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2 in stock$330.68
Cat: 474680 Rel: 14 Jan 13
Voltage controlled vactrol state variable filter combined with a 10-step sequencer
Notes: The FT201 Analog Filter/10-Step Sequencer is Koma's innovative voltage controlled vactrol state variable filter combined with a 10 step sequencer. … Read more
The FT201 is capable of providing ultra low and high frequency filter effects which are controllable with the on board infrared expression controller, which allows the user to create filter sweeps by moving their feet or hands over the pedal. The FT201 has 3 different filter outputs: band pass, low pass and high pass, which all work simultaneously. The cutoff frequency range is very large, between 20Hz and 20 kHz and because of the vactrols used the sound quality is superb. The 10 Step Sequencer runs through the selected amount of steps (2 - 10 steps) and adds the control voltage to the value set by the cutoff knob, thus modulating the cutoff frequency in every step.
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MRP:$360.63 SAVE 20%
1 in stock$288.45
Cat: 416878 Rel: 07 Mar 11
Notes: The MF-102 Ring Modulator is a direct descendant of the original Moog modular synthesizers. It contains 3 x complete modular functions: a ring modulator, a voltage-controlled carrier oscillator and voltage-controlled dual-waveform LFO. It can be used to process any instrument-level to line-level signal. … Read more
A ring modulator produces sum and difference frequencies between the audio input and a carrier oscillator. The ring modulator's LFO can be used to modulate the carrier frequency. The Moogerfooger ring modulator can create effects ranging from subtle tremolo to harmonically rich distortion, gong-like sounds, sweeps, swoops, and divebombs. It can be subtle, or outlandish in its use, you decide.
The Moogerfooger Ring Modulator's control parameters are signal mix, carrier frequency, LFO rate, and LFO amount. All of the ring modulator's parameters can be controlled by the great feeling knobs that beg to be tweaked as well as with expression pedals or external control voltages. Panel switches select LFO waveform and carrier frequency range. 1/4" jacks are provided for audio input and output, pedal/control inputs, carrier input and carrier output. The heavy-duty yet smooth acting bypass switch allows tabletop or floor use.
Imagine that the ring modulator's carrier oscillator is producing a 500 Hz sine wave, and your input signal is a 100 Hz sine wave. The ring modulator's output will be a complex waveform. You will hear 2 x pitches: 400 Hz and 600 Hz. You will not hear your original input or the carrier oscillator.
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1 in stock$336.73
Cat: 460433 Rel: 02 Jul 12
Notes: The MF-103 12-stage phaser is a direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal. It contains 2 compete modular functions: a 6 or 12-stage phaser with resonance control, and wide range LFO with amount control. … Read more
The 12-Stage Phaser's control parameters are Sweep frequency, Resonance, LFO Rate and LFO Amount. All of these parameters can be controlled by the great feeling knobs that beg to be tweaked as well as expression pedals or external control voltages. Panel switches select ranrge of LFO Rate and 6 or 12 stage phasing. 1/4" jacks are provided for audio input and outputs, pedal/control inputs, LFO out and auxiliary sweep input for bi-phase effects. The heavy-duty yet smooth-acting bypass switch allows tabletop or floor use.
A phaser is a type of comb filter, so called because its frequency response has several dips and peaks, like the teeth of a comb. As the phaser response sweeps back and forth across the frequency spectrum, the harmonics of the audio input signal are alternately increased and decreased. This produces the classic phaser whooshing sound.
The Phasing is one of the best ways to impart motion to a track and to make sounds come alive. With the MF-103 Phaser you can get swirling, shimmering, vibrating effects; fill up a whole stage from one sound source; even create brand new sonic textures.
The MF-103 produces 2 comb-filter responses. They are called 6-Stage and 12-Stage, because of the number of phase-shifting circuits that are used internally. The 6-Stage mode has 3 dips in its frequency response, while the 12-Stage mode has 6 dips. These 2 modes have distinctly different sound qualities. In addition, the MF-103 features a variable feedback circuit which increases the resonance, or depth of the phaser sound. The MF-103 12-stage phaser is a direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal.
Power supply is included.
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1 in stock$284.82
Cat: 572883 Rel: 22 Jun 15
Rack mounted effects unit with RCA & 1/4" jack ins and outs
Notes: We have to admit being more than a little proud when thinking of the Action Filter's history. Twelve years ago we made the first version of this still popular stereo-filter with no end in sight. It still is built upon the same basic principle: ACTION! … Read more
Neither MIDI nor control voltage decide about filter sweeps and cues but you. Action Filter demands and supports your intuition and creativity. Reign over frequencies and rhythm instead of being a victim of technique.
Like its predecessors, Action Filter 4 consists of a high-/lowpass filter-combination per stereo channel. Together, these either work as bandpass- or notch-filter with variable bandwidth and individual resonance per filter.
Unspectacular but a spectacle nevertheless: Beside the mandatory RCA in- and outputs, Action Filter 4 is equipped with 1/4"-jacks. In addition, the FILTER MODE switch made it to the unit's front, labeled as STYLE.
Who is the Action Filter 4 dedicated to?
... of course for all action heroes! With jack- and RCA-connectors, Action Filter 4 is best suited for the DJ booth as well as for studio applications. You can use it to process full tracks or add that "certain something" to individual audio tracks. Emphasize or kill specific frequency bands and - on top of it - have lots of fun actively playing with frequencies! Simply: ACTION!
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2 in stock$337.92
Cat: 433132 Rel: 22 Aug 11
Analogue multimode desktop filter, includes UK power supply
Notes: The Vermona Filter Lancet is a compact but versatile stand-alone multimode filter for your desktop. It's the right weapon against static sound and boredom and made for any kind of audio signal. The filter section itself has 3 modes: low-pass, high-pass and band-pass. The last one works with a slope of 12 dB per octave whereas low- and high-pass are 24 dB filters. … Read more
You can give the filter some extra punch with the Balls knob, known from Kick Lancet. It pushes low and high frequencies of the signal before being filtered. And of course the resonance is self-oscillating.
Other than the filter section of Mono Lancet, the Filter Lancet is not based on (Moog-) cascade circuitry. It was inspired by the filters of the Vermona M.A.R.S. respectively DAF-1 and Action Filter.
Without modulation the Filter Lanced would still be a good filter but kind of boring. So it is equipped with a LFO, an envelope generator, an envelope follower and a CV/pedal input. The LFO has 2 frequency ranges and goes up to 250Hz - that's fast. At low frequencies the LFO can be re-triggered by gate- or audio signals. It has sample & hold and five waveforms: saw up and saw down, square, sine and triangle.
The envelope generator can be triggered by the input signal or an additional audio signal as well as by a gate voltage. If triggering it via gate it works as an attack-sustain-release envelope. With audio triggers its mode is attack-decay. The envelope follower transforms the contour of the input signal into control voltages that can serve as modulation source.
The LFO modulation intensity can be set separately from modulation intensity of envelope generator and envelope follower on the VCF- as well as on the VCA section.
The Filter Lancet features a drive circuit right in the input section to add subtle shades of overdrive up to solid distortions.
The Filter Lancet is packed with useful features. It's a great and powerful addition to any synthesizer including Mono Lancet with or without Modular Dock. But Filter Lancet also is designed for stringed instruments. It creates standard effects like WahWah and tremolo with ease and even adds a palette of extraordinary sounds to any effect repertoire.
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3 in stock$164.13
Cat: 524139 Rel: 26 May 14
Analog filter unit with simple one knob/one function and true bypass
Notes: For some decades now, analog filters have had a deep impact on contemporary music. Since its very beginnings, Waldorf has been renowned for the quality of their excellent sounding analog filters. … Read more
Whether these were integrated in stand alone units, such as the 4-Pole, X-Pole or the AFB16, which enabled the world's first analog plug-Ins, or were found inside Waldorf's synthesizers such as the Wave, the Q+ or the Pulse - Waldorf filters have influenced the world's sound for over two decades.
As a logical consequence, Waldorf's exclusive analog filter technology is now available in this novel square box (unexpectedly matching the Rocket synthesizer). 2-Pole is giving the guitar player, the DJ, or the keyboard player access to the heart of the Waldorf sound - with an inspiring user interface with a one knob/one function philosophy. Spice up your live performances with dramatic filter sweeps that really cut through. Funk up your guitar licks by hooking a pedal controller to 2-Poles' cutoff CV In or using the integrated envelope follower. Animate your pad sounds using 2-Pole's LFO. But beware - no matter what you do with this tiny black box, make sure you set the levels to your amplifiers and speakers correctly, as 2-Pole is yet another beast from Waldorf - with love!
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