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Items 1 to 8 of 8 on page 1 of 1
ART Pro MPA II Rackmount Mic Preamp
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 1 in stock $338.82
Cat: 459300 Rel: 25 Jun 12
 
2 channel microphone preamplifier with selectable phantom power
Notes: The ART Pro MPA II is an affordable high performance microphone preamp.

The ART Pro MPA II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals.

Each microphone input circuit, with selectable 48V phantom power, features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone.

The Pro MPA II can operate at either a low or high plate voltage on the 2 integrated hand-selected 12AX7 tubes for wider variation of preamp tone and performance. Large back-lit analog VU output meters display output levels while multi-colored LED arrays show tube gain.

Housed in a standard 2U space rack mountable steel chassis, with CNC routed black anodized aluminium face panel, the Pro MPA II is designed to deliver years of reliable operation in the studio, production facility, or on the road for live sound reinforcement.
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ART Pro MPA II Rackmount Mic Preamp (B-STOCK)
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 1 in stock $281.76
Cat: 622183 Rel: 25 Jun 12
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The ART Pro MPA II is an affordable high performance microphone preamp.

The ART Pro MPA II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals.

Each microphone input circuit, with selectable 48V phantom power, features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone.

The Pro MPA II can operate at either a low or high plate voltage on the 2 integrated hand-selected 12AX7 tubes for wider variation of preamp tone and performance. Large back-lit analog VU output meters display output levels while multi-colored LED arrays show tube gain.

Housed in a standard 2U space rack mountable steel chassis, with CNC routed black anodized aluminium face panel, the Pro MPA II is designed to deliver years of reliable operation in the studio, production facility, or on the road for live sound reinforcement.
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ART SplitCom Pro Mic Splitter/Combiner
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 3 in stock $33.73
ART SplitCom Pro Mic Splitter/Combiner (microphone splitter/combiner)
Cat: 458020 Rel: 04 Jun 12
 
Microphone controller
Notes: Use the SPLITComPro to split or combine balanced low impedance microphone signals.

As a splitter: the SPLITComPro provides one direct-coupled output and one isolated output from a single microphone. Applications include sending the direct output to the main or FOH mixer, and the second isolated output to a monitor or recording mixer. The main mic output passes phantom power from the main mixer to the amin mic input for use with condenser microphones. The Phantom power is blocked from passing to the isolated mic output.

Aa a combiner: The SPLITComPro provides one output from 2 microphone inputs. The phase switch can be used to invert the relative phase of the isolated mic input. Applications include dual micing of percussion instruments, choirs, and instrument amplifiers. The Phantom power passes through each output to their respective input, (main to main, isolated to isolated), however the phantom power is blocked from passing between the main and isolated signal paths. Only the audio passes between the main and isolated signal paths (it is present on all inputs and outputs).
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ART Tube MP Mic Preamp
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 2 in stock $47.58
ART Tube MP Mic Preamp (microphone preamp)
Cat: 450296 Rel: 19 Mar 12
 
Professional Tube microphone preamplifier
Notes: The ART Tube MP Original Microphone Preamp is the world's most popular external tube microphone preamp. Whether you are working with a digital computer or analog recording system, the Tube MP's TEC award nominated design will allow you to obtain professional recording studio results. The hybrid design of the Tube MP allows it to add warmth and fatness to a signal while maintaining exceptionally low noise and high quality.

Its primary application is to be used with a microphone. However it's also an exceptional direct box, impedance matching, amplifying and improving the sound of any instrument plugged into it.
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ART Tube MP Studio V3 Preamp
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 1 in stock $73.30
ART Tube MP Studio V3 Preamp (tube microphone preamp)
Cat: 250316 Rel: 18 Dec 06
 
Variable voiced tube mic/instrument preamplifier
Notes: Whether you're working with a computer, hard disk or digital multi-track recorder, the Tube MP's TEC award nominated design will allow you to obtain professional results at an affordable price.

The ART preamps offer warm tone, useful features and are innovatively designed. ART's line of Tube MP products add presence, clarity and fullness to any signal and is exceptionally low noise. The ART Tube MP Studio V3 features V3 Technology (Variable Valve Voicing), which provides optimized reference points to begin the recording process. The V3 delivers a wide variety of settings designed for various microphones and DI inputs, including guitars, basses, keyboards, synths, electronic drums and much more. Don't settle for a copy cat look alike.

Go with the real thing, the Tube MP by ART.
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Audient ASP800 8 Channel Mic Pre & ADC With HMX & IRON
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 2 in stock $475.78
Cat: 632731 Rel: 21 Nov 16
 
8-channel microphone preamplifier with HMX & IRON enhancement circuitry
Notes: ASP800 is an audio powerhouse designed to transform your sessions into world class recordings, making it the perfect addition to your audio interface. ASP800 provides 8 channels of Audient's renowned console mic preamps, class-leading Burr-Brown converter technology, two JFET D.I's and two Retro channels with revolutionary tone control. Just plug in your mics, guitars, keyboards and drum machines and you're ready to go, so get creative and start thinking big!

The first step to audio excellence:
Whether you're recording drums or simply need more channels, ASP800 is the perfect tool for expanding your existing interface via ADAT. Its flexible and intuitive feature set will transform your current setup into the complete recording rig, perfectly at home recording both acoustic and electronic instruments.

The professional sound you deserve:
We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you're in the studio with an Audient ASP8024 console or on the road with ASP800, you're always guaranteed the same world class Audient sound. Developed by design legend David Dearden and optimised over 18 years, our mic pre is used by thousands of professional studios around the world. With its versatile nature and smooth tone, the ASP800 will quickly become your 'go to' mic pre.

Brilliance on the inside enables brilliance on the outside:
ASP800 provides you with high performance 118-dB AD converters from Burr Brown, the leaders in converter technology. Quality in the analogue stages of our design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way.

Take control of your audio:
We're known for our super clean mic pres but that doesn't mean we don't understand the importance of adding colour. Whether you need to add growl to a bass guitar or make those vocals sparkle, ASP800's revolutionary harmonic generation circuitry has got you covered.

Retro Channels 1 & 2 feature two unique variable harmonic COLOUR controls per channel - HMX & IRON. Designed to emulate tones often associated with 1960's tube designs and the coveted transformer zing of British audio in the 1970's, HMX & IRON will add new dimension to your audio by providing warm, sparkly tones. Better still, you can combine them to get anywhere in between!

MOSFET Drive:
We know that plenty of engineers love the sound of tubes/valves and if you're one of them, then you're going to love HMX. Travel back in time with ASP800's very own custom harmonic distortion control. Similar to vintage valve preamplifier designs of the 1960s, HMX provides a sweet, thick tone that will sound incredible on anything from drums to electric guitars. (TIP! Try it on bass synth, or 808 too!)

By using discrete MOSFET technology, HMX produces asymmetrical harmonic distortion giving you the option to add richness and body to the pristine tone of the Audient mic preamp, D.I or line input. Take control of your sound and bring your audio to life, 1960's style.

Magnetic Transformer Drive:
Say hello to Audient's BRAND NEW British transformer saturator - IRON. A testament to innovation, IRON uses a custom British transformer with a high voltage MOSFET drive network designed to recreate that sparkly, "sounds like a record" signature of 1970's recording. With one control that simultaneously alters drive impedance, bass response, high frequency damping, phase shift, magnetic saturation and transient shaping - IRON can instantly add sparkle, growl and so much more with one twist of a knob! It sounds killer on snare, bass, acoustic guitar and anything that needs some extra bite.

Plug in and be inspired:
As well as offering you 8 channels of mic pre, ASP800 has two harmonically rich JFET D.I inputs. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine and start recording instantly.

Quality deserves protection:
The result of years of experience in analogue design combined with a focus on precision and detail, ASP800 packs a powerful feature set in a ergonomic 1RU rack mount. From it's beautifully crafted hand milled aluminium knobs to its all-metal construction, ASP800 will stand up to countless late nights in the studio and days on the road.
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Behringer MIC100 Tube Ultragain Audiophile Vacuum Tube Preamplifier with Limiter
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 1 in stock $37.59
Cat: 493514 Rel: 01 Jul 13
 
Vacuum tube preamp with built in limiter
Notes: Tubes can really warm up a signal fast, giving it depth and character. Though transistors have succeeded the technology, many musicians agree that tubes deliver superior sound. Behringer's Tube Ultragain MIC100 gives anything from microphones to acoustic or bass guitars that vintage tube vibe in a dependable, affordable package.

The MIC100 is perfect for studio and live applications. The balanced 1/4" TRS and gold plated XLR inputs and outputs give you maximum flexibility in either scenario. It derives its personality from a hand selected 12AX7 tube with UTC technology for superior tube character and low noise operation. The MIC100 is great for eliminating the "dull" sound of standard digital recorders and sound cards. And thanks to onboard +48V phantom power and 20dB pad, it can also add warmth to condenser microphones. When used as a high end DI box, you get outstanding signal integrity.

Two cool vintage style knobs control gain and output. There's also a switch for phase reverse and a limiter to prevent overloading the MIC100. An 8 segment LED meter provides accurate monitoring of output levels.

The MIC100 gives you the sound quality of a vintage tube preamp at a mere fraction of what a true relic of the 1960s would cost. At a price this low, you owe it to yourself to find out where the MIC100's real tube tone can take your sound.
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Eventide MixingLink Mic Preamp Pedal With FX Loop
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 1 in stock $248.64
Cat: 549276 Rel: 06 Oct 14
 
Mic preamp pedal with FX loop and phantom power
Notes: High Quality Mic Pre with FX Loop in a compact form factor

FX Loop Send and Return supports Balanced and Unbalanced signals - interfaces with consoles or guitar pedals easily

Latching or Momentary Footswitch control of FX Loop for performance effects

Works with a wide range of microphones including condenser and ribbon mics with up to 65dB of clean gain

Aux I/O connection supporting stereo input and send

Guitar Amp output and Headphone monitor output with separate master volume control

International universal power supply included

Operates on 9V battery (No phantom power)

48V Phantom power for Condenser mics

Balanced XLR Output which supports DI and Line levels

Instrument and Balanced Line level inputs

Versatile Mix Control supports 3 modes- 100% Mic w/FX blended in, or Mic/FX balance control, or 100% FX (no Mic)
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Items 1 to 8 of 8 on page 1 of 1
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