Back in stock: All genres

Review: Italian singer Elena Ferretti was popular on the Italo and Eurobeat scene between the early '80s, produced by the likes of Giacomo Maiolini, Mauro Farina, Sergio Dall'Ora and Giancarlo Pasquini. One of her best known hits is the song "My World" (as Sophie). Here we have a reissue of Feretti's highly valued Italo classic (to those who know) in the form of "Witch" under the Helen alias - with which she used for half a dozen or so tracks in her career. A typically neon-lit Italo disco anthem of the timeless variety, with additional remixes by Centre Neptune chief Flemming Dalum and mad Aussie Hysteric - both of them giving the track a nice reshape for modern dancefloors.

Review: ZYX's Italo Disco romance has been on going on for many years and across several key compilations. The biggest of them all was this one from 1989 which comes across four slabs of wax (or four CDs, if you prefer) and with a bumper tracklist featuring all the most vital names. Plenty of the formative years sounds are here to check out - many of which went on to be championed by DJs like Ron Hardy and the Hot Mix 5 in the early days of house. Doctor's Cat 'Feel The Drive' is a perennial favourite as is he pop tinged 'Dolce Vita' from Ryan Paris, and the exotic synth sounds of Lee Marrow's 'Shanghai', while Joe Yellow's electro on 'Lover to Lover' sure is infectious.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


Italian singer Elena Ferretti also worked under the monikers Sophie and Helen. She was massively popular on the Italo and Eurobeat scene back at the start of the 80s and was produced by Giacomo Maiolini, Sergio Dall'Ora and Giancarlo Pasquini. She has got plenty of cult tunes to her name (or names) and 'I Love You' is one of them to now get reissued by ZYX. It has a classic synth bassline that sprays across the track like the Donna Summer classic 'I Feel Love', with analogue drum sounds below and magnificent melodies up top. Flemming Dalum remixes with big, bright, shimming retro-future synth chords and Victor Ark brings a more cold and stomping feel.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Notes: This earpad set is made of velour in wood colour and suitable for Sony MDR-V700 DJ headphones.

With these pads, you can leave a creative note on your headphones and you can give an old headphone a new look within seconds. Also you can save the stable value and the great look of your professional Sony DJ headphones. The velour earpads are very comfortable to wear even if it's getting more hot and the normal earpads are full of sweat.

Notes: This Zomo earpad set is suitable for the headphones Technics RP-DJ1200, RP-DJ1210 and Pioneer HDJ-500. The set includes 2x Earpads and can be mounted in a few seconds.

With this set you can leave a creative note on your headphones and you can give an old headphone a new look within seconds. Also you can save the stable value and the great look of your professional Technics Dj headphones.

Features
Material: PU
Color: black
Weight: 18 g

Suitable for the following headphones
Technics RP-DJ1200
Technics RP-DJ1210

Headphones in the picture not included- they are for demonstration purposes only.

Notes: The Zomo VS-Box 100/1 is a practical way to store your vinyl in a stylish and efficient way.

The Zomo vinyl box is made of sturdy MDF wood and laminated with tough water-repellent dekor. This model is easy to assemble and can be combinated with other VS-Boxes. The box is also compatible with vinyls with protective covers.

The capacity can variate by the thickness of your vinyl.

Technical Data:

Dimensions: 360 (W) x 260 (H) x 335 (D) mm
Internal dimensions: 330 (W) x 260 (H) x 320 (D) mm
Weight: 2,5 kg
Format: LPs
Capacity: 100-150
Material: Wood

Notes: The Zomo Earpad set made of velour in many colours is suitable for the headphones Technics RP-DJ1200 and RP-DJ1210. With these pads you can leave a creative note on your headphones and you can give an old headphone a new look within seconds.

Also, you can save the stable value and the great look of your professional Technics DJ headphones. Velour Earpads are very comfortable to wear even if it's getting hotter and the normal earpads are full of sweat.

Features:

Perfect fit
Simple mounting
Comfortable velour material
Comfortable to wear for hours

Technical data

Material: Velour (100% Polyester)
Weight: 18 g
Suitable for
Technics RP-DJ1200
Technics RP-DJ1210

** The illustrated or mentioned headphones are not included in delivery.

Notes: The Zomo earpad set is suitable for the headphones Technics RP-DH1200 and Pioneer HDJ-1000/-1500/-2000.

With this pads you can leave a creative note on your headphones and you can give an old headphone a new look within seconds. Also you can save the stable value and the great look of your professional Technics DJ headphones.

Features
Material: PU (100% Polyurethane)
Colours: black
Weight: 18 g

Suitable for the following headphones
Technics RP-DH1200
Pioneer HDJ-1000
Pioneer HDJ-1500
Pioneer HDJ-2000

The headphones in the picture are not included, they are for demonstration purposes only.

Notes: The Zomo carbon fiber brush VBC-01 is the perfect way to clean your vinyl without electrostatic charge. A gentle brush with the microniser prior to record playing enables a million tiny filaments to discharge the harmful deposits from the grooves and bring a new dimension to record care.

Notes: The cost effective way of replacing the cable of your HD25 heaphones. These replicas are perfect for extending the life of your precious Sennheiser heaphones without breaking the bank.

Notes: The Zomo VS-Box 100 is a practical way to store your vinyl in a stylish and efficient way.

The Zomo VS-Box 100 is made of solid wood and laminated with tough water-repellent dekor. This model is easy to install, multi-stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers. The capacity can be various by the thickness of your vinyl.

Notes: The Zomo VS-Box 50 is a practical way to store your vinyl in a stylish and efficient way.

The Zomo VS-Box 50 is made of solid wood and laminated with tough water-repellent dekor. This model is easy to install, multi-stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers. The capacity can be various by the thickness of your vinyl.

Notes: Finally it's here! The new cable for the Sennheiser HD-25 headphones. This spiral cable in different colours is an absolute eye-catcher and enhances your HD-25 visually. It's not standard, but it makes your headphones special.

This will make your Sennheiser HD-25 unique and stand out from the crowd!

The cross-section of the spiral cable is also thicker than conventional cables, which brings technical and optical advantages.

Fits the following Sennheiser headphones
Sennheiser Sennheiser HD25
Sennheiser HD25-13
Sennheiser HD25 II
Sennheiser HD-25-13 II
Sennheiser HD25 C II
Sennheiser HD25-1 II

Details

Length 3,5m
3,5 mm stereo jack plug incl. 6,3mm adapter

Gold-plated connections
Connection of cable 1: 1x 3.5mm Jack
Connection of cable 2: special (Sennheiser HD 25)
Cable length: 3.5 m

Notes: The Zomo VS-Box 200 is a practical way to store your vinyl in a stylish and efficient way.

The VS-Box 200 is made of solid wood and laminated with tough water-repellent decor. This model is easy to install, multi-stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers. The capacity can be various by the thickness of your vinyl.

Notes: The Zomo VS-Box 7/100 is a practical way to store your vinyl in a stylish and efficient way.

The Zomo VS-Box 7/100 is made of solid MDF (Medium Density Fibreboard) and laminated with tough water-repellent decor. This model is easy to install, multiple stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers.

The capacity can vary by the thickness of your vinyl.

Sheer genius and totally cool! It's ZOMO!

Review: Zodiak Commune reaches right back into the early days of the Dutch acid techno and electro scene, and it remains an essential outlet for tough and gnarly rave gear for darkened souls. This new record is a split between Umwelt and Serge Geyzel, continuing a series of split discs pitting serious underground operators against each other. Umwelt's side kicks off with the blistering acid electro of 'The Wake Of The Anthropocene' and follows up with heavy but melodic pearler 'Cosmic Dancer'. Geyzel's 'Off The Ground' is a nervy slice of acid with sad-hearted undertones, and 'Hostage' completes the set with a moody, percussive throwdown.

Review: The music that makes up Harmony of Difference, Kamasi Washington's first EP of note since the release of acclaimed 2015 album The Epic, was premiered live as a "six-track movement" earlier this year. The "suite" - here stretched across both sides of an essential 12" - sees Washington continue to explore the idea of what it means to be black in America in the 21st century. Musically, the EP contains some of his smoothest and most laidback compositions yet, with all his musical collaborators being on fine form. The headline attraction is undoubtedly 14-minute flipside "The Truth", an almost operatic jazz epic full of swelling choral contributions, fizzing drum solos, rising horns and, of course, plenty of Washington's distinctive saxophone.

Review: It's 1990 and Depeche Mode couldn't really be riding much higher in the global music stakes. Having just released Violator, the band had finally debuted an album inside the Billboard Top 10 for the first time in their almost-decade-long history, and pretty much anyone who came into contact with the record was very quickly captivated by its sound. While definitely not a curveball, it marked an expansion of the group's existing style. Some have described it as synth-pop, others alternative rock. In many ways, it's a dance floor album, one that embraces goth and coldwave at its very core. Captured during their tour at that time, Set In Stone features landmark singles from the LP - 'Personal Jesus', of course, and 'World In My Eyes' - it also proves beyond any doubt that a Depeche Mode show is about more than simply playing the hits.

Review: ***B-STOCK: Without original outer box, product has light surface marks but otherwise in perfect working condition.***


Twenty years ago it sounded like an oddly poignant evocation of pre-millennial tension. Two decades later it stands as an eerily prescient glimpe into the technological alienation and dislocation of of a new era. Yet more importantly, OK Computer is no more or less than a sparkling, dramatic and moving collection of songs that haven't lost any of their impact in the interim. The sound of a band stubbornly refusing to follow up the stadium-strafing stylings of its predecessor The Bends - and instead bursting headlong into experimentation and wild creativity -is portrayed in still more vivid colours by the alarmingly strong collection of out-takes and B-sides collected herein, Yet there's no getting away from the chill and spark that marked out OK Computer from everything surrounding it in the post-Britpop malaise, and continues to do so in the pre-Brexit counterpart.

Notes: Creatively inspiring business from Xaoc as usual. The Erfurt is a digital phase accumulator, digital oscillator, binary counter or clock/audio frequency divider. Versatile stuff.

Supplier's Notes:
Xaoc Devices Erfurt is a digital module that may be used as an 8-output clock and audio frequency divider, a bi-directional binary counter, or a component of the Leibniz binary system, i.e. a programmable digital oscillator.

Erfurt features an 8-bit register which holds its current state: an 8-bit number representing digital values from 0 to 255. The state is available at the front panel via eight binary (5V gate) outputs and reflected by the 8 status LEDs. There are three clock inputs: one incrementing the state at each impulse, one decrementing, and one resetting the state to zero. The state may also be changed manually with two buttons.

When operating alone, the state of Erfurt changes by 1 at each impulse from the clock inputs, so that it counts from 0 to 255 in a cycle (modulo 256). This yields the signal frequency divided by 2, 4, 8, etc. up to 128, available at individual bit outputs. Depending on which clock input is used, the clock patterns correspond to the so called mathematical or musical divisions of the rhythm.

With two different clocks patched to the inputs, the counter alternately increases and decreases its state, and ultimately it counts with a rate proportional to the frequency difference between the clocks. A third clock patched to the Reset input may be used to shorten the sequence thus making the cycle incomplete for even more rhythmic diversity.

When there is a Leibniz data source connected at the back (even as simple as Lipsk), the state increases or decreases in larger steps, depending on the data present at the Leibniz bus (eg. the value programmed by the Lipsk buttons). The counter overflows quicker, and produces more complex patterns.

The state of the counter may be used as a phase input to a digital wave table. Connected to other Leibniz modules, Erfurt may play various roles, eg. it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc. Since Erfurt is based on CMOS logic (no CPU!), it can be clocked at very high frequencies (exceeding audio rate), therefore some selection switches are provided for clock pre-scaling.

Dimensions:
6 HP

Current Draw:
25 mA +12V
30 mA -12V
0 mA 5V

Notes: Updated expander module for the Moskwa II sequencer. The Ostankino adds additional connectivity to the Moskwa II, allowing CV control of most parameters, plus extra outputs.

Supplier's Notes:
Ostankino II expander adds CV inputs for many Moskwa II functions, as well as a transpose input, clock out and individual gate/bit outputs for each step.

Notes: Lipsk facilitates the inversion of the individual bits produced by Drezno (or any other module connected to its input header at the back), and delivers the resulting code to its output header. Bit inversion can be manually controlled by pressing any of combination of its eight illuminated buttons, or it can be automated by patching gate signals into its gate input sockets. An active (5V) gate flips the state of the respective bit. If the button is active (bit already flipped), then the gate flips the bit again yielding double inversion (no inversion). The corresponding LEDs show the combined effect of both manual and gate actions. The bit processing logic is hardware-based, so there is virtually no latency, allowing the binary signals to be manipulated at extreme rates.

Review: Wise Records has lined up another super outing here in the form of the Max Romeo Sings Classics EP. Featuring fresh renditions of timeless hits like 'Kingston Town,' 'Man Next Door,' and 'No Place Like Home,' these cuts were recorded with Max's touring band during a break between French tour dates. Renowned producer Dennis Bovell handled the mixing, promising a blend of Max Romeo's signature style with a touch of innovation from the legendary Bovell.

Review: When 2017's Weather Diaries marked the first full-length from Oxford shoegaze legends Ride in 21 years, many welcomed what was presumed to be a reshaping of legacy so as to not have bowed out with the negatively received Tarantula. This made 2019's This Is Not A Safe Place even more of a joyous sonic spectacle (before touching on the fact that the LP legitimately bore some of the band's finest work to date). Now that the dust has settled on a plethora of tour dates and festival appearances, we arrive at the third of their post-reunion albums with the highly anticipated Interplay. From the bubbling, ethereal synths of lead single 'Peace Sign' to the hazy, neo-psych dream-pop of 'Last Frontier', Ride appear more rejuvenated and hopeful than they've ever sounded, and it's a miracle in and of itself to be on the cusp of nearly having as many post as pre-break up records.

Review: Federsen's Robot Says R EP is an atmospheric journey of deep techno, showcasing his prowess with minimal soundscapes. 'High Pressure' opens the 12' with its captivating crystalline textures and mid-tempo groove, capturing a nocturnal essence. 'Sono' takes a melodic turn, evoking the classic styling of Detroit techno, hypnotic and mesmerizing. On the B-side, 'Fazed' delivers an addictive bassline-heavy groove, while the minimalist approach creates a driving momentum. Closing the EP, 'Quadrata' incorporates elements of house music, developing gradually into a deep and evolving soundscape. With its multifaceted tracks, Federsen invites listeners to immerse themselves in its late-night techno ambiance. You can always count on Federsen for an excellent combination of blending a classic sound, well-produced techno, yet still being danceable and emotion provoking.

Review: It would be fair to say that "The Adventure Of Kohsuke Kindaichi" is a "cult album". While many will have heard snippets of some of its tracks in hip-hop tracks and via dusty disco re-edits (a number have been given the scalpel treatment in the past), few outside of Japan have been able to get the album since it was released way back in 1977. The premise is odd - composer Kentaro Haneda created the disco and jazz-funk set as a soundtrack to a series of detective novels - but the music is superb: a zany but hugely entertaining mixture of nods to various soundtrack styles underpinned by killer disco grooves and swirling orchestral movements. We'd heartily recommend checking out the clips ASAP.