The PSA1 has a horizontal reach of 820mm, and a vertical reach of 840mm. It is supplied with velcro cable wraps and both desk-clamp and desk-insert style attachments for versatile mounting in desks up to 55mm thick (clamp) or 70mm (insert).
Designed for the Rode Procaster and Podcaster, the PSA1 supports most microphones weighing between 700g (1.5lb) and 1.1kg (2.4lb) when combined with shock mount.
Please note that the PSM1 shock mount is sold separately.
Intuitive twist locks allow the Micro Boompole's 3 sections to smoothly extend to 2063mm, while the ergonomic grip provides comfort during use.
Compatible with Rode PG1, PG2, Blimp, Videomic, Videomic Pro, Stereo VideoMic & Stereo VideoMic Pro models.
The carrying case features 2 interior pockets for holding the One, the USB and the breakout cables, 1 small exterior pocket, a belt loop for easy connection to an instrument or laptop bag, and an embroidered Apogee logo.
The Rode WS6 Deluxe Windshield is designed to reduce wind noise when recording in adverse environmental conditions. It is suitable for the Rode NTG1 and NTG2, as well as any shotgun microphone with a maximum slot length of 160.5mm (6 1/4") and a diameter of 21-22.5mm.
Quiet please, recording in session.
You all know the feeling, you've got your lyrics at the ready, computers on, microphones set up, and you've recorded the perfect take, it's time to listen back to the recording. If only you could get the quality to sound as dry and perfect as a studio recording. Well now you can with the highly anticipated Portable Vocal Booth Pro 2nd Edition.
Following on from the success of the first edition, Editors Keys spent many months talking with creatives like you to find out what you think is important when it comes to recording. Your Editors Keys Portable Vocal Booth 2nd Edition' now comes with improved acoustic treatment, our trademark floor stand, and now for the first time ever, it's the first Portable Vocal Booth you can use on your desk, thanks to our new desk mounts.
This is the Portable Vocal Booth Pro 2nd edition, which is used by thousands of home and studio users alike. Unlike the home version, the Pro comes with an adjustable barn door flexible head unit to open and close the unit around your head, as well as a full floor stand and desk mounts.
The Editors Keys Portable Vocal Booth Pro (or sound booth) with dual stands is your affordable solution for improving the sound and quality of recordings. It works by allowing the sound to pass through layers of foam and aluminum. The Portable Vocal Booth gently diffuses the acoustic waves surrounding the microphone, preventing the sound from bouncing back towards the mic, often changing the sound of your recording.
The specially molded foam has been shaped and processed in a way which not only helps to create dry vocals, but also prevents exterior noise, such as traffic noise or air conditioning entering into your mic. The Pro version also has a punched aluminum back, which adds an extra layer of audio deflection, compared to Editors Keys' home soundbooth version. This dramatically reduces audio interference during your perfect takes.
This not only improves the detail and sonic character of your recordings, but also gives you a crisp vocal, which is often hard to achieve when recording in certain studio setups.
The Portable Vocal Booth Pro 2 features:
Package includes vocal screen, clamp, & microphone stand, which is compatible with 99% of microphones.
Full floor stand
Desk stand mounts (new)
Greatly improve the quality of your recordings
Designed for home and studio use
Used by studios, theaters and artists worldwide
Easy setup and Money back promise.
The Vocal Booth Pro comes with:
Head unit booth
Heavy duty stand
Desk stand adapters
The Vocal Booth Pro is a high end recording tool with superior acoustic foam. It features:
Acoustic Foam for the ultimate recording abilities
Heavy duty stand included, three times more stable than the average microphone stand
Desk Stand Mounts included - Great for recording at your computer
Barn Door bracket head design, which means you change the degree of the booth
Adjustable microphone positioning pole.
For the new C 414 B-XLS and C 414 B-XL II microphones, AKG designed a new shock mount that differs from the familiar H 100 as follows:
The outside ring has been reduced in diameter from 120mm to 100mm
The color has been changed from black to dark gray
The clamping range has been increased from 22-26mm to 19-26mm to accommodate microphones with cylindrical or conical bodies or connectors including, e.g., the AKG Blue Line and ULS Series.
The H 85 shock mount keeps a lower profile than the H 100 and therefore looks better on the microphone.
The H 85 also matches several other AKG studio microphones, e.g., the C 2000 B, C 3000 B, and C 4000 B.
At present, the only microphones including an H 85 shock mount as a standard accessory are the C 414 B-XLS and C 414 B-XL II.
They are suitable for a wide range of microphones including compact and medium bodied, and microphone series which use remote capsules. The InVision range retains all the flexibility, balance and professional performance that you can expect from a Rycote microphone suspension.
The Rycote 041107 INV-7 is comprised of 2 x 70mm wide standard lyres with integral 19/25mm clips fitted to a large size support bar. This mount is considered to be one of the most universal in the InVision range, being suitable for a wide range of condenser microphones having a shaft diameter of 19mm to 25mm.
A spider-style suspension microphone shockmount designed for use with the C01, C03, CL7, CL8 and C01U condenser mics.
Position your microphone perfectly on your drum with this convenient clip
Ideal for uses such as attaching a microphone to a guitar amp.
Designed to reduce wind noise when recording in adverse environmental conditions, the WS8 combines an open-cell foam surround with an outer layer of acoustically transparent artificial fur. A rubber base prevents any wind noise from entering the rear of the microphone pickup area.
The WS8 supports microphones of 20mm diameter and 27mm capsule depth.
Constructed with strong-lightweight Microlite tubular steel and available in scratch-resistant, baked-on, non-reflective, black enamel finish. All locking points are protected by scratch-proof contact points.
Fast, smooth, non-slip boom swivel and height adjustments. 300 Series stands feature high impact-resistant lightweight polycarbonate base with tubular steel tripod legs: step on a leg, and it will bounce back in place.
Height adjustment range: 94.6 to 158.8cm
Diameter of leg spread: 69.2cm
Folded height: 82cm
The 5/8" mounting threads are supplied with accompanying spacing clips to allow for easy positioning for stacked arrays, and the robust ABS construction makes the Stereo Bar stable and durable, allowing it to easily support the weight of two large diaphragm microphones such as the RODE K2.
*microphones not included
Not only is the JS-KD55 height adjustable, but it's also angle and depth adjustable as well! The stand is angle adjustable at the base and it includes a 16.5" fixed boom arm for even greater flexibility. You can get your microphone exactly where you want it to be with the JS-KD55!
You'll find many uses for the heavy-duty JS-KD55. Of course you can use it to mic up your kick drum or guitar amp, but it's also a great desktop solution as well! Whether you need sound reinforcement for a press conference, want to record your next podcast, or are mic'ing up the band, this mic stand offers the flexibility your next project demands.
Its soft construction absorbs noise and vibration, while the wide, flat profile provides coverage from the elements and allows for versatile mounting. There's two mounting points in case a redundant mic is required, and cable management on the side.
Available in either a pack of three or a bulk pack of ten, the invisiLav comes with pre-cut, skinsafe adhesive that can be used to stick the invisiLav to either the body or to fabric. The invisiLav itself is also made from a medical grade skin safe material so it can be mounted on the body without fear of irritation.
4 in stock $69.09
All Pro Series microphone stands feature oversized, thick, steel tubing and rubber foot caps that won't fall off. What's more, Pro Series mic stands resist scratches and won't rust thanks to a heavy-duty, strong (20 times stronger than the competition), Powder Coated finish.
The patented Quarter-Turn Clutch on the Pro Series microphones is a super smooth design that locks and unlocks with only a quarter turn of the clutch handle. It's an over-molded clutch that delivers a secure grip that locks up faster and smoother than any other clutch on the market.
Whether you're performing in the States or over seas, a Pro Series microphone stand is the only stand you'll need. The top threads fit both US- and metric-threaded mic clips and accessories for use all around the world.
The majority of the parts on Pro Series microphone stands can be field serviced with replacement parts as needed over their VERY long lifespan. So, instead of replacing the entire stand when a part fails, as you have to do with competing products, with a Pro Series mic stand, you simply replace the affordable part and move onto the next gig!
The durable and strong, black, chrome-plated die-cast tripod base on the Pro series microphone stands is up to 30 times stronger than the competition's base. And the super strong tripod legs securely snap into place for easy storage and quick setup and take down.
The new Ulti-Boom mic boom features an oversized rotation hub, the place on a boom where everything comes together. Ultimate Support's center hub is the largest on the market, increasing friction, and reducing any chance of slipping. Adjust it once and forget about it! And, the Ulti-Boom features a true metal counter-weight that provides true balance on the boom.
The powder-coated finish keeps the Mini Tripod Table-top Mic Stand/Clip looking good through years of use.
Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.
The gold-plated contacts are colour coded, with grey indicating the TRRS input.
This is ideal for users wanting to connect their RODE VideoMic to their iPhone, and record using the RODE Rec app for iOS.
The gold-plated contacts are colour coded, with grey indicating the TRRS output.
While the SC4 was designed to operate with Apple iOS devices such as the iPhone and iPad, it is compatible with the majority of Android devices on the market.
Note that the SC4 is compatible with stereo microphones, with both left and right channels combined to a mono signal to be compatible with TRRS.
The shockmount screws onto any regular mic stand and boom
The powder-coated finish is scratch resistant to maintain its appearance, even on the most rigorous tour schedules. Easily adjust the Round Base Mic Stand to perfect height with the traditional turn clutch.
Engineered from spring steel that has been plated for lifelong durability, the mount is designed to hold its shape throughout the rigors of repeated use. Integrated cable management at the rear of the mount ensures that the microphone cable is tightly secured and provides strain relief.
*Please note: Lavalier microphone not included*
6 in stock $1.89
The microphone stand allows you to mount most microphones on any flat surface so is ideal for studio or home use and the small size makes it perfect for use when you're out and about in different locations.
Having a stand for your microphone can improve the ease of picking up sound and improve quality.
This stand is ideal for schools, Teachers, solo-artists, musicians and bands.
This pop shield can enhance the noise clarity when recording and eliminates popping sounds. Perfect for Studio, home recordings.
Compact and lightweight, it's designed to improve voice recording quality in home studios, rehearsal studios or other untreated acoustic locations, isolating the mic from unwanted reflections - resulting in a closer, drier sound.
*Microphone NOT included*
It's the perfect companion to the SL150, SL300 or Portable Vocal Booth Home Edition.
The E100 Stand is lightweight yet extremely sturdy. (It's around twice as thick as most microphone stands) and features a telescopic height adjustment.
*Vocal booth NOT included
The Eyeball is acoustical treatment that isolates your microphone from the external environment. Rather than treating your surroundings, the Eyeball is designed to target the two most important variables in the recording process: your voice, and the microphone. By focusing your voice to an isolated microphone, the Eyeball is able to capture the complete spectrum of your voice and reduce much of the external environment, all the while giving you clear and concise vocals free of any coloration. Creating your ideal recording space is as easy as placing the Eyeball over your favorite microphone.
Control Your Sound:
Captures your pure vocal tone without any coloration
Cut back on mixing:
Lessens the need for excess equalization and post production processing
Includes a built-in, detachable pop filter
Reduce Ambiance and Reflection:
Isolates and treats your space while reducing the external environment
*Please note - microphones shown in product images are NOT included*
Note: This product is specifically designed for the Rode Video Mic Pro with Rycote Lyre. It is not designed for use with other Rode Video Mic models.
- Record, interview or broadcast in any weather
The MS8000 provides the ideal solution for live and recording musicians who need to send signals to multiple locations, including mixing and recording consoles, In-Ear-Monitors (IEMs), floor wedges, broadcast trucks and much more.
With 8 Inputs and 16 Outputs, the MS8000 easily connects you to the Front of House (FOH) console - and sends duplicate signals to your choice of destination devices.
The 1RU MS8000 features 8 XLR Input sockets on the front panel for your mics and DI boxes, along with a LIFT/GND switch to eliminate hum or other noise from ground loops.
Each channel features an XLR Direct Out connector, which outputs a post-transformer copy of the input signal, and a second XLR Link Out connector sends a pre-transformer copy of the input signal. This configuration allows sending your Direct Out signals to the FOH or recording console and the Link signals to your monitor board or phones mixer - making the MS8000 the ideal choice for both your live performances and the studio
Industry leading standard slip-over Windshield affording max. wind noise attenuation of 25dB. Renowned for its performance and durability in the harshest environments worldwide.
InVision 7 HG MKIII - virtually indestructible shock mount with industry leading Lyre technology:
- Lyres offer professionals the cleanest possible sound.
- Highly efficient cable clamp isolates cable born noise.
- No elasticated parts - never sags or needs re-threading.
- Consistent performance over changes in temperature and humidity unlike elastic suspensions, means you can take it anywhere and it will still perform.
- Tilt/swivel head allows multi-positioning of mic for optimum audio pick up.
- Universal mic clamp fits any mic with a diameter from 19/34mm. A soft rubber sleeve allows effective holding on the mic, no matter if it is cylindrical or 'slab sided'.
- Designed to support front heavy mics or mics with a slip over Windshield.
Hot Shoe 3/8" Adaptor:
Screws into base of InVision 7 HG MKIII to allow mounting onto a camcorder/camera hot-shoe or via the 1/4" female thread to a tripod etc., for self shooting operations.
Soft Grip Extension Handle:
Ergonomic soft grip handle with 3/8" male thread at top and 3/8" female thread at bottom allows it to attach to suspensions, and then to mount those on a boom pole or mic stand or to comfortably hold whilst performing pieces to camera.
This kit is compatible with a wide range of mics (see below):