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Review: Random Factor's 'On The Air' EP is a hugely sought-after classic by those who know. It came on Ralph Lawson's ever-reliable 20/20 Vision and now, as it turns 25 years old, he has decided it is the right time to get it remastered and reissued. 'On The Air' is first up on this fine EP from Carl Finlow and it has serene synths that bring to mind Detroit techno soul over pulsing bass and slick drums. 'Lockdown' has a raw vocoder vocal over punchy drums and twitchy synth stabs and 'Undercurrent' is another weapon that has more than withstood the test of time as it bumps along on funky drums and is overlaid with more playful synth patterns. 'Disconnect' is a crunchy and 8-bit closer with pixelated synths and screwy acid lines. Superb.

Review: This is the third installment in the Local Sugar Diggers Series from Scruniversal in which old and rare records from the label head's friend's collections get reworked and edited. This one is a collab between ScruScru and an equally passionate digger from Cyprus known as Dwaal. Both tunes offer quite different looks but with great results. The first is the steamy and loose-limbed 'Destination? Funk!' with its squelchy bass and neat guitar riffs, while the flipside is a super deep and lush downtempo jam, 'Camelot Chill'. This one has romantic sax notes and gentle grooves with jazzy keys finishing it in style.

Review: Da Lukas's Satisfy Your Soul EP is a four-track full of disco goodness that opens with the title track, a driving, percussive workout with a powerful vocal performance. 'Let Your Body Be Free' continues the party music with a dynamic horn section and disco breakdown. 'Supergood' is a hi-energy dancefloor anthem, with a pumping beat an infectious filtered house sound. The EP closes with 'Music Turns Me On', a slow-burning track that enjoys riding the groove with a generous amount of funk. Da Lukas' tracks are nicely crafted, with a deep understanding of the disco genre. Satisfy Your Soul is a must-have for fans of disco and nu disco alike.

Review: Orbital's debut album is classic album in the techno genre. A name that needs no introduction really, Orbital defined rave and techno through the 90s creatively and performance wise. This self-titled or as many know it by, 'The Green Album' features perhaps the most popular songs of the rave generation in 'Chime' and 'Belfast'. However, tracks like 'Midnight', 'Steel Cube Idolatry' and 'The Mobius' are the birthmarks of Orbital finding their sound that would turn them into Glastonbury legends and soundtrack pioneers. This edition is true to the original 2x12 making it desirable for those new to the album, those who want a second copy or those who want to complete their Orbital collection. Orbital's roots begin here and have them at their most raw. Do not miss out on having a part of rave history with this record!

Review: Gerardo Frisina, the Italian musician and producer renowned for his expertise in Latin jazz, delivers a captivating experience with Mystical Funk on Schema records. Side-1 presents 'Mystical Funk,' a mesmerizing blend of tribal drums, smooth funk grooves, and island vibes that transport listeners to exotic landscapes. On Side-2, 'Spaced Out' takes a more urban direction, featuring an infectious hip-hop/funk beat infused with sophisticated organ sounds and hints of jazz influences. Frisina's masterful production seamlessly merges diverse elements into cohesive compositions that exude elegance and groove.

Review: Sushitech is back with another of its sublime vinyl-only projects and this one focuses on the work of Dexter. There will be three 12"s in all that draw together some of the producer's finest moments. He is a truly cult figure amongst those who know and he served up a fresh take on tech, acid, dub and house between 1997 and 2004 when these tracks were first made - if you can find any of those original records prepare to pay loads for them, or else dive into Past Moves I. It has a brace of slick, tightly programmed cuts underpinned by rolling pads with lovely lo-fi pads up top. Heady stuff.

Review: Past Moves III is the final instalment of the vinyl-only series served up by Berlin's ever-well-curated and cultured Sushitech label. It is another essential 12' that packs in plenty of heat from the long-time UK favourite. His records are hard to find and expensive when you do and this collection highlights some of his superbly blended acid, dub, tech and house grooves from back between 1997 and 2004. On this one, you will find a pair of weighty, warm, and dubbed out tech cuts with bounce in the drums and Detroit soul in the pads. Timeless stuff.

Review: Pilot is one of the many labels in the orbit of the unstoppable production force that is Burnski aka garage innovator Instinct. It deals in proper club tackle from a wide range of artists and here it is Hatori Hanso that offers up the brilliance. 'Low Rider' opens with a very familiar hook and some deep, deep half sung, half spoken vocal, before nimble live bass, brass and crispy breakbeats bring the party. 'Cherry On The Cake' is a lively house cut littered with James Brown samples and screwy synths that keep the pressure on. 'Don't Know Why?' closes proceedings in a more cool and breezy tech house mood, with sci-fi designs, to complete a set of varied but reliable frug-starters.

Review: The much loved llian crew reverts to its Skee Series here and serves up more magic from Skee Mask aka Munich mainstay Bryan Muller. He has roasted pretty exclusively here and never fails to innovate with each new drop. This one again hits the mark across seven elastic techno cuts that are underpinned by lovely dub weight and propelled by tight, pinging kicks. 'Dachtekker' is lit up with hi-tek soul synths straight from Detroit, 'Double Standard' is deliciously deep and driving with swirling pads smeared around up top and 'Small Stone S700' manages to pair soul-drenched chords full of subtle joy with kinetic drum programming that makes you want to move. Superb.

Review: LOCKLEAD's Kemickal Affairs EP delivers four tracks designed to ignite dancefloors with an electrifying blend of house vibes. Side-1 kicks off with 'Zero's Delight,' a spirited and slightly jackin' house anthem that sets a fun and sexy tone. Following up is 'State Of Peace,' delving into a more techy and minimal groove, perfect for those seeking a deeper, more introspective vibe. Flipping to Side-2, the title track 'Kemickal Affairs' takes the listener on a journey through a deeper groove, reminiscent of 90s era house sounds but infused with a contemporary energy. Closing out the EP is 'Morning Krew,' characterized by its pumping bassline and seamless fusion of house and tech elements. With its dynamic range and infectious rhythms, Kemickal Affairs is destined to work well on any club floor.

Review: British jazz musician Shabaka Hutchings releases his sophomore album 'Perceive Its Beauty, Acknowledge Its Grace', set to be another distinctive ribbon on top of his well-decorated jazz career including collaborations with Andre 3000 and being a member of Sons of Kemet. The LP marks Hutchings' return to music after giving up the saxophone a year ago. Here he returns to his original instrumental calling, the clarinet, but a wide array of wind and percussion punctuates his musings. Opening track 'End of Innocence', is a brief and understated clarinet and piano marriage. The reverberation of the keys softly drones behind the masterfully precise clarinet lead, with perfectly placed percussion sprinkled throughout. It's introspective, serene and understated - a supremely narrative feel that only instrumental jazz can give off. This pressing is the indie-exclusive red-coloured disc.

Review: The second part of Sushitech's three-part vinyl-only series looking at the work of Dexter is another 12" doozy. The UK underground mainstay has been behind many cult and much sought-after records over the years and they all fuse obscure dub and acid tech house in smart ways. They were recorded between 1997-2004 and if you can find any OGs then you will be paying upwards of 100 quid for them. This slab has three driving but deep sounds carefully detailed with wispy pads and filtered vocals for perfect backroom deployment.

Review: Move D's latest release, Something 'Bout The D, on his own label Source Records, shows his enduring ability to produce excellent electronic music. Regardless of the genre, David Moufang is a name people trust and purchase without listening. On the A-side, 'Aspiration 2010' mesmerizes with its deep, dubby vibes, infused with low-slung acid elements and techy nuances that permeate the track. On the B-side, the title track 'Something 'Bout The D' channels Detroit-style 90s melodies with ambient undertones, creating a nostalgic yet forward-thinking atmosphere. 'Marshmellow Boots' on the same side offers a departure into deep house territory, with a light jazzy touch and ambient backgrounds that envelop the listener in a gentle, smooth embrace. Move D's ability to blend diverse influences seamlessly is on full display here, making Something 'Bout The D a must-listen for fans of ambient and deep house alike.

Review: Originally recorded in the late 1970s and using many of the musicians employed by Diana Ross on her track 'The Boss'. 'Can't Put No Price On Love' has long been regarded as North End's 'long lost' single - an inspired disco workout employing that pre-dates the Arthur Baker/Tony Carbone-helmed project's most famous song, Tee Scott/Larry Levan favourite 'Happy Days'. The original multitrack was unfortunately lost, but the track finally appears, 40-odd years after it was recorded. Whether what we're hearing was finished and mixed at the time is uncertain, but the 'Club Mix' is certainly authentic sounding - a genuinely energetic, joyous and effervescent New York disco number with full orchestration, addictive vocals (Jocelyn Brown & Dennis Collins on backing Vox) and a killer groove. Elsewhere across the EP, we get two versions of 'We Can't Live Like This Anymore' - the synth-laden, solo-heavy disco-boogie style original mix (B2) and a superb 'drum break' percussion tool (A2) - and a brilliantly low-slung instrumental dub-disco cover of The Temptations' 'Cloud 9'.

Review: New Jersey house don Kerri Chandler is rightfully lauded as a hero of the scene. He continues to pour his heart and soul into every record and imbue his music with real-world emotions that elevate his tunes. He is of course a master of a deep but driving sound that borrows from soul, funk and jazz in ignitible ways. The third volume of his Lost & Found EP series on his own label Kaoz Theory is packed with more gold, from the slinky depths of 'Let It (Give Me Back My Love)' to the soul staring vocal work of 'Another Dawn' via more paired back sounds on 'The Bassline' (Kerri Dark mix) and the percussive energy of 'The Breeze.' Yet another essential Kerri 12" for your collection.

Review: Originally a drum & bass, future jazz and downtempo producer, Jimpster has really evolved and showed how excellent of a producer he is with his style of house music. The Freerange sound has helped Jimpster become one of the most looked at deep house producers in the world. The Passion EP features two of his new productions plus a special remix by another deep house hero, Atjazz. 'You're My Ecstacy' is a great example of the work that has brought him so much acclaim. Soulful deep house that stays more linear in the groove and stays in the sweet spot, becoming great moments on the dancefloor. The original of 'The Passion' sends a message to all the fake house music artists out there getting into the business for all the wrong reasons. With King Crowney on vocals, Atjazz's version is a little more techy, which is what we expect from him. All in all, this is right in the wheelhouse of the esteemed Freerange record label sound.

Review: Son of Todd Osborn (Soundmurderer/Ghostly) Kaito Ian makes a hugely impressing first outing on the Galaxy Sound Co label with a series of lo-fi hip-hop beat-strumentals that cannot fail to get your head nodding. He is a dedicated music lover and skater with a deep knowledge of his craft and that shows here with some refined sounds starting with the soul drenched 'Revert', then on to the warped angelic vocal samples of 'Sequoia' and the percussive jumbled and scratching of 'Trek'. 'Wait Up' is another excellently blissed out joint and 'Sloan' is a sunny, laid back, lazy vibe to close down a superb EP.

Review: Beyonce's Cowboy Carter is a bold and poignant exploration of American roots music, marking a departure from her previous works while asserting her dominance across genres. Inspired by her 2016 experience at the Country Music Association Awards, where she faced criticism and racism despite her Texas roots, Beyonce delves into Louisiana Cajun country, the rivers of Alabama, and the streets of Memphis, reimagining Americana, folk, and country in her own image. The album serves as a powerful statement on the erasure of Black contributions to country music and American culture, with Beyonce reclaiming her rightful place in the genre's history. Through collaborations with legends like Dolly Parton and Willie Nelson, as well as emerging Black country and rock musicians, Beyonce highlights the enduring legacy of Black artists in shaping these musical forms. Cowboy Carter is both a sonic journey and a cultural commentary, blending elements of folk, country and rock with Beyonce's signature style and vocal range. From the haunting cover of the Beatles' 'Blackbird' to the electrifying trap beats of 'Ya Ya,' the album showcases Beyonce's versatility and musical dexterity. No doubt, 2024 will be another strong year of Beyonce led by this album.

Review: Funkyjaws Music is back with more music to make your jaw go funky, this time in the form of a second volume of its Let's Dance series. It features a quartet of esteemed tune makers starting with Frank Booker's 'Yes No Maybe' which is a horn laced and loose-limbed delight, while go-slow master Eddie C brings his classy touch to the funky licks of 'Love Dancing Theme.' There are plenty of cosmic synth waves to Black Truffle's 'Dancing Through The Night' while the LTJ Xperience close down with a super laid back and summery vibe on 'Sunny Groove.'

Review: Three is the long-awaited twelfth studio album by electronica titan Four Tet, following a long extended 'wildcard era' characterised by legal battles (well, one) and unlikely, curveball stints with fellow juggernauts Skrillex and Fred Again. But despite this judgment, Three hears Kieran Hebden return to his earliest forms, with the semi-eponymous 'Three Drums' recalling his earliest outcroppings emergent from his Fridge days, via slow, crisp breaks and serene string pads. 'Loved', similarly, evokes a 90s hip-hop, dare say Britcore fascination, melded with warmingly serene analogue pulsations, underlaid.

Review: Following up on the release of Another Day in 2020, Gerald Mitchell re-ignites his working relationship with Italian label Mother Tongue to lay down more of that quintessential Los Hermanos jazz-funk-techno sound. On this occasion, he's leading with the track 'Family', which was recorded with UK techno-turned-jazz-funk luminary Ian O'Brien in Tokyo. If you love the sound of Underground Resistance in 'Hi-Tech Jazz' mode you're going to be more than happy with this track, while the choppy Rhodes chords and gritty beatdown of 'Paradigm 4th Shifter' and 'Far Beyond Sight's dreamy synthscapes have their own spellbinding stories to tell.

Review: Volume 2 from the Jackin' Disco crew promises to deliver something other than murder on the dancefloor despite the Sophie Ellis-Bextor flip; paring the disco pace back to a downer-tempo, albeit still delivering ample energy to fit on a single slice of 7" wax. The edit on the A-side is sourced from not from Bextor's breakout disco-dance hit but rather her equally-as-good, classic feature cut 'Groovejet' by producer Spiller. On the B comes an equally loopy, happy-to-be-jacked bootleg of Carol Williams' 'Love Is You'.

Review: The influence of Type O Negative continues to be felt long after Peter Steele's death signalled the end of the band. The goth metal band have a generous number of high points in their career, and 2003 album Life Is Killing Me is surely one of them. Drawing on his personal struggles at the time, Steele created a powerful statement draped in the grandiose style of rock he had cultivated since the band's debut. As well as the single 'I Don't Wanna Be Me', there was a cover of the song 'Angry Inch' and the opening track 'Thir13teen', a piece of music from classic TV show The Munsters. Two decades on from its original release, this is the first time the album has been released on vinyl, presented as a triple black and green pressing in a trifold sleeve.

Review: This split artist dance record combines two timeless house anthems, offering a captivating fusion of funky and club house vibes. On side A, Soulsearcher's Feelin' Love' captivates with its high-energy Detroit house sound, while the Soulsearcher club mix exudes a disco-infused charm. Side-B features Urban Blues Project's 'Your Heaven (I Can Feel It)' in two distinct versions. The Micky More & Andy Tee remix evokes classic 90s house with its soaring vocals and infectious groove, while the original version delivers a powerful alternative experience. This record is a nostalgic journey for house music enthusiasts, seamlessly blending soulful melodies and energetic rhythms to create an unforgettable listening experience.

Review: Robert Hood's 'Alpha Key' EP is a future classic of the techno genre. The title track is a relentless, industrial beast with a pounding beat, rattling percussion, and tribalistic, mechanical overtones. Its energetic counterpart, 'Future Remedy', is a true crowd-mover with a driving beat, hypnotic chord progressions, and a euphoric atmosphere. 'Pathetic' takes on a darker, more introspective tone, featuring heavy chords, throbbing basslines, and a haunting, industrial soundscape. The EP concludes with 'Outsider', a relentless stomper with a crushing beat, layered rhythms, and an almost cinematic intensity. Overall, 'Alpha Key' is a great example of Hood's mastery of the techno genre, showcasing his ability to blend power, experimentation, and raw emotion.

Review: The Jesus & Mary Chain - Peel Sessions 84/86 offers a riveting glimpse into the evolution of the iconic noise pop band across four recording sessions for John Peel's BBC show. These sessions capture the band at various stages of their early sonic development, showcasing their signature blend of classic pop, noise, punk, psychedelia and garage rock. Each track serves as a testament to the band's innovative and influential sound, presenting a raw and unfiltered expression of their musical vision. With its combination of infectious melodies and gritty noise textures, this collection stands as a perfect document of The Jesus & Mary Chain's essential contribution to the alternative music landscape of the 1980s.

Review: Dave Seaman (Brothers In Rhythm) and Quivver (John Graham) are two long time heavyweights of the progressive house and trance scene for over 30 years now. The pair join forces on the Balance label to share a DJ mix. This version features unmixed tracks that were used in the mix by both including two original productions they wrote together to make this collaboration even more special. Both of those, 'Make It Disappear' and 'Mushroom Embargo' kick off this double vinyl version. What old head can't spot a Quivver bassline when they hear one?! Highlights also include Dave's heavy driving remix of 'Low Burn' by Underworld, Ben Archbold's epic 'Psychedelic Halo' and Timo Maas's bass heavy remix of Polaroit's 'Apart'. For those long time fans of Balance mixes, you have another winner here!

Review: If you're reading this then you will know that Instinct is one of the UK's powerhouse garage labels. Run by Burnski aka James Burnham it deals in serious tackle for rude boys and nasty girls. The drums hit hard, the reversed bassline burn goose old school cool and there gun finger salutes come thick and fast throughout this EP from Mance. 'Checkpoint' opens with the dusty drum shuffles and bulbous bass, then 'The Going Is Rough' is a little more soulful and sweet with its rolling basslines and silky pads. 'Beat 93' closes down with a seriously OG garage sound that takes you back to the mid-90s.

Review: It's hard to imagine how different club culture would be without Ron Hardy, the legendary American pioneer who set out the blueprint for how DJs should play. His own edits often formed plenty of the backbone of his sets back in the 70s and for many years the RDY label has been serving up some of his most reliable and go-to records. This 54th installment is a tasteful four-tracker that draws on house, gospel, disco and soul. 'I Have A Dream' kicks off with some raw Chicago jack, 'Dub Love' is a stripped-back sound full of menace and 'Hot Hands' gets busy with textural claps and screwy acid getting ever more wild. 'Acid' shuts down with mid-tempo drums full of rawness.

Review: Pye Corner Audio is one of the fundamental projects on Ghost Box, as Martin Jenkins indulges his hauntological synth fantasies on an increasingly fertile seam of investigation where drone, wave and death disco can all intersect. Jenkins has never been trapped by retro-fetishism with his analogue sound, and on The Endless Echo he's all the more inspired as he meditates on themes of science fiction and the illusory nature of time. Throbbing, chugging beatdowns sit comfortably alongside spatial, beatless investigations, all sculpted with the masterful touch that comes from considerable experience and a generous assortment of vintage boxes.

Review: X-Ray Ted's 'Talkin' EP' finally hits vinyl, a format perfectly suited for its timeless classic vibe. On the A-side, 'Talkin' weaves strings, horns, and guitar riffs over rolling beats and bass, topped with soulful vocals. On the flip, 'So Much' exudes infectious energy, blending vocal refrains, guitars, and horns for a soulful groove. These tracks offer a glimpse into X-Ray Ted's upcoming debut album, showcasing his talent for blending old-school sounds with a modern twist. Limited to a run of 7"s on Bombstrikes, these vinyl grooves exude sunshine vibes and feel-good warmth, destined to fly off shelves.

Review: The self-titled debut album from Elvis-meets-Jim Morrison gothic crooner Glenn Danzig, originally landed in 1988 and marked the first ever LP distributed by Rick Rubin's Def Jam Recordings (now there's a piece of punk pub quiz trivia). Following on from Danzig disbanding Misfits and releasing the debut Samhain LP Initium in 1984, the horror-punk maestro would be incentivised by Rubin to alter the project's name in order to retain full creative control moving forward, leading to their sultry, macabre debut of blues-tinged, retro metallic death rock, complete with depraved lyrics and haunting swagger. Although not legally permitted to be credited due to label issues, Metallica frontman James Hetfield provides his signature gruff vocals on both 'Twist Of Cain' and 'Possession'.

Review: In the pantheon of prog rock landmarks, none come bigger than The Dark Side Of The Moon. Pink Floyd's magnum opus struck the perfect balance between grandiose vision and universal appeal, carrying relatable themes alongside innovative production and providing the fuel for any psychedelically-minded listener to trip out on a precision crafted trip. As the album celebrates its 50th birthday, this stellar recording of a full live performance of Dark Side... from Wembley in 1974 is seeing its first pressing on vinyl. It's faithful to the album in Floyd's exacting way, but it's also a revelation to hear such a wide scope of sound recreated on stage, not least the likes of 'On The Run'. A fascinating insight into the legacy of a towering, seminal work in the history of modern music.

Review: Now celebrating its landmark 50th anniversary, Pink Floyd's seminal The Dark Side Of The Moon remains a timeless masterpiece and is a groundbreaking fusion of progressive rock and psychedelic soundscapes. This iconic album, known for its conceptual brilliance and sonic innovation, continues to captivate with its introspective lyrics and haunting melodies half a century on and this 50th Anniversary Edition pays homage to the monumental work on some very special vinyl pressings and packaging. With its celestial tapestry of sound and thought-provoking themes, his record is often cited as one you need to hear before you die, and you really do.

Review: Universal Cave's Self Control cover is a captivating reinterpretation of Laura Branigan's synth-pop anthem. Stegemann's balearic house rendition infuses the track with a laid-back groove and echoing vocals, creating a hypnotic and alluring atmosphere. Universal Cave's other offerings on this release showcase their eclectic disco influences. 'Up All Night' transports listeners to the funk and groove era of the 1970s, while 'Too Much' tantalises with its disco-tinged sensuality and infectious melody. This EP is a versatile record that should appeal to those who enjoy disco and the innovative spirit of nu-disco.

Review: Analog Africa has repressed the highly valued and long since sold-out Congo Funk! Sound Madness From The Shores Of The Mighty Congo River: Kinshasa/Brazzaville 1969-1982. It is a compilation that superbly shows off the raw energy and funkiness of the Congolese rumba scene. This is the country that spawned such as legendary bands as African Jazz, OK Jazz and African Fiesta and it is said that the concert ahead of the legendary Rumble in the Jungle boxing match between Muhammad Ali vs George Foreman is what really set young hopefully musicians on their paths, after they saw James Brown play live. The story of those artists and the labels they released on in the ensuing years is what is told so well here across four sides of vital wax.

Review: Swiss producer and DJ Lea Lisa gathers together some of her favorite tracks to play out with in a double pack compilation for Favorite Recordings. As you might be able to tell from some of the artists and tracks on here, Lea likes her house music deep, tracky, sometimes soulful and verging on proper techno. Featured here are key tracks like 'Ekeyz' from Pure Science, the club mix of 'Be There' by Kerri Chandler and 'Blax Thanxs' by Abacus. One very desirable addition is the early 90s gem 'Emotional' by Think. This very strong gathering of deep house tracks may be one of the best this year. Act quick and grab a copy.

Review: A year after dropping his acclaimed album 'Billy Valentine And The Universal Truth' with Flying Dutchman and Acid Jazz Records, Billy unveils a fresh take on a soul classic. Recorded at LA's prestigious Henson Recording Studio, alongside producer Bob Thiele Jr. and a stellar band including Larry Goldings, Pino Paladino, Jeff Parker, James Gadson, and John Philip Shenale, he introduces three new tracks. His rendition of Gil Scott-Heron's 'Lady Day & John Coltrane', debuted on Gilles Peterson's BBC6Music, mesmerising live audiences. This special edition 7" includes a unique edit of 'Home Is Where The Hatred Is', not previously available on vinyl.

Notes: These are the same high-quality inner sleeves that MOFI use for their most-prized vinyl releases. They are imported, three-ply, anti-static, premium sleeves (similar to rice paper) and work with both LPs and laser discs.

Back construction consists of a paper layer sandwiched between two sheets of high-density polyethylene (HDPE) with a translucent HDPE front.

These custom-designed inner sleeves protect against all common problems associated with regular sleeves of all types, such as scratching, static build-up and contamination etc.

Your records are irreplaceable, these sleeves will guarantee they last a lifetime.

Review: Legendary emo indie outfit The Cure have played all over the world in their decorated careers but back in 1996 when they headed to Brazil, it was the first time they had been to the country since 1988. They were there for the 1996 edition of the Hollywood Rock Festival which they headlined in superb fashion and wowed their Latin American fans. Live Lullabies & Other Bedtime Stories is a special recording of that night that comes on nice yellow vinyl and features the likes of signature anthems like 'Boys Don't Cry,' 'Friday I'm In Love,' 'Just Like Heaven' and many more.

Notes: One of the best solutions for 7"/10"/12" record cleaning, HumminGuru's ultrasonic approach automatically restores your records, cleaning and drying within 7 to 15 minutes per disc. Simple, easy to use and effective.

Supplier's Notes:
The HumminGuru Ultrasonic Vinyl Record Cleaner

An all-in-one ultrasonic vinyl cleaning machine that automatically cleans and dries your record in just 7 to 15 minutes. It is compact, lightweight, quiet and compatible with 100v-240v.

HumminGuru ultrasonic vinyl record cleaner not only brings your dirty records back to life; its ease of use and intuitive design also makes record cleaning a more pleasant experience. It has been designed to clean and dry the vinyl records in one step using ultrasonic cleaning system. With 40kHz frequency, it is effective to remove the contaminants and dust on the record without causing any damage to the surface of the record. Less is more. Its lightweight and compact design make it easy to transport and creates more space to store. The simple yet elegant look was created to intuitively fit into your lifestyle. HumminGuru would be your best option in quality for price and value.

Maintenance Features

Air Filtration - To prevent external dust from blowing back onto the record during the drying process. The filter is washable and replaceable, which makes for easy maintenance.
Water Filter - A detachable water filter in the water tank gives an option to reuse the cleaning water. The filter is washable, which makes for easy maintenance.
Removable water tank - Water tank is removable for easy cleaning and maintenance
Replaceable rotation wheels - Easy to replace with HumminGuru assigned maintenance tool

Specifications

Item Name: HumminGuru Ultrasonic Vinyl Record Cleaner
Net Weight: 3.1 kg
Material: ABS & Stainless Steel
Colour: The New Blue
Dimensions: 34 x 15 x 28 cm
Adapter (Supported Voltage): 100 - 240 V AC 50-60 Hz
Water Tank Capacity: 400 ml
Ultrasonic Frequency: 40 kHz
Packing Volume: 38 x 21 x 37 cm
Packing Weight: 4.88 kg
Cbm: 0.03
Certifications: RoHS Directive 2011/65/EU, (EU) 2015/863
1 Year Warranty: HumminGuru comes with 1 year world-wide warranty.

Humminguru supports all commonly used voltage standards from 100v-240v.

The package comes with:

Ultrasonic Vinyl Record Cleaner
A Cleaner Lid
Power Cord
Manual Instruction
Removable Water Tank x 1
Maintenace Tool x 1
Replacement kit (2 pairs of rotation wheels, 5 pcs of air filters and 5 pcs of water filters) x1
Adapters for 7" and 10" records

Review: The Mountain 45 label has been giving us some unique music that cross genres since its inception just a few years ago. Like previous editions, Double A contributes 'Super Badman Riddim' which is both catchy and clever. Featuring James Brown samples thrown in the mix takes this dub related track to the limit of fun. For the B-side, James Nasty's 'Fan Dem Off' with a peak time party song that should take the dancefloor to another level. These attention getters are ideal for being addictively fun and different. It's hard to categorise music like this, which is a sign of its originality.

Review: The now ten year old 'Acid Test 09' sees a special tenth Anniversary Edition repress with a new vocal mix of the track 'Test 3'. The original EP, released in 2014, saw acid nomad Tin Man team up with techno dreamweaver Donato Dozzy for three slices of deep acid and dubby, bleepy ambient; this special anniversary version adds a surprise new vocal mix on the A2, with either Dozzy or Tin Man himself gracing the beats with a set of carefree, moony phonic impressions, lyrically concerning the object of his affections looking oh so good on the dancefloor. We already know and love the rest; it's up to you to put the new addition to the test.

Review: For years, Purple Disco Machine has been igniting dancefloors worldwide and his momentum shows no signs of waning here. His latest single, 'Higher Ground,' is a collaboration with German artist Roosevelt and is a track that channels the vibrant energy of the 80s to deliver a club banger with an infectious synth loop that keeps dancers sweating on the dance floor. With its retro-inspired sound and undeniable groove, 'Higher Ground' is poised to become another standout hit for Purple Disco Machine and Roosevelt.

Review: Get yourself geared up for festival season with some fierce party starters certified with the Glitterbox stamp. Melvo Baptiste leads the charge with 'Sweat', a sizzling disco house stomper with Dames Brown giving the biggest diva energy on her show-stopping vocal. Lovebirds bring unbridled joy on the Philly string swoon and slinky b-line funk of 'Burn It Down', while Art Of Tones & Inaya Day keep it peak time on the sassy strutter 'Give My Love'. Young Pulse & Fleur De Mur complete the set with 'Smooth Sweet Talker', another bright and bold vocal cut par excellence.

Review: France's faves Battle Weapons deliver two heady new edits, only for those ready. On the A comes an ingenious, probably never-done-before, almost laughably why-hasn't-anyone-else-ever-thought-of-this-until-now breakbeat rendition of Peter Bjorn & John's 'The Young Folks'. To be frank, they've not done much besides beef up the backbeat a little, but a simple sprucing up is sometimes all a tune needs. On the flip comes a phattened version of 'Forgot About Dre' mashed up with the Azzido Da Bass UK garage classic 'Dooms Night', also produced to hilariously, surreally arresting effect.

Review: NT is Nail aka Neil Holliday, one half of Bent and a master of UK tech house. But here he shows a different side across six majestically Balearic groovers. That draw on everything he has done before to send you out to sea on gentle waves of shining synth goodness, downtempo bliss and dreamy, chubby, soft focus drums. 'Beside Boa Linn' is a soothing summer sound to kick off then 'Going Out To Feel It' is a spiritual house cut for sundown, and 'Don't Hide Away' is slow motion disco brilliance. The trip continues with the star-gazing 'Evening Fixture', Eddie C style guitar licks of 'Walk In Romance' and romantic lullaby 'Dreams On Hold.'