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Today: Dirty Dubstep/Trap/Grime
Items 1 to 3 of 3 on page 1 of 1
Tuesday 25 October 2016
What I Was On EP
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 in stock $10.18
What I Was On EP (hand-stamped 12")
Cat: DVS 008. Rel: 31 Oct 16
  1. Magic Circle (3:29)
  2. Da Bounce (4:11)
  3. Missing (3:41)
  4. Da Stooge (3:39)
Review: A proper slice of history here: They Call Me Raptor (to use his full title) cooked these up over 10 years ago... Yet they still sound fresher than a lot of the competition today. Loosely swung, sample-rich and fearless in their drama and range, these will blow just as many minds now as they did when they first emerged on dub. Ranging from the eastern string badness of "Magic Circle" to the funk-riddled "Da Stooge" (which is more akin to hip-hop than grime), this really is premium gear. No formula adhered to, full character displayed - these are still ahead of their time now.
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Bongo Remixes
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 in stock $8.41
Cat: WPR 014. Rel: 31 Oct 16
  1. Bongo (3:53)
  2. Bongo (Hi5Ghost remix) (4:29)
  3. Bongo (Kahn & Neek remix) (3:39)
  4. Bongo (Impey Text 66668 Bar remix) (3:50)
Review: Following last year's celebration of his seminal "Pulse X", White Peach return to the don's small-but-perfectly formed vaults for an equally grand take on the legendary bounce-bass 4x4 cut from 2002. Short, sharp and such a joy to mix and cut, it remains just as crisp now as it did 14 years ago. But that's not to say a few contemporisations wouldn't go amiss... Hi5Ghost retains the depth plunge bass and 808 ricochet hits, Kahn & Neek throw in all the glitches and switches on their take while Astral Black's prize bang clapper brings SMS sexy back with his sub-heavy slight jukey version. Drink it up.
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Monday 24 October 2016
Tokyo Drift
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 in stock $9.42
Tokyo Drift (hand-stamped 12")
Cat: RELOADZ 004. Rel: 31 Oct 16
  1. Tokyo Drift (5:41)
  2. Pulse J VIP (4:41)
Review: From shotgun to driver, Jook's instrumentals have been staple to the scene this year. This one in particular. Sold out on the first run in March, it's been repressed by popular demand. "Tokyo Drift" rumbles with a smog of gunshot samples, textured timpani on the nagging hook and beats thick enough to smash concrete. Meanwhile on the B Jook pays homage to the Musical Mob in fittingly brutal style. Still highly heavy, still highly limited - second chances don't come like this very often.
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Items 1 to 3 of 3 on page 1 of 1
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