The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of Bass, Lead, Pad and Effect sounds. Additionally, with its total of six filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.
The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These four synthesizer channels can be linked with each other and be played in 3 different operating modes.
Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI and additionally via CV/gate (1V/octave) inputs for every synthesizer channel.
The Allen & Heath's Xone:DB2 offers endless creative FX possibilities with it's twin DSP FX engines. The DSP FX engines each offer 5 FX types with more than 50 presets including delays, loopers, reverbs, resonance, modulation and damage with more additions planned in further DB2 firmware updates.
The Xone:DB2 also offers a full input matrix which can route the same signal to multiple channels for creative FX manipulation, Trimodal EQ which features Kill, standard asymmetric and filter modes, high visibility Oled display, lightweight chassis, MIDI control and a studio grade audio interface.
In addition to it's huge feature set, the Xone:DB2 also utilises Allen & Heath's X:Link protocol which enables connection of the Xone:K2 controller.
The DRM1 MKIII is an analogue drum synthesizer. It offers 8 instruments, each with 7 knobs for forming the sound plus a panorama- and a volume-controller. The user interface is absolutely clear and intutitve - one knob, one function.
The instruments on the DRM1 MKII are as following:
KICK: Mainly but not only for making big and fat kick drums.
DRUM1 and DRUM2: Very flexible instruments that can generate kick- and tom sounds a s well as bongos. Anything from zapp to bling and fantastic PIUU...
MULTI: Three oscillators can be detuned and gives you nice cowbell-like sounds. If you like submarines you can create a nice sonar ping.
SNARE: What can we say about that? Well, you get what you expect.
Hi Hat1 and Hi Hat2: That's analogue (heavy- or soft-) metal.
CLAP: Classic analogue hand claps.
The instruments of the DRM1 MKIII can be triggered by MIDI (of course velocity-sensitive). There is also an optional trigger option avilable that connects the drum machine to your analogue step sequencer or whatever gives out gate voltage or switch trigger. Beside the main outputs each channel is equipped with an individual output that also can be used as an channel insert.
Configurable USB audio in/out makes it easy to capture stereo recordings.
The Ultralite-mk3 Hybrid is MOTU's most compact and versatile audio interface, featuring hybrid FireWire/USB2 connectivity to your Mac or Windows computer, on-board mixing and effects, superb sound and reliable performance. As the first-ever hybrid audio interface of its kind, the UltraLite-mk3 Hybrid provides flexible and mobile operation via FireWire or Hi-speed USB2 connectivity to a Mac or PC computer, with professional audio quality at samples rates up to 192 kHz and plenty of I/O, including 2 mic/instrument inputs, 6 line-level analog inputs, 10 channels of analog output, stereo S/PDIF and a stereo headphone output.
Housed in a rugged, compact half-rack enclosure you can take anywhere, the UltraLite-mk3 Hybrid is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the UltraLite-mk3 Hybrid provides 10 separate inputs and 14 separate outputs.Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines, effects processors and even MIDI devices. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer i with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.
The included CueMix FX cross-platform mixing software provides attractive graphic mixing, graphic editing of parametric EQ, and a convenient tabbed interface for quick access to all features in one window. Advanced signal analysis tools include a full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis. After programming the on-board mixing in the studio, unplug the UltraLite-mk3 Hybrid from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD. The UltraLite-mk3 Hybrid provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24bit recording/editing and 32-bit mixing/processing/mastering.
6 in stock $452.95
The perfect integration with the lower frequencies has been achieved with a newly designed 7" midwoofer. It has been redesigned with a much bigger voice coil (1.5") and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.
Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.
On the rear panel are several additional controls: a gain for the high frequencies (-/+ 4 dB) and 2 shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.
You can even perform straight out of the flight case thanks to the handy cable access and its 4 rubber feet that provide extra grip in the booth. The black exterior aluminium frame and interior lining match your controller for a smart and stylish look.
At the heart of the DS1 is a bi-directional audio interface with two sets of RCA stereo inputs for turntables or professional CD players. As DJs manipulate the vinyl or CD NoiseMap signal, Serato DJ software mirrors the control signal - controlling digital tracks on-screen in real-time for beatmatching, cueing, scratching, and track juggling. Playback audio is distributed by the DS1 to a mixer or loudspeaker system in studio-grade 24-bit quality via two sets of RCA stereo outputs. In other words, connect anything you need and the DS1 will always send out a great signal - clean, clear and true to the music.
Denon DJ's DS1 is smaller than most smartphones, making it an ideal companion for the travelling DJ. The rugged, all-metal construction easily survives constant transport, setup and breakdown. A single USB cable handles power and audio duties, greatly simplifying operation. Inputs are phono/CD selectable with a grounding post for turntable use. It's all there. You're covered.
With its precise, dependable tracking and remarkably clear audio, the DS1 ushers in a new wave of performance for the hands-on DJ. Whether you're using NoiseMap vinyl or optical media, the DS1 goes hard every night to eliminate the gap between that classic analog feel you're after and the precise digital capability you demand.
The NUO 2.0 mixer is a 2 channel analogue mixer addressed to the professional DJ of any kind, in despite of the music style.
The NUO 2.0 mixer features the professional characteristics that made its predecessors acclaimed worldwide and it equips the best analogue components available in the market place in order to obtain the highest sound performance.
Whether you play house, techno or hip hop, perform smoothly or as a scratch DJ, the NUO 2.0 mixer will please all your needs thanks to its versatility and plenty of features, such as the precise and ergonomic full cut EQ, FX Send control per channel in pre or post fader mode, faders curve adjustments and suitability for the awarded magnetic Eternal crossfader for the professional scratch DJ.
Its superb sound quality and robust format, plus balanced XLR master output and booth output for monitoring make it also a perfect mixer for small installations.
The new APC40 mkII incorporates five years of user feedback into its design. Almost every aspect of the original APC40 has been deliberated, reworked, and improved to provide extended controller functionality, countless musical capabilities, and a smarter workflow. In addition to its sleek look, veteran APC40 users will immediately notice the enhancements that include an RGB clip-launching grid, reinforced fader design, revised knob lay out, and much more.
APC40 mkII features a 5x8 RGB clip-launching grid that's built for dexterous exploration: launch clips and create or perform your song from the ground up using 40 responsive triggers. RGB lighting provides visual feedback and displays three clip statuses-loaded, playing, and recording-so you can intelligently perform without looking at your computer. You can also color code your clips with the RGB lighting for advanced visual organization, and use the Shift button and directional arrows to manipulate the scope of the 5x8 grid.
APC40 mkII comes equipped with an array of assignable faders and knobs: nine reinforced faders and eight channel control knobs are arranged in-line with each channel for an intuitive layout and smarter workflow. Eight Device Control knobs make it easy to tweak device parameters and light up to provide visual feedback of each parameter. In addition, the Sends button enable users to cycle through all eight send buses right from their APC40 mkII. The A/B crossfader has also been reworked and can be assigned and re-assigned without ever having to touch the mouse.
APC40 mkII comes pre-mapped to Live for an instant performance and production setup. When APC40 mkII is plugged into your computer, its hardware controls correspond 1 to 1 with Ableton Live's interface-no additional configuring is required. In addition, all of APC40 mkII's controls can be re-assigned on the fly for customized setups that change with your performance or production style. APC40 mkII is also powered over USB and supports plug-and-play connectivity, allowing you to take this controller from the studio to the stage or wherever you go. Whether you are an electronic music artist and Live is your canvas, a DJ using Live for performance and real-time mixing, or a more traditional musician using Live on stage or in the studio, you will find the APC40 mkII to be the intuitive, powerful instrument that directly links your inspiration with Ableton Live.
APC40 mkII comes packed with a music production suite that includes a version of Ableton Live, two high-definition virtual synthesizers, and 5GB of professional samples and loops for immediate out-of-the-box music creation. Ableton Live Lite enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Also included is the Puremagnetik Effect Racks, a collection of over 200 sophisticated audio effects engineered for instant sound sculpting. This collection comes packed with an endless variety of channel strips, DJ and live sound effects, glitch racks, amp racks, modulators, filters, beat processors, and noise boxes. Hybrid 3, by AIR Music Tech, is a virtual synthesizer for electronic musicians, DJs, sound designers, and music producers who love to get their hands dirty. Create anything from fat, retro synth sounds to edgy, modern leads and everything in between. SONiVOX Twist is a spectral morphing synthesis virtual instrument. Comprised of a dynamic interface, an advanced pattern generator, and onboard effects, Twist lets you create serious sounds using simple controls. Finally, five Toolroom artist launch packs and five Prime Loops sample packs feature an eclectic mix of sounds from today's electronic music scene. Jumpstart your inspiration with these premium instrumental loops, drum kits, one-shots, and more.
Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.
The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.
The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.
Mackie VLZ mixers are truly built like a tank. From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap around chassis and features like grime resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit inspired controls and high contrast knobs not only optimise your mixer's usability in low light scenarios, it also means your mixer looks as good as it performs.
Mackie's VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra compact 402VLZ4 for desktop applications to the tour friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs
- Cutoff - filter frequency
- Res - filter resonance
- Switch - switches between gate>VCA to envelope>VCA
- Pitch - pitch tuning
- Mix - blend saw and square waves
- P Mod - pitch modulation attenuator
- Decay - envelope decay
- Filter Envelope - modulation amount, pre-patched from envelope to filter
- F Mod - filter cutoff modulation attenuator
- PWM (square wave)
- Mix 1 in - input for external oscillator/sound source to replace saw wave
- Gate - gate in
- P Mod - pitch modulation, pre-patched to envelope
- F Mod - frequency modulation for filter cutoff, pre-patched to CV in
- Mix 2 in - input for external oscillator/sound source to replace square wave
- Env - envelope output
- Out - out from VCA
Launchpad Pro is the simplest and best way to create dynamic, expressive performances in Ableton Live, or any music software.
Novation have given their iconic Launchpad a total overhaul. Enhanced with RGB LED feedback, and velocity and pressure-sensitive pads, Launchpad Pro brings limitless expression and creativity to your music.
Launchpad Pro is an instrument designed for live performance. The new RGB pads light up to match the colour of your clips in Ableton Live's session view, so you can see at a glance which clips are playing.
In Note Mode, it automatically switches the layout for drum or instrument devices:
- Drums: all your sounds spread across the whole grid, on velocity and pressure-sensitive pads which let you create expressive beats.
- Instruments: the grid illuminates as a chromatic keyboard, so you can easily play notes, melodies and chords.
You can use the grid to play any of your music software and external hardware too - with Standalone Mode. It doesn't matter which software you are using: plug it straight into Logic Pro, for example, and play it like a keyboard; connect the MIDI ports to your Bass Station II and play riffs on your grid. The possibilities are endless.
Launchpad Pro is much more than an instrument: it also gives you slick, immediate access to all your mixer controls mid-performance, so you stay in your flow. There's no need to enter a separate mixer mode; simply press and hold a mixer function button (like mute or volume), make a change, and then release the button to drop straight back into your performance.
Control your effects, instrument devices and plug-ins mid-performance to add engaging, expressive effects. For super smooth effect transitions, the button grid also turns into eight velocity-sensitive vertical faders, with LED feedback - the harder you hit the pad, the faster the transition.
Launchpad Pro is just as sleek, lightweight and tough as the rest of our Launch range and can be chained to multiple other Launch products, or connected to the rest of your studio or live setup.
It comes with everything you need to get started, including cables and software, and can be bus-powered over USB. It's also class compliant and doesn't need any drivers; just install the software, plug in and start performing.
Xone:23 is a 2+2 channel DJ mixer packed with pro features that would normally be found in the booth of a top-rated club, including an enhanced version of the legendary Xone filter with resonance control, VCA faders, 3 band total kill EQ, illuminated switches, crossfader curve selector and styling inspired by the flagship Xone:DB4.
At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and 'mild to wild' resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system.
The 2 stereo channels feature independent level controls for each input enabling up to four stereo sources to be simultaneously routed to the mix, as well as the dedicated send and return system for external FX.
The main mix output and mic input are on professional standard balanced XLR's, and there is a dedicated record output. The Xone:23 is equipped with comprehensive monitoring facilities, including a booth output with its own volume control, a cue mix control, and signal levels clearly displayed on the 9 segment peak hold meters.
Styled on the Xone:DB4, the Xone:23 includes soft touch, backlit controls, light-piped meters and a distinctive new shaped steel faceplate. The mixer can also be upgraded with the latest Innofader for enhanced scratch performance, available as an accessory.
With its VCO, Suboscillator and 12 dB Multimodefilter the synth voice is able to create various sounds from bass- and sequence- to electro-, effect- and drone styles. Furthermore, you can add white NOISE and external signals to create more complex sounds or just for use as filterbox.
An overview about the features of the NANOZWERG Pro Module:
The VCO creates the waveforms Triangle, Sawtooth, Square and Pulse. The foot scale (octave range) goes from 32' to 4' and the fine tuning around +/-6 semitones. For fatten the sound a Suboscillator can be switched to three different intervals or White Noise alternatively. A Mixer knob blends VCO waves into Sub/White Noise. A Glide effect is provided too.
The 12-dB-State-Variable-Multimodefilter owns LOWPASS, BANDPASS, HIGHPASS and NOTCH and its CUTOFF can be controlled manually, by LFO or ADSR. The RESONANCE allows selfoscillation and KEYFOLLOW spreads the filter frequency depending on the note.
The LFO offers four waveforms including SAMPLE&HOLD and ONE SHOT who works as a envelope - after a gate impulse one cycle of the selected waveform is generated. An innovation is - the first three waveforms can be morphed to each other. Beside Filter CUTOFF, PITCH and PULSEWIDTH of the VCO can be addressed by the LFO.
The first ADSR envelope controls the CUTOFF with negative or positive slope, the second ADSR controls the VCAs volume.
Almost every parameter can be controlled via CV, the envelopes and LFO have CV outputs. An external in feed the VCF alternative with other soundsources. MIDI IN allows to control the module with your DAW or other MIDI gear.
The NANOZWERG PRO receives NOTE ON, PITCH WHEEL (+/- 1 halftone) and MIDI CC. Alternative the faster M-BUS connection offers the same features.
The Module has a width of 24 HP = 121 mm.
Plexiglas side panels 5mm thick.
6cm deep, but only 4cm deep all along the 5HP of the power supply. Check your modules before!
- Width : 104HP
- Depth : 6cm
- Depth all along the 5HP of the power supply : 4cm
- Current Consumption : +12V : 2.4A ; -12V : 1.2A ; +5V : 0.5A
Each channel consists of an analog voltage-controlled filter and amplifier (VCFA). The response curve of the amplifier section is continuously variable from exponential to linear. The amplifier gain is directly controllable from a CV input, through an attenuator. But what makes Streams truly unique is the multi-purpose EXCITE input. The signal routed to this input is analyzed by a micro-controller and translated into internal control voltages for the VCFA, turning Streams into a very versatile signal contouring tool:
The EXCITE input can work as a trigger input, triggering an internal AD or AR envelope routed to the gain and the filter cutoff (in variable amount). With only 6-HP of space, you can shape an oscillator or noise source into a full-bodied sound.
Vactrol curve generator
The EXCITE input is processed by a digital model of a resistive opto-isolator (Vactrol), controlling the gain and the filter cutoff (in variable amount). The digital emulation allows the modification of properties of opto-isolators - such as response time - which are otherwise difficult to control. The virtual vactrol response can be either optimized for processing CVs, or triggers (for "plucked" sounds).
Amplitude and frequency content follower
The envelope and cutoff of the EXCITE signal is measured, and applied to the signal on the VCFA input.
Streams' VCF is disabled, and the VCA is used to control the dynamics of the input signal. An intuitive control scheme allows the compressor to be used either for peak reduction/limiting operation; or for boosting signal levels with soft-limiting. The EXCITE input can be used as a sidechain.
Plexiglas side panels 5mm thick.
6cm deep, but only 4cm deep all along the 5HP of the power supply. Check your modules before!
- Width : 84HP
- Depth : 6cm
- Depth all along the 5HP of the power supply : 4cm
- Current Consumption : +12V : 2.4A ; -12V : 1.2A ; +5V : 0.5A
AT-One is designed with simplicity and ease-of-use in mind. Equipped with a practical carrying case, rack-mount kit and detachable antennae, AT-One is the perfect balance of price and performance, ideal for those looking for accurate, reliable performance at an entry level price. The AT-One's frequency plan is divided into two groups with 4 available channels in each group split between the Europe wide license free frequency range and the LTE duplex gap. Users can choose up to 4 channels within one group.
Available in three configurations, AT-One can be purchased with a beltpack or handheld transmitter. The ATW-13F handheld system features the ATW-T3F cardioid condenser handheld transmitter, again with 10mW RF output and 10 hour battery life.
The DJX-750 Pro DJ mixer merges intuitive operation with built-in digital effects processing for clean, transparent sound that will set your dance floor on fire.
The revved-up FX processor puts advanced parameter control right at your fingertips: no longer are you confined to rigid presets that limit your creativity. With the DJX-750, you can change FX parameters on-the-fly, pushing your performance to the next level. In no time you'll be creating powerful sets with your own custom-tailored effects sounds, all of which can be controlled in real-time. Some parameters at your disposal include bit crusher depth, manual filter sweeps, panning (LFO Rate), delay/echo time and much more. You can even set delay and echo timing relative to the internal BPM counter for extremely musical results.
From large-aperture drivers to sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.
First, decide whether you want to use the optional legs or not. Turn your record player into a freestanding music player. There's even a carry handle to make it portable.
A new model of expression/volume pedal.
Since its launch in 1994, the XVP-10 expression/volume pedal has become a long-selling success, and now it's available in an updated rendition. With its tough aluminum body and stylish design, it delivers stability in a compact form.
Intricate features have also been added, including the use of rubber to allow enhanced grip, and improved gears that provide smoother operation. A new black anodized finish on the exterior emanates a sense of high quality.
Two sets of input/output and one expression:
The XVP-20 gives you all the functionality you want from an expression/volume pedal. It provides two sets of input/output as well as one expression jack. While the output and expression jacks are available on the previous model, the XVP-20 delivers even better operability.
Compact and sturdy aluminum body:
The augmented compact body design improves portability, and the sturdy aluminum body ensures a sense of stability underfoot. The black anodized exterior finish is an ideal match for KORG's flagship KRONOS workstation.
Pedal mechanism with enhanced grip strength and smoothness:
Rubber is used on the top surface of the footboard and on the bottom of the body, providing better grip strength and improved stability. The pedal uses a durable gear mechanism for trouble-free operation. Additionally, the gears now have more teeth, delivering an extremely smooth operation.
Adjustable minimum volume and torque:
The minimum volume knob lets you adjust the volume range that can be controlled by the pedal. The knob has been moved from its previous location under the footboard to the back of the body, making it easier to control. A torque adjustment screw is also provided, allowing easy adjusting to the operating torque (weight) of the footboard to suit your preference.
-Superfine polished eliptical diamond bonded stylus
-Powerfull samarium cobalt magnet
-Lightweight aluminum alloy cantilever for high fidelity
-Carbon fibre reinforced plastic shoe
-Anti ferro magnetic permalloy shield casing
Stylus replacement: Nagaoka JN-P110
The stylus replacement interval varies depending on the using conditions. But for general use at home, the reference time is between 150-200 hours in which the stylus begin to wear and the tone quality deteriorates. Recommend replacing the stylus as aerly as possible to enjoy clear tone for a long time and not to damge the disc grooves.
The sound isolation and comfort offered by the ATH-E50 are enhanced by the four sizes of included silicone eartips (XS/S/M/L), which allow you to create a custom fit. The ATH-E50 also comes with a detachable 1.6 m (5. 2') cable, with newly developed A2DC (Audio Designed Detachable Coaxial) connectors at the headphones and a 3.5 mm (1/8") stereo mini-plug output, and a carrying case.
The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.
The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.
The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.
In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.
The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.
*UK 230V power adapter included*
Humble Pie (1970 - LP)
Rock On (1971 - LP)
Performance Rockin' The Fillmore (1971 - 2xLP)
Smokin' (1972 - LP)
Eat It (1973 - 2xLP)
Street Rats (1975 - LP - US version)
EFFECT SELECTOR KNOB- Selects which of the Drop effect settings is used when the effect is active.
MOMENTARY ON/OFF SWITCH - Selects how the effect footswitch will operate. Setting this switch to "ON" will cause the footswitch to act as a momentary switch (the effect will be enabled or disabled only as long as the footswitch is pressed and held). Setting this switch to "OFF" will cause the footswitch to act as a standard latching on/off switch.
Drop Effects Settings:
Setting 1 - Transposes guitar signal down 1 semitone
Setting 2 - Transposes guitar signal down 2 semitones
Setting 3 - Transposes guitar signal down 3 semitones
Setting 4 - Transposes guitar signal down 4 semitones
Setting 5 - Transposes guitar signal down 5 semitones
Setting 6 - Transposes guitar signal down 6 semitones.
Setting 7 - Transposes guitar signal down 7 semitones
Setting OCT - Transposes guitar signal down 1 octave.
Setting OCT + DRY - Transposes guitar signal down 1 octave and adds dry signal
Technics RP-DJ1210 headphones have the best possible frequency response and design, and have been created specifically for DJ use. This means that the headphones will stand-out against the most rigorous of audio and durability tests in today's club environment. Technics RP series professional DJ headphones have been built with pro club-use in mind.
Offering rear-panel RCA inputs, the AV42 speakers are compatible with all your gear. There is even a 1/8-inch aux input for your tablet, computer, or mobile device. The convenient headphone output allows you to work privately at any hour. Ideal for producing all kinds of media, the AV42 monitor speakers are also perfect for gaming, watching videos, and listening to music. Cables are included.
First check out that wardrobe; with either a Green and Black, or Cream and Tan two tone finish, the Ambassador has a classic finish with leatherette binding and brass-styled corner protectors. The briefcase style record player features a three speed turntable, auto stop function, built in speakers and manual pick up arm. Yet it's also been built to make it easier to play music wherever you are. With a rechargeable battery the turntable will play on the go while the Bluetooth connectivity works with any Bluetooth speaker.
Throughout the history of the brand, VOX has produced a number of custom amplifiers for guitarists, each with their own unique appearance and specification. VOX is continuing that tradition with the Pathfinder 10 Denim which combines one of VOX's most popular practice amps with a truly unique aesthetic. Part of the "VOX Individual Line", the Pathfinder 10 Denim is has been painstakingly wrapped in premium Iron Heart denim cloth, with its corners meticulously fastened by genuine rivets. In the spirit of true collaboration, the iconic Iron Heart tag is affixed to the front of the amplifier.
The Pathfinder 10 Denim is an incredible sounding and looking amplifier. The premium denim covering on this VOX amplifier will age naturally over time with use, becoming as unique as your guitar playing.
Founded in 2003, Iron Heart is a Japanese denim brand known for its red "W" stitching. Their lineup is based on 21-ounce heavy duty denim cloth, is known as the jeans of choice for bikers and has numerous fans around the world.
Vitesse : speed of the LFO, range from 0.1 Hz to +/-200 Hz
Forme (LFO1&2): Triangle , ramp up , ramp down, square, random, digital noise, random squares (variable pulse length) , random triangles (variable amplitude & length)
MiniLab MkII is a high quality, feature-packed controller which gives you hands-on access to the sounds in your virtual studio. Breathe new life into your sounds by playing, tweaking, tapping and twisting its rugged controls. This powerful controller also comes with several critically acclaimed software titles that will have you creating professional recordings in no time. Analog Lab Lite lets you perform using hundreds of legendary synth, piano, organ & string machine sounds. Ableton Live Lite lets you record, arrange, and cultivate your musical ideas into a finished product. UVI Grand is a recreation of the Steinway Model D piano.
Thanks to the constructive feedback from Arturia's family of product owners - people just like you - we have refined the original MiniLab into something new and exciting:
Created with the mobile musician in mind, MiniLab MkII has a slim, compact profile which makes it perfect for transporting to and from gigs, and for keeping you creating when you're travelling. With its rugged, durable construction, the revitalized MiniLab can take the strain of life on the road, ready to perform night after night.
Not everyone has the luxury of a spacious studio, and this is where our reinvented controller really shines. MiniLab MkII has a tiny footprint allowing you to place it virtually anywhere within your set-up, even if the only space available is on your lap. The quality of every component has seen an improvement over the original model, from the keybed to the controller knobs, the touch sensors to the outer casing. Despite the hardware upgrade, MiniLab MkII is still one of the most affordable dedicated controllers on the market.
Portable, yet fully featured. Lightweight but rugged. MiniLab MkII is the new go-to small controller for producers in the know.
Time is precious, and you need simple, effective control. MiniLab MkII gives you unadulterated access to your software sounds:
Helping you make the most of your virtual instruments and recording software, MiniLab MkII features a great-feeling keybed with 25 slim-keys, 16 knobs, 8 pads, and touch controls in a space-saving package. Whether you want to experiment with a bass line, tap out a solid drum beat, or tweak the parameters of your favorite synth patch, our new controller gives you the freedom to totally control your music any way you like.
To help transform your musical ideas into fully-fledged, pro-sounding recordings, MiniLab MkII includes a powerful music production platform, Ableton Live Lite. Every single one of MiniLab's controls is automatically assigned thanks to dedicated pre-mapping, letting you spend less time in the settings menu and more time making music. Adjust your track levels, tweak filters and effects using the knobs; launch clips, capture drum performance, or control playback with the pads. MiniLab is here to make your musical life easier.
From inception to completion, MiniLab MkII keeps you in control every step of the way.
MiniLab MkII comes loaded with some of the best software around:
Our new MiniLab is a pure controller which - while containing no onboard sounds - lets you play, tweak, and manipulate software instruments via MIDI. To get your virtual recording studio up and running, we have included a wealth of professional quality instruments and production software to take your music to exciting new places.
Really. Just plug the USB cable into your computer or tablet*, launch a music program and start playing. *Camera Connection Kit required for use with tablet.
Throw it in a backpack and take K-Board anywhere. And don't worry about it. We've tested K-Board to survive drink spills, Super Soakers and being run over by a tour van.
Brilliant LED lights under every key provide visual cues and feedback.
Experiment with the touch-sensitive keys to shape sounds based on pressure or finger tilt.
Theme From The Last Waltz (with Orchestra) (3:20)
Up On Cripple Creek (6:05)
The Shape I'm In (4:09)
It Makes No Difference (6:51)
Who Do You Love (with Ronnie Hawkins) (5:03)
Life Is A Carnival (4:41)
Such A Night (with Dr. John) (4:17)
The Weight (5:16)
Down South In New Orleans (with Bobby Charles) (2:47)
This Wheel's On Fire (4:21)
Mystery Train (with Paul Butterfield) (5:23)
Caldonia (with Muddy Waters) (5:43)
Mannish Boy (with Muddy Waters) (6:23)
Rag Mama Rag (4:43)
All Our Past Times (with Eric Clapton) (4:39)
Further On Up The Road (with Eric Clapton) (5:26)
Helpless (with Neil Young) (5:16)
Four Strong Winds (with Neil Young) (4:47)
Coyote (with Joni Mitchell) (5:15)
Shadows & Light (with Joni Mitchell) (5:50)
Furry Sings The Blues (with Joni Mitchell) (5:08)
Acadian Driftwood (7:36)
Dry Your Eyes (with Neil Diamond) (3:35)
The W.S. Walcott Medicine Show (3:55)
Tura Lura Lural (That's An Irish Lullaby) (with Van Morrison) (4:11)
Caravan (with Van Morrison) (6:05)
The Night They Drove Old Dixie Down (4:41)
The Genetic Method/Chest Fever (2:35)
Baby Let Me Follow You Down (with Bob Dylan) (2:55)
Hazel (with Bob Dylan) (3:49)
I Don't Believe You (She Acts Like We Never Have Met) (with Bob Dylan) (3:19)
Forever Young (with Bob Dylan) (5:54)
Baby Let Me Follow You Down (with Bob Dylan) (3:21)
I Shall Be Released (finale) (4:25)
Jam #1 (5:32)
Jam #2 (7:10)
Don't Do It (8:36)
The Well (The Last Waltz Suite) (3:32)
Evangeline (The Last Waltz Suite - with Emmylou Harris) (3:11)
Out Of The Blue (The Last Waltz Suite) (3:21)
The Weight (The Last Waltz Suite - with The Staples) (4:37)
The Last Waltz Refrain (The Last Waltz Suite) (1:34)
Theme From The Last Waltz (The Last Waltz Suite) (3:20)
King Harvest (Has Surely Come) (Concert Rehearsal) (4:16)
Tura Lura Lural (That's An Irish Lullaby) (Concert Rehearsal - with Van Morrison) (3:22)
Caravan (Concert Rehearsal - with Van Morrison) (6:30)
Such A Night (Concert Rehearsal - with Dr. John) (5:25)
Rag Mama Rag (Concert Rehearsal) (3:48)
Mad Waltz (Studio Ideas) (5:25)
The Last Waltz Refrain (Studio Ideas) (1:26)
The Last Waltz Theme (Studio Ideas) (2:58)
I Got To Tell You
Visit To The Gynecologyst
Girl Let Me Touch You
Wild & Crazy
Blue Flowers (Revisited)
Waiting List (DJ Shadow/Automator mix)
Blue Flowers (Prince Paul So Beautiful remix)
3000 (Automator 1.2 remix)
Bear Witness (Automator Two Turntables & A Razor Blade re-edit)
Astro Embalming Fluid
I'll Be There
Wild & Crazy (2016 remix)
I'm Destructive (2016 remix)
Korg, creators of the best-selling microKEY series and the next-gen microKEY2 series can help you break free with the new microKEY Air series of wireless MIDI controllers!
The microKEY Air supports Apple's Bluetooth LE (Low Energy) MIDI Standard for wireless devices. You can easily connect wirelessly to iPad/iPhone music apps such as KORG Gadget, KORG Module, and GarageBand, as well as any MIDI-capable music production software on your Mac. Painstaking tuning of the Bluetooth capabilities means high stability and low latency, no strings - or wires - attached.
With an average of one hour of use per day, the batteries allow approximately one month of operation. And best of all, the microKEY Air runs on just two AA batteries.
MicroKEY Air can also be connected via a traditional USB cable. Since the microKEY is USB bus-powered, you only need a single USB cable to connect it to Mac or Windows. There's no need to install a driver; just connect it to your computer and start playing. The second generation newly supports connection to iPad and iPhone. Add an Apple Lightning - USB camera adaptor and one USB cable and your setup is complete, allowing you to access apps such as KORG Gadget, KORG Module, and GarageBand.
KORG's Natural Touch mini keyboard has been carefully designed to assure playability while staying compact, and makes it easy to play chords or rapid phrases. Choose between 25, 37, 49 or 61-key configurations to suit your specific playing style and space/travel requirements.
The 37, 49, and 61-key models provide an assignable switch jack for connecting a damper pedal. The 25-key model provides a sustain button that implements the damper function. On all models, you can use the octave buttons in conjunction with the key transpose function to play MIDI's entire range of notes.
The 37, 49, and 61-key models provide pitch bend and modulation wheels. The 25-key model provides a joystick that can also control pitch bend and modulation, as well as an arpeggiator function, giving you full control in spite of this model's space-saving dimensions, and providing a wealth of performance expression.
The microKEY comes with a serious collection of powerful music software titles including popular special editions of KORG Gadget and KORG Module plus the KORG Legacy Collection offering five classic KORG instruments as plug-ins. With microKEY Air you won't have to purchase additional software; you can start creating music right away.
Software bundle for Mac/Windows:
. KORG Legacy Collection - M1 Le (synthesizer sound module) with a special upgrade pass to the KORG Legacy Collection - Special Bundle
. UVI Digital Synsations (synthesizer sound module)
. AAS Ultra Analog Session (synthesizer sound module)
. AAS Strum Acoustic Session (acoustic guitar sound module)
. AAS Lounge Lizard Session (electric piano sound module)
. Propellerhead Reason Limited (DAW music production software)
. Ableton Live $50 discount coupon (DAW music production software)
The ATH-E40 features specially designed housings that provide incredible isolation. The isolation - and the comfort - are enhanced by the four sizes of included silicone eartips (XS/S/M/L), which allow you to create a custom fit. The headphones also come with a detachable 1.6 m (5.2') cable, with newly developed A2DC (Audio Designed Detachable Coaxial) connectors at the headphones and a 3.5 mm (1/8") stereo mini-plug output, and a carrying case.
The MIDI Solutions Merger is a 2-in 1-out MIDI Merger. All MIDI messages appearing at the two inputs are merged to the output (including System Exclusive, MIDI Clock, and MIDI Time Code messages). A fast merging algorithm ensures that all MIDI data is processed accurately with the minimal possible delay.
The Merger is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.
With our latest family of HP headphones, Denon DJ has a great-sounding, rugged unit for every level of user, from enthusiast/hobbyist to the critical professional.
The product family consists of three models: the HP600, HP800 and HP1100. Between them, you'll find one perfectly suited to your needs.
Building on the success of our previous HP headphone line-up, these new models offer an extremely high level of acoustic performance, comfort and portability, making them ideal for many scenarios, including professional DJ use, individuals who wear headphones in long studio mix-down sessions and critical recreational audio listening. Swiveling earcups for one-handed monitoring, dual connectors and folding design make them as convenient to use as they are great sounding.
Here's a closer look at the HP600 High Performance DJ Headphones
Denon DJ's HP600 headphones are the perfect solution when the need is great sound quality and outstanding value. They feature powerful 40mm drivers for outstanding performance that is unexpected at their modest price. With their wide-range frequency response, 1300mW of power handling and sturdy metal headband, the HP600 sounds great and is well-suited to all-night use. Swiveling ear cups make single-handed monitoring easy and they fold up for easy storage and transport. Dual 1/8" and 1/4" connectors ensure compatibility with all equipment.
The TM-50 tuner/metronome, which allows musicians to practice both pitch and rhythm in a single unit, has now taken a major evolutionary leap to become the new TM-50TR.
In addition to the existing high-precision tuner functionality, the TM-50TR adds a new Tone Trainer function which analyses your playing sound in more detail. It detects not only the pitch, but also the volume and brightness of your tone, as well as the stability of these aspects, making it much easier to evaluate your own playing and practice more efficiently. Of course the TM-50TR also provides Sound Out and Sound Back functions that are great for improving your sense of pitch. Additionally, its metronome capabilities feature a new "periodic" metronome function that can help you practice keeping the rhythm. The display newly features a large color LCD for excellent visibility. The TM-50TR is available in your choice of two colors: silver or black.
With its ability to give you more detailed feedback on your playing, the TM-50TR will take your daily practice routine to the next level.
A tuner that detects not only the pitch but also the volume and tone - Tone Trainer function analyzes your sound as you play:
In addition to its high precision as a tuner, the TM-50TR features a new "Tone Trainer" function (*1, 2) that can evaluate your sound in even greater detail. When you play a sustained note on your instrument, the TM-50TR will detect not only the pitch, but also the dynamics (volume) and brightness (tonal character). These three elements are displayed in the TM-50TR's meter in real time. When you finish playing the note, the stability of each of these three elements is shown in a graph, allowing you to see at a glance whether your sound is stable.
By analyzing these three basic elements of sound, including tuning, the TM-50TR can identify which aspects of your playing need improvement, thus helping you practice more efficiently.
The Tone Trainer function is based on KORG's new ARTISTRY (*3) technology. This is proprietary technology for analyzing and evaluating sound that was developed through cooperative research under the supervision of Xavier Serra, Director of the Music Technology Group at the Pompeu Fabra University in Barcelona, Spain.
The Sound Out function produces a reference tone from the built-in speaker:
In addition to visual tuning using the meter, you can use the Sound Out function to produce a reference tone from the internal speaker or headphones, and tune by ear. You can specify the reference tone in a three-octave range from C3 (130.81 Hz) to C6 (1046.50 Hz), which covers a wide variety of instruments.
The Sound Back function generates the reference tone that's closest to the input sound:
In addition to the Sound Out function, the TM-50TR provides a Sound Back function (*) that's ideal for further training your sense of pitch. The reference tone that's closest to the note you play into the tuner is played back to you through the speaker, and the pitch of your input is simultaneously shown in the meter; this lets you check the pitch simultaneously by eye and ear, enabling you to tune accurately and also helping you develop an accurate sense of pitch.
A metronome that further develops your sense of rhythm:
Usable simultaneously with the tuner:
The TM-50TR lets you use the tuner function and metronome function simultaneously. For example, if you're doing rhythm training along with the sound of the metronome, and feel that the tuning of your instrument might have drifted, you can turn on the tuner function while letting the metronome continue running. This lets you simultaneously train two elements that are indispensable for any instrumental performance: your sense of pitch and your sense of rhythm.
Fifteen rhythm variations:
You can choose fifteen types of metronome rhythms. It contains standard time signature from 0 through 9, and sophisticated rhythms such as duplets, triplets, triplets without the center beat, quadruplets, quadruplets without the center beats. It allows training a diverse variety of styles including classical, rock, and jazz.
Periodic metronome function is ideal for training:
The TM-50TR features a new Periodic Metronome function that further develops your sense of rhythm. This function repeatedly alternates between sounding and silencing the metronome for the specified number of measures, so that you can keep playing during the silent measures to see how well your own performance has kept time with the metronome when it resumes sounding. The cycle between sound and silence can be adjusted in a range of 0--4 measures (with a setting of 0 the function is off). This is a great way to test whether you are accurately keeping the rhythm during your performance.
2 in stock $51.74
The Scratch Perverts are widely regarded as the finest turntablists in the world. They hold the 1999 DMC World Mixing Championship title and they share the 2001 DMC World Team Championship title with the Allies. The CC-1 offers the ideal combination of high output and superior tracking for performance worthy of DMC champions.
Say Woman (3:18)
Watching Out (3:24)
Night Dancer (3:47)
Crystal Powder (3:57)
My Love Just For You (4:10)
Shoot Your World (3:44)
You're The One (3:25)
Split Decision Band Whats You To Groove (3:44)
Split Decision Band Groove (3:56)
Comfortable over ear cushions made from soft memory foam covered with PU leather. The cushion is built around an injection moulded ABS base with a rubber sealing ring for control of the lower frequencies. The memory foam adjust to your ears making the fit perfect.
This closed cushion gives a warm sound representation with a wide soundstage and high isolation. Height 31mm. Outer diameter 94mm. Inner diameter 52mm.
Stagger Lee (4:20)
Shortnin' Bread (with Neal Pattman) (5:31)
My Creole Belle (2:53)
I Ain't The One You Love (with Algia Mae Hinton) (3:10)
Fishin' Blues (3:19)
Mistreated Blues (with John Dee Holeman) (4:02)
So Sweet (with Cootie Stark) (4:10)
Spike Drivers Blues (4:07)
Hambone (with John Dee Holeman) (2:15)
Walkin' Blues (6:51)
John Henry (with Etta Baker) (3:45)
Song For Brenda (with Cool John Ferguson) (3:08)
- Threaded headshell avoiding in use of nuts when fitting cartridge
- 7 pairs of installation screws (3mm, 5mm, 6mm, 8mm, 10mm, 12 mm and 14mm)
- Includes gold plated terminals quad wire