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Avebury
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in stock $9.06
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Avebury (12")
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Cat: TEMPA 101. Rel: 17 Aug 15
Techno
  1. Avebury (7:42)
  2. Auburn Blaze (2:57)
  3. Wandered (7:15)
Review: After spending the last few months working with Second Storey on the ALSO project for R&S Records, Laurie Osborne comes through with his first solo Appleblim moves in a hot minute. Avebury represents the Bristol fixture's debut proper on Tempa, having contributed a cut to the label's scene defining sixth Dubstep Allstars compilation back in 2008. Obviously a lot has changed in the ensuing seven years or so and the three tracks here are more indicative of current approaches to bass science than the chance to revisit dubstep's glory days. As a result, the lead cut sees 'Blim in moody yet darkly intoxicating dancefloor form whilst the two B side productions veer off into more abstract terrain.
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Over Here (remixes)
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in stock $7.85
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Cat: PIPS 002. Rel: 15 Sep 08
Minimal/Tech House
  1. Over Here (Brendon Moeller remix)
  2. Over Here (Beat Pharmacy remix)
Silencio (Prins Thomas remiks)
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in stock $7.85
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Silencio (Prins Thomas remiks) (hand-stamped 1-sided 12")
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Cat: PIPPED 001. Rel: 04 Nov 13
Disco/Nu-Disco
  1. Silencio (Prins Thomas remiks)
Review: Under the guidance of Bristol-based Appleblim, the Apple Pips label has been one of the city's most reliable imprints documenting the various mutations of dubstep, house and techno, with artists like Martyn, Al Tourettes, Trevino, Joe and Brackles all featuring. An expansion in scope is revealed with the establishment of the new Pipped label which has been "set up to explore new avenues and directions & get some exciting sounds out there quicker". This first Pipped release sets a level of real intrigue with none other than Prins Thomas called on to remix "Silencio," the recent Komon & Appleblim collaboration. The Full Pupp boss's slant on hypnotic live disco might initially seem at odds with Appleblim's roots in dubstep but the resultant 'remik's is quite the summery delight!
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Gas Jam
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in stock $8.45
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Gas Jam (12")
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Cat: PIPS 021. Rel: 25 Mar 13
Deep House
  1. Gas Jam
  2. Silencio
Review: Bringing a slice of upbeat and sassy good time party music to Apple Pips, Komonazmuk has shortened his name and coaxed label boss Appleblim out of hiding for a collaborative release that smacks of studio fun and quintessential hybrid sounds. "Gas Jam" maximises on snappy slices of vocal over a nagging shuffle that somehow winds up with something of an old-skool rave flavour. "Silencio" is a more curious affair, sliding into a Balearic-paced groove rich in arpeggios and easy atmospherics that begs to be slow-jammed out under a sunkissed sky. It's a certain step away from bass music, eschewing any need for moodiness in favour of pure positivity.
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ALSO
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in stock $17.22
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ALSO (triple 12")
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R&S
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Cat: RS 1504LP. Rel: 20 Apr 15
Bass
  1. Sid's Conundrum (EP01) (6:10)
  2. Ashford Swaithes (6:29)
  3. Dive Prophets (6:59)
  4. Formation (EP02) (7:50)
  5. Rant Check (parts 1 & 2) (12:48)
  6. Raves (EP03) (7:09)
  7. Blyford Bass (6:29)
  8. PGs (5:56)
Review: In a fit of complex hybrid future funk, Second Storey and Appleblim consolidate their first three EPs for R&S into a long player that shows the full breadth of their sound in glorious technicolour. It's a thrilling world full of contorting shapes, glossy melodies and large doses of psychoactive fairy tale ingredients, with a gutsy techno heart pulsing away at the centre. Hearing all the tracks in one sitting gives a worthwhile context to the artists vision as they contort in and amongst each other, while new piece "Arpegmonger" opens the album in utterly glorious fashion. Craftily blending the notion of home-listening music and dancefloor madness, ALSO will have you twitching wherever it infects you.
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Also EP
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in stock $6.34
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Also EP (12")
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R&S
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Cat: RS 1502. Rel: 13 Apr 15
Bass
  1. Raves (7:09)
  2. Blyford Bass (6:29)
  3. PGs (6:00)
Review: Biff! Two bass juggernauts team up for a three tracker on the infamous R&S imprint! Alec Storey aka Second Storey and Laurie Osborne aka Appleblim might be some years apart in terms of production experience but they certainly share the same passion and love for bass-heavy dancefloor cuts. The former has been busy releasing on London's Houndstooth while the latter deserves no introduction due to his important contribution in dubstep's twilight years. "Raves" is a percussion-heavy monster with wobbly low-ends; "Blyford Bass" is a stop-start head-jerker with another swell of bass circling around its epicentre, while "Pgs" is a gorgeous hard ambient track with subtle bursts of percussion and bass. Winner! Look out for their upcoming LP for R&S!
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Items 1 to 6 of 6 on page 1 of 1
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