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FORTHCOMING
Glass EP 1
e-mail me when released
coming soon $7.87
Glass EP 1 (12")
Cat: ZEN 12451. Rel: 28 Jul 17
Techno
  1. Fall Into Water
  2. Paradise (Machine Woman remix)
  3. The Journey (Gavsborg (Equiknoxx) remix)
FORTHCOMING
Glass EP 2
e-mail me when released
coming soon $7.87
Glass EP 2 (12")
Cat: ZEN 12452. Rel: 28 Jul 17
Techno
  1. Red Glass
  2. Red Glass (Hieroglyphic Being remix)
  3. Fuel The Fire (Beau Wanzer Adjustment)
Second Sight
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 in stock $7.59
Cat: ZEN 12427. Rel: 22 Feb 16
Bass
  1. Second Sight (6:45)
  2. Ritual (5:51)
Review: First making his name as a producer on local Manc operation Fat City, Hoya Hoya resident Illum Sphere has quite the cultured discography with high profile labels like Tectonic, Monkeytown, 3024 and Ninja Tune in his locker. It was with the latter that Illum Sphere released his debut album Ghosts Of Then and Now in 2014, and the music has slowed down since then, with just a RSD released Spectre Vexd doublepack arriving later that year. The wait is over however, as Illum Sphere confidently strides forward with this club-ready Second Sight 12" for Ninja Tune with both the title track and B-side "Ritual" apparently "reflective of a shift to a more machine-sounding approach" from the producer and bodes well for future Illum Sphere music. This is a less formulaic, and more highly resonant Illum Sphere and comes highly recommended.
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Glass
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 in stock $9.23
Glass (CD)
Cat: ZENCD 237. Rel: 07 Nov 16
Techno
  1. The Journey
  2. Fall Into Water
  3. Red Glass
  4. Wounded
  5. Oracle
  6. Fuel The Fire
  7. River
  8. Thousand Yard Stare
  9. Paradise
Review: Ryan Hunn AKA Illum Sphere has impressively grown and matured as a producer since making his debut on Fat City back in 2009. His 2014 debut album, Ghosts of Then & Now, was something of a watershed moment, tempering his experimental, bass-heavy dancefloor compositions with a newfound love of cinematic sounds. Glass arguably moves further in the latter direction. While there are some nods towards his club-ready past - see the 4/4 shuffle of "Fall Into Water", or the moody electro bounce of "Fuel The Fire" - it's not the beats that dominate, but rather his evocative chord progressions and IDM style melodies. In fact, it's the more sanguine, ambient inspired cuts, of which there are numerous, that really stand out.
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