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Antibalas
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 in stock $18.83
Antibalas (LP + free MP3 download code)
Cat: DAP 028LP. Rel: 13 Aug 12
International
  1. Dirty Money
  2. The Rat Catcher
  3. Him Belly No Go Sweet
  4. Ari Degbe
  5. Ibeji
  6. Sare Kon Kon
Where The Gods Are In Peace
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 in stock $21.35
Where The Gods Are In Peace (LP + MP3 download code)
Cat: DAP 046LP. Rel: 18 Sep 17
International
  1. Gold Rush (10:52)
  2. Hook & Crook (8:56)
  3. Tombstone (Movement 1 Good Doer - feat Zap Mama) (5:19)
  4. Tombstone (Movement 2 Mami Water Town - feat Zap Mama) (5:34)
  5. Tombstone (Movement 3 Gates Of Zion - feat Zap Mama) (4:34)
Review: Martin Perna's infamous Antibalas crew, or 'bulletproof' as we like to call them, have been one of the most consistent sources of quality afrobeat since the late 90s, first coming through on the then fledgling Ninja Tune, out of the UK. Over the last five years, Brooklyn's ever-impressive Daptone Records have snapped them up, with this new album, Where The Gods Are In Peace, being the group's second LP for the afro powerhouse label. "Gold Rush" opens with a frenetic, supremely funky ode to Fela, all nervous and cosmic, followed by the comparatively deeper and more laid-back groove of "Hook & Crook". "Tombstone", on the B-side, receives three mixes, each of them featuring Zap Mama on the vocals - the deepest shade of afrobeat you'll find out here. Antibalas gives us hope that new music can be just as powerful as the original material from the 70s. 10/10.
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Where The Gods Are In Peace
 Add to cart
 in stock $12.65
Cat: DAP 046CD. Rel: 18 Sep 17
International
  1. Gold Rush
  2. Hook & Crook
  3. Tombstone (Movement 1 Good Doer - feat Zap Mama)
  4. Tombstone (Movement 2 Mami Water Down - feat Zap Mama)
  5. Tombstone (Movement 3 Gates Of Zion - feat Zap Mama)
Review: On Where The Gods Are In Peace, their first album for five years, long-serving NYC Afrobeat revivalists Antibalas return to Daptone with fellow veterans Zapa Mama in tow. The all-female Belgian combo provides vocals on album centrepiece "Tombstown", a suite of track in three distinctive "Movements". All three parts, which are drenched in reverb and delay and operate at a far slower tempo than much of Antibalas's output, are decidedly cosmic in tone, with greater percussive intricacy, subtle Afro-jazz influences and an impressive variety of instrumental solos. Of course, it wouldn't be an Antibalas album without a rousing dancefloor epic or two, and happily both the Fela Kuti style "Gold Rush" and funk-fuelled "Hook & Crook" tick that particular box.
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