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Release Date
Items 1 to 4 of 4 on page 1 of 1
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Marius (12")
Cat: HES 030. Rel: 26 Jun 17
  1. Marius
  2. Off Court
  3. Noseme
  4. Don't
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 in stock $8.27
Cardinal (12")
Cat: TIMEDANCE 001. Rel: 16 Mar 15
  1. Cardinal (6:52)
  2. Domino Theory (6:39)
Bleeper Feed
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 in stock $8.27
Cat: 299 YTIVIL. Rel: 01 Feb 16
  1. Bleeper Feed (5:22)
  2. April These (5:13)
Review: Boof! Livity Sound commence their 2016 activities in mean style, with a killer new slab of bass science from Batu on their Dnous Ytivil reverse label. Omar McCutcheon first appeared on Kowton, Asusu and Pev's sister operation in late 2013, and since then the Batu sound has matured and developed across records for Hotline, Mistry and his own Timedance. The two cuts present here offer a further compelling display of his growing prowess on the buttons, with "Bleeper Feed" a rollercoaster ride through cascading percussion and mind bending synth twists. The curiously named "April These" offers a more subtle take from Batu, interrogating the dance, as opposed to blowing it up. Highly recommended.
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 in stock $8.00
Monolith (limited 12")
Cat: TIMEDANCE 003. Rel: 21 Mar 16
  1. Monolith (6:07)
  2. Reez (6:16)
  3. Void (5:29)
  4. Reez (Lee Gamble 3rd Rail deconstruction) (4:50)
Review: Batu fairly owned 2015, launching his own label Timedance as well as landing killer blows for Beneath's Mistry and the excellent Hotline Recordings and this momentum has continued into 2016 with the wonderful Bleeper Feed for Dnuos Ytivil. That 12" landed at the end of January, but Batu clearly has some killer material stockpiled as demonstrated by the suitably named Monolith. Here, Batu presents three examples of his growing prowess for UK bass science, mangling techno into a form that can be described his own. The title track has a touch of that Acido oddness to it, mixed up with rugged UK flavours whilst "Reez" feels less concerned with the dance. Instead it's a chance for Batu to explore sound design and intricate patterns for drums and basslines. It's no surprise that PAN associate Lee Gamble was attracted to the idea of remixing this track, resulting in a wondrous hazy, dubwise fog.
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Items 1 to 4 of 4 on page 1 of 1
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