channel audio/MIDI interface on the market. iRig Pro Duo delivers high-quality 24-bit audio on the go or in the studio with plug-and-play simplicity. It features 2 channels with XLR/TRS combo audio jacks and phantom power that can accommodate everything from high-end phantom powered condenser microphones to guitars, basses, keyboards and more. Each channel has its own input gain control so you can dial in the perfect amount of input signal for your recording. With iRig Pro Duo, you don't just have a superb portable interface for audio; you can also hook up your favourite MIDI controllers. This is thanks to its included TRS to MIDI-DIN cables and dedicated MIDI in/out jacks, so you can control MIDI-compatible software (or send MIDI data to MIDI-compatible hardware, like synthesizers, drum machines and samplers) with plug and play simplicity.

iRIG KEYS PRO:

37 key universal keyboard controller for Mac, PC, iOS and Android.

iRig Keys Pro is a super-compact, bus-powered, "plug and play" MIDI controller. With its 37-key (3-octave) keyboard, you can play legitimate two-handed parts. It includes modulation and pitch-bend wheels. It's also equipped with an expansion jack, allowing you to connect a sustain pedal for an even more realistic piano playing experience, or an expression pedal for controlling continuous parameters like volume, tremolo, vibrato, rotary speaker speed and more (pedals not included). iRig Keys Pro features an easy-to-use control panel that gives you 5 backlit soft-touch buttons and one Volume/Data knob. You will find Program and Octave up/down buttons plus a Set button that allows you to store up to 4 different setups for the complete iRig Keys PRO configuration. An Edit mode is also available to transpose the keyboard, send specific program change messages, customize touch sensitivity, change MIDI channel, and re-assign Vol/Data knob MIDI control change and access to other useful MIDI functions in a flash. All these parameters can be stored in Sets using the Set button and recalled in a snap, to allow for quick sound switching and easy control of various instruments or apps on the fly.
i
RIG MIC STUDIO XLR:

Large-diaphragm analogue studio condenser microphone.

iRig Mic Studio XLR is a large-diaphragm analogue condenser microphone for vocal and instrument recording. It features 1" large-diaphragm condenser capsule, 20 Hz - 20 kHz frequency response and cardioid polar pattern. It also includes a mic clamp, a tripod table-top stand and a 2m/6' XLR mic cable.

iRIG HEADPHONES:

Professional closed-back studio monitor headphones.

Included Mac/PC Software for GarageBand and other recording applications:

AmpliTube 4 (for guitar and bass)
- Hyper realistic guitar amp and FX software

Mic Room (for vocals)
- Microphone modelling processor for T-RackS

T-RackS Deluxe (for mix and mastering)
- High-end mixing & mastering collection

SampleTank 3 SE (for Virtual Instruments)
- The ultimate sound and groove workstation

Miroslav Philharmonik 2 CE
- The new orchestra with legendary soul
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FORTHCOMING
Focusrite Scarlett OctoPre Eight Channel Microphone Preamplifier
e-mail me when released
coming soon $394.38
Cat: 636074 Rel: 01 Feb 17
 
8-channel mic/line preamplifier with ADAT connectivity
Notes: Scarlett OctoPre gives you eight additional inputs. It's the ideal way to expand your Scarlett - or any other interface with an ADAT input.

Eight Scarlett 2nd Generation mic preamps:
Scarlett OctoPre features eight 2nd Generation Scarlett mic inputs - balanced line inputs too - all running through Focusrite precision 24-bit conversion at up to 192 kHz resolution with 109dB dynamic range.

Dual front-panel instrument inputs:
Two high-headroom instrument inputs will handle high output guitar pickups and are right there on the front panel for easy access.

Plenty of headroom - Pads for the most extreme inputs:
With high-headroom inputs and a pad on every channel, Scarlett OctoPre is ideal for tracking drums as well guitars, keyboards, vocals - and more.

Outputs for live or stand-alone use:
Eight balanced line outputs, sourced directly from the inputs allow Scarlett OctoPre to be used in a live situation whilst capturing the recording via the digital ADAT output.


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FORTHCOMING
RME Digiface USB Audio Interface
e-mail me when released
coming soon $352.76
RME Digiface USB Audio Interface (USB audio interface)
RME
Cat: 641232 Rel: 01 Mar 17
 
24-Bit/96kHz digital multi-format interface
Notes: This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.
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IK Multimedia iRig Pro Duo Studio Suite
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 2 in stock $312.16
Cat: 633410 Rel: 09 Jan 17
 
Studio recording bundle including audio interface, XLR microphone & monitoring headphones
Notes: All you need to create and record music in GarageBand and other DAWs.

Everything you need to record guitars, vocals and other instruments is here, including a professional-grade audio interface, a studio-quality microphone, monitoring headphones, and all the cables and accessories you need. Totally plug-and-play on Mac/PC, iOS and Android, everything works seamlessly with GarageBand and other popular recording applications. Plus, the bundle also includes all the GarageBand-compatible Mac/PC software plug-ins to take your recordings to the next level; from guitar amplifier and effects and microphone modelling to virtual instruments and high-end studio processors for mixing and mastering.

Included hardware:

iRIG PRO DUO:

2 channel audio/MIDI interface for Mac, PC, iOS and Android.

iRig Pro Duo is the smallest full-featured dual-channel audio/MIDI interface on the market. iRig Pro Duo delivers high-quality 24-bit audio on the go or in the studio with plug-and-play simplicity. It features 2 channels with XLR/TRS combo audio jacks and phantom power that can accommodate everything from high-end phantom powered condenser microphones to guitars, basses, keyboards and more. Each channel has its own input gain control so you can dial in the perfect amount of input signal for your recording. With iRig Pro Duo, you don't just have a superb portable interface for audio; you can also hook up your favourite MIDI controllers. This is thanks to its included TRS to MIDI-DIN cables and dedicated MIDI in/out jacks, so you can control MIDI-compatible software (or send MIDI data to MIDI-compatible hardware, like synthesizers, drum machines and samplers) with plug and play simplicity.

iRIG MIC STUDIO XLR:

Large-diaphragm analogue studio condenser microphone.

iRig Mic Studio XLR is a large-diaphragm analogue condenser microphone for vocal and instrument recording. It features 1" large-diaphragm condenser capsule, 20 Hz - 20 kHz frequency response and cardioid polar pattern. It also includes a mic clamp, a tripod table-top stand and a 2m/6' XLR mic cable.

iRIG HEADPHONES:

Professional closed-back studio monitor headphones.
- Closed back design for monitoring while recoding without mic bleed.
- High output drivers for accurate, transparent and powerful sound.
- Extended frequency response for rich bass and crisp highs.
- Adjustable headband for great fit maximum comfort for extended listening periods.

Included Mac/PC Software for GarageBand and other recording applications:

AmpliTube 4 (for guitar and bass)
- Hyper realistic guitar amp and FX software

Mic Room (for vocals)
- Microphone modelling processor for T-RackS

T-RackS Deluxe (for mix and mastering)
- High-end mixing & mastering collection

SampleTank 3 SE (for Virtual Instruments)
- The ultimate sound and groove workstation

Miroslav Philharmonik 2 CE
- The new orchestra with legendary soul
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JBL M Patch Active 1 Desktop Monitoring Controller + 4 Way 1/4" Jack Wiring Loom (black, 6m)
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 1 in stock $296.46
JBL
Cat: 622323 Rel: 08 Aug 16
 
Desktop monitor controller with 4 inputs & 4 outputs & USB compatiability - bundled with 4-way 1/4" jack wiring loom!
Notes: Precision Monitor Control Plus Studio Talkback and USB Audio I/O:

The M-PATCH ACTIVE-1 accommodates four input sources (3 x stereo analog and 1 x USB) and three stereo analog outputs plus USB. In addition to the core functionality of providing seamless A/B switching between input signals and output speaker monitor systems, the ACTIVE-1 delivers a full complement of audio monitoring functions, including precision volume control, mono summing, mute, and dim (ducking). A handy footswitch-activated talk-back function, complete with on-board condenser microphone and selectable routing, has also been integrated, making the ACTIVE-1 the ideal low-cost solution for a broad range of studio production applications.

Designed to provide the lowest-noise operation possible in an active monitor controller, the ACTIVE-1 is ideal for applications where both signal attenuation and boost is needed. In addition to the feature complement found on the PASSIVE-1, the ACTIVE-1 also includes LED level metering and convenient switch-selectable +4dBu/-10dBV input stage operation.

The ACTIVE-1 features on-board USB, allowing for direct digital audio recording and playback when used with a computer DAW. The USB output mirrors the signals appearing at the analog 2 Track outputs, while the computer's L/R output feeds the USB in.

Housed in a sturdy metal chassis and fitted with a durable array of switches and secure connectors, the ACTIVE-1 is built to provide years of worry-free operation.
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JBL M Patch Active 1 Desktop Monitoring Controller
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 1 in stock $286.58
JBL M Patch Active 1 Desktop Monitoring Controller (monitor controller & interface)
JBL
Cat: 599652 Rel: 11 Jul 16
 
Desktop monitor controller with 4 inputs & 4 outputs & USB compatiability
Notes: Precision Monitor Control Plus Studio Talkback and USB Audio I/O:

The M-PATCH ACTIVE-1 accommodates four input sources (3 x stereo analog and 1 x USB) and three stereo analog outputs plus USB. In addition to the core functionality of providing seamless A/B switching between input signals and output speaker monitor systems, the ACTIVE-1 delivers a full complement of audio monitoring functions, including precision volume control, mono summing, mute, and dim (ducking). A handy footswitch-activated talk-back function, complete with on-board condenser microphone and selectable routing, has also been integrated, making the ACTIVE-1 the ideal low-cost solution for a broad range of studio production applications.

Designed to provide the lowest-noise operation possible in an active monitor controller, the ACTIVE-1 is ideal for applications where both signal attenuation and boost is needed. In addition to the feature complement found on the PASSIVE-1, the ACTIVE-1 also includes LED level metering and convenient switch-selectable +4dBu/-10dBV input stage operation.

The ACTIVE-1 features on-board USB, allowing for direct digital audio recording and playback when used with a computer DAW. The USB output mirrors the signals appearing at the analog 2 Track outputs, while the computer's L/R output feeds the USB in.

Housed in a sturdy metal chassis and fitted with a durable array of switches and secure connectors, the ACTIVE-1 is built to provide years of worry-free operation.
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FORTHCOMING
Presonus Studio 6/8 USB Audio & MIDI Interface
e-mail me when released
coming soon $265.35
Cat: 638720 Rel: 01 Mar 17
 
6-in/6-out USB 2.0 audio interface with 4 XMAX preamps
Notes: Professional quality for small studios:
An excellent choice for producers and musicians working in small studios, the Studio 68 provides the right I/O and features for recording and performing. Equipped with four of our famous XMAX Class A preamps, high-end converters, and cue mix monitoring with an ear-bleedingly loud headphone amp, it delivers professional quality audio and the connections you need to create your next hit and play it at your next gig with 24-bit, 192 kHz resolution. A complete, all-in-one recording solution, the Studio 68 comes with PreSonus' award-winning Studio One Artist DAW software for Mac and Windows.

Superior sound:
Audiophile-grade digital converters, low-jitter clocking, and our famous XMAX preamps add up to a superior recording and listening experience. The Studio 68 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. XMAX Class A microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings, making it ideal for both vocal production and sampling.

Fits into your studio and your gigs:
The Studio 68 is a great choice for small studios and has all the right stuff for teaching music, too! A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones - perfect for both DJ-ing live and listening in on a performer's monitor mix. Six LED meters indicate input and output levels.

World-class recording software included:
Seamlessly integrated with the included PreSonus Studio One Artist DAW, the Studio 68 interface works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

Take the tour:
The Studio 68 features two front-panel combo mic and switchable line/instrument inputs and two mic/line inputs with +48V phantom power for condenser mics, In addition to L/R main outputs with front-panel level controls, you get two balanced line outputs for monitor mixing or speaker switching plus stereo S/PDIF digital I/O. MIDI I/O enables connection to a keyboard, sound module, or control surface, as well, making the Studio 68 a true central hub for your studio.

Designed for the studio. Built for the road:
Whether you need a high-quality interface for DJ-ing, are a veteran producer, or both, the Studio 68 will give you the ultra-high-def sound and versatile connectivity you need to make state-of-the-art recordings and perform them live. The perfect companion for any recording software, the Studio 68 comes equipped with Studio One Artist to provide you with a complete, affordable, mobile recording solution.
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Behringer UPhoria UMC1820 Audiophile USB Audio & MIDI Interface With Tracktion Recording Software
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 2 in stock $254.60
Cat: 605785 Rel: 30 May 16
 
Audiophile 18 in 20 out USB Audio/MIDI interface with MIDAS mic preamplifiers & DAW software included
Notes: U-PHORIA UMC1820:
The incredible U-PHORIA UMC1820 bridges the gap between your creativity and your fans. This blazingly fast USB 2.0 studio-in-a-box will have you recording your next masterpiece in minutes with all the connectivity required for your microphones, guitars, keyboards and even MIDI devices.
Record the perfect vocal right to your computer-based DAW thanks to the 8 astonishingly clear, world-class MIDAS-designed mic preamps, which include +48 Volt phantom power for condenser microphones, all going through studio-grade 24-Bit/96 kHz converters for the best possible sound quality. It also provides I/O support for S/PDIF, ADAT and S/MUX formats. Whether you're a singer-songwriter, producer on the go, or just need a rock-solid interface for running backing tracks at a gig, the ultra-dependable U-PHORIA UMC1820 will help you shine in the digital domain.

Studio in a Little Black Box:
When it's time to make recording history on your Mac or Windows computer, plug in microphones, instruments or line level sources to the UMC1820's 8 combination XLR/TRS inputs for the ultimate in studio flexibility! Connect and communicate with MIDI devices to add the benefit of control surfaces to your studio workflow. And since the UMC1820 is compatible with all popular recording software including Avid Pro Tools*, Ableton Live*, Steinberg Cubase, and others - it's ready for anything.

96 kHz Precision:
You take your tracks seriously, and the UMC1820 respects that, providing up to 96 kHz resolution for even the most demanding applications in music as well as video post-production. Work with confidence and accuracy in your favourite recording software for professional results every time.

MIDAS - The Legend in Sound Quality:
Ever since its formation in the 1970s, MIDAS has had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations world-wide, legendary MIDAS consoles such as the XL4 and Heritage H3000 quickly became industry standards.
MIDAS has earned their impeccable reputation due to their no-compromise approach for audio and build quality and in particular for their Award-winning Mic Preamps which are considered by industry experts as the industry's best sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality.
BEHRINGER is proud to incorporate a MIDAS designed mic preamp for the ultimate in high quality audio reproduction in both live and studio environments. Find out more about MIDAS' amazing legacy by visiting their extensive website.

Convenient Monitoring:
The UMC1820 mix control allows zero-latency direct monitoring, which means musicians can experience their performance clearly and with no delay or lag in the returning signal, resulting in a better performance and recording. Its powerful phones output has its own level control and Monitor A/B source select for DJ-style cueing. Plus we provide free audio recording, editing and podcasting software, plus 150 instrument / effect plug-ins - just a download away at behringer.com.

Getting Connected:
The U-PHORIA UMC1820 provides 18 inputs and 20 outs and built-in MIDI I/O to sync your favorite hardware. You'll have ultra-easy control via your computer for producing a richer performance. On the rear panel of the UMC1820, you'll find the USB 2.0 port for hassle-free connection, and plenty of analog playback output options including 1/4" TRS, RCA and XLR. Built-in MIDI I/O allows you to connect keyboards and other outboard MIDI hardware.

Lots of Digital I/O:
ADAT input allows you to connect a BEHRINGER ADA8200 (sold separately), expanding to a total of 16 MIDAS-designed mic preamplifiers, so you can mic the entire band! And there are enough outs to feed separate headphone mixes to each performer. Naturally, the UMC1820 supports all standard I/O formats, including S/PDIF, ADAT, S/MUX and analog.

Tracktion - Record, Edit, Mix and Share
Tracktion is one of the world's fastest and easiest Digital Audio Workstations (DAW) for composing, recording, editing, mixing and sharing your music with the world. Featuring a single-screen interface, and pushing the envelope in design elegance, Tracktion brings together outstanding Pro DAW features, such as dynamic automation, unlimited track count, MIDI recording and support for VST and AU plug-ins. This powerful music production software gives you all the tools of an entire professional-grade recording studio. Learning a DAW has never been easier, thanks to their vast and readily available library of resources.
As our way of saying "Thank You", when you register your (insert the product name) at behringer.com, we'll reward you with a complimentary download code for the full version of Tracktion. Recording and editing couldn't be easier. To learn more about Tracktion, visit tracktion.com/support/videos.
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Focusrite Scarlett 2i2 Studio USB Audio Interface Pack (2nd Generation)
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 3 in stock $250.78
Cat: 613648 Rel: 06 Jun 16
 
USB audio interface bundle pack with headphones and studio condenser microphone included - also includes Pro Tools First recording software
Notes: Stop Wasting Time:
Everything you need to make studio-quality recordings from home:
You could spend another evening comparing equipment online. Or you could spend it recording your demo. Scarlett 2i2 Studio Pack gives you everything you need to easily make studio-quality music on Mac or PC.

Headphones - HP60 closed-back studio headphones for blocking out background noise.

Scarlett 2i2 - The top selling USB interface in the world, for recording studio-quality audio.

Microphone and Cable - CM25 large diaphragm condenser mic for capturing crystal clear sound, plus a three metre XLR mic cable and stand clip.

The World's Top Selling USB Interface:
Get your hands on the top selling USB audio interface of all time. It's a compact and versatile 2-in, 2-out interface that gives singer songwriters two natural-sounding Scarlett mic preamps and the same class-leading sound quality and digital conversion as the rest of the latest Scarlett range.
Take it anywhere, connect by USB, plug the CM25 condenser mic and your guitar straight in, and easily make studio-quality recordings that sound just the way you intended.

Perfect Partners:
Plus, because Focusrite interfaces are the perfect partner for Pro Tools, this studio pack comes with Pro Tools | First - Focusrite Creative Pack in the box, as well as Ableton Live Lite recording software with a further suite of software and samples so you can start recording straight away.

Sound As Good As You:
If you want your recordings to sound as good as your performances, you want this studio pack. It gives you an interface with the best sound quality and digital conversion in its class, plus a large diaphragm condenser microphone that captures every detail of your sound.
Combined, they'll make sure your recordings that sound as true to life as possible. You also get a long mic cable and a stand clip, so you can get started straight away.

Hear Everything:
The art of recording is all about getting lost in the music. You don't want background noises interfering or distracting you when you're trying to concentrate.
The closed-back headphones in this studio pack block out background noise, giving you honest and accurate playback. They let you hear everything you want to hear, and nothing you don't - so you can stay entirely focused while recording and mixing.
Balanced jack outputs let you connect professional monitors, as well.

Effects In Real Time:
Don't let interface latency hold you back. Enhance your recordings in ways that are simply impossible with any other interface in this class, like enabling real-time guitar amp simulation and vocal reverb (depending on your software, settings and computer).

Start Recording Today:
Compose, record, edit, save and export your music straight away, with time-unlimited versions of industry-standard music software: Ableton Live Lite and Pro Tools | First - Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives.
You also get Softube's Time and Tone bundle, the Focusrite Red Plug-In Suite, Novation's Bass Station Virtual synthesiser and 2GB of Loopmasters samples.
Scarlett 2i2 works with all major DAWs on Mac and PC, and all the software included is simple enough for beginners, yet sophisticated enough for advanced users.

Record Absolutely Anywhere:
Never miss another moment of inspiration. Everything in this studio pack is compact, lightweight and sturdy enough to take with you anywhere, so you can lay down ideas at a friend's house or record your next gig. You don't need a power supply, either - just connect with a USB cable and start recording.

Designed for the Guitarist:
No matter how loud you play, or how hot your pick-ups, the newly-designed instrument inputs can handle it. You'll be free to play without the worry of unwanted distortion.

New Generation - Better In Every Way
The latest generation Scarlett 2i2 is packed full of upgrades. It operates at sample rates all the way up to 192kHz with new super-low latency* that lets you record and monitor with software effects in real time.

We completely redesigned the instrument inputs so they can handle even the hottest guitar pick-ups, and we've made it easier than ever to set your levels accurately. We've also built in new analogue protection circuitry across the inputs and the outputs, to guard your interface against unwanted power surges.

Crisp and Clear Conversion:
Converting your performance into digital audio and back again is the most important part of the recording process. We've been making class-leading converters for over 20 years, and Scarlett 2i2 has the best converters of any interface in its class. You can hear the difference! Every part of your recording will be beautifully crisp and clear, even when you're playing softly. This means you can amplify your quieter moments without any unwanted hiss or buzzing.
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Alyseum U388c 8X8 USB 3.0 MIDI Interface
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 2 in stock $249.73
Cat: 627738 Rel: 20 Mar 17
 
USB 3.0 MIDI interface with 8 MIDI inputs/outputs
Notes: The Alyseum U3-88c is an USB MIDI interface with 8 MIDI in and outputs. It has very low latency and jitter because it can be connected via USB 3.0. The U3-88c is also backwards compatible to USB 2.0 through the auto detect function. With this Alyseum MIDI interface you can operate with up to 8 MIDI input-devices. For more flexibility you also have access to 8 MIDI outputs.
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Tascam US 16X08 Rackmount USB Audio & MIDI Interface
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 1 in stock $234.28
Cat: 554444 Rel: 09 Feb 15
 
Rackmountable USB audio/MIDI interface with ultra-HDDA (High Definition Discrete Architecture) mic preamps
Notes: The TASCAM US-16x08 captures 16 mic and line inputs to your computer with clear sound quality and advanced features to manage big sessions. Eight Ultra-HDDA microphone preamps deliver the cleanest and quietest operation in their class while delivering up to 56dB of gain. An additional eight line inputs are provided, two of them switchable to instrument level for direct guitar or bass recording. Eight balanced line outputs are also available, two with a level control on the front panel for monitoring.

Built into the US-16x08 is a DSP Mixer for low-latency digital mixing. Each channel has four-band EQ and compression for polished-sounding monitor mixes. In addition to interface mode, the US-16x08 can be used stand alone as a standalone mic preamp. Mac and Windows drivers are provided, as well as USB Class Compliant 2.0 drivers for tablets like Apple's iPad. MIDI input and output are also available on the rear panel.

Whether using the ergonomically-designed angled desktop stand or mounting with the included rack ears, the US-16x08 includes analog I/O for almost any music recording application.

TASCAM's own Ultra-HDDA mic preamps are the cleanest, quietest, and best-sounding from any interface in their range. A gain range of 56dB makes them ideal for any type of mic - dynamic, condenser, or ribbon. With preamp performance well beyond any interfaces in their price range, the Ultra-HDDA preamps on the US-16x08 makes your tracks sound like a record.

TASCAM's Ultra-HDDA (High Definition Discrete Architecture) mic preamp design is based on discrete components, just like classic professional gear. They achieve an incredible EIN rating of -125 dBu, meaning their noise level is practically below the range of hearing. Other impressive specs include a signal-to-noise ratio of 100 dB, out-speccing anything in its price range. But instead of judging the design merely by test measurments, key components were selected following extensive listening tests.

The first two channels can be switched to direct guitar inputs. They're ideal for direct recording of electric and acoustic guitar and bass without the need for a preamp. Use them with amp modeling software, like the TH2 effect included with SONAR X3. (Guitar effect plug-ins sold separately.)

The Ultra-HDDA mic preamps and line inputs offer 20dB of headroom for distortion-free recordings of percussive, high SPL instruments like drum tracks.

Eight XLR mic inputs and eight TRS inputs can be used simultaneously for 16-track live recordings. Capture every detail of live performances or rehearsals for later mixdown.

The eight XLR mic inputs have switchable +48V phantom power to use up to 8 condenser mics at the same time. The two front panel TRS line inputs are switchable between instrument level and line level input with adjustable gain. An additional six TRS line ins on the rear of the unit are switchable between -10dB and +4dB. All of the jacks support balanced or unbalanced 1/4" signals.

When powered on with out a USB connection, the US-16x08 functions as an 8-channel microphone preamp. Mics pass through the Ultra-HDDA preamps to the eight balanced line outputs on the rear panel. Use the interface to add additional high-quality mic inputs to a mixer an another audio interface.

Digital processing features like the DSP Monitor Mixer and advanced USB drivers make sessions with the US-16x08 comfortable for the musicians and engineer. The DSP Mixer includes processing for a polished-sounding headphone mix without latency delay from your DAW software, fueled by a Blackfin DSP processor. And new drivers, re-written from the ground up, provide beter compatibility and performance on Mac, Windows and iPad recording systems.

The converters and electronics on the US-16x08 allow you to record at audio resolutions up to 96kHz/24-bit for detailed acoustic productions. No matter what your session's sample rate is set for, the high-quality analog and digital design make your recordings sound their best.

The US-16x08 uses USB 2.0 to connect to your computer, found on nearly every computer manufactured in the last 10 years. Simply connect the interface to any available USB port. USB 2.0 provides plenty of data bandwidth, even when recording 16 channels at 96kHz/24-bit. The US-16x08 will also work with USB 3.0 jacks on your computer.

Powered by an Analog Devices BlackFin DSP processor, the US-16x08 includes an advanced digital mixer for monitor mixing. Each input includes 4-band EQ, a low-cut filer, and compressor. The DSP mixer can store up to 10 snapshots as scenes - making it easy to recall mixer settings. An additional tab opens a digital patchbay to route signals to any output.
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Apogee One Audio Interface For Mac
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 3 in stock $232.95
Apogee One Audio Interface For Mac (compact audio interface)
Cat: 612399 Rel: 30 May 16
 
2 in x 2 out USB audio interface & microphone
Notes: The Swiss Army Knife for Personal Recording and Audio Production:
Apogee ONE is an all-in-one portable, USB audio interface that gives you everything you need to make professional recordings on the go. Connect a microphone, guitar or use ONE's exceptional built-in omnidirectional microphone to easily capture your music without compromise. ONE even lets you record with a microphone (built-in or external) and guitar simultaneously. Using Apogee's industry-leading AD/DA conversion and mic preamp technology, ONE produces pristine music, podcast, and voice-over recordings while also delivering studio quality sound to your headphones for precision mixing or hi-fi listening. With an intuitive controller knob and seamless compatibility with Mac OS X, ONE is easy for anyone to use and works great with GarageBand, Logic Pro X, Pro Tools, Ableton or any Core Audio compatible application.

When you buy and register your Apogee ONE, you have exclusive access to the best prices on Waves audio plugins. Registered Apogee ONE customers will receive a discount code good for 25% off a single plugin or 35% off any Waves bundle plus an additional $100 credit towards their next Waves plugin purchase.

Legendary Sound Quality - Why Apogee is the best choice for your studio:
Apogee is an award-winning industry leader in digital recording technology with over 30 years of experience. Preferred by recording pros around the world, Apogee products like ONE, Duet, Quartet, Ensemble and Symphony I/O have been instrumental in creating countless GRAMMYr and OSCARr winning recordings and have set the industry standard in professional recording for over two decades.

A difference you will hear:
ONE makes the legendary quality of Apogee's mic preamps, AD/DA converters and clocking available in a portable form factor and at a great price. With components carefully selected in critical listening tests and a highly efficient circuit design, ONE was built by Apogee engineers to make a difference you can hear.

Pristine, next generation AD/DA converters:
ONE's AD/DA converters are designed to deliver the purest recordings and best listening experience possible. ONE's efficient circuitry and state-of-the-art components provide a simplified signal path resulting in incredibly transparent recordings.

Smooth, detailed world-class mic preamps:
ONE features a microphone preamp with seamless click-free transitions as the gain increases and decreases throughout the incredible gain range of 0 to 62 dB. This unprecedented feature allows you to dial in the perfect level, either with the controller knob or from within software, while delivering ultra-low noise and smooth, crisp detail. ONE's mic pres are suitable for all dynamic, condenser or ribbon microphones, allowing you to capture any sound without compromise.

There's a studio quality microphone built-in to ONE:
ONE features a built-in studio quality condensor microphone that makes it easy to quickly capture song ideas, vocals, podcasts and interviews. With the included mic clip you can position ONE perfectly on your microphone stand to capture any sound.

Connect a microphone, guitar or bass:
ONE's breakout cable lets you connect a microphone to the XLR input and an electric guitar, bass or acoustic guitar with pickup to the 1/4" instrument input. With up to two simultaneous channels of recording (instrument + built-in or external mic) and Apogee's premium A/D conversion and mic preamp technology, you can make professional recordings anywhere with ONE.

ONE is a headphone amp and DAC - Connect headphones or powered speakers:
ONE's stereo output delivers audiophile quality sound from your Mac to your headphones or speakers. With ONE's premium D/A conversion you will hear every subtle detail of your music like never before, allowing you to create better mixes and enjoy your iTunes library even more.
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Behringer FCA1616 USB/Firewire Interface + Tracktion 4 Audio Production Software
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 1 in stock $216.61
Cat: 487685 Rel: 02 Sep 13
 
Audiophile 16 input/16 output USB/FireWire Audio/MIDI Interface with ADAT
Notes: Firepower Audio USB/FireWire audio interfaces are the ideal way to stream audio to and from your PC or Mac computer. These handy interfaces feature state of the art XENYX mic preamps, legendary the world over for their pristine clarity and high headroom sonic performance, plus our 24bit/96KHz A/D-D/A converters will really respect your input. Both interfaces support Windows XP/Vista/7 plus Mac OS X and provide onboard phantom power for use with studio grade condenser microphones. Hook up to the Behringer FCA Series and instantly turn your computer into a powerful recording/editing workstation.

When you connect line-level devices, such as synthesizers or the outputs of an audio mixer to an FCA1616 or FCA610, internal 24bit A/D (Analog to Digital) converters swing into action, turning the audio signal into digital data. Now you can record and play back your masterpiece through a pair of active studio monitors or listen in the privacy of your favorite headphones.

With its expanded 16 channel I/O, 4 XENYX mic preamps and ADA8000 ADAT connectivity, the FCA1616 is ideal for more permanent applications, such as home and professional recording studios, as well as live performance multi track recording rigs. All standard I/O formats are supported including analog, S/PDIF (coaxial and optical), ADAT and S/MUX. Built-in MIDI I/O allows you to connect keyboards and other outboard MIDI hardware. The single rack space FCA1616 also features 8 analog Inserts for use of external effects such as compressors, gates and EQs, etc. A dedicated power supply is included.

On the rear panels of the FCA1616, you'll find ports for FireWire and USB 2.0. Inputs are balanced 1/4" jacks that accept a wide range of line-level devices. Outputs accept both balanced and unbalanced 1/4" connections. The 2 headphones jacks are conveniently located on the front panel, with a dedicated volume control.

The FCA1616 interface features state of the art, high resolution 24bit A/D-D/A converters, supporting up to a 96 kHz sampling rate. Reliable Windows XP, Windows Vista, Windows 7 drivers and Mac OS X support ensure ultra low latency operation.

Because you'll want to take full advantage of your computer's recording, editing and podcasting potential, Behringer have put together a massive software download at www.behringer.com that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You're ready to go live on your PC or Mac right out of the box. You also get more than 100 virtual instruments and 50 FX plugins, turning your computer into a complete home based or mobile recording studio.
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Akai EIE Pro Electromusic Audio & MIDI Interface Expander + FREE 4 Way 1/4" Jack Wiring Loom Audio Cable (black, 3m)
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 1 in stock $207.08
Cat: 539772 Rel: 23 Jun 14
 
Tabletop USB audio & MIDI interface with additional USB ports for connecting other devices through to a computer - bundled with a FREE 1/4" jack wiring loom
Notes: The EIE I/O is a tabletop USB audio interface perfectly tailored for your project and portable studio setups. This four-in, four-out (4x4) device enables you on Mac and PC-based systems to record up to 24-bit resolution into virtually any DAW, recording or performance software. The EIE I/O also houses three convenient USB inputs, in addition to its main USB port, enabling you to connect controllers, hard drives or any other peripheral when native ports on a computer may be limited. The compact recording interface contains high-quality components including nickel-plated input jacks, analog-style VU meters and a rugged aluminum casing for a powerful, professional, portable audio solution.

Each channel of the EIE I/O has a XLR 14" combo jack, dedicated sturdy, gain-pots and Mic/Line/Guitar switches. The EIE I/O features four discrete-design preamplifiers with 48V phantom power for use with virtually any microphone. Individual 14" Nickel-plated jacks found on the back of EIE I/O provide you with channel inserts for processing audio signals externally. You can monitor sessions on multiple sets of studio monitors using the four 14" balanced outputs, which are also Nickel-plated. Both pairs of outputs can be monitored visually with the high-quality, analog VU meters providing classic features with modern style. For remote tracking and alternative playback, the EIE I/O has a 1/4" TRS headphone output. High quality analog-to-digital and digital-to-analog converters ensure that every detail of your session or performance gets captured and played back faithfully.

The EIE I/O sends and receives four audio channels on a single USB cable for simple, universal interface to a computer. The three additional USB ports allow EIE I/O to function as a hub as well, bridging other MIDI controllers and hard-drives to the computer. The USB interface is class compliant for plug-and-play operation with Mac OS X and Windows XP, Vista and 7. The EIE I/O features traditional MIDI In and Out jacks for playing and controlling software with keyboard and pad controllers, workstations, and other MIDI-compatible instruments.

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Audient iD14 10 In 4 Out USB Audio Interface With Scroll Control
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 2 in stock $196.67
Cat: 632727 Rel: 21 Nov 16
 
2-in/4-out high performance USB audio interface
Notes: iD14 delivers the audio performance of a large format console in a compact and elegant desktop package. iD14 provides a pair of world-class Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I and the revolutionary ScrollControl. With its versatile feature set and intuitive layout, iD14 will become the hub of your studio in no time.

The professional sound you deserve:
We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you're in the studio with an Audient console or on the road with iD14, you're always guaranteed the same world class Audient sound. Developed by design legend David Dearden and optimised over 18 years of refinement, our mic pre is used by thousands of professional studios around the world. With its versatile nature and smooth tone, the iD14 will quickly become your 'go to' mic pre.

Brilliance on the inside enables brilliance on the outside:
iD14 provides you with high performance AD-DA converters from Burr Brown, the leaders in converter technology. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way. Brilliance on the inside enables brilliance on the outside.

Simply scroll to control:
Get hands on control of your software with iD14's ScrollControl. With a touch of a button iD14's volume encoder becomes a virtual scroll wheel that allows you to adjust DAW hosts, plug-in parameters, iD14's mixer app and even scroll through your iTunes library - just like you're adjusting a piece of hardware. Wherever your mouse pointer hovers, the iD knob can scroll to control!

Plug in and be inspired:
As well as offering you 2 channels of mic pre, iD14 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.

Customise your control surface:
It gets even better! When not using the virtual scroll wheel, the iD button can be assigned to control iD14's monitoring features. Following in the footsteps of its critically acclaimed big brother iD22, we've still included DIM, CUT, Polarity Reverse, Mono Sum, Talkback and Cue Mix monitoring, all of which can be assigned to the iD button.

Grows with your needs:
Need to track drums? No problem! As your system grows, iD14 can be expanded via the optical input connector, supporting both ADAT and S/PDIF. Enabling you to expand up to ten inputs via an eight-channel mic pre, such as the ASP800.

Discover just how simple it can be:
We understand the need to keep things simple and iD14's mixer app was designed with that in mind. Whether you're creating low latency cue mixes or utilising the flexible monitor control, iD14 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what's really important - the music.

Quality deserves protection:
iD14 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD14 will stand up to countless late nights in the studio and days on the road.
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Akai EIE Pro Electromusic Audio & MIDI Interface Expander (B-STOCK)
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 1 in stock $193.03
Cat: 499006 Rel: 08 Jul 13
 
B-STOCK: Box opened, product in perfect working order
Notes: *** B STOCK - Box opened, product in perfect working order ***

The EIE I/O is a tabletop USB audio interface perfectly tailored for your project and portable studio setups. This four-in, four-out (4x4) device enables you on Mac and PC-based systems to record up to 24-bit resolution into virtually any DAW, recording or performance software. The EIE I/O also houses three convenient USB inputs, in addition to its main USB port, enabling you to connect controllers, hard drives or any other peripheral when native ports on a computer may be limited. The compact recording interface contains high-quality components including nickel-plated input jacks, analog-style VU meters and a rugged aluminum casing for a powerful, professional, portable audio solution.

Each channel of the EIE I/O has a XLR 14" combo jack, dedicated sturdy, gain-pots and Mic/Line/Guitar switches. The EIE I/O features four discrete-design preamplifiers with 48V phantom power for use with virtually any microphone. Individual 14" Nickel-plated jacks found on the back of EIE I/O provide you with channel inserts for processing audio signals externally. You can monitor sessions on multiple sets of studio monitors using the four 14" balanced outputs, which are also Nickel-plated. Both pairs of outputs can be monitored visually with the high-quality, analog VU meters providing classic features with modern style. For remote tracking and alternative playback, the EIE I/O has a 1/4" TRS headphone output. High quality analog-to-digital and digital-to-analog converters ensure that every detail of your session or performance gets captured and played back faithfully.

The EIE I/O sends and receives four audio channels on a single USB cable for simple, universal interface to a computer. The three additional USB ports allow EIE I/O to function as a hub as well, bridging other MIDI controllers and hard-drives to the computer. The USB interface is class compliant for plug-and-play operation with Mac OS X and Windows XP, Vista and 7. The EIE I/O features traditional MIDI In and Out jacks for playing and controlling software with keyboard and pad controllers, workstations, and other MIDI-compatible instruments.

http://www.youtube.com/watch?v=rEiJ5UX11ec
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Akai EIE Pro Electromusic Audio & MIDI Interface Expander
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MRP:$198.54
 1 in stock $180.71
Cat: 416687 Rel: 21 May 12
 
Tabletop USB audio & MIDI interface with additional USB ports for connecting other devices through to a computer
Notes: The EIE I/O is a tabletop USB audio interface perfectly tailored for your project and portable studio setups. This four-in, four-out (4x4) device enables you on Mac and PC-based systems to record up to 24-bit resolution into virtually any DAW, recording or performance software. The EIE I/O also houses three convenient USB inputs, in addition to its main USB port, enabling you to connect controllers, hard drives or any other peripheral when native ports on a computer may be limited. The compact recording interface contains high-quality components including nickel-plated input jacks, analog-style VU meters and a rugged aluminum casing for a powerful, professional, portable audio solution.

Each channel of the EIE I/O has a XLR 14" combo jack, dedicated sturdy, gain-pots and Mic/Line/Guitar switches. The EIE I/O features four discrete-design preamplifiers with 48V phantom power for use with virtually any microphone. Individual 14" Nickel-plated jacks found on the back of EIE I/O provide you with channel inserts for processing audio signals externally. You can monitor sessions on multiple sets of studio monitors using the four 14" balanced outputs, which are also Nickel-plated. Both pairs of outputs can be monitored visually with the high-quality, analog VU meters providing classic features with modern style. For remote tracking and alternative playback, the EIE I/O has a 1/4" TRS headphone output. High quality analog-to-digital and digital-to-analog converters ensure that every detail of your session or performance gets captured and played back faithfully.

The EIE I/O sends and receives four audio channels on a single USB cable for simple, universal interface to a computer. The three additional USB ports allow EIE I/O to function as a hub as well, bridging other MIDI controllers and hard-drives to the computer. The USB interface is class compliant for plug-and-play operation with Mac OS X and Windows XP, Vista and 7. The EIE I/O features traditional MIDI In and Out jacks for playing and controlling software with keyboard and pad controllers, workstations, and other MIDI-compatible instruments.

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FORTHCOMING
Presonus Studio 2/6 USB Audio & MIDI Interface
e-mail me when released
coming soon $175.86
Cat: 638718 Rel: 01 Mar 17
 
2-in/4-out USB 2.0 audio interface with 2 XMAX-L preamps
Notes: Professional quality wherever you record:
Great for podcasters, live streaming, DJs, and musicians on the road or in the studio, the Studio 26 2x4 USB 2.0 bus-powered audio/MIDI interface can record up to 24-bit, 192 kHz audio. Equipped with PreSonus XMAX-L solid-state preamps and high-end converters, it delivers professional quality audio in a rugged, compact enclosure, allowing you to create your next hit in your studio or on the go. A complete, all-in-one recording solution, the Studio 26 comes with PreSonus' award-winning Studio One Artist DAW software for Mac and Windows.

Superior sound:
Audiophile-grade digital converters, ultra-low-jitter clocking, and XMAX-L solid-state preamps add up to a superior recording and listening experience. The Studio 26 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion.

Perfect for guitarists, singer/songwriters, and podcasters:
The Studio 26 is a great choice for podcasters, singer/songwriters, or a couple of guitarists who want to collaborate or jam. Use it for recording sermons and teaching music, too! A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones - perfect for DJs and to listen in on a performer's monitor mix.

World-class recording software included.:
Seamlessly integrated with the included PreSonus Studio One Artist DAW, the Studio 26 interface works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

Take the tour:
The Studio 26 features two front-panel combo mic and switchable line/instrument inputs with +48V phantom power for condenser mics. In addition to L/R main outputs, you get two balanced line outputs for monitor mixing or speaker switching, while LED meters indicate input and output levels. MIDI I/O enables connection to a keyboard, sound module, or control surface, as well, making it the central hub for your whole studio.

Designed for the studio. Built for the road:
Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 26 will give you clear, clean, ultra-high-def sound in a bus-powered, rugged chassis that's ready to hit the road when you are. The perfect companion for any recording software, the Studio 26 comes equipped with Studio One Artist to provide you with a complete, affordable, mobile recording solution.
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Roland UA55 Quad Capture USB 2.0 Audio Interface With Ableton Live Lite Software
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 2 in stock $175.86
Cat: 430176 Rel: 01 Aug 11
 
High-speed USB 2.0 audio/MIDI interface with 4 inputs & 4 outputs
Notes: Pro Performance For Portable Production:
With a pair of premium VS Preamps onboard, plus superb 24-bit/192 kHz audio quality, ultra-low latency performance, and convenient USB bus power, QUAD-CAPTURE sets a new standard for portable USB 2.0 audio interfaces. Its compact, durable design and pristine sound makes it the perfect foundation for portable, multichannel computer-based productions on the go. With quality and performance that far exceeds its size and price, QUAD-CAPTURE stands at the head of its class.

VS Preamps:
QUAD-CAPTURE boasts two premium-grade, digitally controlled mic preamps (VS Preamps) made from the same high-grade components as the preamps found in Roland's V-Studio 700 and M-400 digital mixer. Two XLR/TRS combo inputs are provided for the preamps, plus independent phantom power, low-cut filter, phase invert, and digital compression for each channel. The VS preamps can be controlled easily and intuitively with the included graphical Control Panel software (Mac/PC).

One-Click AUTO-SENS:
Never before has it been faster or easier to set perfect input levels - simply activate the AUTO-SENS feature with the push of a button, play your connected instruments, and QUAD-CAPTURE automatically sets the ideal recording level for each input. Whether you're a beginner or a professional, AUTO-SENS is great for quick, fail-safe recordings, saving you setup time and letting you focus on where it starts... the performance.

VS Streaming:
QUAD-CAPTURE offers incredible stability and industry-leading low-latency USB performance via Roland's proprietary VS Streaming technology. All current Mac and PC DAW platforms are supported through ASIO 2.0/WDM (Windows) and Core Audio (Mac).

Low-Noise Power Supply:
One of QUAD-CAPTURE's key "behind-the-scenes" features is its low-noise, wide-ranging power supply. Designed to deliver a clean, balanced input and output, it provides a reliable foundation for any professional audio application or environment. When driven by the USB bus power supply, QUAD-CAPTURE's power is regenerated, providing the analog circuitry ideal voltage for the very best sound quality and efficiency in mobile environments.

Aluminum Build, DI Functionality:
QUAD-CAPTURE is small, strong, and housed in a road-tough aluminum body, so you can transport it anywhere with the confidence that its premium internal components are securely protected. For live-concert environments, QUAD-CAPTURE also provides Direct-Box (DI) functionality, essential for noise-free live stage use.
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M Audio Transit Pro 32bit 384kHz DSD USB Audio DAC
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 1 in stock $175.86
Cat: 597496 Rel: 01 Feb 16
 
Super-high resolution USB to optical/DSD converter with digital and analog outputs
Notes: Transit Pro is a super-high resolution USB/DSD (Direct Stream Digital) converter that takes audio signal from your computer and delivers the highest quality digital (optical)/analog signal to any audio component. The key to Transit Pro's outstanding audio performance is its 32bit/384kHz digital "engine," which delivers a super-wide bandwidth frequency response, ultra-wide dynamic range and an extremely low noise floor. There are eight user-selectable sampling rates between 44.1 and 384kHz so you can achieve the exact performance level needed for any given circumstance.

Transit Pro has a built-in high quality headphone amplifier with both 1/4" and 1/8" jacks, for connecting any headphones directly without the need for an adapter. Transit Pro is USB-bus-powered or you can use an optional AC wall adapter (not included). Transit Pro is the answer when you need to deliver a reference-quality digital signal from your computer to an external audio component.
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Focusrite iTrack Dock Studio Pack
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 1 in stock $168.79
Focusrite iTrack Dock Studio Pack (ipad audio interface)
Cat: 545781 Rel: 15 Sep 14
 
Complete studio pack for recording on iPad, contains interface, microphone, headphones and cable
Notes: iTrack Dock Studio Pack contains everything you need to plug your instruments straight in and easily record with legendary Focusrite sound on any lightning-compatible iPadr

- Sleek iPad audio interface with two award-winning microphone preamps
- Large diaphragm CM25 condenser microphone
- Professional closed-back HP60 headphones
- High quality three metre XLR cable
- Class compliant USB cable

To start recording on iPad with exceptional quality 24-bit audio and sample rates of up to 96kHz, simply dock your iPad, connect the microphone and headphones, plug your instruments in and hit record.

The unique halos around the gain knobs turn from green to red if you get too loud, while the high headroom instrument input helps you get a clean recording every time.

iTrack Dock Studio Pack works with any sized lightning-compatible iPad. The dedicated iPad audio interface will charge your iPad, power a USB device and integrate with almost any class compliant USB MIDI controller, all without the need for a USB hub or camera connection kit.

The large diaphragm condenser microphone is ideal for recording vocals and comes an XLR lead and stand clip, so you can set up straight away.

The professional closed-back headphones are specifically designed for recording and mixing your performances. They block out any distracting outside noise and let you really concentrate on your music.

You can also download our free iPad recording app, Tape by Focusrite. iTrack Dock works with any recording app, but we think ours is by far the simplest and most versatile.
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IK Multimedia iRig Pro Duo Audio & MIDI Interface
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 2 in stock $158.31
Cat: 587378 Rel: 02 Nov 15
 
Highly portable, Universal, 2-channel mobile audio/MIDI interface for iOS, Android & Mac/PC
Notes: "Hey, I've got an idea!" So you're hiking out in the middle of the woods. Maybe mountain climbing in the Himalayas with a Sherpa. Or you're on the tour bus at 3 am and can't sleep. And then...BOOM, an idea hits you. You stop everything, grab your guitar and your mic, plug them into your iRig Pro DUO, and then you plug it into your iPad. Or your Android. Or your computer.

You hit "Record," and that idea that was once just floating around in your head is a song that you can upload for all your fans and followers to hear.

iRig Pro DUO is made for this. It's made for you. Now you can truly go out and play and record anywhere, any time on any device with the smallest fully-featured dual-channel interface on the market.

To us, "truly mobile" means completely self contained... unhooked from the grid and free to create anytime and anywhere inspiration strikes you on any device.

iRig Pro DUO delivers true mobility in grand fashion. It packs a ton of useful recording features into an extremely compact enclosure that you can take with you anywhere.

First, it lets you go off the grid and record great audio anywhere thanks to its comprehensive powering options - for true mobility iRig Pro DUO can be powered with two AA batteries and does not draw any power from a connected iPhone or iPad. When using the included USB or Micro USB to OTG cable connected to a laptop or Android device, iRig Pro DUO can be powered by the attached device or onboard batteries. Back in the studio? iRig Pro DUO can be powered with an additional DC power supply for powering extended recording sessions.

Second, it has to sound great and accept every possible instrument and recording situation. iRig Pro DUO delivers high-quality 24-bit audio on the go or in the studio with plug-and-play simplicity. It features 2 channels with XLR/TRS combo audio jacks and phantom power that can accommodate everything from high-end condenser microphones to guitars, basses, keyboards and more. Its crystal-clear ultra-low noise high-headroom preamps ensure that you get professional grade sound everywhere you go.

Fully universal "all-platform" portable recording is finally here thanks to iRig Pro DUO. It comes with every cable you need to connect to your iPhone, iPad, Android device or Mac/PC -you get a Lightning, USB-OTG and USB cables so no matter where you are or what device you happen to have with you, capturing brilliance is always enabled. And, iRig Pro DUO comes bundled with tons of software and apps every platform to get you going.

iRig Pro DUO is the smallest full-featured dual-channel interface on the market. Its elegantly designed lightweight thermoplastic housing is designed to take the rigors of life on the road, session after session. We've designed it so that it's the perfect size - it fits easily into the palm of your hand and can fit in any backpack, gig bag or even your pocket.

But don't take iRig Pro DUO's size for granted. This is one seriously powerful and connectible interface. It features 2 channels with XLR/TRS combo audio jacks and phantom power that can accommodate everything from high-end phantom powered condenser microphones to guitars, basses, keyboards and more. Each channel has it's own input gain control so you can dial in the perfect amount of input signal for your recording.

Each of iRig Pro DUO's two channels passes through an ultra-low noise high-headroom pro-quality preamp that then runs through a 24bit AD-DA converter, giving you amazing clarity and pristine studio-quality sound.

With iRig Pro DUO, you don't just have a superb portable interface for audio; you can also hook up your favorite MIDI controllers. This is thanks to its included TRS to MIDI-DIN cables and dedicated MIDI in/out jacks, so you can control MIDI-compatible software (or send MIDI data to MIDI-compatible hardware, like synthesizers, drum machines and samplers) with plug and play simplicity. It just works.

High-quality studio condenser microphones require 48V of external power to function. It's part of what makes them sound so good, crisp and accurate. With iRig Pro DUO, you'll have that 48V of phantom power at your fingertips. Just plug in your high-quality condenser mic, flip iRig Pro DUO's phantom power switch and record until your heart's content.

Monitoring your mixes and input is a breeze. iRig Pro DUO comes with two 1/4" TRS balanced analog audio outputs that let you send a zero-latency signal to your studio monitors or portable speakers.

There's also a Direct Monitor switch that lets you monitor either the direct incoming dry signals, or the processed signal returning from your device or computer.
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Iconnectivity iConnect Audio4+ Lightning Audio & MIDI Interface (B-STOCK)
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 1 in stock $157.65
Cat: 644540 Rel: 04 May 15
 
B-STOCK: Box opened, product unused & in perfect condition
Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


iConnectAUDIO4+ Audio + MIDI interface for iOS/Mac/PC supports two computers simultaneously

Plug everything into one interface - your computers and iOS devices, high-res audio, MIDI, USB, 5-pin MIDI, mics, instruments, speakers, headphones...the iConnectAUDIO4+ integrates it all seamlessly. And it sounds amazing. (Check out the audio specs!)

From iConnectivity comes the world's first audio and MIDI interface to support multiple iOS/PC/Mac computers at the same time. Make your iPad a touch-controlled plug-in in your DAW. Send dozens of MIDI and digital audio channels back and forth between two computers. Or run and record your entire studio from your iOS/PC/Mac by itself. It all becomes one integrated music machine.

In the box:

- The iConnectAUDIO4+ Audio + MIDI interface
- 1 Lightning-to-iConnectivity USB-B inline connection cable for an iOS device that uses this connector
- 1 USB-A to USB-B cable to connect the interface to a Mac or PC computer
- iConnectAudio4+ power supply
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