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Shark Story Of The Century EP
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 in stock $8.17
Shark Story Of The Century EP (140 gram vinyl 12")
Cat: CY 003. Rel: 22 Aug 16
  1. Enrique - "Dissociate"
  2. Beau Wanzer - "Weasels"
  3. Esplendor Geometrico - "Rotor" (1988)
  4. Esplendor Geometrico - "Rotor" (Broken English club remix)
  5. Prostitutes - "Cuyahoga Frankenstein"
Review: The Contort Yourself tradition of electronics pioneers, modern masters and new names continues into CY003. Enrique comes under that latter banner. The Hot Releases alumnus introduces the EP with the piston pounded belligerence of Dissociate. L.I.E.S. and Nation veteran Beau Wanzer continues this stroll into aggression. Weasels is an upturned work of techno. Nuts, bolts and the grisly inner workings are on show for this fast paced floor mangler. Spain's industrial stalwarts Esplendor Geometrico open the flip. From 1988 the grit of the factory floor is carried into Rotor. A touch of the mystical is injected, chants looped through the hypnotic rhythms in this simmering classic. Broken English Club is on hand to rework Rotor into a guttering piece of Electro tainted machine music. If you're hoping for some respite, think again. Prostitutes (Diagonal) closes with the cruel pummelling percussion of Cuyahoga Frankenstein. A brutal, beefy and brilliant 12.
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Untitled II
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coming soon $14.05
Cat: BW 04. Rel: 26 Sep 16
  1. Dr Dre's Smelly Feet
  2. Front/Side View
  3. The Tape Curses
  4. Something Stinks
  5. Starting At A Fish
  6. Ultralean
  7. Shitty Cough 14
  8. Weak Blizzard
  9. Shock Therapy
  10. 2:16 AM
  11. Happy Birthday To Me
  12. Memory Loss
Review: Active for several years in various musical forms, Beau Wanzer probably came to wider attention with that "Balls of Steel" cut on L.I.E.S. Clearly Ron Morelli was a positive influence on the Chicago artist, as 2014 saw Wanzer set up his own label to release music from his vast archive of mutant beatdowns. After one solo album and a fine collaborative long player with Corporate Park, we now have this second set of archival Wanzer recordings which dates back to 1999. It's an interesting mixture of moody, experimental electro, distant electronica, droning minimal wave movements, dystopian drum machine workouts, and pitched-down industrial techno, with the producer's own end-of-days vocals - heavily mutilated and tongue in cheek demonic - providing a constant thread.
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Played by: Ali Renault, Go! Finger
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