Get even more mind expanding power for your keyboard, bass, guitar or vocals with the Virtualizer 3D FX2000 Effects Processor. This amazing rack unit has 71 incredible new algorithms, including true studio grade stereo and 3D effects that will add a head spinning new dimension to your sound, both live and in the studio. The FX2000 employs Behringer RSM (Real Sound Modeling) technology to simulate acoustic environments with stunning accuracy. Effects options include powerful modulation, amp simulation, distortion and special effects, as well as effective dynamic and psychoacoustics processing. Performance is further enhanced through user addressable high and low EQ and wave adaptive virtual room reverb algorithms.
Because it is one of the most desired effects, the FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs.
Reverbs include: Cathedral, gold plate, small hall, room concert, stage, spring reverb, ambience and early reflections.
Specialty reverbs: Gated reverb and reverse reverb
Delays include: Stereo delay, tape echo and ping pong
The Behringer FX2000 has some of the best sounding reverb and delay programs, but that's not all. It also provides excellent modulation effects (such as chorus, flanger and phaser), including special variations like musical pitch shifter, tremolo and even a leslie simulation.
Modulation and Pitch Shifter FX: Stereo flanger, vintage flanger, jet stream flanger, stereo chorus, analog chorus, vintage chorus, ultra chorus, stereo phaser, vintage phaser, dual phaser, leslie, pitch shifter, vibrato, tremolo and auto panning.
Dynamic FX: Compressor, expander, gate, analog compressor/limiter, ultramizer, denoiser, de-esser and wave designer.
Psychoacoustic FX: Exciter, enhancer, ultra bass, stereo imager, ultra wide and binauralizer.
Filter/EQ FX: Auto filter, LFO filter, parametric EQ and graphic EQ
The FX2000 is also equipped with distortion, amplifier and speaker simulation including: Vocal distortion, tube distortion, guitar amp,tri fuzz, speaker simulation, ring modulator, and lo-fi.
Special FX: Vinylizer, sampler, vocoder, voice canceler and resonator.
Sometimes you want to add a little (or a lot) of color to your reverb and delay patches. The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections.
FX Combinations include: Chorus & reverb, flanger & reverb, leslie & reverb, pitch & reverb, delay & reverb, tremolo & reverb, phaser & reverb, chorus & delay, flanger & delay, pitch & delay and tremolo & delay
Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to seven parameters per preset, and then save them for future use in the 100 provided memory locations.
It includes all of the features you would expect from a reference class compressor - plus a voice adaptive de-esser, a new dynamic enhancer, authentic tube emulation and much more. These are some of the indispensable tools for producing clean, consistent audio with virtually no loss in signal quality.
Thanks to onboard, multiband Interactive Gain Control (IGC) and Interactive Knee Adaptation (IKA) compression, the SPL3220 allows you to apply processing with surgical precision for maximum punch and intelligibility without the audible artifacts associated with traditional, broadband dynamics processors. Additionally, the SPL3220 can be used for mix leveling and maximizing signal density at low volumes, where perceived loudness becomes even more important. Add to this the ability to enhance speech intelligibility and provide exceptional loudspeaker protection, while preserving dynamic range and the Eurocom SPL3220 becomes an essential part of any audio engineer's toolkit.
Professional XLR/TRS combination and Euroblock connectors provide ultimate versatility, allowing the SPL3220 to be inserted in-line prior to house amplification, no matter the configuration. Built in hard bypass relays ensure system protection and signal continuity in the event of a power failure or accidental disconnect. High accuracy I/O Level and Gain Reduction meters plus an elegant, intuitive control panel make optimal system setup fast and easy. SPL3220's control panel access cover can even be sealed to prevent unauthorised access, providing total system security.
This unit combines 2 processors to align the phase and focus of bass frequencies, improve the response of mid-high frequencies and add harmonic content to any "dull" sounding audio.
The surround processor utilises the phase alignment engine to give a greater perceived width to the stereo field.
Take a sound, any sound. Send it through the Analog Heat, try out the eight different stereo analog distortion circuits, add stereo analog filtering and EQ, and hear beautiful things unfold. New life for your existing gear.
Overbridge essentially allows your Analog Heat to be used as a VST/AU effect plugin. Connect the Analog Heat to your computer and conveniently smooth out the edges of all digital sounds. Incredibly useful for bringing your mixes to life.
Sound card operation:
One of the most prominent Analog Heat features: it can function as a 2 in/2 out sound card, even while processing DAW audio. Perfect for the traveling musician. Create as you go and make stellar, high quality recordings wherever you may roam.
Fully integrate the Analog Heat with your DAW, stream audio over USB, edit parameters in a beautiful VST/AU plugin environment.
- 8x Stereo analog distortion circuits
- 1x Stereo analog multi-mode filter (7 filter types)
- 1x 2 band adaptable stereo analog EQ
- 1x Assignable envelope generator/envelope follower
- 1x Assignable LFO
- 128 user preset slots
- 122×32 pixel backlit LCD
- MIDI In/Out/Thru with DIN Sync out
- 2x 1/4" balanced audio out jacks
- 2x 1/4" balanced audio in jacks
- 1x 1/4" stereo headphones jack
- 2x 1/4" CV/Expression pedal input jacks
- 48 kHz, 24-bit D/A and A/D converters
- Flash-EEPROM upgradable OS
- Hi-speed USB 2.0 port
- Headphones out level: +22 dBu peak
- Headphones output impedance: 55 O
- Impedance balanced main outputs level: +22 dBu peak
- Main outputs impedance: 440 O unbalanced
- Sound card S/N Ratio: 111 dBFS (20-20,000 Hz)
- Balanced audio input level: +22 dBu peak
- Audio input impedance: 39 kO
- Sound card S/N Ratio: 112 dBFS (20-20,000 Hz)
- Input level: -5 V - +5 V
- Accepts CV, Expression pedals, Foot switches
- Sturdy steel casing
- Dimensions: W215×D184×H63 mm (8.5×7.2×2.5") (including audio outputs, knobs and rubber feet)
- Weight: approximately 1.5 kg (3.3 lbs)
- Overbridge enabled
- Ableton Live 9 Lite license included
- 3 year Elektron warranty
The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more.
The Ekdahl Moisturizer contains exactly:
Preamp (up to 10 times gain)
Reverb / Preamp wet/dry crossfader (Knob & CV/EP controllable)
State variable filter with
Lowpass/Bandpass/Highpass seamless crossover (Knob, CV/EP & LFO controllable)
Cutoff (Knob, CV/EP & LFO controllable)
Resonance (WITHOUT resonance limiter)
Speed control (Knob & CV/EP controllable)
Square / Triangle crossover
External output with output amplitude knob
Filter / No filter wet/dry crossfader (Knob & CV/EP controllable)
The preamp section is designed for a max of 10 times gain, this to accomodate for low level output instruments such as guitars etc. The reverb tank has normal reverb signal gain on it, meaning that if you hit the springs hard they'll distort like crap which is real nice, if you hit them softly the sound won't be distorted.
The filter in the Ekdahl Moisturizer is abrasive, the fact that it doesn't have any resonance limiting makes it possible to get the filter to sound *really* bubbly & metallic (way more then any filter i've ever heard), but it's also of course capable of sounding completely "normal" - it all depends on the amount of resonance and/or gain. The fact that you can seamlessly fade inbetween lowpass, bandpass or highpass filter (or lowpass+bandpass and highpass+bandpass) makes the unit pretty damn versatile and by using the wet/dry filter/no filter crossfader there's some neat shit that can be done too. Now it should be said that due to the fact that there's no resonance limiter, if using very high gain, with high resonance and turning the cutoff frequency very high the filter might cut out - not to worry, just turn the cutoff back a bit and the filter pops in again. This happens because the filter gets overloaded and can be avoided with a resonance limiter, however if i had one of those all the super-awesome bounce would be gone and it'd sound like all the other filter out there.
The Ekdahl moisturizer has six CV/Expression pedal related jacks on the back, one of them is a LFO output so you can control other shit with The Moisturizer's LFO. All the other jacks are inputs and takes either CV or Expression pedal, they are: Reverb Mixture, VCF Cutoff, VCF Filter Mode (LP/BP/HP), Filter Mixture and LFO Speed.
In the studio, advances in computer-based recording have led many engineers to value the instant control and heads-up use of plug-in effects, but many still yearn for the rich, complex sound found in a dedicated hardware processor. Lexicon provide a USB interface with intuitive cross-platform VST and Audio Unit plug-in windows, allowing the MX200 to function as a hardware plug-in, recognized and functioning within VST and Audio Units-compatible DAWs as a plug-in effect, but still operating as a dedicated hardware unit. This unique USB plug-in feature allows users to easily control the MX200 in their computer-based recordings within the graphical interface that appears in the recording application like a plug-in, with full automation and recall features. Now software-based recording engineers can stay focused on the heart of their studio, the application window of their recording software. A powerful cross-platform Editor/Librarian software package is included as well. The MX-Edit lets you create, edit, compare, save and load reverb and effects programs for use with your MX200 on your Macr or Windowsr XP computer.
Those using the MX200 in the live arena will appreciate its intuitive front panel layout, with an Active Reverb/Effects Matrix that constantly displays which 2 of the 32 available effects are active, and all functions available within a single button-push turn of a knob. Dual independent processor control areas with dedicated Effects Select, Tempo, Bypass and 3 parameter control knobs provide instant access with precise and meaningful control over the most critical parameters for the selected effect. Parameter change LEDs illuminate to indicate any change from the 99 meticulously crafted Factory or 99 User Programs. Choose from 5 digitally-recorded audio samples to Audition the selected effects.
Either way you choose to use the MX200, live or in the studio, you can choose 2 legendary Lexicon reverbs and effects at once in one of four flexible routing options including: Dual Mono, Cascade, Dual Stereo (Parallel), or Mono Split. Featuring 99 carefully crafted Factory programs, and 99 User programs that allow you to create your own legendary effects. Front panel controls include Input Level, Mix 1 and Mix 2 Wet/Dry controls, Routing button, independent Tempo, Bypass and 3 control knobs for each Processor, Program Select knob, Audition button (to preview the selected effect) and Store button.
You want the rich, luscious sound that's defined studio reverb for three decades: a genuine Lexicon hardware processor. But you also want the flexibility of programming high-quality effects right inside your DAW program...without bogging down your CPU or resorting to expensive processing cards.
Have it all with the MX400. All parameters of every reverb, delay and dynamic effect in this powerhouse quad processor are available inside any AU compatible DAW program. Just link your computer to the MX400 with a USB cable and control all automation and recall parameters exactly as you would with any software plug-in i while enjoying the sonic benefits only Lexicon hardware can provide.
Along with Lexicon's unique hardware plug-ins for PC and Macr, they have also included MX-Edit Librarian software so you can store and recall custom programs or pull up your choice of 223 genuine Lexicon settings including 25 dedicated Surround Programs. At its heart, the MX400 is everything you would expect from the company that invented digital reverberation. Seventeen Lexicon reverbs, delays and modulation effects plus dbxr compression and de-essing. A generous LCD display and big comfy knobs you can get your hands around.
Get a demo at your Lexicon dealer. And then get on the road to creating a hit.
Meet the most Lexicon power ever offered in a super-affordable 1RU effects processor. Perfect for band PAs, churches and clubs.
Lexicon know you need to be able to make changes quickly, so they designed the MX400's intuitive front panel to be a bare minimum of knob tweaks away from any adjustment or effects change. For example, 3 individual, assignable parameter controls mean you don't have to page through menus to fine tune a reverb tail. Because you can use its built-in DBX compression and de-essing in tandem with reverb, the MX400 is the perfect tool for taming problem vocalists. Finally, you can rely on the MX400 for years to come, through countless load-ins and loadouts, although its sound is A-studio-quality, Lexicon designed the MX400 to withstand dust, moisture, shock, power surges and all the other rigors of live sound use.
And it's not just for robot voices (although we totally approve of robot voices). The VT-3 has the power to transform your voice into synthesizers, synth basses, hard-tuned and lo-fi vocals and more. The VT-3 can also be subtle and musical, with built-in reverb, smooth Wet/Dry fader control and instant bypass.
Built for creative speed and live performance, the VT-3 is meant to be played. It has high quality specs and sturdy, brightly-lit controls that are dead simple to use. The controls and functions are smooth and immediate with no popping or clicking or latency issues to worry about, even when switching presets or changing voice characters. Weighing less than two pounds and small enough to slip into a bag, you can take the VT-3 anywhere.
16 Award-Winning FX Presets:
An incredibly compact multi-effects processor, the M100 features 16 award winning TC electronic presets including studio-grade reverb, delay, chorus, flanger, phaser, rotary speaker, pitch shifter and a variety of stunning multi-effects. An intuitive FX selector allows you to choose from the 16 single or multi-effects that suit your music, while the versatile Parameter and Tap/Select functions give you the ultimate control over a wide range of parameters.
Your Connection to Amazing Sound:
The M100 has two modes of operation - mono or stereo. While the input connectors accept both, balanced and unbalanced 1/4 inch cables, the output features impedance-balanced 1/4 inch TRS connectors. M100's stereo input level control with LED level indication ensures precision adjustment for the optimal signal integrity.
Additional Features and Build Quality:
Dedicated Mix Balance and Output Level controls make it so very easy to quickly dial-in the perfect sound. And if you're using the M100 live, the footswitch connector provides easy on/off switching (footswitch not included). Highest-quality potentiometers, switches with clear status indication and high-resolution 24-bit AD/DA converters ensure exceptional sonic performance.
Small but Mighty:
The M100 is the simple, portable and affordable way to add an exciting new dimension to your sound, one that will instantly elevate your performance to the next level. Find out why musicians, home recording enthusiasts and sound technicians love the M100.
A Revolutionary Vocal Manipulator with Vocal Sample Synthesis and One-Button Drum Looper, PERFORM-VE lets you instantly create iconic vocal sounds from today's most popular EDM, Pop and Dance recordings. With everything from real-time pitch flattening and extreme sample manipulation to tried and true spatial effects, altering, and looping - PERFORM-VE turns every show into a captivating performance.
Do it again:
Record your vocal samples live, modify them, and then replay them via MIDI control to give a truly interactive and dynamic performance.
Do it weird:
You can easily use the PERFORM-VE to shift, modulate and mangle your vocals with the synth vocoder effect for a completely transformed sound that will mesmerize your audience.
Do it faster:
PERFORM-VE's innovative one-button looper with built-in drum samples lets you build impressive sounds on the fly.
Do it in sync:
Keep your gear in sync thanks to PERFORM-VE's ability to receive MIDI tempo data from a wide range of external devices - unlimited versatility.
Do it cleaner:
PERFORM-VE's Adaptive tone automatically applies EQ, compression, de-essing, and gating optimization, so vocals always sound clean and clear - letting you focus on the fun stuff.
Do it for keeps:
Multi-channel USB audio lets you easily send audio to and from PERFORM-VE, bringing the studio to the stage and back again.
In the box:
- Region specific power supply
- USB cable
- User guide
This is truly the first instrument for the voice. Mount it in front of you on a mic stand with its ingenious, easy-access design - or put it next to your keyboard or computer. Then, let your fingers glide over the touch interface. You'll soon be unleashing its FX and looping power. Just try to stop.
Complete vocal FX universe:
VoiceLive Touch is loaded with vocal effects from our best-selling VoiceLive series: reverb, doubling, HardTune, uMod, tap delay and transducer. Get inspired with incredible, natural sounding harmonies: there are 8 voicings to choose from - controlled by guitar, MIDI or USB/Aux input. There's also the Global Tone feature that adapts to your voice for an optimally produced tone every time you sing.
The powerful looper in VoiceLive Touch will multiply your musical persona, allowing you to create an entire composition by yourself. It's packed with lots of loop time and innovative options like Loops Mode to play back loops in any order and Shots Mode to create instant loop triggers. You'll find your one-person creations easy and incredible.
Personal sound engineer included:
VoiceLive Touch automatically takes care of vocal tone with adaptive EQ, compression, de-essing and gating. This frees you up to focus on your performance with a full suite of vocal effects, natural-sounding harmonies and looping power.
It fits everywhere:
Voicelive Touch goes where you need it. Put it right in front of you on your mic stand. If you play keyboard, just put it on top. When you go home to work on tracks with your computer, you can place it on the table beside it. If you're a guitar player, use the optional Switch-3 pedal so you can run it while you're playing.
Vocal design command centre:
1. Unique Touch Interface for addictive navigation.
2. Effortless access to all FX; use the Slider to open up a world of hundreds of presets.
3. Ingenious design for easy mic stand attachment or desktop use.
4. Studio quality Mic input, Guitar in/thru, MIDI, Aux ins for MP3 and Footswitch, headphone out with control level and USB for updates.
Find your FX - fast:
Navigate around the features and presets in VoiceLive Touch with an ease that becomes addictive. One touch and you're hooked. Swipe the slider to browse presets; press and hold buttons to edit, and store to "favourite" locations. Double clicking the slider always gets you home. Voicing buttons offer instant harmony arranging.
More mic, more control:
Now you can control your vocal effects from a mic engineered for the sonic realities of modern vocal performance. Add the TC-Helicon MP-75, the Sennheiser e835 FX, or use the main control button on the TC-Helicon MP-76.
More FX control with stompbox expansion:
Add a Switch-3 accessory pedal to your setup to extend your on-the-fly control the VoiceLive Touch features. Put Harmony on the first switch, your favourite Delay on the second, and a cool Megaphone effect on the third - or any custom combination of Vocal FX.
Guitar is yet another way that VoiceLive Touch can control your harmonies. But there's more: you can make your guitar sound awesome with on-board reverb and other effects. There's even an easy-to-use tuner. Not used to using a pedal for your guitar work? No problem: VoiceLive Touch brings control to your fingertips.
Control your harmonies and tempo effects with MIDI from a keyboard, audio workstation or MIDI sequencer. In fact, there are 16 midi channels available and a selection of dedicated presets for you to try...and tweak.
Custom gig bag:
Here's the perfect accompaniment for your next gig. Keep your VoiceLive Touch and essential gig items in the same, protected place. The VoiceLive Gig Bag is made of durable nylon construction with padded protection, has multiple inside pockets for microphone, cables & other gear and comes with a handy shoulder strap.
VoiceLive Touch is designed to evolve with you. VoiceSupport gives you new presets, firmware updates and maintains your personal database of presets. All you need is a USB equipped mac or windows computer.
The typical spring reverb sound is generated by a Belton/Accutronics type 4 spring tank with 3 individual springs. It can be placed pre or post the VCF/VCA section and equalized by the Tone parameter.
The Crash function generates the popular thunder effect that occurs when kicking an amplifier with spring tank. You don't have to kick Retroverb Lancet you simply can achieve this effect by pressing the Crash button. It also can be triggered by a Gate voltage.
The multimode filter works as lowpass or highpass with a slope of 24 dB per octave or as bandpass with 12 dB per octave. It is followed by a voltage controlled amplifier. The filter and amplifier can be modulated individually by different sources.
The Retroverb Lancet offers 3 internal modulation sources:
Envelope follower: the envelope follower converts the amplitude characteristic of the audio input signal into a control voltage.
Envelope generator: the envelope generator can be triggered by the input signal itself, a second audio signal or a gate voltage. Depending on the trigger source it works as Attack-Decay or as Attack-Sustain-Release envelope.
LFO: the LFO offers saw up and saw down, square, sine as well as sample&hold. Additionally it can use the envelope generators settings as waveform. It can oscillate freely or reset by different trigger sources.
The Retroverb Lancet also offers a CV/Pedal input which can be feed by external control voltages or can be used with expression pedals.
Most of the features, like the AccuBell spring tank (type 9), the TONE control as well as in and output stages are equal.
What has been improved is the way EFFECT STOP is working. Compared to its predecessor VSR 3.2 offers the possibility to determine where EFFECT STOP cuts the signal path: PRE or POST the spring tank. In the new PRE mode the input of the spring tank is cut from the signal path, so the reverb's decay isn't abruptly stopped when pressing EFFECT STOP and still can fade out.
The VSR 3.2 is suitable for all kinds of input signals like synthesizer, organs, guitars, vocals etc. It's available as of now from stock. It is already listed in our latest price list from 2015-05-01.
*UK 3-pin power adapter included.