Skip Navigation

Secure shopping

Studio equipment

Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

Visit Juno Studio

Secure shopping

DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices. Visit Juno DJ

Equipment

Equipment

     
    Release Date
  • Forthcoming
    1
View:
Options
Items 1 to 6 of 6 on page 1 of 1
Jomox T Resonator MkII Filter Box
 Add to cart
 4 in stock $233.76
Cat: 458808 Rel: 30 Jul 12
 
Time woven filter matrix
Notes: T stands for Time.

The T-Resonator transforms timely events into an analog feedbacked filter network. What comes out of this you can hear in the audio samples.

The T-Resonator is something like an M-Resonator + Digital Delay. But you can select 8 different delay algorithms, each with different delays and different feedbacks and modulate them even with an LFO.

Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm.

The delay feedback comes across the analog filters, of course.

You can create gaining analog echoes, klingon parties by extremely feedbacked wave guide algorithm and much more.

By the analog feedback everything sounds organic.

The screaming analog feedbacks can delay themselves and thereby form new sound patterns.

The sine LFO gets retriggered by the audio signal and can be shaped with the audio envelope or just run alone. In center position the amount is 0, to the left it's envelope-shaped LFO, to the right it's only LFO.

The filters are made from discreet parts and form a 24 dB pole lowpass filter transistor cascade.

They can, in any thinkable way, be self feedbacked and be coupled or feedbacked with each other, so that extreme sounds and chaotic states create - all what you need today for creative analog sound design.

Incredible bass gains or screaming scratch sounds are no problem. The mix pots are zeroed in center position; any other angle will couple or feedback negatively or positively. FM in both directions is also available.

The input has an adjustable gain and a Hi-Z input to plug in a guitar directly. Any line level signal can be processed, be it either mono or stereo.

www.youtube.com/watch?v=P6FHbqRb9S4
Read more
Moog MF103 Moogerfooger 12 Stage Phaser (black)
 Add to cart
 2 in stock $338.82
Cat: 460433 Rel: 02 Jul 12
 
Comb filter
Notes: The MF-103 12-stage phaser is a direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal. It contains 2 compete modular functions: a 6 or 12-stage phaser with resonance control, and wide range LFO with amount control.

The 12-Stage Phaser's control parameters are Sweep frequency, Resonance, LFO Rate and LFO Amount. All of these parameters can be controlled by the great feeling knobs that beg to be tweaked as well as expression pedals or external control voltages. Panel switches select ranrge of LFO Rate and 6 or 12 stage phasing. 1/4" jacks are provided for audio input and outputs, pedal/control inputs, LFO out and auxiliary sweep input for bi-phase effects. The heavy-duty yet smooth-acting bypass switch allows tabletop or floor use.

A phaser is a type of comb filter, so called because its frequency response has several dips and peaks, like the teeth of a comb. As the phaser response sweeps back and forth across the frequency spectrum, the harmonics of the audio input signal are alternately increased and decreased. This produces the classic phaser whooshing sound.

The Phasing is one of the best ways to impart motion to a track and to make sounds come alive. With the MF-103 Phaser you can get swirling, shimmering, vibrating effects; fill up a whole stage from one sound source; even create brand new sonic textures.

The MF-103 produces 2 comb-filter responses. They are called 6-Stage and 12-Stage, because of the number of phase-shifting circuits that are used internally. The 6-Stage mode has 3 dips in its frequency response, while the 12-Stage mode has 6 dips. These 2 modes have distinctly different sound qualities. In addition, the MF-103 features a variable feedback circuit which increases the resonance, or depth of the phaser sound. The MF-103 12-stage phaser is a direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal.

Power supply is included.

Read more
FORTHCOMING
Sherman Dual Filterbank 2 Analogue Filter
e-mail me when released
coming soon $1,067.73
Cat: 635235 Rel: 19 Dec 16
 
Rack mountable analogue filter & distortion unit with ADSR generator, FM input, VCA overdrive & ring modulator
Notes: The Sherman Filterbank 2 Rack Analogue Filter and Distortion Unit is rack mountable unit with an ADSR generator, an FM input, a VCA overdrive and a ring modulator. The Sherman Filterbank is a powerful analogue filter and distortion unit that is equipped with a large frequency range and strong tube overdrive characteristics.

Easy to use, this unit is suitable for use in studio processing, compatible with editing sound sources, effect mixing and expanding modular systems. With the Filterbank 2 comes five extra switches and two extra LEDs, as well one pedal input jack on the back panel. The pedal input allows foot control of freq1 and bypass/effect switching. A 3-way switch on the input stage allows Hi boost and Hi cut.

WHAT'S NEW ABOUT THE SHERMAN FILTERBANK 2:

There are 5 extra switches and 2 extra LEDs, and on the back panel there's one pedal input jack. A reworked front-panel lay-out and the grey metal colour.

- The pedal input allows foot control of freq1and bypass/effect switching. You can rewire an old wah (because they have a switch on board) as shown by te diagram in 'extra stuff'.
- 5mm big green LED indicates "Effect on" on the FB 2
- 3-way switch on the input stage allows Hi boost as well Hi cut (both boosting high frequencies at input)
- Another 3-way switch allows "Sensitrig" (which makes the triggering twice as sensitive for, e.g. clean string pad filtering) and "Limit", which leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven.
- 3-way switch has 2 general transpose functions: +1 Octave and + Quint which works nice with monophonic signals, and has a specific dirty character.
- 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as result.

- The "revolutionary" aspect of this function is that never before any similar system enhances "on the spot" harmonics and creates new harmonics with fat analog circuits.
- An extra white LED indicates when the tracking system is "locked on".
- At last there is an 3-way function switch in the LFO section, allowing saw-tooth wave shape OR AR retrig : this forces an LFO restart from the AR trig with pumping grooves as unavoidable result. If you want to receive a new brochure, please ask your dealer first.
Read more
Sherman Filterbank 2 Classic Analogue Filter
 Add to cart
 2 in stock $601.41
Cat: 531916 Rel: 08 Sep 14
 
Powerful analog filtering and distortion unit
Notes: What is the Sherman Filterbank 2?

A powerful analog filtering and distortion unit with a huge frequency range and a killing TUBE overdrive behavior.
Easy and FUN to use, live and in the studio
A small modular system? YES!
Another 303 clone? NO!
Affordable? YES!
Application: processing every sound source, effect mixing, expanding modular systems, etc.

What you get:

Independent low pass, band pass and high pass filters with resonance, frequency and ADSR (positive - negative) controls
These are switchable between parallel or serial
The second filter has a 6 octave switch, and is synchronizable with the first filter
1 ADSR generator for these filters with an external output for use with more filterbanks or modular systems, triggered by the incoming signal, by a second sounds source, or by a gate
1 FM input for the filters, internal or external audio, LFO or CV
1 VCA overdrive with AR generator also
1 ring modulator input, internal or external audio, LFO or CV

The original Sherman Filterbank (Version 1) is no longer being made and is thus now completely being replaced by this new version !

The global look has remained the same, but there have been added several strong functions. To summarize :

There are 5 extra NEW SWITCHES, 1 extra INPUT (for footpedal), 2 extra new LEDs, a NEW COLOR (silver-grey) with an improved (long-lasting) varnish layer.
The inner electronics have also been adapted to achieve an EVEN BETTER SOUND-QUALITY
We also do have new packing-boxes (silver, with photo on upper side), new flashy stickers (silver) and new adaptors (with Sherman-logo).
All this with the famous solid SHERMAN-QUALITY and the well-known thorough & speedy AFTER-SALES service (repairs).

What's new?

There are 5 extra switches and 2 extra LEDs, and on the back panel there's one pedal input jack. A reworked front-panel lay-out and the grey metal color.

The pedal input allows foot control of freq1and bypass/effect switching. You can rewire an old wah (because they have a switch on board) as shown by te diagram in 'extra stuff'.
A 5mm big green LED indicates "Effect on" on the FB 2
A 3-way switch on the input stage allows Hi boost as well Hi cut (both boosting high frequencies at input)
Another 3-way switch allows "Sensitrig" (which makes the triggering twice as sensitive for, e.g. clean string pad filtering) and "Limit", which leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven.
A 3-way switch has 2 general transpose functions : +1 Octave and + Quint which works nice with monophonic signals, and has a specific dirty character.
A 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower, that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as result.

The "revolutionary" aspect of this function is that never before any similar system enhances "on the spot" harmonics and creates new harmonics with fat analog circuits.
An extra white LED indicates when the tracking system is "locked on".
At last there is an 3-way function switch in the LFO section, allowing sawtooth wave shape OR AR retrig : this forces an LFO restart from the AR trig with pumping grooves as unavoidable result. If you want to receive a new brochure, please ask your dealer first.

The Sherman Filterbank is now also midi controlable via kenton control freaks (a small portable hardware console, including sliders)

All the finger-tip MIDI control you need, instantly to hand. Forget your mixer maps and do it all in real-time. An ideal solution for the gigging musician, or the musician who likes to save time & settings. The Kenton Control Freaks are made in the U.K., by Kenton, and are preprogrammed with profiles for the Sherman Filterbank as well. Hundreds of additional profiles are available for download FREE from the Kenton website.
Read more
Sherman Filterbank 2 Rack Analogue Filter
 Add to cart
 2 in stock $605.53
Cat: 624961 Rel: 12 Sep 16
 
Analogue filter & distortion unit for live and studio use
Notes: What it is:

- A powerful analog filtering and distortion unit with a huge frequency range and a killing TUBE overdrive behavior.
- Easy and FUN to use, live and in the studio
- A small modular system? Yes!
- Another 303 clone? No!
- Affordable? Yes!
- Application: processing every sound source, effect mixing, expanding modular systems, etc.

What you get:

- Independent low pass, band pass and high pass filters with resonance, frequency and ADSR (positive - negative) controls
- These are switchable between parallel or serial
- The second filter has a 6 octave switch, and is synchronizable with the first filter
- 1 ADSR generator for these filters with an external output for use with more filterbanks or modular systems, triggered by the incoming signal, by a second sounds source, or by a gate
- 1 FM input for the filters, internal or external audio, LFO or CV
- 1 VCA overdrive with AR generator also
- 1 ring modulator input, internal or external audio, LFO or CV

What's new about the Sherman Filterbank 2:

There are 5 extra switches and 2 extra LEDs, and on the back panel there's one pedal input jack. A reworked front-panel lay-out and the grey metal color.

- The pedal input allows foot control of freq1and bypass/effect switching. You can rewire an old wah (because they have a switch on board) as shown by te diagram in 'extra stuff'.
- A 5mm big green LED indicates "Effect on" on the FB 2
- A 3-way switch on the input stage allows Hi boost as well Hi cut (both boosting high frequencies at input)
- Another 3-way switch allows "Sensitrig" (which makes the triggering twice as sensitive for, e.g. clean string pad filtering) and "Limit", which leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven.
- A 3-way switch has 2 general transpose functions : +1 Octave and + Quint which works nice with monophonic signals, and has a specific dirty character.
- A 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower, that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as result.

- The "revolutionary" aspect of this function is that never before any similar system enhances "on the spot" harmonics and creates new harmonics with fat analog circuits.
- An extra white LED indicates when the tracking system is "locked on".
- At last there is an 3-way function switch in the LFO section, allowing sawtooth wave shape OR AR retrig : this forces an LFO restart from the AR trig with pumping grooves as unavoidable result. If you want to receive a new brochure, please ask your dealer first.

The Sherman Filterbank is now also midi controlable via kenton control freaks (a small portable hardware console, including sliders):

All the finger-tip MIDI control you need, instantly to hand. Forget your mixer maps and do it all in real-time. An ideal solution for the gigging musician, or the musician who likes to save time & settings. The Kenton Control Freaks are made in the U.K., by Kenton, and are preprogrammed with profiles for the Sherman Filterbank as well.
Read more
Waldorf 2 Pole Analog Filter With The Waldorf Edition LE Software
 Add to cart
 2 in stock $159.62
Cat: 524139 Rel: 26 May 14
 
Analog filter unit with simple one knob/one function and true bypass
Notes: For some decades now, analog filters have had a deep impact on contemporary music. Since its very beginnings, Waldorf has been renowned for the quality of their excellent sounding analog filters.

Whether these were integrated in stand alone units, such as the 4-Pole, X-Pole or the AFB16, which enabled the world's first analog plug-Ins, or were found inside Waldorf's synthesizers such as the Wave, the Q+ or the Pulse - Waldorf filters have influenced the world's sound for over two decades.

As a logical consequence, Waldorf's exclusive analog filter technology is now available in this novel square box (unexpectedly matching the Rocket synthesizer). 2-Pole is giving the guitar player, the DJ, or the keyboard player access to the heart of the Waldorf sound - with an inspiring user interface with a one knob/one function philosophy. Spice up your live performances with dramatic filter sweeps that really cut through. Funk up your guitar licks by hooking a pedal controller to 2-Poles' cutoff CV In or using the integrated envelope follower. Animate your pad sounds using 2-Pole's LFO. But beware - no matter what you do with this tiny black box, make sure you set the levels to your amplifiers and speakers correctly, as 2-Pole is yet another beast from Waldorf - with love!

https://www.youtube.com/watch?v=2estLReuX7c
Read more
Items 1 to 6 of 6 on page 1 of 1
Monthly payment
Number of monthly payments
Cash price
Deposit to pay
Loan amount
Loan repayment
Cost of loan
Total amount payable

Only available to UK residents over 18, subject to terms and conditions. More info here.

These rates of finance are based on this specific product and can be applied for once this item has been added to the cart. Adding other products to your cart may change the rate of finance or deposit required.

Checkout and apply for finance now
Close