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Notes: Really smart integration of macro controls for Eurorack, based on the original design by Emblematic Systems. Assign settings to eight CV outputs then morph with the crossfader or record movements to manage presets or set up complex real-time modulation. Can also operate as Catalyst Sequencer.

Supplier's Notes:
The Catalyst Controller is a macro controller with eight precision CV outputs and a responsive crossfader to morph between scenes. A scene is a snapshot of up to eight CV outputs, like a modular preset. Traverse a "pathway" composed of multiple scenes using the crossfader or an external CV signal, or immediately jump using the scene buttons. Record CV and slider movements, and play recordings back via a button or external trigger.

Each output has sub-millivolt precision and a maximum range of -5V to +10V. Channels have an adjustable morphing curve, can be quantized to common scales, restricted to a particular voltage range, or set to output gates.

Whether used as a CV preset manager, seamless transition generator, chord sequencer, CV recorder, or experimental CV playground, the Catalyst Controller puts control of your modular at your fingertips.

The Catalyst Controller can also turn into a Catalyst Sequencer! Hold down a special button combination to change between controller and sequencer modes. If you end up liking the Sequencer more, you can even remove the double-sided faceplate, flip it over, and re-install with the Sequencer artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Specifications:

Smooth, responsive crossfade morphs between scenes
Eight output channels, each can be CV or Gate
Arrange scenes into pathways of up to 64 scenes
Smooth, responsive crossfader morphs from scene to scene along the pathway
Set slew/lag to limit how fast scenes can change
Adjustable Morph time per output
Control crossfading with an external CV
Record and playback up to 20 seconds of CV and crossfader motion
CV outputs can be set to -5V to +10V maximum, or limited to +/-5V, +5V, +3V, or +1V
CV outputs can be unquantized (sub-1mV resolution), or Quantized to common scales
Randomization of channel values/gates
Copy/paste
Based on the original Catalyst from Emblematic Systems

Pairs with: 4ms Catalyst Sequencer

Notes: The Catalyst Sequencer combines a traditional clocked step-sequencer with an unconventional phase-based sequencer to produce a new paradigm in sequencing. Eight precision CV sequencer channels can be simultaneously driven by a clock, a phase CV, or scrubbed manually with the crossfader.

Each of the eight channels has its own sequence length, quantizer, transposition, clock divider, randomization, voltage range (max -5V to +10V), and selectable CV (precise 16-bit resolution) or Gate mode.

Phase-based sequencing is an advanced form of sequencing where each step is selected by CV. The Catalyst Sequencer has a smooth, responsive crossfader that scrubs the sequence, playing it forward or backwards to track your motions. Patching in a CV signal will do the same: a ramp-up CV plays the sequence forwards, a ramp-down plays it backwards, a triangle plays it ping-pong, and complex waveforms generate new interesting rhythmic and melodic patterns.

The Catalyst Sequencer can also turn into a Catalyst Controller! Hold down a special button combination to change between sequencer and macro controller modes. If you end up liking the Controller more, you can even remove the double-sided faceplate, flip it over, and re-install with the Controller artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Pairs with: 4ms Catalyst Controller

Review: Arkajo's seld-titled label rolls out another sophisticated EP as it continues to stand itself apart in its early days. This one kicks off with 'Entwine' which showcases the artist's mastery of deep rhythms that seem to float above the dancefloor. The broken beats are lush and airy, the synths wispy, the vibes uplifting. A Polygonia remix brings a little extra weight to the low end but it remains just as classy. 'Signature' then has a more edgy feel with heavier hits, squelchy bass and a physical feel that is super irresistible. Last of all is the Konduku remix which takes things into tripped-out 5am territory.

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


Really clever stuff here. The Octaves VCO takes an additive approach, layering harmonics on top of a fundamental frequency to create complex tones. Control the six bands via CV to adjust the harmonic content.

Supplier's Notes:
A harsh and funky take of an additive Oscillator.

Pile up multiplications of your frequency to get a lo-fi-retro wall of squared sound!

You get six doubled frequency pulses, or octaves, with common PWM and volume control for each of them.

The output of each is cascaded to the next one, so you can either have one output with all frequencies or break the chain and get several sums and modulate each independently!

Features
Six bands, multiple of the base frequency.
Square wave oscillator with Octaves selector PWM control and sync.
Range control for Tune pot.
Volume CV control and individual output for each band
Cascaded summing outputs.

Specifications
Current needs: +12V: 110mA, -12V: 84mA
Width: 12 HP
Depth: 22mm (assembled and DIY), including power connector
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Review: This is a special never before released live recording in mono and on heavyweight vinyl from Donald Byrd. In 1958 he moved to Paris for a residency to study with composer Nadia Boulanger. It gave occasion to a band coming together that has a formidable line up of Bobby Jaspar on tenor sax and flute, Walter Davis, Jr. on piano, Doug Watkins on bass and Art Taylor on drums. This concert was played in the early evening at the one and only ever Cannes Jazz Festival in July 1958 and was dedicated to modern jazz sounds.

Review: The classy sounds of Detroit label MotorCity Wine will get any house head hot under the collar. For their latest serving, they turn to DCTL about which we know next to nothing but are already big fans off the back of this one. The smoky deep beats of 'Deep Tannin' (feat Rafael Leafar) kick off with a classic vocal sample drifting up top to add the soul. 'Refugee' is a slow and purposeful beatdown cut with lovely dusty drums and sustained chords while 'Little Dancer' layers up jazzy off-grid chords with disheveled beats to loose-limbed effect. '2 Bottles' is a loungey trip-hop closer with vibes to spare.

Review: MotorCity Wine out of Detroit looks to the other side of the planet for its next release as Sydney, Australia-based artist Edseven steps up with his Burnin Up EP. It's that title track featuring Oliver Night that opens up with a smooth and seductive sound, leggy drums and warming chords. 'Soul Takes Flight' is another cuddly, deep and late-night lounge sound full of emotive vibes and another amazing vocal from Oliver Night. Things get even more chill on the flip with the mid-tempo sounds of 'If I Let You' featuring vocals from Cinta, all pressed up in a limited picture sleeve 12".

Review: Eloi (Eloi Chazelas), a producer based in Paris, France, has released his latest work on the German label LTDBLBL. This 13th release showcases Eloi's mastery of deep house and jazz influences. 'The Great Delusion' sets the tone with its soulful touch and jazzy undertones. 'Foundation's Edge' delves deeper into jazz territory, featuring evocative horn samples. Side two opens with 'A Perfect Misconception,' a perfect blend of house and disco. Finally, 'I Hope It Ends Well' exudes a laid-back cafe house vibe with its jazzy nuances. Through this release, Chazelas demonstrates his versatility and ability to create music that both captivates and soothes. This kind of house music is great for day or night and for a bar or club.

Review: Much-loved Berlin party wreckers Fjaak have got a brilliant new album on the way soon that traverses every conceivable style of beat and is sure to be of the year's best. But that hasn't stopped them also serving up this 11th EP of hand-stamped goodness on their own self-titled label. It kicks off with some searing acid madness on 'Redemption' then slips into a raw, rib-cracking techno stomper in the form of 'Hustle'. 'Mechanic Love' is pure old-school rave with oversized synth blasts that tickle your inner ear and last of all is a vocal tool, 'Unity' (feat Red Eye - acappella). Very useful indeed.

Review: It's been more than 10 years since Foals first ignited indie spirits with their Antidotes LP and following Total Life Forever and Holy Fire, the Oxford-founded group have held firm in purporting their fully fledged sound. The band's aesthetic has grown in size and stature over the years with this LP looking at what seems to be the large scale arena. The lighter, melancholic and finger picking techniques of their surf rock and synth subtleties appear nonchalantly in tracks "On The Luna" and "Exits" - with 80s UK synth and George Michael-styled vocals to boot - while its stadium ecstasy for the chorus humming "Sunday".

Review: Critically acclaimed British jazz pianist, composer and arranger, Greg Foat has been making quite a bit of waves in the jazz scene as well as his groundbreaking albums that feature artists in other genres. His latest album 'Live At Can Rudayla Ibiza ', is an homage to the magical sound of the Mediterranean. Ibiza has long been known for its night life but perhaps not known as well outside the chill out scene sound, that the area has a sound all to itself. Inspired by his highly regarded and recent album with Gigi Masin, Greg Foat explores the themes further. Pool Side parts 1 and 2 shimmer with beautiful soundscapes that set the mood wonderfully. 'Dining Table Grooves' gives a hint at the late-night sounds to come in Ibiza while the sunset tracks close the album out with an almost chill wave sound that we absolutely adore. If you are looking for an album to put on as guests arrive to your beach home, this is the album you want to play. Greg Foat is a beacon of light for the future of jazz fusion.

Review: The Italian jazz scene of the 1970s turned up many gems but this is one of its lesser known treasures. It's an interesting and unusual collection from Folk Magic Band which was made up of 18 different members. They had their own alt set up in a Rome studio and were inspired by the free jazz movement of the day. As such there are pan-ethnic motifs next to the spiritual jazz of Pharoah Sanders and the wild orchestrations of Sun Ra and his Arkestra. It's intense and hard hitting in its quest to explore new musical ground.

Review: After 3 months holed up in the studio Blair French has emerged to bring you Genes / Space Conductor 7" in support of his forthcoming album The Art Of Us on Rocksteady Disco. The A-side holds the "Loose Fit" mix of "Genes", where Blair channels his inner Tony Allen for an expertly executed modern psychedelic Afrobeat cut featuring a heavyweight cast of Detroit characters including Todd Modes, John Arnold, and Paul Randolph. On the flip is "Space Conductor", a cosmic afro broken beat joint with heavy drums, a huge bassline, kora, and Blair's vocals, exclusively available on this 7" only. Housed in a full color jacket, cut loud to lacquer, and pressed heavy with pride at Archer on Detroit's east side.

Review: House music's ability to make you feel good is part of its appeal, and artists like New Jersey majesty Josh Milan of Blaze fame, and London broken beat astro Kaidi Tatham sure know that. They link here with Patrick Gibin for an EP that brims with summer time soul, joyous keys and funky bass riffs that are impossibly sweet. Jazz funk, house and boogie all colour the tracks here with "Don't Be Rude" brining the cosmic vibes and "Groove On" making you want to move for days with its killer b-line and disco energy. Gorgeous stuff, for sure.

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


A unique analogue percussion module, based on principles from the legendary 909 twisted into new sonic territory. Capable of everything from classic kicks and snares to more experimental hits and complex VCO effects.

Supplier's Notes:
A machine is born

The Machine began as a quest to create a rich-sounding eurorack snare drum synthesis module to complement the existing Mutant Drums. The project quickly became too large and costly to justify the module being capable only of snare drum sounds. So, the decision was made to learn from the architecture of the TR-909's snare and kick circuits, in order to develop a module capable of generating multiple forms of analogue percussion, and various other effects.

Like the other Mutant Drums, the Machine has its roots in classic analogue percussion synthesis. Even though it can create totally alien sounds, it still has the capability to deliver those classic 909 house snares and kicks if you want them. There are no microcontrollers in the Machine. The signals and waveforms are all generated by discrete components and ICs, for a distinctly analogue sound, and user experience.

Features

Microcontroller-free analogue percussion synthesis engine
Unique Inverter Core oscillators form the MEMBRANE. Each analogue oscillator has three waveforms to select from
Capable of synthesizing everything from heavy-hitting bassdrums to classic 909-style snares and other complex timbres
Modular design gives the Machine many auxiliary purposes, great for modular sound design of many varieties, and not just percussion
The SNAPPY section is comprised of a voltage controlled noise oscillator, for modelling the noisy part of drum timbres
Both MEMBRANE and SNAPPY elements have an external input for replacing the built-in sound sources, opening up many avenues of possibility
13 control voltage and audio inputs, for a fully modular drum experience
7 audio and CV/gate outputs for maximum integration with other modules
Dedicated outputs for each WAVE and NOISE oscillator mean you can use the Machine as a complex VCO in your system, when not synthesizing percussion
Waveform scanning feature generates complex timbres from analog waveforms
The MEMBRANE's waveforms can be scanned through automatically by the wavescanner's voltage controlled clock generator, or an external clock or VCO can be used
SCAN FREQ CV forms a unique form of timbre control, making the Machine act like a complex oscillator at its WAVES output
The ENABLE input allows you to gate the wavescanner on and off with a CV or gate signal

Technical specifications

Width: 29HP | Depth: 30mm
Current draw: +139mA, -115mA @ 12V

Review: Their chops were already up thanks to their tenure as James Brown's backing band, but this album was the first time The J.B.'s stepped out on their own in 1971. It's enjoyed the odd vinyl repress over the years, but this is the first time These Are The J.B.'s has been released on CD. Any serious funk head should know what to expect here - foundational funk and soul from some of the most seminal architects of the genre, laying the blueprint for a mind-boggling amount of musical culture that was to follow. It doesn't get more seminal than this.

Review: In 1969, Bootsy Collins and his band were asked to record a demo for James Brown, who was looking for a new backing combo. As history proves, the recording they provided met with the Godfather of Soul's approval and the J.B's were born. This essential CD from Now-Again Records presents that demo recording, "Don't Mess On My Thing", for the first time. It's as heavy and energetic as you'd expect, though if anything the two accompanying unreleased tracks are even better. There's the deeper, jazzier warmth of "The Wedge" - all glistening guitar solos, low-slung grooves and fluid electric piano solos - and the complete take of "When You Feel It, Grunt If You Can", a 22-minute, jammed-out medley of two songs that's little less than incredible.

Notes: *** " B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


Two oscillators independently set as VCO, LFO, or random generator

This new version replaces the original Twin Waves. All features of the former are retained. You can check all videos, reviews and comments of V1, being sure to benefit of all in the MKII version :-)

Features in VCO mode:

V/Oct tracking over 10 octaves
Tuning lock with octave selection
Through zero and linear FM
Sub-octave output
Hard & soft synchronization
VCA control and CV algorithms selection
Quantizer with various scales
20 algorithm-based synthesis types among:
Wave shaping
Phase modulation
Phase positioning of multiple waves
Up to 5 stacked oscillators in tunable unison
Self-sync with phantom oscillator
Additive synthesis (7 waves)
Variable bit reduction (bit-crushing)
Ring modulator with its own 2nd oscillator
Noise with LPF, BPF, or resonant filter

Features in LFO mode:

Simultaneous signal and trigger outputs
External wave synchronization
Clock controlled rate with voltage controlled multiplier and divider
CV and knob control of output level
Algorithm based wave engine with a selection of:
Wave shaping
Phase modulation
Random levels and vectors (also Brownian)
Randomly spaced triggers and waves
Display with contextual icons and instant reminder help text
LEDs indicating potentiometer vs. value matching, switch settings and output signals
Automatically saved settings for instant recall at power on
Firmware update by playing an audio file via the front panel
Compact and skiff-friendly module

Dimensions
8 HP
21 mm deep

Current Draw
52 mA +12V
17 mA -12V
0 mA 5V

Review: ***B-STOCK: Creasing to outer sleeve & torn spine but otherwise in excellent condition***

Notes: *** B-STOCK: Box damaged, but product is in excellent condition and in perfect working order ***


Stream your music

Do you wish you had the flexibility to stream a reference mix on more than just your hard-wired studio monitors? Do you own a Bluetoothr turntable but don't have the space to fit the speakers next to them? Get a better listening experience with our compact, attractive and Bluetoothr enabled M-Audio BX3BT multimedia reference monitors.

Amazing Sound, Compact Form

Designed to deliver a great listening experience, M-Audio's BX3BT monitors provide 120 Watts of transparent sound inside a bold, style-driven compact design that provides the ultimate solution for pro-grade sound. The two-way design features an Acoustically-inert MDF cabinet with bass reflex that provides robust lows through the Black Kevlarr drivers. Plus, enhanced rear ports and computer-optimised natural silk dome tweeters deliver the full spectrum of frequencies needed for any song, movie, or video game to sound big and lifelike!

Connect Your Devices

The BX3BT front and rear panel offer all the connections you would need to connect any playback device. The rear panel features 1/4", 1/8", and RCA inputs, while the front panel features 1/8" aux input and a headphone connection that turns the speakers off for private listening. Very handy for those late nights in the home office or mixing sessions where you do not want to disturb anyone.

Active Speaker Controls & EQ M-Audio BX3BT features controls on the rear panel that let you customise the EQ and active speaker placement. HighEQ and Low-EQ controls enable anyone to add or cut some extra rumble or clarity to their music. The M-Audio BX3BT features a Left/Right Active Speaker Position Switch letting you choose which speaker is sounding from the Left or Right side.

Limitless Creativity with MPC Beats Software DAW - Effects and Instruments Included

The M-Audio BX3BT comes bundled with MPC Beats, the powerful music-making and recording desktop software DAW for Mac and PC based on iconic MPC hardware. Featuring a full array of musical instrument plugins, effect plugins, and audio and drum samples, MPC Beats is the best way to start making great-sounding music quickly.

Technical Specifications

Frequency Response: L 80 Hz - 22 kHz
Output Power: 120 W (total peak), 2 x 25 W (RMS)
Drivers: LF Driver 3.5" / 88.9 mm, HF Driver 1" / 25.4 mm; silk dome
Audio Inputs: (1) RCA stereo input pair 2 1/4" (6.35 mm)
TRS inputs: (1) 1/8" (3.5 mm) stereo auxiliary input
Headphone Output: 1/8" (3.5 mm) stereo output
Interconnection Cable: 1/8" (3.5 mm)TRS
Power: 100-240 VAC, 50/60 Hz, 85 W
Bluetooth Range: 100' (30.5 m)
Dimensions (width x depth x height, per speaker): 5.5" x 5.7" x 8.2" 140 x 145 x 208 mm
Weight: (per pair of speakers) 7.39 lbs. 3.35 kg