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Items 1 to 4 of 4 on page 1 of 1
Koma Elektronik FT201 Analog Filter & Sequencer
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 2 in stock $300.95
Cat: 474680 Rel: 14 Jan 13
 
Voltage controlled vactrol state variable filter combined with a 10-step sequencer
Notes: The FT201 Analog Filter/10-Step Sequencer is Koma's innovative voltage controlled vactrol state variable filter combined with a 10 step sequencer.

The FT201 is capable of providing ultra low and high frequency filter effects which are controllable with the on board infrared expression controller, which allows the user to create filter sweeps by moving their feet or hands over the pedal. The FT201 has 3 different filter outputs: band pass, low pass and high pass, which all work simultaneously. The cutoff frequency range is very large, between 20Hz and 20 kHz and because of the vactrols used the sound quality is superb. The 10 Step Sequencer runs through the selected amount of steps (2 - 10 steps) and adds the control voltage to the value set by the cutoff knob, thus modulating the cutoff frequency in every step.
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Mode Machines OMF1 Oakley Moog Style Analog Filter (B-STOCK)
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 1 in stock $330.71
Cat: 619107 Rel: 23 Nov 15
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A four pole true analogue filter. This is based on the famous transistor ladder filter developed by Dr Bob Moog in the 1960s. A front panel pot controls the filter cut-off frequency, another controls the resonance. The resonance control is configured not to cause volume drop when turned up. The filter can be made to oscillate if required.

Two filter outputs are available. One is the Fizz output. This is a type of -6dB/octave filter and it gives a unique filtering effect with a real bite. The other is the Smooth output. This is a classic -24dB/octave filter, and gives a smooth warm analogue filter sound. Each filter output goes via its own reversible attenuator. This means not only can you adjust the output level, but also the phase of the output signal. This allows complex filter shapes to be made when the two outputs are mixed together in various degrees. This includes a very nice sounding band pass filter.

A wet/dry control allows the filtered audio to be mixed with the original signal. Not only is this useful in controlling the depth of the effect, but it can also create unusual phasing and vibrato type effects.

A wide range pre-amplifier is included. You can use the OMF-1 with virtually any input from guitars to synthesisers. A peak indicator will allow you to monitor overloads, although the OMF-1 is designed to overdrive beautifully.

An inbuilt low frequency oscillator with triangle and square waveforms. The frequency can be changed from 0.05Hz (one cycle in 20 seconds) to over 50Hz. A bi-colour LED gives visual indication of the speed of the LFO. Use the LFO to create auto wah and phaser type effects. The LFO can also be selected to trigger the envelope generator.

An ingenious dynamic envelope section that can move the filter cut off point up or down. It can be put into one of three modes at a flick of a switch:
FLR: It can function as a useful envelope follower, with controllable attack and decay times. Perfect for simulating many classic dynamic follower filter boxes. Play louder and hear the filter open up.
AD: It can be a standard attack-decay envelope generator. This is a type of one shot envelope, that rises and falls at the presence of an initial trigger signal. Useful for percussive type sounds.
AR: It can be a standard attack-release envelope generator. This is triggered either by the LFO, external gate signal or by an automatic audio trigger circuit with a variable threshold level. Powerful for creating rising crescendos.

The final output volume can be controlled with a level control. The output circuitry is configured to drive long length cables with ease and without ground loops.

A side chain input is available. This is a second audio input that can control the main input, but is not heard directly. Use this to trigger the envelope generator, or drive the envelope follower. A common use of this is to make the main audio program respond to a drum machine's output for syncopated effects. Use a deep rich string patch as your main input, and listen to the drum machine automatically pulse the output to the beat. Awesome!

CV and gate inputs are available for connection to a modular synth or midi-CV convertor. The CV input will control the filter frequency, and the gate control will trigger the envelope generator if selected.

With a second OMF-1 a stereo unit may be built. The two channels can either be run independantly or linked together for true stereo processing.
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Vermona Filter Lancet (includes UK power supply)
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 1 in stock $317.49
Cat: 433132 Rel: 22 Aug 11
 
Analogue multimode desktop filter, includes UK power supply
Notes: The Vermona Filter Lancet is a compact but versatile stand-alone multimode filter for your desktop. It's the right weapon against static sound and boredom and made for any kind of audio signal. The filter section itself has 3 modes: low-pass, high-pass and band-pass. The last one works with a slope of 12 dB per octave whereas low- and high-pass are 24 dB filters.

You can give the filter some extra punch with the Balls knob, known from Kick Lancet. It pushes low and high frequencies of the signal before being filtered. And of course the resonance is self-oscillating.

Other than the filter section of Mono Lancet, the Filter Lancet is not based on (Moog-) cascade circuitry. It was inspired by the filters of the Vermona M.A.R.S. respectively DAF-1 and Action Filter.

Without modulation the Filter Lanced would still be a good filter but kind of boring. So it is equipped with a LFO, an envelope generator, an envelope follower and a CV/pedal input. The LFO has 2 frequency ranges and goes up to 250Hz - that's fast. At low frequencies the LFO can be re-triggered by gate- or audio signals. It has sample & hold and five waveforms: saw up and saw down, square, sine and triangle.

The envelope generator can be triggered by the input signal or an additional audio signal as well as by a gate voltage. If triggering it via gate it works as an attack-sustain-release envelope. With audio triggers its mode is attack-decay. The envelope follower transforms the contour of the input signal into control voltages that can serve as modulation source.

The LFO modulation intensity can be set separately from modulation intensity of envelope generator and envelope follower on the VCF- as well as on the VCA section.

The Filter Lancet features a drive circuit right in the input section to add subtle shades of overdrive up to solid distortions.

The Filter Lancet is packed with useful features. It's a great and powerful addition to any synthesizer including Mono Lancet with or without Modular Dock. But Filter Lancet also is designed for stringed instruments. It creates standard effects like WahWah and tremolo with ease and even adds a palette of extraordinary sounds to any effect repertoire.
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Waldorf 2 Pole Analog Filter With The Waldorf Edition LE Software
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 5 in stock $170.09
Cat: 524139 Rel: 26 May 14
 
Analog filter unit with simple one knob/one function and true bypass
Notes: For some decades now, analog filters have had a deep impact on contemporary music. Since its very beginnings, Waldorf has been renowned for the quality of their excellent sounding analog filters.

Whether these were integrated in stand alone units, such as the 4-Pole, X-Pole or the AFB16, which enabled the world's first analog plug-Ins, or were found inside Waldorf's synthesizers such as the Wave, the Q+ or the Pulse - Waldorf filters have influenced the world's sound for over two decades.

As a logical consequence, Waldorf's exclusive analog filter technology is now available in this novel square box (unexpectedly matching the Rocket synthesizer). 2-Pole is giving the guitar player, the DJ, or the keyboard player access to the heart of the Waldorf sound - with an inspiring user interface with a one knob/one function philosophy. Spice up your live performances with dramatic filter sweeps that really cut through. Funk up your guitar licks by hooking a pedal controller to 2-Poles' cutoff CV In or using the integrated envelope follower. Animate your pad sounds using 2-Pole's LFO. But beware - no matter what you do with this tiny black box, make sure you set the levels to your amplifiers and speakers correctly, as 2-Pole is yet another beast from Waldorf - with love!

https://www.youtube.com/watch?v=2estLReuX7c
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